Album Review: Javelin – ‘Canyon Candy’

While Canyon Candy is a far cry from the hip-hop electro Javelin has bestowed upon us previously, it’s not something to miss. Inspired by the rolling tumble weeds and red clay encrusted jeans of the Wild West this brief album brings back snippets of that the Frontier used to be.  Word is that this is the future soundtrack of an upcoming epic of the same name, directed by Mike Anderson.  Previous fans of Javelin may be turned off by this album, it’s not electronically inclined and if anything, sounds vintage.  However, Javelin’s master-sampling and melody-making skills were not missed.  The album maintained a melodic sway the whole time, with twangy steel guitars and wavering vocals in replacement of synthesizers and funk samples.  With most of the songs finishing between one and a half to two and a half minutes, one of this album’s qualities is certainly brevity.  As soon as one song begins it suddenly seems to end, sometimes a bit too quickly.  The use of samples in tracks such as “Strawberry Roan” and “Trembler” creates an authentic western sound, and adds to the overall reminiscent feel of the album.  At the same time, tracks like “Colorado Trail,” and even “Strawberry Roan,” incorporate a little more of the beat that Javelin is known for.  Javelin incorporated some western instruments too, I’m pretty sure I detected a steel guitar, and did I hear a jaw harp in “Love Gulch?”  Standouts on this short album are “Estavez,” “Colorado Trail,” and “Streets of Laredo.”  If you’re a Javelin fan who is open to an album unlike any of its predecessors, pick this album up.  You’ll be amazed by their versatility and willingness to experiment. Available April 16th, 2011.

Interview: of Montreal vs. Yip Deceiver


Interviewer: Questions: Bella Photos: Cienna Willis

Last weekend at Webster Hall we had the chance of sitting down with members of an old favorite and a new favorite. Davey Pierce and Nick Dobbratz from of Montreal and Yip Deceiver. The guys gave us a whole new insight on what it takes to put on an oM show, and just what exactly a Yip Deceiver is. Give it a read. It’s a good one!

So how has the tour been treating you so far?

Davey: It’s been really good actually.

Nick: Yeah, it’s been lots of fun.

Davey, you worked on some props for the False Priest tour. Was that something new? Do you plan on doing it in the future?

Davey: I probably will do it in the future. It’s kind of something that fell into my lap. We needed somebody to make these props and I like doing stuff like that. I kind of just took it over.

Everything is different since you joined during Hissing Fauna, how do you keep up with all of the change?

Davey: It’s pretty easy actually. I mean because it’s kind of a natural progression you just sit back and watch it happen basically. You get so caught up in playing the shows and everything and you don’t even realize that everything’s changing so much.

Recently you can tell that the actual band members have been a lot more involved in the theatrics than usual. Is that something you guys plan on doing? Or is that something you enjoy doing?

Davey: I love it personally. I mean like it adds this whole kind of sense that it’s not just two different things going on on stage. Which in the past it has been. It’s been a bunch of people set up playing music while something else is going on in front of them. Whereas now it’s more like the performance lines and the music lines have blurred so much that it’s actually just one big thing.

Nick: I feel like it was a concious decision on this tour ahead of time to do exactly what Davey’s saying. As opposed to having two different things. I enjoy it, I like it. It’s changing every night right now.

When it comes to theatrics is it just David Barnes right now or do you all have a say in it?

Davey: He takes ideas from everybody. It is like Dobby(Nick) was saying. It’s a big evolving kind of thing. If you have an idea you can be like “Hey, what if we did this?”. If it works, it works. If it doesn’t, it doesn’t. And David’s very open to suggestions like if I walk up to him an I go “I really hated this one thing” He’ll be like “Okay, let’s see if we can make it better” It is his thing but he’s definately open to critism which is given.

Nick: And he likes to work with people’s personalities too. Whatever someones comfortable with.

You recently went on tour as Yip Deciever with Sugar & Gold. How was that tour?

Davey: It was great, it was really fucking fun.

Nick: Yeah.

Where did the name Yip Deceiver come from?

Davey: It’s actually, um, it was Clayton. We were actually drunk at a bar at like noon and we were trying to come up with a name for it. And we started making anagrams of my name. Yip Deceiver is what we came up with but we left an ‘A’ out and put an extra ‘I’. It’s a failed anagram of Davey Pierce basically.

How did you two come to working together on this project?

Nick: I joined of Montreal almost a year ago and during the time on the first tour I already heard Davey’s stuff. We kinda just started talking and we shared a lot of the same interests and influences. It inspired each other to keep working on stuff so it just happened.

Speaking of influences, you can tell that Yip Deceiver is very different from Inkwell. What influences do you have in this project that are different from Inkwell?

Davey: It’s pretty much all over. I’ve been listening to a lot of old 80’s and 90’s R&B, actually Dobby’s kind of the one that got me back into it. It does kind of come through in a way. The sounds that they use speak to me so much to me. The Inkwell stuff was kind of worn out of necessity. It was like we own guitars and a drum set and so that’s what we had to work with. And it was also like blatant punk rock, all the crap I used to listen to when I was 12. Getting the rest of that out of there so I can move on.

Yip Deceiver gained a lot of attention, which was mainly positive, for the Coquete Coquette remix. How did to feel to that feedback and that attention?

Davey: I mean obviously I was cool with it but I found just as much negative attention as positive attention. As you will with any remix. “This sucks compared to the orginial” Well it’s like thank you I guess, it’s not suppose to be the fucking orginial. But whatever, it was fun to do. I love the song. It was basically just me in my apartment with a bottle of wine and a drumset. I’d do it again, well, I probably will do it again. But I also did a remix of Sugar & Gold’s “It’s All Over You.” It’s on their new EP, it’s fantastic. Not the remix, but the EP.

Nick: The remix is fantastic. Which actually now that I think about it is one of the moments where we realized that we should be working together. It was kind of something that I written and Davey reproduced it; and it kind of the first thing we worked on together.

Davey: Actually the first thing we worked on we never actually finished. We’ve just been working on it for like a year now.

Davey, you had prior expierience playing two sets in a row with Jamey’s project, James Husband- and then again with Yip Deceiver, who had opened up for of Montreal for a few shows. Do you find playing sets in a row exhausting?

Davey: In some ways. It can be really physically exhausting but at the same time it’s like this is what we do. It’s kind of like we’ve been training our entire lives to do this. It’s so rewarding that it doesn’t really matter how exhausted you are because you can have such a great time doing both things. Especially if they’re so different. Playing with James Husband and playing with of Montreal are two totally different animals. I was on two totally different insturments and it was always fun.

Nick: For me it has a time limit. It got to a certain point on the last tour where I felt like I couldn’t do it anymore. But for the most part it’s not like you have a slightly different role so you make due.

What do you find most rewarding about it?

Davey: For me it’s just like, it is the thing we’ve been working towards. To be on stage with all these people that are my best friends. There are all these kinds of personal jokes that you don’t want to say during the set. I look over at Dobby and fucking crack up. There’s one thing that he does that makes me laugh or it’s Clayton or Thayer or Dottie. It’s rewarding because every night I get to do the thing that I’ve always wanted to do.

Nick: That’s true, I forget that sometimes.

Davey: It is actually really easy to forget that sometimes. Like when you wake up and you’re just like “I just wanna get a job and wear a tie”

You have those moments?

Davey: Every once in a while. The grass is always greener sometimes. Where it’s just like I wouldn’t mind being home. We haven’t really been home for more than two weeks in the past seven months now?

Nick: Yeah.

Davey: So I wouldn’t mind being home for a year but at the same time if I’m home for more than week I get really tired of being home.

What’s in the future for Yip Deceiver?

Davey: We’re working on a full length right now actually. Hopefully it’ll come out October-ish?

Nick: That’s what we’re shooting for, yeah.

Davey: We’re doing a video for a song called Get Strict starting in May. There’s gonna be all sorts of nice little surprise guest stars. It’ll be a big dance video.

Dance video? Will you guys be dancing?

Davey: There will probably be a little bit of us dancing in it, yeah.

Nick: There will be a lot of other people dancing in it too.

Davey: Mostly other people dancing in it.

New York has always been a great crowd for you guys. But, truthfully, what is your favorite city to play in?

Davey: Surprisingly, Mobile Alabama has very recently taken that spot. Just blew everyone outside of the water. They’re insane down there, they’re amazing. The crowds are so into it. They’re having so much, they’re just so nice. It’s incredible actually.

False Priest did great on both the CMJ and Billboard charts. How did it feel as a band to do that great?

Davey: It felt really good. Where were we when we got the CMJ thing? Was that Stockholm?

Nick: Yeah, I think so.

Davey: I’m pretty sure it was Stockholm. It was like “We’re number one on the CMJ charts!” And it was kind of this weird feeling. It was like, well we’re not even really home and no one knows what CMJ is over where. But it feels really cool to know that you’re doing something that people really want to hear. I guess that’s kind of the ultimate goal, is to have an audience that’ll listen to your insane ramblings for the most part.

One last question, is it blackmail domination or black male domination?

Davey: Blackmail.

Nick: What do you want it to be?

Davey: Yeah, that’s a good point too.

Davey: There are teams now. It is a very polarizing issue.

Nick: Blackmail or black male?

Davey: Yeah.

Nick: -chuckles-

Davey: I’m on Team Blackmail. But at the same time he(Nick) has a point, it’s whatever you want it to be. It doesn’t really matter too much.


See more interview photos HERE!

Sonny And The Sunsets Reflect On Their Youth


Hospitals have been good to Sonny Smith. He began singing while a patient at Warm Springs Foundation Hospital in Texas. And, at the Canyon Manor Rehabilitation Center north of San Francisco, he met drummer Kelley Stoltz. After adding Sonny’s brother and wife, Ryan Browne and Tahlia Harbour, the Sunsets were born.

Last month, Sonny and the Sunsets released their debut album Hit After Hit, and earlier this week they unveiled the music video for their new single “Reflections on Youth.” Check out the video and a full list of tour dates down below.

Summer Tour Dates

06/04 – Huichica Festival – Sonoma, CA

06/22 – 06/25 Sled Island Festival – Calgary, ALB

06/27 Waldorf Cabaret – Vancouver, BC *

06/28 The Funhouse – Seattle, WA !

07/01 Great American Music Hall – San Francisco, CA !

07/07 Soda Bar – San Diego, CA $

07/08 The Echo – Los Angeles, CA $

07/22 Empty Bottle – Chicago, IL !

07/23 Pike Room – Pontiac, MI !

07/24 Sneaky Dee’s – Toronto, ON !

07/26 Divan Orange – Montreal, QC !

07/27 North Star Bar – Philadelphia, PA !

07/28 DC9 – Washington, DC !

07/29 Mercury Lounge – New York, NY !
07/30 Glasslands – Brooklyn, NY !

08/05 – 08/07 Pickathon – Happy Valley, OR

* = w/ Hunx and his Punx, Shannon and the Clams

$ = w/ Wounded Lion

! = w/ The Sandwitches

Get The Results From “8in8,” A Musical Experiment By Damian Kulash, Ben Folds, Amanda Palmer and Neil Gaiman

Last month, Damian Kulash of Ok Go, Amanda Palmer, Neil Gaiman and Ben Folds attempted to write eight songs in eight hours during the Rethink Music conference in Boston; the project was appropriately called “8in8.” In the end, they only put together six songs and releasing them on Amanda Palmer’s bandcamp page, while documenting the entire process in 12 hours of webstreamed video.

The insta-album, as they call it, was named Nighty Night. The entire project has been released under a Creative Commons BY-NC license, which means you are free to share and remix the songs as you please (except for commercial purposes).

All proceeds go to the Berklee City Music Network, a Boston based charity that brings music education for under-served teens free of charge. So check out Nighty Night; not only will you be participating in showing the music industry that there are other ways of producing music than the tradition label route but you will also be helping out arts education!

The Drums Release “A Whole New World” For Japan


The Drums recently released the song “The New World” to benefit the Japan disaster efforts. It seems when you are donating all the proceeds of your earnings to charity you are no longer are required to write good music. The song is, in short, awful. I mean, we get it hold on, hold on, hold on. These people are holding on and no thanks to this song. I don’t understand benefit tracks. Generally speaking they are awful. Just because you aren’t making a profit, your talent shrivels up and dies, apparently. In my opinion, donate straight to the Japanese relief funds and skip the song. Unless you want the phrase ‘hold on’ stuck in your head for the next three hours.

Christopher Paul Stelling Teams With The Loom

New York artist Christopher Paul Stelling has teamed up with six-piece folk rockers the Loom for a Midwest tour this May.

The solo artist, who already has recorded 20 songs, has his first official full-length in the works. Stelling is offering a new single, “Solar Flares” for however much you care to give on his website. You can get it here.

Check out Christopher Paul Stelling and the Loom when they hit the road this May.

Tour Dates w/ The Loom

5/07 – Annandale-on-Hudson, NY – TBD

5/08 – Buffalo, NY – The Vault

5/09 – Pittsburgh, PA – Garfield Artworks

5/10 – Indianapolis, IN – Birdy’s

5/11 – Madison, WI – Project Lodge

5/12 – Chicago, IL – Pancho’s (w/ Paleo, Hølas)

5/13 – Philadelphia, PA – Danger Danger Gallery (w/ Psalmships)