About to Explode with The Deep Vibration

The Deep Vibration is one of our favorite up and coming new bands here at Modern Mystery, so when the band rolled into town on their co-headlining tour with Roman Candle we were really excited to see what they had to offer live. No lie, The Deep Vibration is one of the best live bands out there today. Singer Matt Campbell is literally an explosion of energy on stage. This is one band we can’t wait to hear more of and keep the name in mind, because they are on the verge of being huge real soon.

We had the opportunity of sitting down with Matt to talk about everything from their press exposure to how they got their infamous name.

How did the band form?

Matt Campbell: Uh, Andy and I went to college together and we started playing guitars together. And then when that band fell through years ago, two and a half years ago we met Luke who was from Australia and had traveled the world with some pretty big bands. We met Adam….well Luke joined the band in December 2007, it will still a different band kind of. Then this time last year Adam showed up as our bass player. I had seen him play, and we needed a bass player because the guy that we had parted ways, and that’s how we met Adam.

How do you go from Australia to Nashville?

MC: Yea he was playing for another band on drums.

You obviously have blues and rock and roll mixed into your sound. When push comes to shove, which one do you prefer?

MC: I like them both, I think of them as the same.

There’s a pretty big story how you got your name, how did it come about?

MC: We needed a band name because ours (The Attack) was taken, and we went to Walmart and flipped through um, like cheap novels and the Deep Vibration was what we went with.  (long pause). I’m just kidding! (laughs). So we went to a show at the Ryman and Lou Reed was playing and we were like ‘Well  Lou is going to have a good name for us!’ After the show we hung around the back. It’s great if ya’ll ever come to Nashville, there’s a great alleyway between the Ryman and Broadway kind of. Have you ever been there?

No I haven’t!

MC: Well there’s this great alleyway and it smells like garbage, because its like where they dump the garbage.  So that’s where that came in and Lou came out to sign autographs and everybody is crowded around him and then I was in the back and said ‘Lou! I need a band name!’ and he kind of kept signing records and then a while passed and he looked up and he said ‘Deep Vibration,’ and we said ‘Thank you!’ and we just kind of hung out and after he finished signing records and stuff he walked up to me and talked a bit then got in his taxicab.

That’s a great way to get a name! When does the first full length come out?

MC: We don’t have  a date. Probably….there’s no date. Maybe. By this time next year it will be out, definitely.

How do you feel about the success of the ‘Veracruz’ EP? There has been a lot of talk about it through magazines and blogs.

MC: I don’t like reading those things, and its great when people like it.  I’d rather not, I don’t know. I think it sounds good and I like the songs on it, and I think the guys put a lot of love into it. They did a great job. It’s different from a lot of the records…because, well it is. So I feel like its great and I couldn’t be happier with it. There’s a few wobbles in it, but it works well with the record. That stuff is just what works.

What made you decide to record the album on an 8-track?

MC: Computers are horrible and they can destroy beautiful things. Tape machines have a soul too and a heart. Technology can be self reliable but you can’t put you’re blood in it and rock and roll needs that.

I find that often, digital can be very cold.

MC: Yea, people can just get very over analytical and end up changing lots of things. I can’t go back and cut and paste on a tape machine. You can’t argue with it.

How did you get Gillian (mistakenly pronounced ‘Jillian’) to perform on your record?

MC: Gillian? That’s okay! (laughs) You’re a big fan I guess! (laughs) We went to one of her shows. I saw a great show in high school, she played at this place called The Station Inn in Nashville and on St. Patrick’s Day everyone was drinking green  beer and getting drunk. I met her there. My Dad has the same guitar as her and I showed it to her and talker to her a bit. I  had it in my car.

How does the songwriting process occur for the band? Is it a collaborative effort or does everyone bring in their own songs?

MC: It can happen anyway. So far I’ve written the songs in guitar, song lyrics, music, but I don’t write their parts. They bring it into the song, then it sort of pans out.

This is your first extensive tour. How has it been going so far? Are there any weird tour stories yet?

MC: I don’t know!(laughs) Its going alright, its funny being on tour.

Has being on the road lived up to your expectations of what it would be?

MC: Sure! (laughs) I’m not sure what I expected it to be!

Our friends are on tour camping in tents in random places right now.

MC: Yea, people do that!

You get compared to Jeff Tweedy and Wilco a lot. Is that flattering or do you find it annoying?

MC: Jeff Tweedy? I don’t get that very much!

In the review I’ve read you do!

MC: Oh really, I don’t read them! I like Jeff Tweedy a lot. That’s strange.

How would you describe The Deep Vibration’s sound?

MC: Its’ try to keep it simple. It’s a simple sound but there are holes in it. Like a live show there is only four of us so there are a lot of gaps I think.

Which do you prefer, being in the studio or playing live?

MC: I like them both. I really like playing live shows especially when they’re situated right. Like when you get good sound and all that stuff, but I like playing anywhere. Tonight’s venue (Piano’s) was small!

And awkwardly shaped!

MC: Yea its really small. I had like an inch of stage. I really love the studio but I’m ready to hang out for a while.

How did you get signed to Dualtone Records?

MC: We played a show and Paul Roper (of Dualtone) came to it. That was like February of last year. Well, the story goes like a friend of ours was interning at Dualtone and she was playing a CD of ours and they were curious as to what it was. Paul came to  a show we played and then we gave, well…we  blackmailed them (jokingly laughs) I forgot you had a tape recorder! (laughs)  I guess they liked us, our songs and music. We didn’t have a bass player.

Paul Roper of Dualtone (who was present during the interview): The first time I saw them they had a bass player with a huge afro and I said ‘We got a character here!’ but he had other things going on and Adam filled in and it was a great live show. That’s what sold me.

What is the first instrument that you learned how to play?

MC: Oh geez! Bass guitar. I never learned how to play it. I got it though. Guitar I guess.

If you weren’t in The Deep Vibration, what would you be doing?

MC: I’d be in The Attack!

Where do you see the band in 10 years from now?

MC: I see us with a few records out, playing shows. I see myself playing guitar, I see Jeremy playing guitar, Adam playing bass and Luke on drums. Just playing shows, recording a lot of songs, getting really good. I’m really excited about it. The next year is going to be a big year, a really big year for everything. What are you going to be doing?

I don’t even know what I’m doing tomorrow!

MC: You got to get it together! (laughs)

Final question of the night, what board game can you kick anyone’s ass at?

MC: Monopoly. Its a game of chance. I like the top hat.

CHECK OUT THE DEEP VIBRATION ON THEIR MYSPACE

Check Out More Photos from The Deep Vibration’s Show at Piano’s AFTER THE JUMP

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Music Video Friday

There is an over abundance of great music videos that have hit the web recently, and we feel it’s our duty to share them with you. Here are our favorite videos of the week. Yes they seem to vary in sound but hell, we would have it no other way. Let’s mix it up on this Friday afternoon.

Yeah Yeah Yeahs ‘Heads Will Roll’
The second video off of the new album is particulary brilliant. Would you expect any less frorm them?

Bat For Lashes ‘Pearl’s Dream’

Patrick Wolf  ‘Hard Times’

Peter Bjorn & John ‘It Don’t Move Me’

Metric ‘Sick Muse’

REPRISE: GRIZZLY BEAR ‘TWO WEEKS’
C’mon, we just HAD to!

The Everyday Visuals Astound with New Album

The Everyday Visuals are more than just a band that hails from Boston, but they can also be viewed as a ‘listening experience’. Recently recieving a copy of their newest self titled record, ‘The Everyday Visuals’,I was immediatly drawn to what they were selling. This album blew away any expectations I had going into it.

The record starts off with ‘Intro (Morning Star)’  which is a nice soft start to what is about to come. It hits you with a ‘bang’ but not in the way you would expect it to. It feels a bit like Fleet Foxes at first, but The Everyday Visuals certainly make this sound their own. Taking it up a notch is ‘Limb From Limb’ that will have listeners out of their seat dancing. ‘ Florence Foster Jensen’ contains the most beautiful harmonies that I’ve heard in quite a long time. They are literally flawless.  The members voices are meant to go together. Its obvious.

 ‘I Can’t Stop You’ is a nice ballad that seems like it would be the perfect Sunday morning song. ‘Heal Me’ which has quickly become my favorite song on the record really brings out the  beauty in singer’s Christoper Pappa’s voice, which adds to the overall depth of the record. ‘I’ll Take it All in Stride’ puts emphasis on everything The Everyday Visuals are about. Amazing vocals and harmonies, infectious guitar sounds and smooth keyboard playing which I wish there was more of in this world.

‘Boom! Boom! Boom!’ is a song that will catch your attention immediately. I think the title really explains it all. Mixing indie with folk,this song is perfect. ‘Restless Heart’ reminds me of an old Ryan Adams song which is an extremely good thing to remind someone of.  The overall vibe of the song and  with Pappa’s voice coming in and out is beautiful and well crafted. The same goes for ‘Daydream Ghosts’ which is another song that can only be described as perfect. ‘Driving’ is a lovely soft song that brings out more silky vocals and acoustic guitar picking. ‘Peers’  will have your foot tapping for sure, ‘Its too much to bare’ sings Pappas as his voice fades into the distance. The album ends with ‘It’s All I Can Do’,  a sweet little acoustic song that makes for a brilliant ending to a more than astonishing record. In all honesty, if I put together my ‘Top 10 of 2009’ right now, The Everyday Visuals would be the number 1 spot.  This record is filled with brilliant melodies and catchy tunes that only get better with every listen.

Listen to The Everyday Visuals at their MYSPACE

Watch The Everyday Visuals Video for ‘Boom! Boom! Boom!’

Happy Grizzly Bear Day!

We’re not sure if there is any other way to say it, but Happy Grizzly Bear Day! Really, has anyone talked about anything else all day besides the release of ‘Veckatimest’?  We haven’t been able to have a conversation all day without someone mentioning it. 

‘Veckatimest’ is an album that is rich with one impressive song after another.  It gets better with every listen and truly takes you on a musical journey. This is by far Grizzly Bear’s best album yet, and is definitely the year’s most anticipated indie record. Not to call early shots just yet, but this is sure to be headed to many ‘Top Albums Lists of 2009’. 

Check out ‘Veckatimest’ on Grizzly Bear’s MYSPACE

Watch Grizzly Bear’s New Video for ‘Two Weeks’

The band is also on an extensive tour (with 3 New York stops!)

May 26 Vancouver, BC Commodore (w/ Foreign Born)  
May 28 New York, NY SOLD OUT: Town Hall (w/ Here We Go Magic)
May 29 New York, NY SOLD OUT: Town Hall (w/ Here We Go Magic)
May 31 Brooklyn, NY SOLD OUT:Music Hall of Williamsburg (w/ Here We Go Magic)
Jun 01 Washington, DC SOLD OUT: 9:30 Club (w/ Here We Go Magic)
Jun 02 Philadelphia, PA Trocadero (w/ Here We Go Magic)
Jun 03 Boston, MA Berklee Performance Center (w/ Here We Go Magic)
Jun 04 Montréal, QC Le National (w/ Here We Go Magic)
Jun 05 Toronto, ON SOLD OUT: Phoenix (w/ Here We Go Magic)
Jun 07 Minneapolis, MN Cedar Cultural Center (w/ Here We Go Magic)
Jun 08 Milwaukee, WI Pabst Theatre (w/ Here We Go Magic)
Jun 09 Bloomington, IN Buskirk-Chumley (w/ Here We Go Magic)
Jun 11 Carrboro, NC Cats Cradle (w/ Here We Go Magic)
Jun 12 Manchester, TN Bonnaroo
Jun 13 Atlanta, GA Tabernacle (with TV on the Radio)
Jun 15 Dallas, TX Granada (w/ Here We Go Magic)
Jun 16 Austin, TX SOLD OUT: The Parish (w/ Here We Go Magic)
Jun 18 Tucson, AZ Centennial Hall (w/ Wilco)
Jun 19 Los Angeles, CA Wiltern (w/ Here We Go Magic)
Jun 21 San Francisco, CA Fillmore (w/ Here We Go Magic)
Jul 19 Chicago, IL Pitchfork Music Festival
Aug 07 Osaka, Japan Summer Sonic
Aug 09 Osaka, Japan Summer Sonic
Aug 13 Olso, Norway Øya Festival
Aug 14 Göteborg, Sweden Way Out West Festival
Aug 15 Rees-Haldern, Germany Haldern Pop Festival  
Aug 16 St. Malo, France La Route du RockFestival
Aug 18 London, UK Koko  
Aug 20 Hasselt, Belgium Pukkelpop
Aug 21 Biddinghuizen, Netherlands Lowlands Paradise
Aug 22 Glanusk, UK Green Man Festival
Oct 02 Austin, TX Austin City Limits Festival

Drew Danburry ‘Memorial Day’

Just when you didn’t think we could find a song about Memorial Day we proved you wrong. Indie artist Drew Danburry who has just recently toured with those lovely lads in Someone Still Loves You Boris Yeltsin, hasn’t always had it easy when he comes to music (remember his disaster of a tour in 2008?), but it doesn’t stop him from making brilliant songs. We’re sure he is of the very few musicians to have a song about Memorial Day (at least that we know of). Maybe he wrote it just for that reason.

Download Drew Danburry’s ‘Memorial Day’  from “This Could Mean Trouble, You Don’t Speak for the Club” HERE