For Brooklyn-based modern folk duo emily + shawn, the stuff in life that makes a difference requires heavy lifting, and careful attention to detail. Their music is an authentic reflection of their lives. emily + shawn’s songs are informed by their ethics, their myriad of experiences and interests, and their day to day interactions, which they characterize sweetly as “healthy clashes.”
They just released their new acoustic folk ballad about finding love and connection in the smaller moments that usually get forgotten. It’s a tonal departure from their previous singles, but just as beautiful. It has a strong Mumford and Sons meets The Lumineers with an Ingrid Michaelson undertone.
“’you and i’ is a song we wrote about our life as both a music duo and as a couple,” shares the duo. “Memories of living in New York City are present throughout, and the pensive chord progression gives the listener an element of nostalgia we tried to create lyrically. We produced this with David Baron of The Lumineers and wanted to emulate their raw, stripped-down feeling within the folk-rock genre.”
Eric Selby has released the first single “Horseshoes & Hand Grenades” from his upcoming full length release, Dang Fool, which is out via Soul Stew Records.
“Horseshoes and Hand Grenades” is all about the notion that life is going to happen regardless; you can either accept it and go along with the ride, or observe it and do nothing. Getting really involved in your life and making things happen, Selby writes, is the better option.
“This song is about the concept that life is going to happen so you can either be an observer or a participant. Action is more important than words, so since participating will ultimately make you happier, get off your duff and take charge of your life. ‘Sh*t happens’ and you can’t always rely on other people that you think are in your corner and when they do let you down, their remorse is fleeting, reflecting the immediate gratification that this social media world delivers in almost faster than real time. Love can be the same way. Protect yourself, advocate and communicate your thoughts and feelings because, ‘hearts get broken with precision of horseshoes and hand grenades.’”
With his style of alternative, contemporary Americana folk, Selby draws his influences from as wide a range as The Beatles, XTC and Phoebe Bridgers. Likewise, he has been compared with The Beatles, as well as Pink Floyd for his psychedelic vocal sound.
Selby is from the Washington D.C. area, and is a single father to four daughters and a cat. After many years being the drummer of local bands, Selby has finally stepped out to release his first solo music in 2020 which included the EP “Do, Baby” and singles “Anxious Zen” and “Another Page.”
Storyteller Chet Lam spent his childhood in Hong Kong’s gritty, inner city housing complexes with very little resources. As a gay kid growing up in a humble environment while trying to figure out where he fit in, he found solace in the poignant and poetic outlaw and brokenhearted narratives of 1970s Americana and country artists.
Chet also saw in USA roots music similarities with Chinese pop, as both brimmed with strong melodies, sensitive stories, and careful attention to lyrical detail. Now, after becoming a highly-respected artist in the Asian market, Chet hopes to bring a heartfelt fusion of East-West pop sensibilities to the Western Hemisphere.
“From a young age, I knew I was different, and it felt like music was a way out. Songs by Leonard Cohen, Joni Mitchell, and Emmylou Harris were my escape and my education,” the globally-based artist says. “I noticed their theme of thriving in the face of hardships to also be very present in Chinese pop music.”
The globally renowned Asian pop and folk singer/songwriter recently released his newest folk pop album Back to the Stars Again, inspired by the world renowned and deeply loved classic book The Little Prince. The book turned 76 years old in 2022 and has been published in 250 languages. To this day, it remains poignant as it tells the story of a young prince who comes to multiple planets throughout the universe including earth and it touches on themes of love, loss, loneliness and friendship.
“I was always fascinated by the simplicity and the depth of this French classic,” says Chet. “I wrote these songs from the perspective of each character. The Little Prince is a romantic, of course, The Fox is simply a drama queen, The Rose is spoiled, The Ghosts are actually everyday people, The Snake is innocent… all characters coming together will be a life lived to the fullest.”
His unique and signature sense of storytelling draws from Leonard Cohen and Joni Mitchell, but it’s also quite similar to James Taylor or Simon and Garfunkel, the latter can also be heard in his voice. He blends folk tradition with pop ideas of synthetic sounds and tones to create a sense of aethereal space and airy melodies. He beautifully tells the story from different perspectives which provides a fresh take on the classic.
Sahffi Lynne is an international medicine musician and vocal coach, offering their music, meditations, ceremonies, and teachings as medicine to illuminate our connection as human beings.
They just released their music video for their moving single “Let the Healing Begin,” an acoustic folk-like song about using creative processes to heal from grief and pain. The video depicts this kind of healing by way of 3 separate forms of art. Sahffi is depicted writing a song, a woman is depicted painting, and a man is depicted dancing.
The video is a beautiful piece that complements the single perfectly. Everything about it, from the people to the setting to the action is stunning. Even as we watched it, it provided catharsis as a viewer, almost like we felt seen.
“My own experiences have shown me that with a combination of meditation, creativity, plant medicines, and professional support, one can truly heal trauma and reclaim their birthright of living in love. I am honored to carry the medicine of music to teach and guide those interested in doing the necessary work to connect with their true voice and purpose,” shares Sahffi.
We got a chance to speak with Sahffi about their song and video and dove into the specific artistic choices:
Tell us the story of this song, why did you choose to visualize this song specifically in this way?
Actually, the interesting thing about this song is that it was completely channeled! I often hear music in the wind or hear melodies in the woods, yet this is the only time (so far!) that I watched my hand write the lyrics without a clue of what I was writing! I then picked up my guitar, and as I read the lyrics, the song just poured out of me. The message, “you can let the darkness win, or you can let the healing begin,” was so profound for me at that specific moment of my life. I was struggling to move forward after a bitter breakup, an illness that temporarily kept me from singing and working, and a subsequent move out of my home because of income lost. This song was a beautiful reminder for me that I had the choice to continue on in life or give up. The song gave me strength and truly helped to heal my heart!
I was talking with a friend after the album, “Pulse of Evolution,” came out in 2021. (“Let the Healing Begin” was released on that album.) I told her I’d love for more people to hear the song, as I hoped it would touch others as it did me. She reminded me that many people “consume with their eyes” these days (as she put it!), and her words planted a seed that a beautiful video needed to be created for this powerful song!
I am grateful so many others resonate with this song’s message of hope and strength, and I am proud the video represents and reflects the message of this song so beautifully.
What was the inspiration behind this video (visuals, storyline, etc.)?
The video originally was going to be an animation, yet the plans for that fell through. I didn’t know how I was going to make a video, yet a Facebook friend, Maranda Kosten, reached out saying she felt called to talk with me about how we could work together. I thought perhaps she would be interested in voice lessons, (which she did end up taking!), yet she mentioned she worked for Do Good Video Productions. Within a couple of weeks we were meeting with the team at Do Good, along with my director, Lucas de Britto, talking about making a video! I couldn’t believe how easy it was to have found such an amazing team of people as excited about this song and project as I was!
My last hurdle was funding, yet I was grateful that over 150+ of my community supporters donated to my birthday campaign to make it happen!
The storyline follows three artists (a dancer, a painter, and me, a musician), from their lowest point, through creation, and ultimately to their reconnection of their spirit. Throughout it all, they each have elders watching over them, encouraging them with their silent wisdom and strength. I love how the video shows the process of healing includes the movement of creation!
One fun fact: the video starts out in muted colors and becomes more vibrant by the end. The inspiration for that effect was “The Wizard of Oz!”
What was the process of making this video?
This project was a year in the making! It started with a seed of an idea, then quickly jumped to a crowd sourcing campaign. The IndieGoGo campaign was a huge success, with over 150+ of my supporters making contributions, and one angel investor matching the total! I am so grateful for the support I receive for my music!
With my community’s support, we started site visits to the location of the video, my dear friend’s private land in Pennsylvania lovingly called “Hawk’s Ridge.” Magically, the dates for the shoot in May worked for everyone involved, and we were grateful for beautiful weather that weekend!
Do Good Productions was wonderful to work with, offering a fantastic production and creative team, and the shoot went off without a hitch. In fact, we all mentioned how unusual it is to have everything fall into place so easily! My director, Lucas de Britto, was also the editor, and I am grateful for his sweet temperament and amazing talent.
Everything came together for a holiday 2023 release, and I am super proud of this community-supported project! I hope everyone will be touched by the song and story line of the video as I have been.
Brooklyn based singer-songwriter Elizabeth P.W. has a new single out now called “Brooklyn.”
A song packed with meaning, “Brooklyn” came to Elizabeth suddenly after the death of her aunt in Manhattan who was involved in a car accident:
“With my Aunt Amy´s death, I had a sudden realization: after over 100 years of Brooklyn being the hub of our family, I was the last living person in the Phillipson family who remained. The chorus of the song popped into my head one day and the rest of the song came soon after.”
With the Americana folk chorus and key instrumental violin and accordion solos, this song is memorable and full of emotion. As a multi-instrumentalist, Elizabeth´s music has been nominated for various composer awards as well as being premiered in films at Tribeca Film Festival, DOC NYC and more.
“Brooklyn” combines various synth sounds with organic instruments like the folk violin to create her signature sound.
Elizabeth released her debut folk album “Haven´t Found It” back in 2019, to much critical acclaim and she has been busy ever since composing music for film scores such as the 2021 NAACP Image Award nominated short film “Gets Good Light”.
Her music influences include Fleetwood Mac, Jackson Browne and Glen Campbell. With such an eclectic sound and great musical talent for both songwriting and performing, we can´t wait to hear more of Elizabeth´s music both on screen and future single releases.
Stay current with Elizabeth Phillipson-Weiner on her Website and social media channels Instagram ,Twitter and TikTok.
Happy For No Reason is a band that is the antithesis of their name. The band based out of Portland Oregon celebrate every single one of life’s precious moments as two of their members are literally happy to be alive. Comprising of Jo Alexis (vocals and percussion), Neil Goldstein (guitar), and Mark Pritchard (flute), the founding members of Happy For No Reason navigate the rich waters of Jazzy Folk with a pinch of rock, a dash of soul, and even a touch of Bossa Nova.
Their jazzy folk rock single “Canaries (Hot Summer Night)” was revived from Neil and Jo’s early music careers. Neil wrote this chord progression with a jazz band in 1974 and Jo wrote the lyrics in 1991. They put them together one night in 2015 to make the song we hear now. It’s an example of how many of their songs came together.
“The lyrics are about my boyfriend who was working in Harlem at the time and I went to visit him knowing we might break up,” says Jo. “Breaking up when you are still in love is painful but the song has turned into a raucous uptempo sing-along, like the rat pack with a female lead!”
They finished recording, mixing, and making the music video during the pandemic. A friend of Jo’s told suggested the lead vocals were initially too aggressive. So, Jo bought a new microphone and redid her parts, also learning how to use Logic, the DAW (digital audio work station) and spent many hours comping the flute and piano solos.
Their video for “Canaries(Hot Summer Night)” depicts the band on a steampunk style ship, captained by Jo. They are on a mission to catch a canary. The ship and crew are eventually wrecked and never catch the canary. It’s a metaphor for self-destruction, you want something so bad that you’re willing to ignore red flags.
We spoke with Jo Alexis about the video:
Tell us the story of this song, why did you choose to visualize this song specifically in this way?
We didn’t actually choose it but trusted the animator to come up with something fabulous! I saw one of his videos on YouTube and looked him up. He does a combination of live action and animation and I thought it would be amazing for this song!
What was the inspiration behind this video?
Honestly, we gave Christian Bolorinos, our director/animator/producer complete creative freedom on this so all of the ideas were his and we showed up in costume and followed direction. He is SUCH a joy to work with and has an incredible sense of humor! I was delighted with the result and so was the wonder world. The video has acquired 136k views on Facebook and is also a favorite on my YouTube channel.
What was the process of making this video?
The process was so much fun! We rented a studio in Portland and showed up in steampunk outfits(during the pandemic so we wore masks except when shooting!). We shot the music video in Portland but our director, animator and script writer, Christian Bolorinos, was in Barcelona. So we FaceTimed with him during the shoot which actually worked out really well! He directed us from Spain and we just followed his directions. I rented boat props like a steering wheel and a nautical telescope and of course, ropes. We used a fan to make it look as if we were in a terrible storm. Here are some cool pics of our shoot with the band in steampunk costumes.
Modern Mystery 