Miriam Armonie Finds The Courage To Sit With Complicated Feelings On Latest Release “You Should Know”

There is something revealing about a song written from the perspective of someone who wants to be understood but cannot quite find the words to explain themselves. It is an emotional contradiction that sits at the heart of Miriam Armonie’s “You Should Know,” a single that explores the uncomfortable territory between attraction and avoidance, vulnerability and self-preservation, and the things we want from other people versus the things we feel equipped to give them.

Emerging from New York’s creative scene, Armonie is building a musical identity around atmosphere, and a willingness to let different influences inform her songwriting. Her latest single draws on personal experience, revisiting a relationship in which someone wanted more from her than she felt able to offer.

At the time, she was focused on establishing her career and lacked the emotional maturity and experience to navigate the situation with the sensitivity it deserved. The person in question was someone she cared about deeply, which only made the decision to distance herself more difficult. Rather than risk leading him on, she chose to cut contact altogether, a decision she now recognises could have been handled differently.

That backstory gives “You Should Know” its weight. This is a song shaped by hindsight, by the realisation that protecting yourself from a situation you do not know how to manage can leave another person hurt and unanswered questions lingering long after the moment has passed. There is an important distinction here between not wanting someone and not knowing how to make room for them in your life. Armonie is interested in exploring the possibility that feelings can be genuine even when the person experiencing them is unable to act on them in a healthy or constructive way.

The song also touches on the complicated relationship between avoidance and vulnerability. Sometimes, withdrawing feels easier than explaining yourself, particularly when you are still learning how to articulate your own insecurities. The difficulty is that silence can communicate something very different from what you intended. In looking back at her own behaviour, Armonie allows herself to acknowledge the hurt she may have caused without dismissing the reasons behind her decision. It is an honest, recognisable form of reflection, and one that gives the song more nuance than a straightforward tale of missed romantic opportunity.

Musically, “You Should Know” carries the kind of soft and ambient rock landscape that is shaping Armonie’s forthcoming Blue Hour EP. The project takes its name from that fleeting period between day and night, a space that seems particularly suited to songs concerned with uncertainty, memory and emotional states. Armonie’s interest in combining genres also suggests an artist who sees sound as something to explore rather than a formula to repeat.

That curiosity is central to her approach. While Blue Hour leans towards softer, atmospheric rock, Armonie has already written material that moves into funk, groove, disco and punk. Her musical influences include Sade, Lana Del Rey, Anita Baker, Willow and Olivia Rodrigo, artists whose work demonstrates different ways of balancing a distinctive identity with an appetite for experimentation. Sade, in particular, represents an ideal for Armonie: a performer whose understated vocal delivery can convey enormous feeling without relying on theatrical excess. It is a useful reference point for an artist interested in the subtleties of emotional expression.

Beyond her own releases, Armonie is developing her work as a songwriter and producer with ambitions to create music for other artists. She is also outspoken about the importance of retaining creative control, particularly for women working in an industry where experience and authority can too easily be used to undermine their instincts. That determination to trust her own perspective is reflected in the personal nature of her writing. She is willing to revisit decisions she regrets, examine the less flattering parts of her own behaviour and consider what those experiences have taught her.

With “You Should Know,” Miriam Armonie turns an uncomfortable personal memory into an opportunity for understanding. The song’s tension lies in the gap between feeling something and knowing what to do with it, a space where good intentions can become tangled in fear, uncertainty and the inability to communicate.

As the Blue Hour project continues to take shape ahead of its 2027 release, “You Should Know” offers a compelling introduction to an artist whose songwriting is as interested in the questions we leave unanswered as it is in the emotions we find the courage to express.

Keep up with everything Miriam Armonie on her Website

VIDEO VOYAGEUR: 3 Q’s WITH KRISTY CHMURA

Kristy-Chmura-FO3139908-C243-3000-1

In a powerful tribute to Earth Day, singer, harpist and songwriter Kristy Chmura releases a re-imagined version of her song “Wake Up”. This is a heartfelt environmental anthem that brings together music, activism and visual storytelling.

Originally released on her 2018 debut solo album “Stained…Glass Heart”, the song now returns with a fresh cinematic arrangement and a compelling music video that shines a spotlight on the urgency of protecting our planet.

Deeply rooted in her love for nature and her decade-long commitment as a volunteer with her town’s Shade Tree Commission, Kristy’s passion for trees, forests and wildlife pulses through every frame of this video.

Collaborating with world-class musicians Christian Eigner and Niko Stoessl, along with longtime creative partner Damien Musto, Kristy brings new life to “Wake Up” through haunting melodies, stunning visuals and a message that resonates deeply in today’s climate.

In this interview, Kristy shares the story behind the song, the inspiration for the video and the creative process that brought this urgent and moving project to life:

1.Tell us the story of this song, why did you choose to visualize this song specifically in this way?

    The seed for my song “Wake Up” was planted a while ago. I released my original version of “Wake Up” with my longtime creative partner, Damien Musto back in 2018 on my debut solo album, “Stained…Glass Heart”.

    I’ve always felt a deep connection to nature, a sense of belonging that resonates in my soul especially whenever I’m surrounded by trees, and I was becoming increasingly worried and distressed by what I would see in the media: the destruction and attacks on our environment, and how greed and thoughtlessness towards the planet hurts us all.  

    All these things overwhelmed me – the images of deforestation, the oil spills, the sheer disregard for our planet, even seeing things in my own community like clear cutting properties for new construction – I reached a point where the the inner activist in me became ignited.  It wasn’t just about the planet; it was a personal ache, a sense of loss. I had to do something, I couldn’t stand by any longer, so I used what I have: my voice.”

    “Wake Up” is a call to action to myself and to anyone, reminding us we need to look within ourselves and become more conscious of how our actions affect one another. We’re all part of a giant ecosystem.  If we each do something, no matter how big or small, that contributes to solutions and creating health and balance for our environment – that’s a step in the right direction, and we need to keep going in that direction one step at a time. Sometimes that first step is just becoming more self-aware.

    This newly reimagined version of “Wake Up” came to be because one summer, the smoke from the Canadian forest fires drifted south, casting a pall over New Jersey. The air hung heavy, and the poor air quality made it challenging to breathe.  The sun was a hazy orange disk in the sky, and you could smell the wood burning from hundreds of miles away.  Experiencing that broke my heart, thinking of the acres of trees and the extreme impact on the entire ecosystem.

    This reignited the pull inside me to want to do something to help, so I turned to my music once again. I reached out to my team of music collaborators—Christian Eigner, Niko Stoessl, and Damien Musto—and told them I had this idea to rearrange my original version of “Wake Up” into something new and bigger, because I felt the song had an important message that needed to be heard. They were all on board, and there was an electric energy between us as we created this more pop/alternative style of “Wake Up”.

    I decided to visualize this song in this specific way because I wanted to make the video more about delivering the message and bringing this important global issue about the health of our planet to the spotlight.

    2. What was the inspiration behind this new video (visuals, storyline, etc.)?

    The inspiration behind this new video came from many things – I like watching documentaries about the environment on Pattrn TV, and I’ve always been incredibly moved by Michael Jackson’s video for “Earth Song.” However, I had to narrow it down and keep my budget in mind, so I chose a source of inspiration from a past experience – a concert I had attended, which was the Live Earth concert organized by Al Gore when he released his documentary, “The Inconvenient Truth.”

    That concert was so inspiring, with such an important message raising awareness about climate change, that it has always stuck with me. Melissa Etheridge did a music video for her song that she created for the film, “I Need to Wake Up,” and so I gathered inspiration to create my own version of what they created back then. I decided to try to focus on one climate issue that I feel passionate about, which is our forests, and try to highlight how they are such an important ecosystem that we need for maintaining the health of our planet.

    3. What was the process of making the video?

    Creating the video was a long process. This video is the culmination of many ideas. It was challenging to create something with such an important message, as there are many different environmental issues warranting attention, so I needed to narrow it down to just one. I didn’t want to be the focus of this video; instead, I wanted the message of the song to be in the spotlight. So I worked with my video team at Sunbeam Productions LLC, and we brainstormed many ideas.

    I had a strong vision about gathering many different environmental images and text with different facts to create a story in the form of a mini-documentary, but I still wanted to have shots of me singing interwoven within those images. I researched the text that appears in the video from many different sources, like the Arbor Day Foundation and the Audubon Society, etc. I then put together the text story within the visual story of the images I gathered.

    I came up with the idea of projecting all these images onto a large backdrop. We then scouted a location with a cyclorama wall and shot the singing scenes there, and it all worked out perfectly. I have Julia Schnarr and her team at Sunbeam Productions LLC to thank for putting all the pieces of my vision together into this video.

    Keep up to date with Kristy Chmura on her Website

    Video Voyager: Deirdre Murphy’s “Sweet and Strong”

    Singer/songwriter Deirdre Murphy is the creator of many original works of music, dance, theatre, circus, and performance art. It’s evident in the music video for her neo-folk song “Sweet and Strong.”

    The video is a depiction of a beautiful, light hearted, and sweet celebration of life and friendship. It’s a pure showing of loving life through dance and movement. There has never been a more lively, happy, or delightful music video. It’s freeing to watch these friends interact with each other in such a loving and open way.

    We got a chance to speak with Deirdre about the music video and her intentions behind hit:

    Tell us the story of this song, why did you choose to visualize this song specifically in this way?

    This song has always called for a really physical video, in my mind. My friends and co-performers, Sean and Zsofia, are my training partners and former students. Zsofia asked me one day if her sister could come to class – she said, “She’s only 16 but she is sweet and she is strong.”  And I went home and wrote the song. So it has that neat little tie-in, but also the song is about feeling really secure, really good, in your body and your surroundings which I wanted to get across in the video. My relationship with them routinely involves handstand training, acroyoga, many jokes, and bodywork/massage. I love the physicality of the practices themselves – the movement just feels good and practicing together is always great fun. I knew if I could get those elements captured, they would speak for themselves and they would speak visually for the song.  

    What was the inspiration behind this video (visuals, storyline, etc.)? 

    Last summer I took up a new hobby with a friend, of rose smelling. We centered our efforts in the rose garden nearest my friend’s house – the one in the video. 

    A little known fact that is after about 30 or 40 minutes of smelling the roses, you are absolutely drunk on them. Heady. Our extensive research found that not only does it make you drunk, but also that about one in every ten roses smells exquisite (while some barely have any scent at all!). We further noted that about one in every twenty is magical beyond explanation – transcendent. These are the ones that cause a person to stagger. I remember one particular rose that we couldn’t stop smelling for a full 15-20 minutes, knowing that when we left it we would most probably never find it again. As we spent more time there it occurred to me that it’d be the perfect place to shoot a video for this particular song – it’s very much about stopping to smell the roses and appreciating the little moments. 

    I would fully recommend rose smelling as a hobby, by the way. It’s free, it makes you drunk, and there’s no learning curve – you walk in at the top of your game! 

    What was the process of making this video? 

    The process was just as fun as it looks! We were lucky to work with the wonderful Hannah Bloom, who has a real eye for movement and did a beautiful job with the edit. She used a vintage lens – which I think really adds to the feel – sort of old timey, and highly textured what with all the leaves and vines. I was able to work closely with Hannah on the edit and it was really lovely – she was a pleasure to work with. Sean and Zsofia were in fine form and a lot of craic was had, as is always the case with those two.  

    Connect with Deirdre Murphy via:
    Website / Instagram / Facebook / Twitter / YouTube / Spotify / Apple Music

    Video Voyager: Tadgh Billy King’s “mirror”

    Irish alt rock artist Tadgh Billy King’s (pronounced like “Tiger” without the “er”) earliest memories are of literally living above a beloved New York City music venue, The Local 269, his parent’s owned and operated. During that formative time, he soaked in the rock, punk, jazz, and pop that soundtracked the bar’s existence.

    This melting pot of sounds would be a template for his own unbound musical explorations where he often explored the music of the Ramones, Green Day, and Nirvana, alongside studying classical vocal and guitar techniques. 

    The self-reflective and introspective post punk and alt goth “mirror” is at once ethereal and chaotic, brash and sweet. Filled with chilling guitar ambience, goth-y, thick baritone vocals, and crushing walls of sound, it all leads up to a viscerally anthemic, gazy, wild, final chorus.

    The music video reflects the darker, more gothic style of the song. He plays with angles and mirrors to symbolize his internal examination and self-reflection.

    We got a chance to speak with Tadgh about the music video for “mirror”:

    Tell us the story of this song, why did you choose to visualize this song specifically in this way.

    Mirror is a song about self reflection. Its me taking a second to examine myself and take stock. At the time of writing it I was looking at where I’d come from, where I am now and how I’ve changed as a person over the last few years. I wanted the video to take the song further in this direction. With the visuals, I wanted to really lean into the goth rock-y style of the music and the introspective meaning behind the lyrics. I wanted to keep everything looking as dark and moody as possible to match the moodiness of the song.

    What was the inspiration behind this video (visuals, storyline, etc.)?

    I’ve always really liked when artists are able to tell a larger story over a few different music videos. Even if its just a small easter egg or connection between their videos, I always appreciate it. I’m trying something like that with these videos and mirror, like “sit and wait,” is one piece of a larger story that will become clearer as more videos of mine come out. 

    I wanted this video to feel like a weird dream. I wanted to go a little deeper with this idea of self reflection and examination. This is where the visuals of me with my reflection come in. I wanted it to feel like I was stuck in this liminal space and by filming it on black it allowed me to play around with angles and have me really “examine” myself. I’ve also always been interested in playing around with the idea of reality and how dreams can sometimes feel so real it can sometimes really take a second to discern what’s a genuine memory of something that happened in real life and what’s a memory of a dream. 

    What was the process of making this video? 

    There were two main shoots for this video. The first shoot was done in a rehearsal studio here in Dublin that has these big floor to ceiling windows. We hung up some black material and filmed me standing next to the mirror at different angles singing the song and a few takes of me playing some of the guitar parts. Then the second shoot was me in the car. I chose some visually interesting locations around Dublin for me to get in and out of the car and then drove around the city shooting me from the back seat looking into the rearview mirror and the front seat. 

    I really wanted to play with what was real and what was the dream to try and give a sense that by the end of the video, when I get out of the car, its hard to tell if I’m still dreaming or not. Most of that came down to the editing process. This is the part of the process where I was really able to experiment with the different “mirror-on-black” angles and what meaning and feeling they give depending on the orientation. The car shots were pretty easy to edit, I could visualise what I wanted for them from the beginning of planning the video and was really pleased with how they turned out lighting-wise as that was just a complete luck of the draw. 

    It was a fun video to make. There will be another one for my next single “breathe out” that will come soon after the single is released on the 21st of July.

    Connect with Tadgh Billy King via:
    Website // Instagram // Facebook // Twitter // YouTube // TikTok // Spotify

    Video Voyager: Best Not Broken’s “I Don’t Belong”

    Best Not Broken

    Boston’s Best Not Broken has built a reputation for high energy shows and catchy, power pop/rock original songs. Drawing from Brit Pop, Alternative Rock, New Wave, and their own unique brand of singer-songwriter sensibility, the band crafts soundscapes that appeal to fans of artists ranging from The Killers to Ed Sheeran.

    Their thoughtful and, at times amusing, lyrics match the upbeat nature of the instrumentation, creating a fresh musical odyssey that is infectiously fun.  Their live performances showcase the band’s contagious energy and often evolve into interactive dance parties where the onstage antics compel fans to rock out and let loose.

    Their new song “I Don’t Belong,” and the video, explores adolescence and finding where you belong. It’s a tribute to those that never quite fit in in high school, but ultimately find their way. It’s also tribute to the many aspiring rock stars that never quite make it but have a treasure trove of memories to look back on.

    We got the chance to speak with Best Not Broken about their fun and relatable video for “I Don’t Belong”:

    Tell us the story of this song, why did you choose to visualize this song specifically in this way? ​

    The song “I Don’t Belong” is a satire of a boy who graduates in the 90s, doesn’t align fully with any particular clique, dreams of being a rock star, but turns out to be just an average guy – which ultimately isn’t that bad! The song is intended to shine a spotlight on our inevitable silly high school regrets. The lyrics inspired the light-hearted, nostalgic video… which kind of wrote itself!

    What was the inspiration behind this video (visuals, storyline, etc.)? 

    This song was dripping nostalgic references to the 80s and 90s and we felt compelled to bring them to life in the video. There was no shortage of visuals to choose from – from the Rubiks cube to the mullets… sadly they all felt to natural! 

    What was the process of making this video?

    We knew we wanted the video to be shot in a high school. So the first challenge was finding a high school that would actually let us do it. We had the good fortune of getting access to Souhegan High School in Amherst, New Hampshire, which really was designed perfectly for our intended scenes. We hired 106 Studios to handle the video production and collectively brought in our actors and built out the drama. We pre-ordered a bung of 80s and 90s paraphernalia, and after two days of camera work, we had enough footage to tell our little story. We were so lucky to find all the awesome actors and contributors. If you haven’t yet tried to shoot an era-specific nostalgia video, we highly recommend it.. ha!

    Connect with Best Not Broken via:

    Website / Instagram / Facebook / Twitter / YouTube / Spotify / Soundcloud / Apple Music

    Video Voyager: Low Tide Levee’s Video for “Dang Diggy”

    Low Tide Levee

    Low Tide Levee is the newly emerging band of seasoned musicians featuring singer/songwriter, composer, drummer, pianist, and former marine biologist Amy Brookes as the primary creative force. She writes the songs, sings lead vocals and harmonies, and plays drums, percussion, and keyboard. Her husband, Sasha Ames, is the band’s bassist and, sometimes, studio guitarist, and the trio is rounded out by a guitarist.

    The band just released their new single “Dang Diggy” and it’s accompanying video. The 60’s pop and progressive rock song was written during one of Amy’s jaunts to a local tea shop she used to frequent to get the creative juices flowing. She came up with this tune, not really expecting much from it, but it ended up being a band favorite.

    The fun Claymation video depicts the character of Dang Diggy as an almost divine entity, throwing pies down onto the man below. This man is in a boat with nowhere to run from the pies, his only options are to jump out and swim or sit and take it. It’s a clear depiction of life through whatever it has down on you, good and bad.

    We spoke to Amy about the video and what her ideas were:

    Tell us the story of this song. Why did you choose to visualize this song specifically in this way?

    Dang Diggy came to me during one of my jaunts to my local tea shop that I used to frequent, a unique kind of place to gather and chat with random strangers, while enjoying the subtleties and meditation of gongfu tea ceremony. I often used my walks there and my time sipping tea to invite in the creative process, and many a gem came and was captured with my voice memo or note app on my phone.

    The words just came into my head, and I thought it was a fun, silly, trippy song that could be a camp song. Little did I know that my band would love it and we would turn it into a rock anthem. Each pie is a ridiculous stoner dream of an over- the-top kind of dessert that exceeds all reason and just sounds like heaven, even if it would in reality be too much. Eventually, I realized that this incredible mask we found for our music studio (aka the “Funk Palace”) *was* Dang Diggy, and that Dang Diggy was absolutely this non-gendered deity that hung about in the sky throwing down pies to whomever might be fortunate enough to receive them.

    What was the inspiration behind this video (visuals, storyline, etc.)?

    It was my dream to have a Claymation video showing the story of this character Dang Diggy, a deity-like being who hangs about in the sky throwing down all the different pies. I found someone on Fiverr (Aleksej Pezzi) who did really cool Claymation music videos, and we worked together on filling out the rest of the story and visuals. He proposed a number of different characters for the little creature receiving the pies, and I fell in love with one of them that was sort of Gumby-like with this big heart on its chest.  I liked the idea of the creature being in a boat since our band is very inspired by the ocean.  

    What was the process of making this video? 

    I wrote to Aleksej about the Dang Diggy mask (and sent photos) and the idea of a Claymation version of it throwing down pies, and we went through a process of sketches and proposals for each character’s look – starting with a sketch and progressing to a clay version.  He sent me a mock-up for each scene and we ironed out the details.  I wasn’t exactly keen on having Dang Diggy’s pie come out of its nose bathed in snot in one verse, but he kept it in and I just went with it (lol!!).  In the end, I wound up loving the whole little movie, it was beyond the sum of its parts and I was so delighted with the expression Aleksej created in each character as the story progresses.  No matter how many times I’ve viewed it now, it still cracks me up!  

    Connect with Low Tide Levee via:

    Website / Instagram / Facebook / TikTok / YouTube / Spotify / Soundcloud