Video Voyager: Low Tide Levee’s Video for “Dang Diggy”

Low Tide Levee

Low Tide Levee is the newly emerging band of seasoned musicians featuring singer/songwriter, composer, drummer, pianist, and former marine biologist Amy Brookes as the primary creative force. She writes the songs, sings lead vocals and harmonies, and plays drums, percussion, and keyboard. Her husband, Sasha Ames, is the band’s bassist and, sometimes, studio guitarist, and the trio is rounded out by a guitarist.

The band just released their new single “Dang Diggy” and it’s accompanying video. The 60’s pop and progressive rock song was written during one of Amy’s jaunts to a local tea shop she used to frequent to get the creative juices flowing. She came up with this tune, not really expecting much from it, but it ended up being a band favorite.

The fun Claymation video depicts the character of Dang Diggy as an almost divine entity, throwing pies down onto the man below. This man is in a boat with nowhere to run from the pies, his only options are to jump out and swim or sit and take it. It’s a clear depiction of life through whatever it has down on you, good and bad.

We spoke to Amy about the video and what her ideas were:

Tell us the story of this song. Why did you choose to visualize this song specifically in this way?

Dang Diggy came to me during one of my jaunts to my local tea shop that I used to frequent, a unique kind of place to gather and chat with random strangers, while enjoying the subtleties and meditation of gongfu tea ceremony. I often used my walks there and my time sipping tea to invite in the creative process, and many a gem came and was captured with my voice memo or note app on my phone.

The words just came into my head, and I thought it was a fun, silly, trippy song that could be a camp song. Little did I know that my band would love it and we would turn it into a rock anthem. Each pie is a ridiculous stoner dream of an over- the-top kind of dessert that exceeds all reason and just sounds like heaven, even if it would in reality be too much. Eventually, I realized that this incredible mask we found for our music studio (aka the “Funk Palace”) *was* Dang Diggy, and that Dang Diggy was absolutely this non-gendered deity that hung about in the sky throwing down pies to whomever might be fortunate enough to receive them.

What was the inspiration behind this video (visuals, storyline, etc.)?

It was my dream to have a Claymation video showing the story of this character Dang Diggy, a deity-like being who hangs about in the sky throwing down all the different pies. I found someone on Fiverr (Aleksej Pezzi) who did really cool Claymation music videos, and we worked together on filling out the rest of the story and visuals. He proposed a number of different characters for the little creature receiving the pies, and I fell in love with one of them that was sort of Gumby-like with this big heart on its chest.  I liked the idea of the creature being in a boat since our band is very inspired by the ocean.  

What was the process of making this video? 

I wrote to Aleksej about the Dang Diggy mask (and sent photos) and the idea of a Claymation version of it throwing down pies, and we went through a process of sketches and proposals for each character’s look – starting with a sketch and progressing to a clay version.  He sent me a mock-up for each scene and we ironed out the details.  I wasn’t exactly keen on having Dang Diggy’s pie come out of its nose bathed in snot in one verse, but he kept it in and I just went with it (lol!!).  In the end, I wound up loving the whole little movie, it was beyond the sum of its parts and I was so delighted with the expression Aleksej created in each character as the story progresses.  No matter how many times I’ve viewed it now, it still cracks me up!  

Connect with Low Tide Levee via:

Website / Instagram / Facebook / TikTok / YouTube / Spotify / Soundcloud

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Video Voyager: “Let the Healing Begin” by Sahffi Lynne

Sahffi Lynne is an international medicine musician and vocal coach, offering their music, meditations, ceremonies, and teachings as medicine to illuminate our connection as human beings.

They just released their music video for their moving single “Let the Healing Begin,” an acoustic folk-like song about using creative processes to heal from grief and pain. The video depicts this kind of healing by way of 3 separate forms of art. Sahffi is depicted writing a song, a woman is depicted painting, and a man is depicted dancing.

The video is a beautiful piece that complements the single perfectly. Everything about it, from the people to the setting to the action is stunning. Even as we watched it, it provided catharsis as a viewer, almost like we felt seen.

“My own experiences have shown me that with a combination of meditation, creativity, plant medicines, and professional support, one can truly heal trauma and reclaim their birthright of living in love. I am honored to carry the medicine of music to teach and guide those interested in doing the necessary work to connect with their true voice and purpose,” shares Sahffi.

We got a chance to speak with Sahffi about their song and video and dove into the specific artistic choices:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Actually, the interesting thing about this song is that it was completely channeled! I often hear music in the wind or hear melodies in the woods, yet this is the only time (so far!) that I watched my hand write the lyrics without a clue of what I was writing! I then picked up my guitar, and as I read the lyrics, the song just poured out of me. The message, “you can let the darkness win, or you can let the healing begin,” was so profound for me at that specific moment of my life. I was struggling to move forward after a bitter breakup, an illness that temporarily kept me from singing and working, and a subsequent move out of my home because of income lost. This song was a beautiful reminder for me that I had the choice to continue on in life or give up. The song gave me strength and truly helped to heal my heart!

I was talking with a friend after the album, “Pulse of Evolution,” came out in 2021. (“Let the Healing Begin” was released on that album.) I told her I’d love for more people to hear the song, as I hoped it would touch others as it did me. She reminded me that many people “consume with their eyes” these days (as she put it!), and her words planted a seed that a beautiful video needed to be created for this powerful song!

I am grateful so many others resonate with this song’s message of hope and strength, and I am proud the video represents and reflects the message of this song so beautifully.

What was the inspiration behind this video (visuals, storyline, etc.)?

The video originally was going to be an animation, yet the plans for that fell through. I didn’t know how I was going to make a video, yet a Facebook friend, Maranda Kosten, reached out saying she felt called to talk with me about how we could work together. I thought perhaps she would be interested in voice lessons, (which she did end up taking!), yet she mentioned she worked for Do Good Video Productions. Within a couple of weeks we were meeting with the team at Do Good, along with my director, Lucas de Britto, talking about making a video! I couldn’t believe how easy it was to have found such an amazing team of people as excited about this song and project as I was!

My last hurdle was funding, yet I was grateful that over 150+ of my community supporters donated to my birthday campaign to make it happen!

The storyline follows three artists (a dancer, a painter, and me, a musician), from their lowest point, through creation, and ultimately to their reconnection of their spirit. Throughout it all, they each have elders watching over them, encouraging them with their silent wisdom and strength. I love how the video shows the process of healing includes the movement of creation!

One fun fact: the video starts out in muted colors and becomes more vibrant by the end. The inspiration for that effect was “The Wizard of Oz!”

What was the process of making this video?

This project was a year in the making! It started with a seed of an idea, then quickly jumped to a crowd sourcing campaign. The IndieGoGo campaign was a huge success, with over 150+ of my supporters making contributions, and one angel investor matching the total! I am so grateful for the support I receive for my music!

With my community’s support, we started site visits to the location of the video, my dear friend’s private land in Pennsylvania lovingly called “Hawk’s Ridge.” Magically, the dates for the shoot in May worked for everyone involved, and we were grateful for beautiful weather that weekend!

Do Good Productions was wonderful to work with, offering a fantastic production and creative team, and the shoot went off without a hitch. In fact, we all mentioned how unusual it is to have everything fall into place so easily! My director, Lucas de Britto, was also the editor, and I am grateful for his sweet temperament and amazing talent.

Everything came together for a holiday 2023 release, and I am super proud of this community-supported project! I hope everyone will be touched by the song and story line of the video as I have been.

Connect with Sahffi Lynne via:

Website / Instagram / Facebook / YouTube / Spotify

Video Voyager: Jane Jensen’s “Changeling”

An imagination captured by the glitz and camp of late 70’s variety show offerings (think Cher) and then consumed by rock and roll, poetry and electronic music, Jane Jensen’s mind and music tend to wander in many directions but her love for industrial music is the thread that weaves it all together.

She just released two new singles, “Changeling” and “Revolution Maker,” with her album Changeling. In tandem, she also released the music video for “Changeling.” The song is about inner transformation and rebirth with an industrial alt rock backdrop. Visually speaking, the video has a 90’s style and visualizes change with glitching.

We spoke to Jane Jensen about the “Changeling” video in this edition of Video Voyager:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?          

The narrative for the song “Changeling” is simple. It focuses on a personal journey that leads to transformation. It’s reflective of past trauma and future possibilities. It’s about transmuting pain into power and figuring out what lessons need to be learned to move on and effect needed change in life. I wrote and worked on this song a lot during the pandemic – lots of time to be reflective.

What was the inspiration behind this video?

The video has a deep seated 90’s vibe and it began as a complete coincidence. I partnered with video director Sean Sweetman and we rented a photo studio for a couple hours to shoot some cool visuals. Initially, we planned to feature a lot of martial arts but we had some glitches on shoot day and weren’t able to get those shots. The studio had a wall of televisions which immediately indicated the 90’s aesthetic and direction for the rest of the shoot and aftereffects. Although Sean did mention early on that he wanted neon crosses like Baz Lehrman’s Romeo and Juliet, which is a 90’s film, so I guess we were steeped in 90’s nostalgia from the start. Also, the chair as a major focal feature is reminiscent of my video from the 90s More Than I Can and my favorite detail is the ms dos font that runs throughout the video. When Craig Kafton and I were working on my first album Comic Book Whore he used a Compaq computer for programming and sequencing. That green flashing font was at the core of every track on that album.

What was the process of making this video?

Sean and I had a pre-production phone meeting. We decided to shoot me with my guitar and a mic stand, rather than the whole band. Sean wanted to incorporate his newly acquired neon lights as neon crosses, and he had lots of photographic ideas that he wanted to capture with that kind of lighting. I like to preplan everything, and Sean is very comfortable just showing up and shooting whatever is available. We did both. There is also planning that goes into clothing, hair and make-up. I discovered Ukrainian brand MDNT:45 and was happy to show my support by wearing some of their clothing in the video. The hair and make-up were very subtle by Alexandra Bayless, and we had one mind-blowing dancer Jahlani Luv. She was really wonderful, and we wished we had more time to shoot her.

After the shoot was complete, Sean started the editing process and presented a rough-cut followed by a few more finessed cuts until we got the one we both were happy with. Then I took the final cut to add some additional 90’s effects and the ms-dos font that is featured throughout the video. The best advice I can give to an artist who is producing their own music video would be not to do it under a strict time constraint. That kind of pressure can lead you to cut corners or not get a visual you are totally satisfied with, because you feel the pressure to stay with the timeline and keep moving forward, even if you are not happy – SO, give yourself plenty of time! And just as important, be satisfied with the quality of the visual. If you don’t love it, you won’t want to share it and if you are an indie artist, you are calling the shots so keep working on it until you love it – even if you have to push back release dates.

Watch here:

Connect with Jane Jensen:
Website / Instagram / Twitter / Facebook / TikTok / YouTube / Spotify / Soundcloud

Video Voyager: The Speaker Wars “It Ain’t Easy”

Hall of Fame drummer Stan Lynch and singer-songwriter Jon Christopher Davis have come together to create the music they want on their own terms; they are The Speaker Wars. Their music has a vintage classic rock vibe with a contemporary spin. Their video for their latest single “It Ain’t Easy” is simple yet effective. It’s all in black and white and depicts the band playing in the studio. The song itself if about aging in any industry, but specifically the music industry for Stan and Jon. Getting older doesn’t have to be a negative thing and this video shows their grace and acceptance of it. Just them playing music is all they need to share this message.

We spoke with Jon Christopher Davis about the video. Let’s dive in:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“It Ain’t Easy”‘ is about finding a renewed sense of purpose while learning how to age gracefully. I think it speaks to the confrontation of aging in any industry.

What was the inspiration behind this video?

To simply show that mojo doesn’t have an expiration date unless you let it. Getting older and wiser is cool. It’s a privilege and it’s liberating. Life gets mighty precious when there’s less of it to waste.

What was the process of making this video?

We shot our scenes separately during the middle of the pandemic. Stan was in Florida, and I was in Texas. It’s always a challenge whenever you can’t be in the same room, but it turned out great thanks to our director, Brad Osborne. It’s simple and soulful, and that’s what The Speaker Wars are all about.

Watch here:

Connect with The Speaker Wars via:
Website // Instagram // Facebook // YouTube // Spotify // Soundcloud

Video Voyager: Lenni Revel’s “Where There Ain’t No Sun”

Lenni Revel’s story begins the way most fairytales end: Big A&R professionals vying for her music, Grammy nominations, and billboards in Times Square promoting her music. But her pop dream ended when she was kicking Adderall cold turkey in a shed outside of her parent’s house and plunged into such darkness that she was eventually admitted to a psych ward and put on suicide watch. Her upcoming album, Unbroken, is about her rebirth and reclamation from the clutches of mental health struggles, drugs, and the music business machine. Unbroken also embodies a profound love story between Lenni and her husband, Robert Revel, a family lawyer and critically-acclaimed author who wrote and co-wrote much of the album.

Her video for her latest outlaw country-esque and pop-rock infused single “Where There Ain’t No Sun” conceptualizes pain and loss. While Lenni’s voice is powerful on it’s own, the imagery of a cemetery really drives home the emotional aspect of the song. What really drives the video home is when Lenni releases ashes at the top of a hill at the climax of the song. It’s chilling, haunting, and mesmerizing. She’s symbolically letting go, releasing herself from the pain.

We spoke with Lenni about the music video:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

The cemetery in the video is a beautiful old site where the founders of the city are buried. It is a favorite walking path of many locals, including Robert and I. The Mausoleum is also on the cemetery site, and we were granted access by a kindly groundskeeper to shoot the interior scenes depicted in the video. The hilltop scene, where the urn ceremony occurs, is another hiking favorite locale of ours. We imagined that one day we would shoot some kind of music video on the spot because of its beauty.

What was the inspiration behind this video?

The song, “Where There Ain’t No Sun” was originally written about unrequited love. I evolved the song’s vocal melodies and facilitated structural and lyrical changes to accommodate my interpretation of the song as being fundamentally about deep loss and grief. My version brought the visual application of the music to images of death, but painted delicately and beautifully with a performance with heart and soul right at the center of it.

What was the process of making this video?

Once the cemetery location was chosen, the time of year to shoot there became an important element; we wanted to capture the beautiful lush green grasses and mosses that grow there in the spring—new life emerging from death. We shot the graveyard scenes in March and soon after we shot the mausoleum scene at the same location. Our dog “Kota” (she is a pure-bred Thai Ridgeback) was utilized in the gravestone shots as an element representing the haunting aspects of grief and the unseen but ever-watching spirit world. Kota, as a recurring element has subsequently made appearances in every music video I’ve performed in. The ceramic urn used for the ashes has special value to Robert, as it is the gift of his best friend who passed away in his fifties. The drone shots on top of the mountain were shot by a local drone pilot who typically shoots for real estate clientele. We had to shoot the ash ceremony quickly as the sun was setting and we had only a few-minute window to gather all the footage.

Watch here:

Connect with Lenni via:
Website / Instagram / Facebook / Twitter / YouTube / TikTok / Spotify / Soundcloud

Video Voyager: Brittaney Delsarte Chatman “Talk to Me”

Photo Credit: Vincent Noto

If you haven’t already watched Brittaney Delsarte Chatman’s video for her latest R&B single, “Talk to Me,” your not only missing out on stunning visual storytelling, but also the production quality. Brittaney’s video was released in March 2022 and even when she hit an obstacle, she didn’t let that get her down. “On March 4, 2022, I was a victim of a cyber security attack,” she shares. “The hack compromised my marketable IG content for my music and my brand with deleted followers, highlights, and posts. This put my video campaign to a full halt. You know what they say chile- New levels, New Devils.”

She continues: “But, as I always say- any setback is just a setup for a comeback! I built my platform from the ground up and I can get it back to where it was and perhaps surpass where I was. If you knew about the hack and you continue to support me by viewing & sharing my new music ‘Talk to Me’ on your platforms, I want to thank you from the bottom of my lower intestines lol. Your support kept me strong for these past two months but now I’m back with the jump off!”

Brittaney had the help of an amazing team to get the video looking as great as it does, like the Producer and Cinematographer Nick Libraro, Assistant Director and Producer Mia Francois, and Director Rye Caraway. We got to speak with Nick on the production of this video in this edition of Video Voyager.

Let’s dive in:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

As producer and cinematographer for this project, I was truly able to tell the story that Brittaney portrayed in her song ‘Talk to Me’. As a creator, the story of this song can be seen from a quick glance- A strong woman wants love, and will make her stand in doing so. By taking a deeper look, you can see that Brittaney is pouring her soul into the overall story via lyrics. She is showing her listeners that she’s not only smart, strong, and capable of being on her own, but she’s opening a door into her mind and heart; vulnerability is the word we used throughout this process. We chose to stick with this word and visualize Brittaney being vulnerable on camera because it not only shows the world who she is, but it breaks the visual media stereotype that Black women always need to be strong. Brittaney allows the listeners to hear a side of her that not many people have gotten to experience beforehand – so utilizing this vulnerability in a cinematic and creative way was the best way to tell the story of ’Talk to Me’.

What was the inspiration behind this video?

The main inspiration behind the video itself of course is the lyrics, but mainly it was Brittaney. As the one who handled bringing the story to life via writing/ storyboards, I found myself listening to the song on repeat constantly, focusing in on lyrics and moods. However, in doing so, we originally lost a nuance that needed to be told – Brittaney’s story, not just any story. From the writing room to constructive zoom meetings with the main team of producers and directors, we were able to merge the stories and bring it to life – adding dance numbers/ choreography, bringing Brittaney’s Blossom energy to it. I think personally that’s what the inspiration is; she’s an incredible soul and by telling this story, I believe people will finally understand who Brittaney truly is.

What was the process of making this video?

The process of making this video was quite extensive as we wanted to truly do our best not only in telling the story, but ensuring the visuals were perfect. We had a full 3 process breakdown with pre-production, production, and post. For about 3 months before shooting, Brittaney and myself met via zoom with director, Rye Caraway, and other producers to discuss plans, budgets, props, locations, camera gear, equipment, extras, and much more. Assistant Director Mia Francois, an accomplished producer herself, was kind enough to send over an amazing excel checklist that helped me and the internal SnaggleTooth team really iron out any kinks or issues we may have had. During this process, we were traveling the coast of NY to find locations (restaurants, coffee shops) – and unfortunately at the last minute, even with all of this planning, we had a minor issue with locations. Luckily it was resolved quickly with the amazing NY restaurant The Renaissance, in Harlem, allowing us to rent out their back room. We also rented a gorgeous brownstone that was beautifully furnished that we turned into Brittaney’s apartment. Our production process was incredibly smooth and I thank the team we had as well as the extensive pre production process we had in play. Not only did we know lighting setups, angles, and exact locations for each scene; but Brittaney and guest artist L’Marco worked closely with choreographer Tiffani Jones to perfect their dance routine. After our two production days as well as a pick-up day to capture some extra emotional scenes that truly rounded out the video shoot, Brittaney and I went into the editing room via zoom. We sat together for an entire evening going through scene by scene, fixing colors, adjusting clips, and really making ‘Talk to Me’ the work of art it is. It wouldn’t trade the process we utilized and truly, I have adopted this process now for SnaggleTooth Productions more high-end videos and budgets. Stay tuned for more amazing music from Brittaney and some more visuals coming soon!

Watch here:

Follow Brittaney via:

Website // Instagram // Facebook // Twitter // YouTube // TikTok // Spotify // Soundcloud