Today, we are proud to premiere “Clothed With Dignity,” the powerful new single from singer-songwriter Grace Frances, a deeply personal song about surrender, restoration, and discovering freedom through God’s grace. Rooted in vulnerability and faith, the track explores the emotional journey of letting go of shame, releasing past regrets, and embracing the new life that comes through forgiveness.

With “Clothed With Dignity,” Grace Frances shares a message for anyone who has struggled with the weight of their past or felt trapped by mistakes they cannot change. The song serves as a reminder that healing begins when we stop defining ourselves by our failures and allow ourselves to receive the love, mercy, and grace that God offers.

The inspiration behind the song came from Grace Frances’ own experience of confronting old wounds and learning to release the burdens she had carried for too long. Rather than remaining bound by regret, she found a path toward healing through surrender and faith, recognizing that true dignity does not come from perfection, but from understanding our worth through God’s eyes.

Grace Frances shares:

“I wrote ‘Clothed With Dignity’ from a place of deep vulnerability. For a long time, I found myself holding onto old regrets, demonizing who I used to be, and trying to carry burdens I was never meant to hold alone. This song came out of a moment of complete surrender—realizing that true dignity and healing come when we step out of self-condemnation and rest in God’s grace. It’s a reminder that we don’t have to stay stuck in our past when Jesus offers us new life. He has washed away our sin and shame, setting us completely free.”

The song’s message reflects a universal struggle: the difficulty of moving forward when memories, regrets, and past choices continue to weigh heavily. Through “Clothed With Dignity,” Grace Frances offers encouragement to listeners who may feel defined by what they have done rather than who they are becoming.

The title itself speaks to the transformation at the center of the song. To be “clothed with dignity” represents a shift from shame to acceptance, from fear to faith, and from carrying the weight of the past to walking confidently into a renewed identity. Grace Frances captures the emotional process of surrendering control and trusting that restoration is possible.

Musically, “Clothed With Dignity” blends heartfelt storytelling with a reflective, worshipful sound, allowing the lyrics to remain at the forefront. Grace Frances’ expressive vocals bring authenticity to every line, creating a song that feels both deeply personal and widely relatable.

For Grace Frances, music is a way to connect with others through honest stories of faith, growth, and transformation. Her songs create moments of reflection while offering hope to those navigating their own journeys.

“Clothed With Dignity” arrives as a reminder that no one is defined by their lowest moments. Through grace, forgiveness, and faith, there is always an opportunity for renewal. Grace Frances invites listeners to release the shame they have carried, embrace the freedom offered through Jesus, and step forward with a restored sense of purpose.

Listen to “Clothed With Dignity” and experience Grace Frances’ heartfelt reminder that healing begins when we choose grace over condemnation and freedom over fear.

Toronto-based artist pssyclwz returns with “howl” (feat. Amelia Antoinette), an ethereal, haunting new single that explores the difficult choice of saving yourself when waiting for a hero no longer works. Blending indie pop and folk influences with organic instrumentation and a layered vocal arrangement reminiscent of Fleet Foxes, the track transforms unresolved fear and yearning into a powerful meditation on healing.

At its core, “howl” is about recognizing the situations we can become entangled in when we remain unhealed and choosing to pull ourselves out of them. What begins as a song inspired by a strange late night encounter gradually unfolds into something much more personal.

“I thought I saw the shadow of a coyote outside my door,” pssyclwz explains. “As the song evolved, the wolf came to represent the situations an unhealed person can attract, and ultimately became a song about choosing self-rescue despite the very human desire to be saved.”

1. Tell us the story of this song, why did you choose to visualize this song specifically? 

This song is a metaphor for the kinds of situations an unhealed person attracts. After a sleepless night I thought I saw a coyote sitting on my porch, which led to the idea that predators can appear as saviours when we’re out of alignment. I’m so happy with how this song turned out thanks to collaborators Gab Lavoie and Amelia Antoinette, so it felt right to build a visual world around it. I’ve always loved experimental film, and making weird music videos was one of the reasons I started making music in the first place.

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

I initially leaned into the wolf imagery, but the story evolved into an alt-Cinderella narrative about grieving and letting go of the saviour fantasy. Director of Photography Saffron (@ShotBySaffron) captured a “dystopian fairytale” look beautifully. Lana Del Rey has been a strong influence, so the vintage footage feels like a homage to her early music videos.

3. What was the process of making this video?

After connecting with Saffron (@ShotBySaffron) I knew I wanted to collaborate with her on the howl visuals. We made a loose shot list and let it evolve on the day. I hadn’t planned on using vintage footage, but it ultimately tied together the dreamy world we were building and gave the visualizer more narrative.

Created and developed in Montreal’s DIY scene, Empty Melon (the solo project of Ada Lea bassist/producer Summer Kodama) follows up on her debut single, “Hoping to Find,” with “Don’t Look Away,” an atmospheric, dark, and emotionally charged song that transforms late-night spiralling into something strangely beautiful. Blending experimental electronics, art pop textures, and cinematic sound design, the track embraces discomfort rather than avoiding it, finding clarity through directness, vulnerability, and self-confrontation.

“Don’t Look Away” first emerged during a solitary drive in the early hours of the morning. “It started with spiralling while driving alone at 2am and improvising on the bass guitar,” Summer explains. What began as a fleeting emotional moment gradually evolved into a meditation on honesty, both with others and with oneself.

That commitment to honesty ultimately became the emotional core of the song. While the title may initially sound confrontational, for Summer it represents something much more personal.

“I think there’s a catharsis to expressing yourself and your needs with plain, direct language,” she says. “It allows you to facilitate an alignment with your most authentic self. Honesty is the most important component of self-expression.”

That sense of emotional directness is reflected throughout the production. Where “Hoping to Find” drifted through the hazy space between sleep and wakefulness, “Don’t Look Away” occupies a darker emotional landscape. Summer describes the two songs as “polar siblings,” with one basking in sunlight while the other emerges under the cover of night.

Written during the same month in May 2024, the tracks reveal two contrasting sides of the same creative period. If “Hoping to Find” explored rediscovery and openness, “Don’t Look Away” leans into uncertainty, introspection, and the courage required to face difficult truths head-on.

The recording process itself became an exercise in experimentation and trust. Seeking greater accountability and creative freedom, Summer found an important collaborator in Leo Bagel, keyboardist for Post NC. “I’ve been finding it extremely helpful having a collaborator to experiment with,” she explains. “I already feel two opposing voices in my brain, so the third brings balance, inspiration, and more accountability.”

Ontario artist Justin Maki unveils his sophomore album Technicolor Dreams alongside its lead focus track “Hey,” arriving together as the culmination of one of the most ambitious creative processes of his career. Adventurous, bold, and deeply rewarding, the album finds Justin pushing himself further than ever before, writing and co-writing 100 songs before selecting only the strongest material to make the final cut.

Inspired by a podcast interview with Andy Grammer, who famously writes hundreds of songs before beginning an album, Justin adopted the same philosophy. What followed was an 18-month creative marathon that challenged him to trust both quantity and quality in equal measure.

Recorded alongside acclaimed production duo VAŪLTS (David Mohacsi and Maïa Davies), the album became an exercise in embracing change and letting go of pre-conceived ideas. After living with rough demos for nearly a year, Justin found himself challenged to rethink arrangements, rewrite sections, and allow the songs to evolve beyond their original forms.

While Technicolor Dreams doesn’t follow a singular narrative thread, its collection of songs reflects a period of artistic growth and creative confidence. Rather than building around a central concept, Justin selected tracks based purely on their quality, resulting in an album that explores a wide range of experiences, emotions, and perspectives while remaining united by strong songwriting and adventurous musicianship.

Leading the project is “Hey,” a fun, hopeful, and irresistibly catchy pop single that perfectly captures the album’s spirit of possibility. Built around an infectious groove, bright synth textures, and a memorable singalong chorus, the song follows a protagonist dreaming of escape from routine and imagining a more fulfilling life beyond the daily grind.

“I think I was speaking to my past life,” Justin reflects. “Clocking in and clocking out and wishing I had more freedom and a beautiful life partner to share it with.”

The track’s playful energy is balanced by thoughtful production choices. Sidechain compression gives the synths a breathing, pulsing quality, while the unexpected inclusion of a banjitar introduces an unconventional texture that helps the song stand apart from traditional synth-pop fare.

Together, Technicolor Dreams and “Hey” embody Justin’s guiding creative philosophy: simplicity with underlying complexity. The songs are designed to be immediately enjoyable while rewarding deeper listening, offering catchy melodies, thoughtful arrangements, and subtle musical details that reveal themselves over time.