Bringing together strong elements from Folk, Hip Hop, Ambient, Experimental and Jazz, meet B.E.N. Creating a sound that is truly and uniquely his own, the musician take the music world by storm. B.E.N. stands for Bass Every Night and boy do we feel it. B.E.N.’s latest release comes in the form of “How to Live Without Being Controlled By the Past,” which has our ears on fire. From start to finish the record is a complete banger.
Standout tracks for our ears include “Wing Night,” “All Them Cheezits,” and “Obsessing About Winning Is A Game For Losers” take us away as they get our bodies moving and grooving in all the right ways. B.E.N. has been creating a name for himself growing an audience of devout fans that bring the music to life.

With melodic tones and vibrant instrumentation, B.E.N. is an artist on the rise. No stranger to the music scene, he has toured internationally playing bass alongside artists such as The Indigo Girls, Conner Youngblood and more. We’re eager to hear more of what B.E.N. has to offer in the coming months…and our ears are ready!

Find more B.E.N. via:

Facebook: https://www.facebook.com/Bass-Every-Night

Twitter: https://twitter.com/brwbass

Instagram: https://www.instagram.com/basseverynight/

Spotify: https://open.spotify.com/artist/0a6aCT3iVaP0iTLZtpFmf8?si=YcmHS3BpSCyyfsQQCraczw

Website: www.basseverynight.com

Seersha is a songwriter, recording artist, and producer hailing from ATL. Recently releasing her new EP, “Metaphors,” she carries a Pop-laced sound with her throughout the release.

Her name comes from the phonetic spelling of Saoirse, an Irish or Scottish name meaning “freedom.” Writing alone and producing herself in Ableton for complete creative control, Seersha blends retro-future synths, textural vocals, electronic elements, and trap-influenced drums to create a lush bed for her earnest melodies.

Her 2017 self-produced debut EP earned her the name “synth-pop crooner” by her hometown’s Immersive Atlanta webzine and comparisons to Susanne Sundfør and Robyn by AnalogueTrash. Her music soon caught the attention of underground tastemakers such as yvynyl, Wonky Sensitive, Ultimate Music, Music & Other Drugs and more. Citing influences as broad as Kaitlyn Aurelia Smith to Phil Collins to Grimes, her distinct sound is uncompromising and rebellious.

2019 saw three new singles accompanied by visuals from Seersha. Her sophomore EP Metaphors, released independently on her Fox Nose Records label April 15, 2020. Seersha streams regularly on Twitch and has new original music slated for release late summer/early fall.

Jon Stancer’s songs comprise and embrace a variety of popular styles, but he is mostly considered an alternative-pop-rock artist. He has worked and collaborated with many other artists over the years, including singer-songwriter John Southworth, musician and composer, Sam Allison (aka Lotus Wight), musician and producer, Hawksley Workman, musician and producer, Jono Grant, musician and producer Dominic Salole (aka Mocky), and more.
Stancer’s new single, “Chase The Moon,” is the first track to emerge from the sessions he was in the midst of recording when the COVID-19 pandemic struck. There’s an apocalyptic tone to “Chase The Moon” that fits our chaotic and mystifying world. Dive in below and discover your new favorite artist!

Blurring the lines between rock’n’roll and message-driven soul, the Amanda Broadway Band blends funky backbeats with bluesy guitar riffs and powerful songwriting. Based in Nashville, TN, the hair-flipping, tambourine-wielding Broadway captivates audiences with her authentic musical voice and soul-shouting enthusiasm. Grounded by a superb rhythm section, compelling background vocalists, and dynamic horn players, the band brings earnest and infectious energy to every performance.

Their debut LP, The Ache, was released on CD, Vinyl, and digital platforms on February 28th, 2020. Recorded over three days at Nashville’s famed analog studio, Welcome To 1979, the record captures the energy of the live band on ten original compositions. “This project is a collaborative and self-produced effort where each member’s voice shines through,” mentions Broadway. The result is music meant for the masses—a stellar and creative endeavor that deserves to be heard on festival stages.

The first singles, “No More Giving It Away,” and “Leave Your Light On,” have garnered radio play on several local Nashville stations including Lightning 100, WMOT Roots Radio, and Acme Radio. To celebrate the album release, ABB co-headlined a show with fellow local artist, Kyshona, at The Analog at Hutton Hotel on February 26th.

After spending years working as a vocalist in Nashville, Amanda Broadway is excited to serve as the driving force behind this original project. Frequently called upon for sessions and performances, she has worked with artists including LaLa Brooks of The Crystals, CeCe Peniston, Skid Row, Charles “Wigg” Walker, and Nashville locals Elizabeth Cook, Alanna Royale and The Music City Toppers. She has been featured in American Songwriter, won an Independent Music Award for Best Blues Song, and previously released a series of singles entitled The Sanctuary Sessions.

Broadway and additional members of the band have toured the world and performed at legendary venues including Nashville’s Ryman Auditorium and Bridgestone Arena, Bonnaroo Music & Arts Festival, Red Rocks Amphitheater, and the Hollywood Bowl. They’ve worked alongside artists including Zac Brown Band, STS9, Phish, Josh Gracin, and Charlie Worsham, among others.

Dive in Deeper, here:

Mike Ruby is a Canadian-born musician on the rise. His newest single, “Unapologetic,” is an upbeat, pulsing electro-pop track featuring layered saxophone in the chorus. The visual mirrors the lyrics about “that badass that everyone knows – you either want to be them, or be with them.”

Born in Toronto, Mike Ruby moved to NY at 18 to pursue a career as a jazz musician, then signed to a subsidiary of Universal Music. After a breakup in college, he picked up a guitar and fell in love with writing songs. Then Mike began playing with synth-pop band St Lucia and while opening for Ellie Goulding realized he wanted to be a pop frontman. His first release in the summer of 2019 broke top 40 radio in Canada, and his original music now has over one million streams.