Singer/songwriter Erika Olson has a new single out called “Mamma Ain´t Got No Time,” a folksy pop ballad on the life of a mother. It is a rich and intricate song with descriptive and emotional lyrics and an overall light energy. This song is one you will want to play again and again, with it´s unique folk and country vibes:
“‘Momma Ain’t Got No Time’ was born from a conversation with a dear friend. I’d just started songwriting and was struggling with not having any time to do it. My friend so wisely suggested that I write that song. And so, it began. This was not the first song that I wrote, but it was the first song I wrote in my own voice. I felt like this song revealed who I was and how I saw the world. Yes, life is hard, motherhood is a huge transition, and also it is magical, transformative, and I don’t regret it for a second.
Erika is an American expat currently living in East Sussex, England. She grew up living all over the United States, from New Mexico to Utah, Massachusetts, New York, Virginia and North Carolina.
Having left a busy law career on becoming a mother, and realising she needed to explore her musical and creative talents more, Erika dug deep and started taking guitar lessons. It was then that she could take some reflection time away from raising her three young children, and revel in her creative passions.
“Mamma Ain´t Got No Time” is all about motherhood and its sea of chaos, the ups and the downs. Rooted in the everyday things, Olson is sure to be a witness to her own journey of becoming a mother as well as use her music as a vessel to wake us up to our own precious and unique lives.
Just about to self-release her debut album, Erika has learned that change is her constant and her power.
“I talked about recording for years, but couldn’t make it happen until I made some important changes. I guess I hid in that studio,” Vince admits. For years, Vince Vanguard owned and ran a recording studio and ran his own production company. He had always wanted to create and release his own music, but couldn’t quite take that step, so helped others release theirs. However, his overindulgent lifestyle was his downfall.
Today, he’s set to release his debut folk rock and americana album, Spirit Blues. “These songs were written and recorded for me. I wasn’t trying to be commercially successful, or catch a certain group’s attention. They’re all just my pain and existential rumination, and the need for their cathartic release.”
His latest release, “Just So You Know,” is a gripping country song inspired by his recovery from alcohol and is a eulogy to the relationship he had with it. He wrote it in the early days of his journey to getting help and reflects the power that alcohol had on him, singing “Just so you know/I’m letting you go/to find a better life on the other side.”
“Just So You Know” utilizes a pedal steel to give the signature twang sound in the song. His voice is very familiar, almost like Jackson Brown, and the country sound he presents is kind of like a Garth Brooks or a George Strait with a contemporary and hint of soft rock feeling.
Keep an eye out on his album, out in October 2022.
Randie O’Neil, the Americana and Country-Folk singer/songwriter is all about raw truth and honesty, both in her personal life and in her music. Her music comes from a personal place as she puts her whole self into her writing and performances, using sincere and witty lyrics about heartache and strength, paired with beyond catchy melodies. She conveys understanding in her songs that you won’t find in any other artist, providing courage for us all to face our problems, no matter how big or small.
Randie doesn’t have the best relationship with her stepfather or her mother, both alcoholics, who sold all of her guitars. As she sat on the curb, she vowed to herself that they couldn’t take her voice, that she will find a way to sing. It took Randie some time to find her voice, but throughout the years, she came to understand herself better. In the 80’s, she had a band called AMA (Against Medical Advice), she left music for a while to peruse her PhD in Psychology and currently specializes in adolescents with anxiety.
She just released her newest country rock single, “Daddy’s Pride,” from her upcoming album Full Moon Rising. The song showcases her Bonnie Rait style vocals and her Joni Mitchell meets James Taylor songwriting. Inspired by a personal event in her life, she sings about her own growth as a human and how she had to do that by herself. She takes inspiration for the lyrics from her own experience and as a phychologist.
“‘Daddy’s Pride’ I wrote completely in 2o minutes, they only song my producer didn’t change a note,” shares Randie. “It’s my parents selling my guitars. The biggest failure is for a parent not to teach a child to be proud and support them. I had the strength to stand up and find it on my own. I know many don’t and stay lost and insecure.”
Randie O’Neil has done it again with her latest single, “Queen (of the Barstool Two-Step).” The country, Americana, and folk artist herself is breaking boundaries with this new track, fusing elements of alternative pop with folk, country, and rock all together in sound.
O’Neil describes her latest single as “actually a sad song about a lonely individual who just doesn’t want to be alone. They get dressed up and try to look their best and hope they don’t end up alone. They also know that it’s not true love but just alone in a crowd. It’s a covid song in that for lonely people, covid was even lonelier because there was no chance at connection.”
O’Neil puts her whole self into her writing and performances, using honest and witty lyrics about heartache and strength, paired with catchy melodies. With her roots-inspired sound, she has independently released multiple albums over the years. This latest single is one of many. With influences like Pat Benatar, Melissa Etheridge, and Fleetwood Mac you are sure to not be disappointed.
Make sure to go check out “Queen (of the Barstool Two-Step)”
(Detroit, MI) January 27, 2022 – Ahead of her newest country inspired release, country and folk singer/songwriter Aspen Jacobsen announces her upcoming performances in 2022. “When I write a song, I start with a feeling—my main goal is to have a strong emotional exchange with the audience through my music,” shares Aspen. Not only is she a gifted guitar player, but she’s an extremely talented multi-instrumentalist who also plays bass, mandolin, piano, keyboard, and ukulele. She contributes these skills as an accompanist and arranger for other people’s songs.
Although the year has just begun, Aspen has already been booked for multiple shows for 2022. In February, she will be one of several singer-songwriters featured in the 2nd Annual Interlochen Singers & Songwriters showcase at the Traverse City Opera House, Traverse City Michigan. She is also one of six Interlochen singer-songwriting students that were selected to tour the Midwest together this spring between March 12th and 20th. The details haven’t been announced yet but will be posted on Aspen’s website before the tour. This summer, she will also be headlining her own show at the Trinity House Theatre on June 4th in Livonia Michigan and will be one of several musicians highlighted in Singers in the Round at The Parliament Room at Otus Supply in Ferndale, Michigan. She will also be playing some of Michigan’s most popular music festivals including No-East’r Music and Art Festival (6/10-12), Buttermilk Jamboree (6/17-19), and the Wheatland Music Festival (9/11-13).
Her new single, “Shouldn’t Give A Damn,” out now, is her take on toxic relationships in a modern country style, similar to Kacey Musgraves and an early Taylor Swift. The song will also be reimagined as a separate acoustic single later this year, featuring producer Dominic Davis on upright bass. “Shouldn’t Give a Damn” is the second release from Aspen’s 2022 limited-edition CD that is available for purchase on her website aspenjacobsen.com/music. She is only publishing 500 of these CDs and is personally signing and numbering each of them. For $40 fans will receive a CD while supporting her musical endeavors! These signed, limited edition CDs are planned to ship in August.
Aspen Jacobsen’s Americana, Folk, and Country sounds are not one typically heard with artists as young as Aspen. She hopes to carry the traditions of this genre while also making it more palatable with her generation.
Aspen previously explored musical theater, professional acting and opera, and these formative experiences may account for her polished onstage demeanor. She has played major music festivals in Michigan including Arts Beats and Eats; Wheatland Music Festival; Earthworks Harvest Gathering; Ann Arbor Summer Festival; and the Buttermilk Jamboree. She has also been invited to perform as an opener at premier Michigan listening rooms such as The Ark, 20 Front Street, Trinity House, and the Grand Rapids Listening Room. In 2019, Aspen was the youngest singer-songwriter to ever be featured in the Radio DJ Showcase at the Folk Alliance Region Midwest annual conference.
Where and When You Can See Apsen This Year: 2/3/22 2nd Annual Interlochen Singers & Songwriters at Traverse City Opera House, Traverse City, Michigan 3/12 to 3/20/22 Interlochen Singer-Songwriters Midwest Tour (details will be announced on Aspen’s website) 6/4/2022 Aspen Jacobsen @ Trinity House Theatre, Livonia, Michigan 6/11/22 No-East’r Music and Art Festival, Mio, Michigan 6/18/22 Buttermilk Jamboree, Circle Pines Center, Delton, Michigan 7/12/22 The Parliament Room at Otus Supply Singers in the Round, Ferndale, Michigan 9/10/22 Wheatland Music Festival, Remus, Michigan
As she prepares, she’s also writing new music amidst her bustling life as a 17 year old musician, balancing school, recording sessions, rehearsals, and applying to colleges. “Sometimes I wake up in the morning, look in the mirror and see guitar string marks ingrained on my face,” she quips. “But I know who I am, and I know what path I’m on. Every time I perform, I pour out my heart and soul and I feel my purpose.”
More About Aspen Jacobsen At just 9 years of age, Aspen found her purpose while busking for tips with a little red ukulele. Since then, the prodigiously gifted musician has earned awards and scholarships; has actively released EPs and singles; and she has performed at a variety of well-respected venues and festivals. Today, Aspen furthers a variety of Americana styles through a series of personal and purposeful singles.
Her story exudes classic Americana mysticism. Aspen bought a guitar purchased from busking, and, although she had your typical parents-mandated piano lessons previously, she immediately took to playing roots music on stringed instruments like it was fated. “I have no idea where it came from—something just clicked within me,” she says. She learned the basics by ear—a method that works for her today—and, at the age of 10, began songwriting. Soon after, Aspen was performing at listening rooms and festivals and was awarded multiple scholarships for her astounding musicality.
To date, Aspen has released two critically acclaimed EPs, and her songs have garnered prime recognition and nominations from such prominent songwriting competitions as the Independent Music Awards; Alternative Country Best Song Category; Blues & Roots Radio’s Song Contest; and International Songwriting Competition’s Teen Category. Aspen was awarded a scholarship to attend the Singer-Songwriter program at the Interlochen Arts Academy, one of the most prestigious boarding fine arts high schools in the United States. Most recently, Aspen has the distinction of being one of six singer-songwriter finalists in the YoungArts 2022 program, a competition which receives more than 7000 applications per year. She also holds sponsorships with Fishman, Reunion Blues gig bags and instrument cases, and Shubb Capos.
As of late, Aspen has been recording in Nashville and consistently releasing new songs which feature personal perspectives on social issues. The first single in this new project of songs is “Damned Dynasty,” a smoldering dose of indie-folk with tasteful melodic blues-guitar licks, an ear-worm vocal motif, and vocals that veer from honeyed low-tones to soaring high-tones. The minimalist production here leaves ample room to soak in Aspen’s insights on faith and religion. Her first verse is viscerally thought-provoking.
Aspen tells stories like a country artist and speaks her mind like a folk musician. Her personal and progressive original songs recall the approach of Joni Mitchell, and Ani DiFranco—two artists steeped in music history but not bound to it.
While Canyon Candy is a far cry from the hip-hop electro Javelin has bestowed upon us previously, it’s not something to miss. Inspired by the rolling tumble weeds and red clay encrusted jeans of the Wild West this brief album brings back snippets of that the Frontier used to be. Word is that this is the future soundtrack of an upcoming epic of the same name, directed by Mike Anderson. Previous fans of Javelin may be turned off by this album, it’s not electronically inclined and if anything, sounds vintage. However, Javelin’s master-sampling and melody-making skills were not missed. The album maintained a melodic sway the whole time, with twangy steel guitars and wavering vocals in replacement of synthesizers and funk samples. With most of the songs finishing between one and a half to two and a half minutes, one of this album’s qualities is certainly brevity. As soon as one song begins it suddenly seems to end, sometimes a bit too quickly. The use of samples in tracks such as “Strawberry Roan” and “Trembler” creates an authentic western sound, and adds to the overall reminiscent feel of the album. At the same time, tracks like “Colorado Trail,” and even “Strawberry Roan,” incorporate a little more of the beat that Javelin is known for. Javelin incorporated some western instruments too, I’m pretty sure I detected a steel guitar, and did I hear a jaw harp in “Love Gulch?” Standouts on this short album are “Estavez,” “Colorado Trail,” and “Streets of Laredo.” If you’re a Javelin fan who is open to an album unlike any of its predecessors, pick this album up. You’ll be amazed by their versatility and willingness to experiment. Available April 16th, 2011.