KALEN’s Electro Pop Single “Phoenix” is a Message of Healing

Singer, songwriter, and musician KALEN has become a Brooklyn mainstay during residencies at Alligator Lounge and Spike Hill, performing high-kicks and jumping off amps in kinetic kinship with the audience. She began by hauling her keyboard and amp up and down Bedford Ave, forging a sound rooted in soul, funk and electronic music.

Getting set to release her newest EP, Silence Like Sirens, her electro pop single “Phoenix” bounces with an anthem like piano hook and a chorus that elevates the overall message of redemption and healing. The chorus is bound the get stuck in your head as you find yourself singing it throughout the day. It’s reminiscent of Madonna, both in her vocals and pop musical style.

“Phoenix” was named after a friend’s second child after losing her first. “I couldn’t fathom the pain they went through. Now, as a mother myself, it’s even more difficult to imagine,” shares KALEN. “I love the way the bridge really came to life on this one with that rhythm section! The most magical thing that happened on this song, though, was the choir that sang on the choruses! Maggie Collier arranged sick BVs and led 6 incredible singers. I was 8 months pregnant and the world was about to shut down, but we didn’t quite know it yet. We were all talking about whether or not we should hug goodbye (which we did).”

She’s performed at Brooklyn Bowl, Rough Trade, & Joe’s Pub, DC9 (Washington D.C.) and Hotel Café & The Mint (LA). During the pandemic, KALEN brought us into her world streaming her moody tunes in late night solo sessions. Performing live again KALEN tailors each performance (and the accompanying visuals) to the specific site and space, from analog slide projectors coupled with poetry and acoustic bands in Brownstoner salons to projection mapping and thumping tracks with a full electric band on stages around NYC.

Connect with KALEN via:

Website // Instagram // Facebook // TikTok // YouTube // Spotify

Advertisement

Neon Indian’s New Album Gets A Release Date

ni

After earning practically universal critical adoration for his first album, Psychic Chasms, Neon Indian mastermind Alan Palomo is finally ready his second offering.

Neon Indian’s sophomore album, Era Extrana, will be released September 13th. Here’s a video for the song “Heart: Decay” off of the upcoming LP.

NEON INDIAN – HEART : DECAY from gorillavsbear.net on Vimeo.

While understandably pressed for time due to performing at massive festivals like South by Southwest and Bonnaroo and touring with the Flaming Lips, Phoenix, and Massive Attack, fans can’t help but be antsy for new material.

To create the newa lbum, Palomo holed up in an efficiency apartment in Finland and cobbled it together from journal entries he made during the time. The album has Neon Indian treading darker waters and exploring a little more somber territory.

Following the album release is a full tour, which has Neon Indian traversing the nation. You can see the new material live here:

 

9/15 Philadelphia, PA – First Unitarian Church

9/16 Washington DC – Rock n Roll Hotel

9/17 Carrboro, NC – Moog Festival

9/19 Atlanta, GA – Masquerade

9/20 Birmingham, AL – Bottletree *

9/21 New Orleans, LA – One Eyed Jacks *

9/22 Houston, TX – Fitzgeralds *

9/23 Austin, TX – The Mohawk

9/24 Dallas, TX – Granada Theater

9/26 Tucson, AZ – Club Congress

9/27 San Diego, CA – Belly Up Tavern *

9/30 Los Angeles, CA – Troubadour *

10/1 San Francisco, CA – Rickshaw Stop * ^

10/3 Portland, OR – Doug Fir Lounge *

10/4 Vancouver, BC – Venue *

10/5 Seattle, WA – Crocodile Cafe *

10/7 Boise, ID – Reef * ^

10/8 Salt Lake City, UT – Urban Lounge * ^

10/10 Denver, CO – Bluebird Theater *

10/12 Kansas City, MO – The Record Bar * ^

10/13 Minneapolis, MN – 7th Street Entry * ^

10/14 Chicago, IL – Lincoln Hall * ^

10/15 Cleveland, OH – Grog Shop * ^

10/16 Detroit, MI – Magic Stick * ^

10/18 Toronto, ON – Lee’s Palace * ^

10/19 Montreal, QC – La Sala Rossa

10/20 Boston, MA – Brighton Music Hall ^

10/21 New York, NY – Webster Hall ^

 

* w/ Com Truise

^ w/ Purity Ring

French Horn Rebellion Releases ‘The Infinite Music Of The French Horn Rebellion’

https://i0.wp.com/www.thelineofbestfit.com/wp-content/media/2010/10/French-Horn.jpg

This Milwaukee duo’s debut album is not something to miss.  This album explores a wide breadth of genres sonically.  It ranges from 70’s and 80’s oriented dance to progressive synth lines and electronic funk.  Wavering vocals, punchy bass lines and crisp synth lines pervade this album, linking it. While at times reminiscent of Phoenix, Daft Punk, and MGMT, the unique combination of crowd-friendly, catchy songs and those that are more introspective and nostalgic creates an album unlike any other.

The album opens with an upbeat, feel-good song, “Up All Night,” which rivets the listener with catchy melodies and synth lines.  This dance-floor mentality is scattered throughout the album; tracks like “The Body Electric” and “What I Want” are riddled with guitar riffs, bass lines and vocals that stick.  “This Moment” is a testament to the marriage of an 70’s or 80’s like riff with punchy electronic moments and a healthy dose of synth action, at the same time, snippets of French horn mingle with the other sounds in the track.   “Running Through the Wild” opens with a cool symphony of electronic musings and melodies before taking off with lyrics like “running through the wilderness hunting for love.”  This track is easy and fun to listen to, while at the same time it pushes the listener.  It would seem they’ve struck the balance between the two perfectly.  The seventh track, “What I Want,” is arguably the centerpiece of this album.  This seven minute long track is anthemic and not unlike a rollercoaster.  With fun and attractive synths and a wavering bass line, this song does not fail to please.  With lines like “We can tell it’s not enough, just bring it back to what I want” and the tin of a melody in the higher register, this track provokes more than just the urge to dance.

As this album moves towards its second half, tracks like “The Cantor Meets the Alien,” “Mawson’s Peak,” and “Antarctica/ The Decision” show off the album’s more introspective side.  These songs highlight the innovation between the two brothers, who seem fond of pushing the boundary between catchy and pensive.  At the same time, “Broken Heart” is an electronic continuation of the same emotional tone of “Last Summer,” whose sentimental and mellow vocals ruminate on events past.  “Broken Heart” merges the upbeat qualities of earlier tracks like “Up All Night” with lyrics a touch more introspective: “I’m so sick of it but I can’t help myself . . . and it breaks my heart.”
French Horn Rebellion has done a great thing with their debut album; their unique sound is both progressive and nostalgic, moreover, it’s superb.  While at times it can seem a bit saccharine, usually it’s just plain cool.  French Horn Rebellion has successfully married 70’s and 80’s-esque chord progressions and brass instruments with electronic funk.   Through this, the pair of brothers has managed to create a sound and style completely their own.

Miami Horror Announce North American Tour & SXSW Performances

Photobucket
Psych-electronic group Miami Horror have announced their return to North America for a coast-to-coast tour, making stops in Canada, Mexico, and SXSW along the way. The Australian four-piece embarked on a successful freshman tour of the States this past fall behind their debut album, Illumination- now available in the US iTunes store. The original Australian release is also now available as a 2-CD limited edition, which includes a bonus album of Miami Horror hottest tracks, as remixed by the likes of YACHT, Shazam, and Fred Falke.

While Miami Horror initially began as one synthesizer-obsessed producer huddled over a laptop, the group has now become a full, live band, recently playing critically-acclaimed sets at Australia’s biggest festivals, as well as some A-list slots opening for Phoenix, Friendly Fires, La Roux, and Lily Allen.

Complete list of tour dates below:

 

MIAMI HORROR 2011 NORTH AMERICAN TOUR

Mar 6 – The Snow Ball Music Experience – Vail, CO
Mar 9 – Ghostbar – Las Vegas, NV (DJ set)
Mar 10 – Mezzanine – San Francisco, CA
Mar 12 – Echoplex – Los Angeles, CA
Mar 13 – 35 Conferette – Denton, TX
Mar 15 – Never Say Never Music & Arts Festival – McAllen, TX
Mar 16-18 – SXSW – Austin, TX
Mar 19 – Caradura – Mexico City, MX
Mar 25 – Lincoln Hall – Chicago, IL
Mar 26 – U Street Music Hall – Washington DC
Mar 29 – Mercury Lounge – New York, NY
Apr 1 – Mod Club – Toronto, ON
Apr 2 – Le Belmont – Montreal, QC

Concert Photos of CMJ 2010

For a New Yorker such as myself who is deeply into modern music and the direction its headed, there simply is no time greater in the year then CMJ. Last year was my first taste of the five day long Music/Film festival and despite photographing musicians for a full year prior to the festival, never have I experienced such respect, access, and simple gratefulness from musicians for coming out and seeing them perform. What also made this an exciting time was interacting with fellow music fans from all over the world! 2010’s CMJ has ended and though it is sad to imagine such an amazing event being over I was lucky to capture some amazing moments during the concerts of the festival.

For me the festival started on Tuesday (the 19th) where I headed to Music Hall of Williamsburg. Not only did I get to photograph a Kevin Devine headlining gig (who in my opinion is one of the most talented musicians you can find) but since it was CMJ the support list was varied and filled with musicians I’ve never heard of. This gave me the privilege to photograph artists such as:

Oh Land. A Danish electro/pop duo.

Death On Two Wheels. A Georgian hard rock outfit which wears confidence on their sleeves.

River City Extension. An orchestral indie band who make sure their listeners are fully engulfed into their tunes.

Miniature Tigers. Festival favorites who stressed the importance of singing along to their songs.

and of course our hometown favorite, Kevin Devine.

The following day featured me and my girlfriend venturing to Madison Square Garden for a highly anticipated show. Indie heroes Phoenix were to grace the stage to celebrate their widely received album Wolfgang Amadeus Phoenix. To everyones surprise old friends of theirs took the stage with them to everyones delight.

WAVVES kept everyones attention afloat with their infectious garage energy.

Dirty Projectors kept the momentum up with an Arcade Fire esque stage presence.

Phoenix and Daft Punk took the entire arena by surprise!

The excitement of CMJ just ran more rampant within me as a band I have been in love with all year finally made their way to the city. Two Door Cinema Club is the most recent export from Northern Ireland, a country which is considered a personal mecca to me in terms of music. Their Webster Hall gig totally sold out quickly and impressed everyone who attended, and I dare say even amaze also.

Grouplove redefined the word enthusiasm as they played through their set. Its always great to see a band thats truly thankful to be there.

Penguin Prison smoothed the crowd with their jazz toned vocals. Dancing was a must as this band made the stage their own.

"Holy shit New York! I can feel the fucking ground shaking from here from all your dancing!" shouted Alex Trimble as the band went into their hit single "Undercover Martyn"

The exhaustion of CMJ was beginning to seep in as I headed to my final gig of the festival. It also felt fitting having it take place in Music Hall of Williamsburg again. What kept me excited was seeing British newcomers Everything Everything. Their debut album Man Alive is certainly one of the most addictive releases of 2010 so far and highly recommended.

Porcelain Raft

Dominant Legs

Mr.Johnny Flynn definitely wins the award for making the most women swoon during CMJ. His honest and well constructed songs are also a firm plus.

Chapel Club aimed to pave the way for British indie bands in New York and surprisingly enough I'd say they were successful in stirring interest.

I clearly wasn't the only concert goer who was tired from the weeks activities, but the energy and stage presence of Everything Everything made us all forget for 30 minutes how tired we were.

Blood Red Shoes filled the room with smoke and ended the night with an explosive set that no one saw coming (or at least being as wicked as it was!)

And that is my recount of CMJ 2010. This has been my second year of taking part of the festival and it truly is a privilege not only to see these acts perform but to interact with these musicians and help spread the word about them. For more photos be sure to go here to enjoy a full gallery of each show I covered.

CMJ MEGA PHOTO RECAP


We have more amazing photos of CMJ 2010 for your pretty little eyes to gaze upon right here! From Phoenix to Two Door Cinema Club, we have it all…
Day 1:
Oh Land
Death On Two Wheels
River City Extension
Miniature Tigers
Kevin Devine & The God Damn Band

Day 2:
WAVVES
Dirty Projectors
Phoenix (With special guest Daft Punk)

Day 3:
Grouplove
Penguin Prison
Two Door Cinema Club

Day 4:
Porcelain Raft
Dominant Legs
Johnny Flynn
Chapel Club
Everything Everything
Blood Red Shoes