The Strokes @ Madison Square Garden, NYC – April 1, 2011

Photo by the lovely Chelsea Franklin


Like fish to a bait, thousands of Strokes fans piled into New York City’s Madison Square Garden on Friday night. This has been nearly five years too long since the guys took the stage together in the Big Apple.

Openers The Grogs and Devendra Banhart (Who went on way too early), barely gained any attention. Elvis Costello, also known as our “April Fools,” joke, came out and played about three songs as a surprise opener as well. No one really seemed to care unless he was about to take off a mask and reveal he was Julian Casablancas.

We were there to see The Strokes.

A band that brought Rock and Roll alive for many of us in the crowd, you could look around and see the ripped jeans, converse sneakers and unkempt, but perfectly placed hair. It was easy to believe that everything was back in place. Just how we left it five years ago. It was interesting that the band was playing a stadium in NYC, the biggest headlining show that they have ever done in the city. Being about my 6th Strokes show in NYC, I wasn’t sure how they would carry out a big, sold out venue. The answer is nothing more than “brilliant.”

Cue the 9:30 curtain call and on walks the five familar faces. The crowd gave them one of the biggest welcomes I’ve ever seen and The Strokes seemed to be more than thankful. They wasted no time before launching into “Is This It,” a clever first song. Right away we knew every word, so much that Julian commented on it.

The chemistry of the band seemed to be back. They were tight, and not sloppy by any means, even when Casablancas messed up on a couple of lines. Hey, it happens. If you didn’t tell me they were on a hiatus, I would have thought they were playing together every night for the past year together. It was that great. Bands rarely play so perfectly, then again, no band is The Strokes.

From “Reptilia,” to “Under Cover of Darkness, the band delivered. Mixing classics like “Last Nite,” seemed to be flawless amongst the new tracks on Angles, (BMG) which were even better live than anticipated. Casablancas was chatty that night making comments and talking to the band. They seem to be healing with each other and that makes an arena of 25,000 happy Strokes fans. Highlights of the nights included “New York City Cops,” “Life is Simple in the Moonlight,” and “What Ever Happened?,” but honestly, EVERY song was a highlight

Elvis Costello appeared onstage in the midst of “Taken for a Fool,” which seemed to be magical for some or killed it for others. It takes a lot to impress Strokes fans. A lot.

Nick Valensi’s and Albert Hammond Jr.’s guitars intertwined with every single strum and pluck as they held the songs together. Nikolai Fraiture’s bass was smooth and emphasized every note perfectly. Fab Moretti provided brillian percussion bringing up the backbone of the band, even with the occasional use of the drum machine. Casablancas’ voice was dead on with every note and the crowd was right there with him. Jumping into the audience pit a few times, he weaved his way through the crowd and never stopped for a minute. This is always something amazing about the band. They don’t make the fans feel like outsiders, but part of what’s going on.

Climbing on speakers and upper levels, Casablancas was determined to get your attention at any cost. What was that line that Jason Lee said in “Almost Famous”? …”You know what I do? I connect. I get people off. I look for the guy who isn’t getting off and I MAKE him get off.” This my friends is Julian Casablancas. A man who will bend over backwards to make sure you are having a good time and look cool as hell doing it.

A whopping hour and a half later and a short encore, the band closed with “Take It or Leave It.” Just how we remembered it. Ful of energy, an explosion of sound, a jump in the crowd and smooth but raw vocals. As the band left the stage for the night, you could see 25,000 smiling faces.

The Strokes are back.

SETLIST
1.Is This It
2.Reptilia
3.Under Cover of Darkness
4.Hard To Explain
5.Last Nite
6.Life Is Simple in the Moonlight
7.Juicebox
8.Someday
9.You’re So Right
10.Under Control
11.You Only Live Once
12.New York City Cops
13.Games
14.What Ever Happened?
15.Taken for a Fool (with Elvis Costello)
Encore:
16.Ask Me Anything
17.The Modern Age
18.Gratisfaction
19.I Can’t Win
20.Take It Or Leave It

VIDEOS

Freelance Whales Team Up With Starbucks

Freelance Whales are having a pretty decent spring. Still riding positive buzz behind their debut album Weathervanes, the band has locked up a nation-wide tour with Foals and the Naked and Famous as well having their music land on a Starbucks commercial.

The commercial is actually not bad (for an ad) and you can watch it right here.

The band will re-release a deluxe version of its debut album on April 5th via iTunes. You can check them out on tour throughout April here:

4/10 – Commodore Ballroom – Vancouver, BC*
4/11 – The Showbox at The Market – Seattle, WA*
4/12 – Wonder Ballroom – Portland, OR*
4/14 – Great American Music Hall – San Francisco, CA (co-headlining with Foals)
4/16 Coachella, India, CA
4/19 – Fitzgerald’s – Houston, TX*
4/20 – The Loft – Dallas, TX
4/21 – La Zona Rosa – Austin, TX*
4/23 – The Firebird – St Louis, MO*
4/25 – The Varsity Theater – Minneapolis, MN*
4/26 – Metro – Chicago, IL (co-headlining with Foals)
4/27 – Outland Live – Columbus, OH*
4/29 – Beachland Ballroom – Cleveland, OH*
4/30 – Phoenix Concert Theatre – Toronto, ON*
5/01 – Le National – Montreal, QC*
5/02 – Paradise Rock Club – Boston, MA*
5/04 – Terminal 5 – New York, NY (co-headlining with Foals)
5/05 – Theatre of the Living Arts – Philadelphia, PA*
5/06 – 9:30 Club – Washington, DC (co-headlining with Foals)
5/07 – Ottobar – Baltimore, MD*
5/08 – The Met – Pawtucket, RI*

*Foals & The Naked & the Famous

tUnE-yArDs unveil “Bizness” video, start Japan benefit facepaint contest

tUnE-yArDs are hot on the heels of recording w h o k i l l , coming out April 19th on 4AD, and the band has released a video for single “Bizness.”  In the video, school children playfully run amok, a collage of face-painted adults rotate, reconfigure, and recombine as organic, geometric shapes, and Merrill Garbus fleshes out an envisioning of her primal wail.

In related news, the band have started a contest encouraging fans to “submit photos of themselves – or any other objects they see fit – adorned in coloured face paint. To enter, fans should upload photos via a dedicated Flickr account here. For every photo submitted, Merrill will dedicate $1 to the Japan relief effort. The photo judged to be the most creative will win a boombox decorated by tUnE-yArDs in the colours of the w h o k i l l album artwork.”  Get an idea of what they’re looking for here.

Midnight Magic Join LCD Soundsystem For Farewell Shows

If you thought disco died a couple decades ago, then Midnight Magic might have some choice words for you.

The 9-piece (!!!) disco band will be the guest band for LCD Soundsystem’s last shows ever and will be playing an additional New York show with Cut Copy.

The group have also released a new video for their disco-centric “Beam Me Up”. Check it out.

Midnight Magic will be playing New York (with Cloud Cult and LCD Soundsystem) on these dates:

4/6: New York, NY @ Terminal 5 w/Cut Copy

4/9: Philadelphia, PA @ Kung Fu Necktie w/Jessica 6

March 29-31: New York, NY @ Terminal 5 w/ LCD Soundsystem

4/2: New York, NY @ Madison Square Garden w/ LCD Soundsystem

 

Girl Talk Interview for Governors Ball Interview Series

Remember hearing about the awesome festival taking place on NYC’s Governers Island on June 18, 2011?  Well, in preparation for this inaugural event, the Governors Ball is very excited to announce their 2011 artist interview series.  Over the next few weeks, they will be rolling out interviews with artists performing at their festival.  First up is Gregg Gillis, a.k.a. Girl Talk!  He discusses how he wants his audience to “lose their minds” at his shows and how he always aspires to “musically engage” his live audiences.  But enough of my blabbering, you can see the interview for yourself right here:  http://www.youtube.com/watch?v=09_uRy29BHg&feature=player_embedded

Third Man Records Hits The Road

Almost lost in the SXSW shuffle was an appearance by Jack White and his newest project.

No, not a new band but a mobile record store! The Third Man Rolling Record Store debuted on last Saturday, with an appearance by Jack and his newest record label signee, Seasick Steve.

White humored the amassed crowd with a brief, two-song performance (Buddy Holly’s “Not Fade Away” and the White Stripe’s  “Dead Leaves and the Dirty Ground”) before giving the impromptu stage up for Seasick Steve.

After the brief concert, fans got to tour the Rolling Record Store, with its reinforced vinyl racks and the interior and exterior sound systems. Coated in Third Man Records trademark yellow and black, the truck looks both brand new and retro.

Jack sat down to an interview with Pitchfork which you can see right here. Below check out both White and Seasick Steve’s solo performances.