Los Angeles pop singer-songwriter Lauren Waller has released a brand new album called Talking to Myself.
Talking To Myself delivers a bittersweet intoxicating cocktail of indie, synth, and pop capabilities, with fresh, forward-thinking sounds. Lauren nails it with playful invention, swagger, lyricism, introspection, and theatricality. From luminous dreamscape pop to catchy dance songs, Lauren’s emotionally generous storytelling and distinctive voice provide an antidote for the run-of-the-mill. Comparisons can be made with the likes of Lorde, Hayley and Kiyoko.
Her choruses are catchy and memorable in each song of this album, with the standout being Lauren’s hooks.
Low Tide Levee is the newly emerging band of seasoned musicians featuring singer/songwriter, composer, drummer, pianist, and former marine biologist Amy Brookes as the primary creative force. She writes the songs, sings lead vocals and harmonies, and plays drums, percussion, and keyboard. Her husband, Sasha Ames, is the band’s bassist and, sometimes, studio guitarist, and the trio is rounded out by a guitarist.
The band just released their new single “Dang Diggy” and it’s accompanying video. The 60’s pop and progressive rock song was written during one of Amy’s jaunts to a local tea shop she used to frequent to get the creative juices flowing. She came up with this tune, not really expecting much from it, but it ended up being a band favorite.
The fun Claymation video depicts the character of Dang Diggy as an almost divine entity, throwing pies down onto the man below. This man is in a boat with nowhere to run from the pies, his only options are to jump out and swim or sit and take it. It’s a clear depiction of life through whatever it has down on you, good and bad.
We spoke to Amy about the video and what her ideas were:
Tell us the story of this song. Why did you choose to visualize this song specifically in this way?
Dang Diggy came to me during one of my jaunts to my local tea shop that I used to frequent, a unique kind of place to gather and chat with random strangers, while enjoying the subtleties and meditation of gongfu tea ceremony. I often used my walks there and my time sipping tea to invite in the creative process, and many a gem came and was captured with my voice memo or note app on my phone.
The words just came into my head, and I thought it was a fun, silly, trippy song that could be a camp song. Little did I know that my band would love it and we would turn it into a rock anthem. Each pie is a ridiculous stoner dream of an over- the-top kind of dessert that exceeds all reason and just sounds like heaven, even if it would in reality be too much. Eventually, I realized that this incredible mask we found for our music studio (aka the “Funk Palace”) *was* Dang Diggy, and that Dang Diggy was absolutely this non-gendered deity that hung about in the sky throwing down pies to whomever might be fortunate enough to receive them.
What was the inspiration behind this video (visuals, storyline, etc.)?
It was my dream to have a Claymation video showing the story of this character Dang Diggy, a deity-like being who hangs about in the sky throwing down all the different pies. I found someone on Fiverr (Aleksej Pezzi) who did really cool Claymation music videos, and we worked together on filling out the rest of the story and visuals. He proposed a number of different characters for the little creature receiving the pies, and I fell in love with one of them that was sort of Gumby-like with this big heart on its chest. I liked the idea of the creature being in a boat since our band is very inspired by the ocean.
What was the process of making this video?
I wrote to Aleksej about the Dang Diggy mask (and sent photos) and the idea of a Claymation version of it throwing down pies, and we went through a process of sketches and proposals for each character’s look – starting with a sketch and progressing to a clay version. He sent me a mock-up for each scene and we ironed out the details. I wasn’t exactly keen on having Dang Diggy’s pie come out of its nose bathed in snot in one verse, but he kept it in and I just went with it (lol!!). In the end, I wound up loving the whole little movie, it was beyond the sum of its parts and I was so delighted with the expression Aleksej created in each character as the story progresses. No matter how many times I’ve viewed it now, it still cracks me up!
Singer, songwriter, and musician KALEN has become a Brooklyn mainstay during residencies at Alligator Lounge and Spike Hill, performing high-kicks and jumping off amps in kinetic kinship with the audience. She began by hauling her keyboard and amp up and down Bedford Ave, forging a sound rooted in soul, funk and electronic music.
Getting set to release her newest EP, Silence Like Sirens, her electro pop single “Phoenix” bounces with an anthem like piano hook and a chorus that elevates the overall message of redemption and healing. The chorus is bound the get stuck in your head as you find yourself singing it throughout the day. It’s reminiscent of Madonna, both in her vocals and pop musical style.
“Phoenix” was named after a friend’s second child after losing her first. “I couldn’t fathom the pain they went through. Now, as a mother myself, it’s even more difficult to imagine,” shares KALEN. “I love the way the bridge really came to life on this one with that rhythm section! The most magical thing that happened on this song, though, was the choir that sang on the choruses! Maggie Collier arranged sick BVs and led 6 incredible singers. I was 8 months pregnant and the world was about to shut down, but we didn’t quite know it yet. We were all talking about whether or not we should hug goodbye (which we did).”
She’s performed at Brooklyn Bowl, Rough Trade, & Joe’s Pub, DC9 (Washington D.C.) and Hotel Café & The Mint (LA). During the pandemic, KALEN brought us into her world streaming her moody tunes in late night solo sessions. Performing live again KALEN tailors each performance (and the accompanying visuals) to the specific site and space, from analog slide projectors coupled with poetry and acoustic bands in Brownstoner salons to projection mapping and thumping tracks with a full electric band on stages around NYC.
The Los Angeles-based artist bridges the divide between 1980s dark wave and modern electro-textured indie pop. Her aesthetic also encompasses the confessional and poetic intimacy of the singer-songwriter idiom and the thrilling satisfaction of modern pop. Her soulful pop has earned her favorable comparisons to Lorde, Regina Spektor, Sara Bareilles, and Ingrid Michaelson.
Most recently, Lauren has released new single “3-2-1” and we are here for it! The pop creative took the countdown song to a fun and club dance orbit, circling around artists like Gayle and Fletcher, Halsey and even Old School Fergie all rolled into one hit track.
“I decided to write ‘3-2-1’ because I just wanted to have fun. I wanted to have a song that was not just fun to listen to, but also a song that was fun to sing along with to perform!”
The song is a blended mix of new age pop mixed with old school 2000 vibes and is arranged to perfection. This song is definitely a vibe and we can’t wait to hear more from Lauren!
To date, Lauren has released two EPs, and performed on RTE, Ireland’s National Television, at the International Rose of Tralee Festival, and appearances at the Viper Room and the Hotel Café. Waller has opened for many iconic bands such as Wilson Philips, Anna Nalick, A Flock of Seagulls, and most recently: Tower of Power. She was set to open for KT Tunstall prior to COVID-19, but the show has since been postponed.
Merlot Embargo is the self-produced and independent indie pop duo recording music out of our home studio in LA, where they’re also raising their daughter Joanna. Their music is diverse but rooted in the classics. While they strive to make each song something unique and fresh, Scarlet’s sultry voice and Geoff’s groovy guitar-ing make it all feel like Merlot Embargo.
Some might even consider Scarlet and Geoff an unlikely duo: a seat-of-the-pants, army brat singer-songwriter, paired with a native Californian music school nerd and engineer by day. But the blending of their different approaches to music (and life) has helped them create music that’s provocative, but also real and approachable. They temper each other’s worst tendencies, and in their good moments, bring out the best qualities in each other. Throw in their band, and it’s a collab made in heaven.
Merlot Embargo just released their new upbeat and catchy pop rock single, “Not Gonna,” a song that takes down their own inner demons about ageism in the music industry. The music tells a story of fun and excitement while the lyrics tell a story of resistance and obstacles. Together, it reflects the message of being outwardly fine, but battling setbacks in pursuit of a goal on the inside.
Scarlet’s voice is familiar, almost like a Brandi Carlile meets Ingrid Michaelson. The music and beat is instantly recognizable as uniquely Merlot Embargo with it’s clear influence of Coldplay and The Beatles.
“Hopefully, this song inspires people to keep persevering and following their dreams,” share the duo. “They may be closer than they realize.”
English born, but raised in Ontario, Canada, Gracie Jet has emerged on the alternative pop scene with great gusto.
Her debut single “Sister” is an emotional and raw ballad that explores the relationship with her sister who has struggled with mental health since she was a child. The song is delicate and also carries strength with the rich vocals from Gracie. It is a song about struggle, perseverance, family and love.
“My sister has struggled with mental health for years. As her sister, I have watched her through it all. I’ve watched as my best friend/sister retreated to her bedroom and became a stranger. I’ve walked with her through it all. I’ve taken her to the hospital, watched her fall apart. I’ve watched her struggle through all the ups and downs and been so scared that you would lose her in the end.”
While this song explores a serious and challenging theme, Gracie´s upbeat energy and character shines through. Her voice alone commands all of the attention here, with a rich range similar to that of pop star Adele and Lana Del Ray.
“I wrote this song for her to remind her she is not alone and that she is loved and she would miss that her life is valuable. This is a love song also for all the family members watching their loved ones struggle and an anthem for people struggling that you are not alone.”
Listen to “Sister” today to hear what all the fuss is about over this brilliant young Canadian artist.
You must be logged in to post a comment.