Layers of Light – George Collins Channels Gabriel on Latest Single “Open Up”

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From the opening bars of George Collins’s “Open Up,” there is a sense that something deeper is at play. Not just another well crafted track from a thoughtful songwriter, but a deliberate reaching for something sacred.

And indeed, the song wears its Peter Gabriel influence proudly, especially the spectral fingerprints of Mercy Street , which was one of Gabriel’s most haunting and meditative works.

But Collins doesn’t merely mimic it. He reinterprets, he absorbs, and he builds his own quiet cathedral of sound.

At its core, “Open Up” is about vulnerability — that conscious, often exhausting decision to remain emotionally available as the years add both wisdom and weight.

The chorus is a mantra more than a hook, a repeated invitation inward and outward. It’s no coincidence that the track is driven by keyboards and layered vocals rather than Collins’ familiar guitar. This is definitely a songwriter stepping outside his comfort zone and embracing evolution.

That creative shift was made possible by the collaboration with award winning Canadian producer Rob Wells, who is known for work with some of the biggest names in pop.

And yet, instead of gloss, Wells helps shape the texture. Their work together feels cinematic but never overblown. Moody yes but also very much grounded in humanity.

George says about the song:

“Concerning the story behind “Open Up,” it was definitely intended to be a Peter Gabriel influenced track from the very beginning – he is one of my heroes.

For the new album, I also wanted to expand my songwriting beyond the guitar-based songs I’ve written all my life and tip my hat to other styles and genres that have influenced me over the years.

I had the title and the concept for the song, the chorus, as well as several guitar riffs kicking around in my head for years, but I knew I wanted “Open Up” to be a keyboard driven track with layered vocals,  sonorous textures and exotic instrumentation, like Peter Gabriel’s “Mercy Street.”

As a guitarist with limited production skills, I knew I needed to collaborate on this song with an A-list keyboardist/producer to bring my incipient ideas to life.

I approached one of my Mentors, Rob Wells https://robwellsmusic.com/ an award-winning, multi-platinum selling Canadian songwriter and producer who has worked with Ariana Grande, Justin Bieber, Selena Gomez, and dozens of other notables – and who happens to be one of the nicest guys in the world.”

Exotic instrumentation winds through “Open Up” without calling attention to itself, and the vocals stack shimmer like late afternoon light through stained glass.

You can hear how hard Collins has worked on the vocal performance, singing through the song again and again over two days in a Prague studio with no shortcuts taken. What’s striking though is how much heart is in the details. The production is refined, but the soul of the song comes through in Collins’ voice.

He is offering an important message not to harden – don’t retreat, stay open! Something that many of us could listen to.

“Open Up” is indeed one of those late career songs that is reaching forward into a new phase of creativity, with courage and grace.

Connect with George Collins:

Website / Spotify / Apple Music / YouTube

VIDEO VOYAGEUR: 3 Q’s WITH MOLLY THOMAS

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When a life altering moment changes everything, some artists retreat. Others write. For Molly Thomas, the aftermath of a devastating car accident in August 2023 became both a period of deep healing and unexpected creative clarity.

Her new single “Crash,” co-written with longtime collaborator Ken Rose, captures that raw emotional journey with rare honesty and grace.

Quiet, luminous, and haunting in its simplicity, “Crash” tells the story of survival, acceptance and the deep gratitude that follows being kept on this earth by the kindness of others.

In this interview, Ken Rose opens up about the inspiration behind the song, the process of writing and recording it, and the symbolism behind the intimate video that accompanies its release.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Crash was the only song we wrote after Molly’s accident. We were sitting on Captain Tom’s dock, in the hammocks. Molly was still in recovery, and the song just flowed naturally.

It’s always been a favorite because of its honesty, and I love the free, easy ’70s vibe we captured. “Crash” is essentially a documentary that encapsulates Molly’s accident — not just the physical experience, but the emotional and spiritual journey as well.

It’s also a reflection of the deep gratitude we feel for the community and circle of friends who showed up when Molly needed support the most. I asked Molly to record a simple, neutral, and unaffected vocal video on the porch because I wanted to capture her emotional strength. It was a gamble — it was either going to work or completely fall flat.

Since Molly and I were writing and recording the album before, during, and after the crash, I witnessed her pain, joy, and growth firsthand. I wanted to capture her “survival” in the video — and I think we did.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

The inspiration for the video was to capture the essence of “pure” Molly, combined with the feeling of movement — driving — to represent her journey and recovery. The clarity of Molly’s emotions, contrasted with a blurry, surreal night drive through a foreign country (I filmed it in Casablanca, Morocco), felt like the right metaphor.

3. What was the process of making the video?

The process of making the video was simple: don’t overthink anything.

We had just half a day to create something, so it had to be all about trust and flow. That’s how our creative partnership has always worked — trusting that whatever we make together will be honest.

Find out more about Molly Thomas on her Website

Havilah Tower’s “Open Wide” Shines a Light on Quiet Courage

An emotional folk-pop reflection on the moment your life begins to shift.

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Havilah Tower’s latest single Open Wide captures something elusive. That subtle turning point when you realize the life you’ve built no longer fits the shape of your heart.

Wrapped in a warm folk pop instrumentation, “Open Wide” is something of a softly unfolding meditation on self-honesty, transformation and the beauty of rediscovering what truly matters.

Built around a graceful acoustic guitar line and anchored by Havilah’s soulful and expressive vocals, the song opens like a journal entry. It’s private, deliberate and fully human. As she sings of a dream life slipping from her grasp, the listener is drawn into that universal threshold where illusion gives way to truth, not with drama, but with clarity. This is the sound of someone who is choosing alignment over image and heart over habit.

What takes “Open Wide” to the next level though is its arrangement – the cello swells, the ambient textures and the thoughtful percussion surrounds the lyrics without ever overwhelming them. Each instrumental choice seems to lean into the song’s emotional arc, and echoes the idea that shedding old narratives can work to make space for something more honest and grounded.

Lyrically, Havilah strikes a balance between a sense of vulnerability and control. Lines like “the dream that I had, it’s not what I thought” carry both disappointment and empowerment. There is maturity in her writing, as each verse is anchored in lived experience.

Listeners who are familiar with artist like Patty Griffin, Brandi Carlile or even the more introspective moments of Taylor Swift’s “Folklore” will feel at home here. But “Open Wide” is not derivative – it is distinctly Havilah.

What makes the track even more especially resonant is how it reframes letting go not as failure, but as a grace.

It’s a song for anyone who has ever paused in the middle of their own story and asked: “Is this still true for me?”

In that way, “Open Wide” becomes more than a single, but also an invitation. One that asks you to step into your life with your own eyes – and heart – fully open.

Keep up with Havilah Tower on her Website

Stream music on Spotify and Apple Music

VIDEO VOYAGEUR: 3 Q’s WITH REEYA BANERJEE

Get ready to hit the ground running with Reeya Banerjee’s brand new music video for her punchy new single “Runner.”

This visually dynamic video brings to life the hectic, high energy pace of Reeya’s NYC corporate commute days. All complete with high heels, crowded platforms and a barefoot dash through Grand Central Station.

Directed by Reeya herself and edited by Khalifa Cyrus, the video captures the raw, scrappy energy of city life and the relentless rhythm of chasing deadlines, trains, and moments of breathless motion. It’s a candid and kinetic snapshot of a uniquely New York experience, set to a soundtrack that’s as urgent and unrelenting as the story it tells.

Watch “Runner” now and feel the pulse of the city through Reeya’s eyes:

1. Tell us the story of this song. Why did you choose to visualize it this way?

“Runner” is a punky, breathless tribute to my NYC corporate commute era — all high heels, Metro-North mayhem, and motion without pause. I was constantly running: to the train, to the office, back to the platform, across the Mid-Hudson Bridge after work… lather rinse repeat five days a week.

This song captures that manic rhythm. I wanted to visualize it literally — because I really did run barefoot through Grand Central to catch my train. So we shot that. It felt right to put my actual memories on screen.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

This is my first traditional narrative music video — and it’s rooted in one of the most absurd and real parts of my 20s. The storyline recreates my daily commute: barrelling through the streets of midtown Manhattan, dodging crowds in Grand Central, racing across the platform in heels (or not), and finally collapsing into a train seat as the Hudson River goes by. Khalifa Cyrus brought the pacing to life by blending live footage, timelapses, and performance moments that channel the song’s urgency. It’s scrappy, sweaty, and deeply New York.

3. What was the process of making the video?

We shot on location in Manhattan and Brooklyn — no permits, just sneakers (and high heels!), friends, and phones. Guntas Singh and Jack Quigley helped film the Grand Central and street scenes while I directed and hoped no one would kick us out of the concourse. Khalifa Cyrus handled the edit, cutting between candid footage and the video’s climactic barefoot sprint. This was a deeply DIY process that mirrors the energy of the song: raw, real, and running on fumes.

Keep up with Reeya Banerjee on her Website

“Second Chance” Is Stigma’s Boldest Leap Yet — Raw, Reflective and Roaring with Purpose

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There’s a fire in “Second Chance” that doesn’t flicker. It surges.

German hard rock band Stigma, forged in 2021, have made good on the promise of their earlier EPs (Last Order, First Call) and delivered something tougher, deeper and far more personal. This is a record born from global, political and internal unrest, and every note very much feels like a response to it.

Recorded high in the Italian mountains and carved out of both philosophical musings and lived in experiences, “Second Chance” truly stands out.

Listen in here:

Stigma don’t look for the easy answers here. Instead, it’s more about owning the chaos, surviving the night, and daring to keep going. From the opening track “The Signs”, frontman Gerald Zinnegger sets the tone. It’s searching, defiant and anthemic.

“Spinning circles in space and time” he sings, with conviction. That duality of doubt and defiance ripples through the whole of the album. “Glorious Victory” follows with a cinematic sweep. Guitars soar, drums pound and the message lands with a force – that true strength lies in control.

If “Second Chance” has a heartbeat, it is “Blaze of My Heart” where Zinnegger is at full throttle, singing like a man with nothing left to lose. It’s a cathartic outburst and a reminder of why any of us hold on through the noise. The bands sounds really locked in here.

Their lead single, “Faraway” is a rare and tender moment. This song is restrained, melancholic and shot through with longing. Inspired by the prison island Gorgona, it is a study in emotional isolation. Yet even here, Stigma show a flicker of hope, of imagined forgiveness.

Then comes “Monster,” arugably the album’s most vulnerable moment. The lyrics here flirt with self loathing but stop short of collapse. The closer “Corruptor” slinks in with a poisonous groove – hypnotic, lean and devestatingly timely. It’s a warning more than protest that corruption is not always loud. Sometimes, it whispers. And, sometimes, it is you.

Overall sound wise, the album strikes a powerful balance. Guitarist Markus Mantau, bassist René Chlebnitschek and drummer Bernd Paptistella lay down a muscular, dynamic foundation throughout. The production captures the sweat and shadows of a real band in a real room.

Crucially, “Second Chance” is an album that connects everything together. It is an album that reminds the listener that rock doesn’t have to posture to hit hard. That heaviness can come from honesty, not just distortion. That a band still finding its shape can already sound this defined.

If “First Call” introduced Stigma, “Second Chance” certainly cements them as not just a band to watch but a band that sees the world clearly and sings about it honestly.

Find out more about Stigma on their Website

VIDEO VOYAGEUR: 3 Q’s WITH CLEMENTINE MOSS

As a founding member of the all female Led Zeppelin tribute band ZEPPARELLA, and the force behind introspective solo projects like Nothing Will Keep Us Apart and Clem & Clearlight, Clementine Moss has long balanced raw rock power with a spiritual depth.

Her latest work continues this exploration, blending poetic songwriting with personal transformation.

In this exclusive interview, Clementine opens up about the emotional and spiritual shifts that inspired one of her most evocative songs called “Coming to Meet The Blues”.

Created during her journey toward sobriety, the track and its accompanying music video captures the ache of existential questioning and the haunting beauty of roads not taken. Working closely with visual artist Luigi Florente of Blackstars Studio, Clementine brings to life a narrative of romantic memory, longing and awakening. All framed through a vintage lens that echoes the soul of the song.

Here, she walks us through the heart of the piece, the vision behind the visuals and how art continues to help her meet life without the veil:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

I wrote the album, and this song in particular, as my life was shifting and I was becoming sober. The songs on the record ended up being a kind of love letter to the life I was leaving behind, the late nights in bars, substance-induced hazy moments where judgment was maybe not present. Those moments could be beautiful and creative, but also illusory and over time I began to be more excited by meeting life without a veil.

This song is about that feeling of longing that is existential, when alcohol takes over and you begin to question all the choices that brought you to this point. The narrator of the song sees someone across the bar and paths not taken come into view and amplify the question… have I made the right choices? Is this where I thought I was going? Is the uncertainty I feel about myself truth or mistake?

2. What was the inspiration behind this video (visuals, storyline, etc.)?

I work with Luigi Florente of Blackstars Studio in Spain to do the videos for the album. I ask that he work with clips and footage without AI generation, and he has a wonderful way of getting inside the song and telling the story. He chose to tell the story of lost love here, and we loved the romantic visuals.

3. What was the process of making the video?

Luigi finds the clips and puts the story together, and then I bring the video into Wondershare and add some lighting and texture. I love working in that program, as there are so many options to use so easily. I love things to look vintage, and the various options of light leak filters really add to the romance.