by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH SHELLY RUDOLPH

Portland’s own Shelly Rudolph is back with her latest single release, “I Love LOVE”.

This soulful and funky track celebrates the universal power of love. Shelly teamed up with jazz-soul artist Charlie Hunter, trumpeter Cyrus Naibipoor, and drummer Reinhardt Wolfgang Melz, to deliver a rich, layered sound that’s sure to make you groove.

“I Love LOVE” started as a poem before transforming into a song, capturing the playful and sweet essence of love in all its forms.

Hunter’s groove-driven guitar/bass hybrid sets a compelling foundation, while Rudolph’s sultry vocals twist and shimmy over it, creating an infectious and heartfelt anthem. Following her drum-less, chamber jazz album “The Way We Love,” this new track marks a departure in sound but not in spirit, maintaining her core mantra of celebrating love always.

1. Tell us the story of this song. Why did you choose to visualize it specifically in this way?

”I Love LOVE” began as a poem, as many of my songs do, but when I stepped up to the mic I started singing! Thus, a song was born.

Lyrically, it is playful and sweet but the message is deep: love in any/every flavor, in any/every combination is to be savored and celebrated.

As a follow up to my album “The Way We Love” this unabashedly sassy number has a decidedly different sound but my mantra and life mission remain the same: LOVE always, always. That’s all we are here for.

I wanted the video to express this feeling of joyful flow, freedom of expression and unabashed celebration, which I think the ecstatic-dance element captures. The multi-layer effects represent the myriad “flavors” of love being expressed and celebrated, all at once.

2. What inspired this video (visuals, storyline, etc.)?

The iconic videos by Desrée – “You Gotta Be” -and D’Angelo – “How Does It Feel? – were the initial inspiration for this video. I love the way their solo presence invites the audience in, invoking an experience of immediacy, intimacy, vulnerability and power; all qualities that love demands and inspires.

The color-palette was inspired by night-blooming flowers and late night dancing… vibrant and dark, embracing and sensual.

3. What was the process of making this video?

I collaborated with the wonderful Derich Hartfeil of Fortem Films on this project.

A few ago he created an amazing, ethereal aerial dance video for my song “Butterfly Heart,”, and I knew I wanted to work with him again. We seemed to be on the same page artistically and easily. After sharing the music, lyrics and mood-conveying images with him we met up at a cool studio in industrial Portland for the shoot. It was a bit nerve-wracking at first to dance around by myself with a flurry of cameras around me but soon enough I swept away with the fun of it all and I love how Derich edited the footage to convey this sense getting swept away in the swirling dance of love.

“I Love LOVE” was recorded by Sacha Muller, mixed by Bob Stark and mastered by Nick Moon.

Vocals and songwriting by Shelly Rudolph, Charlie Hunter on hybrid guitar, Reinhardt Wolfgang Melz on drums and the trumpet arrangement and performance by Cyrus Nabipoor.

With a music career spanning over two decades, Shelly Rudolph has become a firm fixture in Portland’s music scene, with a devoted following who enjoy her dynamic performances and soul-stirring vocals.

Her influence has also grown internationally, with placements on Spotify and Pandora, and airplay on jazz radio stations across Europe, Japan, Indonesia, as well as the Middle East!

Don’t miss out on this fresh, soulful take on the timeless theme of love — listen to “I Love LOVE” now on Spotify

Keep up to date with Shelly Rudolph on her Website.

Follow on Facebook and Instagram.

Music can be streamed on Spotify, Soundcloud, Apple Music and YouTube Music.

01.13.24

by Jane Lambert

Video Voyageur: 3Q’s with Connie Lansberg

Connie Lansberg has created a world where jazz meets storytelling, and energy healing finds its voice through music. She’s the creator of Transformational Entertainment™, a genre that’s as intriguing as it sounds.

An accomplished jazz artist, songwriter, and author, Connie’s work is a harmonious blend of wellness and artistry, wrapped up in songs that resonate on multiple levels. And she is one of the most streamed Jazz artists in her home country – Australia.

With a career that spans multiple albums and even a novel, Connie has become a fixture in the Australian jazz scene. Known for her poetic lyrics and elegantly expressive melodies, Connie Lansberg has a knack for capturing the complexities of human emotion in 4-minute musical soliloquies. Today, we delve into the creative process and inspiration behind her latest video, exploring how it adds yet another layer to her already rich tapestry of work.

1. Tell us the story of “Deep End of Love”; why did you choose to visualize it specifically in this way?

“Deep End of Love” with all its gravitas in the music is a little tongue-in-cheek look at the games we play in the name of love and how refreshing it would be to just take the leap without our baggage, our wounds, and our pain. I have a live video of this song, but it seemed too safe. My music is not safe because it isn’t because it is always its own thing and not readily easy to place in a genre. So I searched and found a great lyric video creator and sent him as many images as I could because, at that time, I didn’t know he could draw and I wanted to suggest a certain darkness.

2. What was the inspiration behind this video (visuals, storyline, etc.)?

The song asks the question, do you think it’s possible to give your heart to another fully without fear? So the heroine had to represent the question. I wanted to see her grapple with it and then triumph.

3. What was the process of making this video? (and anything else you want to tell us?)

When I choose another creator to work with I always let them show me what they’ve got first, without too much direction after the initial brief. However, when I realised, most jazz-based songs don’t have lyric videos because of all the improv, and “Deep End of Love” has two improv sections, middle and end of the song, I knew I had to jump in a little more than normal. I pushed this guy to his limit! We crafted the two improv sections and I asked him to draw and then animate this woman and I was thrilled with the results. She has such a strong nobble face, not like the prettiness you see in Western world women. I do have a confession in that I did recut the video to get that impact at the end, but I think I got the very best out of this guy. He’s done a few more for me that are really good too. I love the freedom of lyric videos as well as the fact that for me, the lyrics are so important. Lyrics are my true gift and so many people pay no attention to them. For me, if you don’t listen to my lyrics, you’re missing the point.

Whether she’s penning a novel or crafting a jazz tune, Connie’s belief that we create our own reality shines through. Her songs are not just melodic expressions but also vehicles for energy healing and wellness. As we await her next project, one thing is certain: Connie will continue to challenge, inspire, and transform us, one note and one word at a time.

WATCH “Deep End of Love” here –

Stay current with Connie on her Website and social media channels Facebook and Instagram.

Stream music on Spotify and YouTube.

12.17.23

by Jane Lambert

San Francisco’s Beloved Crooner Russ Lorenson Dives into the Holidays with the Release of “Standard Time: Live in New York.”

Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”

Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4^th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.

A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.

Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”

“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.

Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.

“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.

“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.

Reflecting on the album, Lorenson remarks:

“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”

Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.

Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.

“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”

Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.

Listen to “Standard Time: Live in New York” on Spotify.

Stay current with Russ Lorenson on his website, and follow him on Facebook and Instagram.

Subscribe to his official YouTube channel to watch the latest videos.

Download and stream his music on Spotify, Apple Music and YouTube music.

About Russ Lorenson

Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.

Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”

Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”

08.18.23

by Jane Lambert

Shawn Bediako’s “Sojourners” is an Homage to Those Who Are Unapologetically Authentic

In a world where music often follows predetermined paths and well-trodden genres, Shawn Bediako emerges as a true artistic sojourner with his new hip hop and jazz infused single, aptly titled “Sojourners.”

“Sojourners” is a groovy ode to the seekers, the visionaries, and the authentic souls who embark on uncharted paths. Bediako’s lyrical prowess shines as he paints a vivid picture of those who trust their vibes and navigate life’s twists and turns with an open heart.

The song’s message resonates deeply in a world where conformity often takes center stage – it’s a call to embrace the unknown and find purpose even in unpredictability. In his own words, Bediako speaks of this track as an ode to visionaries who are unafraid to be authentic and unapologetic. “It’s people like this that he admires and try to pattern himself after as an artist,” he shares. These moving themes are backed by funky bassline and sparse but slick percussion that let his poetic wordplay shine through.

Shawn shares, “there are no first person pronouns or possessives in the lyrics; I intentionally use “we” and “our” as a nod to the idea that all people who share the goal of inspiring others have a collective, unified identity.” The tracks’s theme of unity adds yet another layer of depth, mirroring the diverse encounters we face as we traverse our own paths.

Bediako’s multidimensional background as a musician, composer, emcee, and even a tenured professor, adds layers of complexity to his musical narrative. Bediako’s unique blend of Soul/Jazz, Hip Hop, and Funk pays homage to the likes of The Roots, Mint Condition, and Roy Hargrove, while carving out a distinct space for his own creative expression.

This journey of sound and soul is a testament to growth, connection, and the pursuit of authenticity. Stream “Sojourners” now and experience the transformative power of music that speaks to the very essence of our humanity.

Follow Shawn Bediako via:
Socials: Website / Instagram / Facebook / YouTube / Spotify

06.23.23

by Jane Lambert

“Wig Glue”: Ray Levier’s Inspiring Ode to Resilience and Groove

Ray Levier, a seasoned drummer and highly sought-after sideman, unveils his most poignant and personal track to date with “Wig Glue.” This jazz funk fusion composition pays tribute to the legendary guitarist Mike Stern, renowned for his work with Miles Davis and other esteemed jazz and fusion acts. “Wig Glue” is a spirited and groove-filled piece that embodies resilience and determination, inspired by Stern’s remarkable journey of overcoming a devastating accident.

The backstory behind the song adds a layer of depth and inspiration. In 2016, Stern suffered a severe accident, breaking both of his humerus bones and causing nerve damage. This left him struggling to hold a guitar pick, threatening his ability to continue performing. In a stroke of fortuitous creativity, Stern discovered a solution in wig glue—a conversation with fellow musician Etienne Stadwijk led him to Ray Levier, who had been using wig glue on his drumsticks after his own accident.

Levier, a highly skilled drummer, generously shared his unconventional method with Stern, resulting in a remarkable breakthrough. By using wig glue, Stern regained his ability to hold the pick and continue playing. Grateful for the solution, Stern highlighted Levier in interviews and expressed deep appreciation for the fortuitous suggestion. Together, they formed a bond and playfully referred to themselves as members of the “wig glue club.”

“Wig Glue” serves as a dedication to the resilience of both Ray Levier and Mike Stern, embodying the idea that even if something is broken, it can be glued back together, allowing the journey to continue. The track itself captures the spirit of funk, infusing it with elements of jazz and fusion to create an infectious and dynamic sound. Levier’s rhythmic prowess takes center stage, driving the groove and delivering captivating musical moments.

Joined by Etienne Stadwijk, Mike Stern, and esteemed bassist Will Lee, known for his exceptional contributions on ‘Late Night with David Letterman’ and collaborations with renowned figures like George Benson and The Brecker Brothers, Ray LeVier and friends embark on a melodic enchantment with “Wig Glue.” This harmonious convergence of musical talent amplifies the impact of the track, elevating it to new heights.

With its infectious rhythms, captivating melodies, and spirited performances, “Wig Glue” captures the essence of overcoming adversity and pushing forward in the face of challenges. It serves as a testament to the power of music to inspire and uplift, and Ray Levier’s tribute to Mike Stern stands as a powerful symbol of the strong bonds and mutual support that exist within the music community.

Listen to “Wig Glue” and embrace its empowering message of resilience:

04.25.23

by Jane Lambert

“It Just Has to Be” is a Soft and Warm Song from Black Olive Jazz

Black Olive Jazz features the warm singer Kay Kostopoulos and the veteran Noel Jewkes on tenor, alto, soprano and flute. The group performs a wide range of jazz: swing, standards, blues, Latin and originals. Kay and Noel have been featured venues and jazz festivals all around the San Francisco Bay Area, including the Sonoma, Napa, Healdsburg, Vallejo, Sacramento, Palo Alto, and Fillmore Jazz Festivals. Their album, Exotica, a Mediterranean Jazz Journey, received rave reviews, and was honored by the Stanford Humanities celebration.

Kay is also a Stanford lecturer in Business and Theater, professional actress, singer, dancer and director who has performed in plays and musicals in many regional and Bay Area theaters, including the Magic Theatre, Marin Theatre Company, San Francisco and California Shakespeare Festivals, Stanford Summer Theater and A.C.T. (American Conservatory Theatre). Her theatrical background lends an emotional sensitivity to her lush and sensuous three-octave vocal range. Kay’s bellydancing has roots in an ethnic history rich in tradition, percussive musicality and precise technique.

Their newest song, the soft and lounge music-eque song “It Just Has to Be,” is led my Kay’s sultry vocals that adds an emotional depth to the piece. The lyrics themselves speak of the inevitability of love, and the joy that comes with finding someone who completes you.

The band effortlessly blends traditional jazz elements with modern twists to create a sound that is both fresh and timeless. It does have a Frank Sinatra meets Billy Holiday feeling to it with the deliberate words and slow delicate piano.

The intricate instrumentation and complex rhythms make it clear that this is a band that takes their craft seriously and is not afraid to take risks. “It Just Has to Be” is a fantastic addition to Black Olive Jazz’s already impressive catalog.

Connect with Black Olive Jazz via:

Website / Instagram / Facebook / Twitter / YouTube / Spotify