Song Review: Bright Eyes’ “Shell Games”

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“Shell Games” is the new single off Bright Eyes’ new upcoming album titled The People’s Keys. The song starts with Conor Oberst singing the metaphor-filled lyrics with the company of a piano. What seems to be a slow paced melancholic song is broken down by an explosion of synth, piano and drums that play in unison to create a great steady beat. With an almost electro-rock feel to it, “Shell Games” is a mesh of great lyrics and an interesting composition. Check out the song over at Pitchfork, and the new album cover above!

Vampire Weekend Release iTunes Session

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The boys of Vampire Weekend have announced the release of an iTunes Session EP, now available exclusively on the iTunes store. The indie darlings recorded six tracks this past September at New York’s Avatar Studios. The stripped-down session includes a completely reworked version of their hit “Holiday,” plus “A-Punk,” “Cousins,” and “Cape Cod Kwassa Kwassa.” The release also includes two covers: Bruce Springsteen’s “I’m Going Down,” as well as their take on The Honeycombs’ “Have I The Right.” Three horn players joined the band for the sessions, which add a new element to the band’s standard brand of music, which usually relies on the backing of a string quartet.

Vampire Weekend’s sophomore album Contra was recently nominated for a Grammy award, and is receiving some major recognition on year-end lists, including the #1 spot from New York Magazine, #4 from Jon Pareles at The New York Times, and #6 from Rolling Stone.

Contra is also sale priced on iTunes through January 4, 2011, at $7.99.

Smith Westerns Premiere New Video, Announce 2011 Tour Dates

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Chicago’s Smith Westerns will release their sophomore LP, Dye It Blonde, on January 18 via Fat Possum Records. As hype surrounding the band continues to grow, thanks to their self-titled, self-released 2009 debut album, the trio are premiering Dye It Blonde‘s lead single, “Weekend” [#51 on Pitchfork’s Best Songs of 2010 List], as well as an accompanying video. Directed by Focus Creeps, the video gives you an idea of what a typical weekend is like for the band in their native Chicago. [Hint: cheese fries, Slurpees, and lumber-jacking all play pivotal roles. How diverse!]

The band is currently on a European tour supporting MGMT, and have announced a slew of early 2011 dates, including two NYC dates in January, as well as later dates with the UK band [and Fat Possum labelmates], Yuck.

Be sure to check out the complete list of 2011 dates, after the video:

http://vimeo.com/moogaloop.swf?clip_id=17777581&server=vimeo.com&show_title=1&show_byline=1&show_portrait=1&color=&fullscreen=1&autoplay=0&loop=0

Smith Westerns – Weekend from Fat Possum Records on Vimeo.

Tue-Jan 18: Brooklyn, NY – Glasslands
Wed-Jan 19: New York, NY – Pianos
Fri-Jan 28: Nashville, TN – The End*
Sat-Jan 29: Knoxville, TN – Pilot Light*
Sun-Jan 30: Chapel Hill, NC – Local 506*
Mon-Jan 31: Athens, GA – 40 Watt Club*
Tue-Feb 1: Atlanta, GA – Drunken Unicorn*
Thu-Feb 3: Orlando, FL – Backbooth*
Fri-Feb 4: Tallahassee, FL – Club Downunder*
Sun-Feb 6: Houston, TX – Fitzgeralds*
Mon-Feb 7: Austin, TX – Emos*
Tue-Feb 8: Dallas, TX – The Loft*
Thu-Feb 10: Phoenix, AZ – Rhythm Room*
Fri-Feb 11: Los Angeles, CA – Echo*
Sat-Feb 12: Costa Mesa, CA – Detroit Bar*
Sun-Feb 13: San Francisco, CA – Bottom of the Hill*
Tue-Feb 15: Portland, OR – Doug Fir Lounge
Wed-Feb 16: Vancouver, BC – Biltmore Cabaret
Thu-Feb 17: Seattle, WA – Crocodile Cafe
Fri-Feb 18: Boise, ID – Neurolux
Sat-Feb 19: Salt Lake City, UT – Kilby Court
Mon-Feb 21: Denver, CO – Larimer Lounge
Tue-Feb 22: Kansas City, MO – The Record Bar
Wed-Feb 23: Omaha, NE – Waiting Room
Thu-Feb 24: Minneapolis, MN – Triple Rock Social Club
Fri-Feb 25: Madison, WI – The Frequency
Sat-Feb 26: Chicago, IL – Empty Bottle
Mon-Feb 28: Toronto, ON – Legendary Horseshoe Tavern
Tue-Mar 1: Montreal, PQ – La Sala Rossa
Wed-Mar 2: Boston, MA – Great Scott

Fri-Mar 4: Washington, DC – Rock and Roll Hotel

^ = w/ MGMT* = w/ Yuck

Modern Mystery Staff’s Year in Lists

Joe Paolucci

Top 3 Albums
The National High Violet- Another grower from the National. I think I’ll be listening to this one for a long time. It’s hard to beat Matt Berninger lyrically.

Beach Fossils Beach Fossils- This album may not be perfect. Many songs sound similar, but Beach fossils HAVE a distinctive sound. They stand out in this modern surf genre. Every time they release something, it’s better than the last thing they released. They are strong lyrically-emotional and yet numb. The guitars rhythmically work together so well, and I just feel they are all around tight as a band. I understand that Dustin Payseur fronted a lot of the work, but I’m just glad they all work together.

Beach House Teen Dream- Just a great album. Either you like it or you don’t.

Top 3 Songs

Toro Y Moi- “Talamak”Chaz Bundick has a great voice and an amazing talent for producing. I don’t know if half the time I’m listening to pure moods, late 80s/ early 90s hip-hop, or some kind of unreleased Steely Dan/ Fleetwood Mac, but I like it… It’s so smooth.

Beach Fossils- “Youth”- An infectious riff leads us into one of my favorite lines “ It’s not so worth getting all bent out of shape about,” which defines the song title for me.

Gold Panda –“You” If you can make a song using just the word “you”… that’s pretty cool.

Top 3 Shows

Pavement –Twice in a five day stint, and I still wish I went more.

Yo La Tengo – I remember raking my dead grandfather’s leaves and listening to “Prisoners of Love”. I can’t believe it took me this long to get up here and see them.

Beach Fossils – One of my favorite modern Brooklyn bands. They can’t seem to quite pull off what they do on their recordings, but the energy they display on stage suffices.

Andres Sanchez

Top 3 Albums:

Here We Go Magic – Pigeons
– This album pulls together some of my favorite sounds in music, fuzzy guitars, subtle keys, and groovy bass lines. It’s a delicately-crafted work of art that channels everything in your emotional spectrum.

Deerhunter – Halcyon Digest
– I wish I could quantify this, but I can’t. I love this album and anything I say will more than likely fail to do it justice.

Les Savy Fav – Root For Ruin
This album quenched my thirst for rock and roll this year. Yeah, there were plenty of other rocking records out there, but this one took the cake and ate it in front of me. To this day, I still fantasize about breaking shit with Tim Harrington.

Top 3 Songs:
Thee Oh Sees – “I Was Denied”
The Babies – “Meet Me In The City”
Beach Fossils – “Vacation”

Top 3 Shows:
Woods – some guy named Ben’s House @ SXSW in Austin, Texas March 18th(?)
Here We Go Magic @ Schubas in Chicago, Illinois July 17th
Pavement @ Stubb’s in Austin, Texas September 28th

Top 3 Music Videos:
El Guincho – “Bombay”
Here We Go Magic – “Casual”
Someone Still Loves You Boris Yeltsin – “Let It Sway”

Aitor Zabalegui

Top 3 Albums:

 

3. Ariel Pink’s Haunted Graffiti – Before Today
 Hearing Ariel Pink referred to as the so-called godfather of chillwave makes me want to compare him to Neil Young, the godfather of perhaps the very opposite of genres — grunge (RIP).  What makes this such a stark comparison is the fact that they have anything in common at all.  Ariel Pink’s history lingers in relative obscurity, with most people not being introduced to him until Before Today.  But it was the abrupt turn to accessibility on Today that suggests Pink had this sound in the bag from the beginning and instead chose to fade in rather than fade away, to quote the phrase.  Just listen to the initial version of “Can’t Hear My Eyes,” which features none of the polish and AM sheen that makes it so immediately rich sounding on the album cut.  Pink, much like Young, seems to have unlimited tricks up his sleeve sure to prolong his newly-found relevancy in indie music.  I bought this album after listening to the first 15 seconds of “Bright Lit Blue Skies” with the assumption that it would offer me everything I liked about King Khan, and found that his crown had been passed.
2. Women – Public Strain
 Too derivate is the criticism you hear about this Calgary band and their engrossing sophomore effort, Public Strain — they don’t offer anything you can’t hear from White Light White Heat or they’re the Canadian Sonic Youth.  I can’t argue that Public Strain borrows graciously from notable influences, but from the album art down to the very last fading notes you can make out of the closing track’s magnificent coda, I will say Women have made the most complete album of 2010.  Much like their debut, listening to a single track on Public Strain individually is like reading a chapter of The Prince with no context and putting the book down without realizing it deliberately, and effectively, influenced the unknowing likes of Henry VIII, Napoleon, and Joseph Stalin to rule poorly.  The album plays out in non-sequential acts that blend together, hinged on delicate noise and disarray.  Every sound has been meticulously arranged into its right place, with Chad VanGaalen once again taking the helm as producer and enveloping the band in a bleak, cavernous haze the music distantly creeps out from.  The band manage to create something missing lately from indie music, an invigorating listen that only develops further with repeated visits.  Just to get into it a bit, “Narrow with the Hall” hints at what was so appealing about “Black Rice” then assures you that you won’t be getting more of the same on this record, “Venice Lockjaw” features absolutely stunning chord changes, “Drag Open” is a welcome box cutter to the throat, and “Eyesore” is perfect.  With no luck finding any lyrics online and the lack of any in the liner notes, interpreting Public Strain will remain an enduring and satisfying project.
1. Titus Andronicus – The Monitor
In a sea of indie rock bands, Titus Andronicus is an utterly unashamed indie rock band led by a visibly shy, medicated sudo-recluse.  Seeing them live for the first time back in March, this irony was made apparent with the disparity of lead singer Patrick Stickles walking on stage declaring, “Let’s make this the best Sunday night of our lives!” and later offering a lengthy apology to the audience and staff of Slim’s for nearly getting the show canceled during sound check.  Stickles pointed towards his laundry list of mental illnesses that can sometimes lead his acute sensitivity to make him “act a fool.” Paradoxical as all this may be, seeing it in person found it making sense.  This music is medication, catharsis, emotional release, what have you… Sing along with a venue full of people repeating “you will always be a loser!” and Stickles doesn’t even have to finish the line, you already know its okay.  That’s listening to The Monitor in a nutshell.  
Top 3 Songs:
3. Deerhunter – “Revival”
2. Real Estate – “Out of Tune”
1. Weekend – “End Times”    
Top 2 Shows:
2. Pavement, June 25 @ Greek Theatre, Berkeley, CA
1. Titus Andronicus, March 28 @ Slims, San Francisco, CA
Top Music Videos
3. Kanye West – “Runaway”
2. Best Coast – “When I’m With You”
1. Grinderman – “Heathen Child”
 
 Wesley Ambrecht
Best Albums of 2010

1.       Mumford & Sons – Sigh No More

Though it was released overseas in 2009, Sigh No More didn’t make its way into US records shops until February of this year. Because of which I, and many other critics, have decided to consider it a 2010 release. Some critics have taken to labeling Sigh No More the year’s best debut, but that’s actually a disservice to what is far and away the year’s best album period. There is nary a flaw throughout the entire runtime of Sigh No More.

2.       The National – High Violet

From the distorted opening notes of “Terrible Love,” until the very last note of “Vanderlyle Crybaby Geek,” The National take listeners on sonic adventure that often juxtaposes beautiful imagery with absolute melancholy. High Violet is the type of album that offers almost instant gratification, but still continues to grow on you with each subsequent spin.  Littered with some of this year’s best songs like “Lemonworld” and “Bloodbuzz Ohio,” High Violet also houses songs gems like “Anyone’s Ghost” and “Sorrow.” This is modern rock at its finest: poetic, edgy and most importantly meaningful.

3.       The Gaslight Anthem – American Slang

With American Slang, The Gaslight Anthem manage to embrace all of their influences, most notably Bruce Springsteen, while simultaneously honing their own sound. There is a sense of immediacy to their music that demands your attention. Once you give yourself over to American Slang, you are rewarded by a wave of nostalgia. This is a band acutely aware of their own mortality and the current state of music, both of which they treat with disdain.

Best Songs of 2010

1.       Power – Kanye West

2.       Cosmic Love – Florence + The Machine

3.       A Girl, A Boy, and a Graveyard – Jeremy Messersmith

4.       Radioactive – Kings of Leon

5.       Young Blood – The Naked and Famous

Best Music Videos

1.       Madder Red – Yeasayer

2.       Cooler Than Me – Mike Posner

3.       Tighten Up – The Black Keys

Special Recognition to Kanye West’s film Runaway

Michael Cirigliano II
 
Best Albums
– These New Puritans, Hidden.  After a spiky, punk-infused debut album, These New Puritans made a complete turnaround with Hidden; turning to lengthy song structures, woodwind and brass chorales, and an incredibly mature writing style for their follow-up album.
– Jónsi, Go. Although Jónsi didn’t break the mold here, he created incredibly upbeat music that wouldn’t necessarily find its way onto a standard Sigur Rós album. Any work that delivers his vocals over a foundation of organ, strings, and mallet percussion is a winner in my book.
– Arcade Fire, The Suburbs. Arcade Fire can’t seem to do any wrong- they are the Jon Stewart of rock music. After the grandiose Neon Bible, the group kept things more emotionally intimate, making listeners both swoon and cringe at the thought of their own childhoods in the suburbs.
Best Videos
-Esben & The Witch, “Marching Song”
-Arcade Fire, “We Used To Wait”
-Lady Gaga & Beyoncé, “Telephone”
Best Songs
-Jónsi, “Kolnidur”
-The Irrepressibles, “In This Shirt”
-Perfume Genius, “Lookout, Lookout”
Best Shows
-Mad Men
-Parks & Recreation
-Hoarders

Nathan Collins

Top 3 albums of the year:

1) Flying Lotus – Cosmogramma – equal parts electronic, jazz and hip hop, this album reveals new beauty with each listen. Put it on shuffle to discover and entirely different album.
2) Jonsi – Go – One of those times when a lead singer creates a truly original side project. A great pop record.
3) Anais Mitchell – Hadestown – This folk opera features everyone from Justin Vernon (Bon Iver) to Ani DiFranco. Sweeping epic storytelling mixed with some downright amazing folk music.

Jill Ettinger

Top 3 Albums of the Year 

1. joanna newsom have one on me

joanna newsom is evolving. fast. put her under a microscope and i bet scientists would discover some new genes or super DNA or something never before seen.  the 3 cd set, have one on me, is better song after better song of some of the best music ever made. note to new parents: yes it’s a really good idea to move to the woods, let your children wander in the forest by themselves on 3-day vision quests and teach them to play harp.

2. warpaint the fool

the debut from LA’s warpaint sounds almost as if someone discovered an underground city of super music geniuses living under hollywood’s walk of stars. warpaint sounds like cat power and bat for lashes had lou reed’s love children who they only let listen to radiohead and pj harvey records while spinning around and around like barefoot sufis on a bed of rose petals. the fool is absolutely addictive and prescient.

3. four tet there is love in you

four tet tapped into something bold with there is love in you. if “angel echoes” doesn’t gut you every time you listen to it, please see a doctor. the album progresses like a dream that twinkles and sparkles. if these songs were animals, they would all be unicorns. but not the cartoony fantasy unicorns; the real ones.

Top 3 Songs of the Year

infinite arms-band of horses

sleepless in silverlake-les savy fav

pray for rain-massive attack

Top 3 Shows of the Year

Faith No More Palladium Theater, LA

Fat Freddy’s Drop Music Box, LA

Amon Tobin Echoplex, LA

Top 3 Music Videos of the Year

Heathen Child-Grinderman
Enter the Ninja-Die Antwoord 
Red Lights-Holy Fuck 

Zach Yanowitz

Albums

1. Kanye West- My Beautiful Dark Twisted Fantasy: Yeezy embraced his ego and crafted a record of pure, glamorous honesty. The scope is epic yet personal, lush yet raw.
2. Titus Andronicus- The Monitor: The New Jersey neo-punks use Civil War imagery and lots of noise and alcohol to make a soundtrack for our era of uncertainty and angst.
3. This Is Happening- LCD Soundsystem: James Murphy welcomes his mortality and crushes a dance record with pumping highs and lows, with just enough inner turmoil to keep it real.
Songs
1. Sprawl II (Mountains Beyond Mountains)- Arcade Fire
2. Ambling Alp- Yeasayer
3. Monster (Ft. Bon Iver, Rick Ross, Jay-Z, Nicki Minaj)- Kanye West
Shows
1. The Hold Steady @ Republic, New Orleans 9/24
2. Wolf Parade @ The Fox Theater, Oakland 7/30
3. Girls (w/ Smith Westerns & Magic Kids) @ One Eyed Jacks, New Orleans 2/2
Music Videos
1. Lady GaGa- Telephone
2. Duck Sauce- Barbra Streisand
3. Die Antwoord- Enter the Ninja

Krista De La Rosa

Albums of the year:

01) Deerhunter – Halcyon Digest
I firmly believe that I will never love a person as much as I love Halycon Digest.  I firmly believe that I will never fall this hard for an album so quickly as I have with Halcyon Digest.  I listened to this album the second it was released and I never stopped listening to it since.  Bradford Cox is a man I will always deeply admire more than many, many other musicians.  This album is just one of those that will make you say, “Jesus  Christ, this is fucking beautiful.” Every single song brings chills down my spine.  Every riff of the guitar, every key and button pushed, every word spoken; this is what a perfect album sounds like.  There is no such thing as disappointment when it comes to an album like this.  No such thing.

02) Coma Cinema – Stoned Alone
Mat Cothran of Coma Cinema will go down in history as the greatest songwriter of our generation.  Stoned Alone is an album that I have laughed to, cried to, slept to, walked around campus to, and lived to.  There is plenty of music in this world for us to listen to.  I’d choose Coma Cinema over any and every band I have ever discovered.  Why?  Because Coma Cinema is more than music.  The lyrics are more than words.  Something beyond magic is produced by this amazing, genuine human being.  He doesn’t create music for money or for publicity, but for himself.  Stoned Alone will make you feel something music has never made you feel.  That, I promise you.

03) Magic Man – Real Life Color
Magic Man is composed of two magical men, Sam Lee and Alex Caplow.  I cannot remember for the life of me how I discovered this magical duo, but the second I downloaded Real Life Color off their bandcamp, my life was changed.  I do not want to describe their sound by comparing them to other artists.  Magic Man is nothing but real, passionate magic.  I just want to repeat the words “magic, magic, magic” over and over again until you get a better idea of just how MAGICAL their music is.  I tend to listen to Real Life Color while driving.  I always seem to be driving, so I am a religious listener of this album.  It stirs up my imagination beyond belief.  Whether it be the synth pop vibes or their delicate voices, Magic Man is definitely a duo that I’d consider the highlight of my 2010 music discovering year. 

TOP 3 SONGS OF THE YEAR:

01) Twin Sister – Meet the Frownies

02) Foxes in Fiction – Lately (Memoryhouse cover)

03) Star Slinger – Word

TOP 3 SHOWS OF THE YEAR:

01) I’m going to include all the artists and showcases I saw during SXSW 2010 as my #1 because they were some of the most amazing, memorable performances bundled together.

02) The Tallest Man on Earth / S. Carey

03) Edward Sharpe & the Magnetic Zeros

TOP 3 MUSIC VIDEOS OF THE YEAR:

01) Coma Cinema – Blissed *Created by Tyler T Williams

02) Memoryhouse – Herloim *Created by Jamie Harley

03) Two Bicycles – How Real *Created by Tonje Thilesen

Screaming Females Announce 2011 Shows; Release MP3

New Brunswick, NJ-based punk rockers Screaming Females have announced three initial shows for 2011.  Dates are listed as follows:

1/14 – Chicago, IL – Lincoln Hall/Tomorrow Never Knows Festival
1/17 – Los Angeles, CA – Echoplex
2/12 – Brooklyn, NY – Music Hall of Williamsburg

The band has also released a new song called “Wild” that can be found on the September 2010 LP release Castle Talk.

Screaming Females – Wild by forcefieldpr

Album Review: Girls – Broken Dreams Club EP

On the True Panther Sounds record label website, a love letter written by label member Christopher Owens is published. Owens and Chet “JR” White are the two California boys who make up Girls. The letter’s subject is you and me: the fans. His confession that without us, their fantastic new EP, Broken Dreams Club wouldn’t exist is oozing with sincerity and endearment to a surprising and delightful degree, for I fear we are the ones who should be thanking them.

It starts out with “Thee Oh So Protective One,” an almost loungey, luxurious cruise ship dance tune. It has the kind of sound meant to be played on or by water, begging for a steel drum to make a cameo, but Girls know better than to ham it up that far. In all seriousness, it’s a well dichotomized song with an easy, rich and full sound with brilliant, almost majestic trumpet incorporation but then sad and unfortunate lyrics: “He’ll never know about the times that you cried in the movies, never know about the times that you cried to the music” and insecure reflections: “I wonder if he’s impressed/Should I have worn the other dress?” This first track is also a great introduction to Owen’s classic vocal style, conjuring that of Burt Bacharach.

White’s bass skills really shine through on “Heartbreaker.” The bass drives the song and adds an extra level of cool to this already radical song. It’s full of charm from the groovy, playful vocals, expert bass, innocent and earnest piano, 80s electric guitar riffs to the light, twinkly tambourine. This well polished song exhibits professional production and a band who means serious business, as far as quality is concerned.

There’s a significant country influence on the title track and on fittingly titled “Carolina,” the former with a somber blues tone actually quite in line with Bright Eyes’ I’m Wide Awake It’s Morning. The muffled, raunchy horns add a nice ragtime jazz touch. “Carolina” is much more experimental but still carries the twangy, drawling, country guitar featured on “Broken Dreams Club.” “Carolina” is a delicious pop dish with booming lines delivered a capella, an oldies “do run run run do do run run” refrain in the background and trippy electronic effects.

“Substance,” if you couldn’t guess from the title, is about drugs: “If you want to shape your brain, I know a substance…that helps you rock and roll.” Ironically enough, it seems to be an anti-drug anthem mocking drug users and their absurd habits, and based on their West Coast, partially ex-hippie cult background (Owens hails from the Children of God cult – or movement – spawned during the 60s California drug phase), are probably mocking themselves: “You can do anything yeah, you can rock and roll outta control/Who wants something real when you could have nothing/Why not just give up, who wants to try.”

This record is buoyant, a little kitschy, and varying in styles. If you’re not already one of the addressees of Owens’ letter, listen o this EP immediately and find out what you’ll soon to be gushing over.