Indie Christmas Music: Yay or Nay?

It’s past the midway point of December, and in some areas, the Christmas season has already been going on for almost two months (seriously, I thought it only started after Thanksgiving?). We’ve heard carols in the mall, and even here at Modern Mystery, we’ve passed on the holiday cheer with a little selection of the prime indie odes to Santa, his little helpers and the season’s spirit of giving.

Speaking of which, would we have been able to compile such a varied and long list of indie holiday songs a few years ago, in addition to our daily “Christmas Song of the Day” posts? Seeing unsigned YouTube sensations Pomplamousse appear on the TV commercial for a famous car brand covering “Jingle Bells” or finding that Bishop Allen, Best Coast and Wavves appear on a free Target christmas compilation has made me deeply aware and surprised that indie artists have been filling some of their songs with images of snowflakes and mistletoe much more frequently.

I asked Chris Richards, pop music critic of The Washington Post, about what he thought and he seemed to agree with me. “It’s an increasing trend. It signifies in my eyes that indie rock is becoming standardized,” he said. “Everyone, from pop artists to country artists are putting Christmas albums out. They’re money makers. The industry is finding new revenue streams with indie artists.”

So are indie artists “selling out” by treading the Rockefeller Christmas Tree Lighting’s ground? No, and in fact, it may be a well-appreciated breeze of fresh air. “Mariah Carey’s” ‘All I Want For Christmas Is You” is really the only recent stand out holiday classic, so it’s great that indie artists are injecting in new material. If it’s just Arcade Fire covering “Jingle Bell Rock,” it’s not that interesting.”

In the same spirit, Noel Kelly of The Hush Now, who have now released a Christmas single two years in a row, wrote jokingly in an e-mail interview, “I have all the reverence in the world for the classics, but it’s high time we stepped up and stopped hi-jacking another generation’s memories.”

Jof Owen of The Boy Least Likely To, who just released an entire album of holiday songs – covers and originals – called Christmas Special, sees the appeal of writing Christmas music elsewhere. “I suppose indie pop has always been built on an awareness of classic pop traditions, even if they recontextualize them,” he said. “so it’s only natural that the idea of a Christmas record would appeal.”

Not only is writing Christmas songs a new exercise because of how far it stands from the stereotype of the indie artist, it involves a complex songwriting exercise that consists in making your way through the conventions that surround them. Behind the holiday song’s light facade, “It still has to be a strong song.  There’s no room for fat,” Kelly said. “You have to get in fast, establish yourself and get people singing along by the end of the first listen.  That’s what the classics do.  And that’s not the easiest thing to do sometimes.”

In the end, even if you’re an indie artist, Christmas is a fascinating time that allows for reminiscence and reflection, which translates perfectly into song. “I like writing lyrics about Christmas because it seems to be a really magical time but at the same time there’s a lot of sadness in it too,” Owen said. “I often write about the way things change as you grow up and grow out of things, and it seems to be something that I’m always much more aware of at Christmas.”

What looking into this has made me think was that more than a “normalization” of indie rock, the weird element in this discussion is mostly my own surprise at seeing indie artists coming up with Christmas tunes. After all, it’s not because the genre is commercially popular that there is no room for originality. No musician should restrict themselves from touching on any subject in their music. And it seems The Hush Now are on that same wave length.

“We’re even throwing around the idea of doing a holidays album.  A different song for 10 different holidays.  That would be such a blast,” Kelly said. ” We have the Christmas and Halloween tunes down. What’s next…Secretaries’ day?”

Merry Christmas From Golden Filter

It’s the holidays and New York City’s Golden Filter wants to share a special treat with their fans to close out 2010.  Their cover of Psychic TV’s “White Nights” is available as a free download from their Web site.  

Adding their own bright electro-pop twist to the dark song featuring words spoken by cult leader Jim Jones before that fateful night where he and all of his followers drank a little too much Kool-Aid.  The line “Santa Claus is checking his list, going over it twice, seeing who is naughty and who is nice” was a rhyme used by Jones to spread paranoia to the children of the Peoples Temple.  Pretty festive, huh? 

Golden Filter’s debut album Voluspa is available for download on iTunes.

Ghost House – “Departures”


Ghost House is a self-proclaimed soul band that hails from Vancouver and hope you take notice of their debut album, Departures, with it’s satisfying harmonization of new wave, Motown soul, funk, and some may even say nu-jazz genres. Certain songs will get stuck deep in your head for days like the tracking device in Total Recall. However, just like that same tracking device, some are excruciatingly painful as well.

When you listen to Departures, you truly want to love it because Ghost House sound like they had a blast recording the whole album. Each song is filled with blotches of piano, excellent guitar riffs, and frenetic drumbeats that would make even the most grumpy old uncle dance at a wedding. With this being said,  you wish the album would surprise  at some point with a different methodology besides the drums and guitar making out with each other in gross public displays of affection. I was on the edge of my seat waiting for horns to come in at certain points just to break up the piano, guitar, and drum orgy that continues for all ten songs with no recess.  If it was not for the refreshing female vocals in “Origami Nightmare” each song would mesh together as a monotonous drone. At some point you begin questioning how long you have been listening to the album.  Even the audio clip of a weather forecast on “The Crows Know” is a welcoming change of pace on the album. Vocally and lyrically, everything is fine. There is nothing to bleat about in that aspect but the true problem is the song dynamics or should I say lack thereof.

There are plenty of catchy songs on Departures; standout songs such as “Transmit”, “The Crows Know” and “Penultimate” litter the album with hope but do not make up for the bland others that drag it down like an anchor straight to the bottom of the indie music sea where countless other bands have drowned due to lack of experimentation. Do not get me wrong, I fully enjoyed Departures, but with each listen you get an overwhelming sense that the band has the potential to record something much better in the future. This is a formidable first step though.

Fauxbois Offer Up Free Holiday Song


Boise’s Fauxbois have a Christmas treat for you. On the heels of their album Carry On, these lo-fi indie kids have an original Christmas song to depress your holiday spirit. But hey, it’s free! (Click here)

The band is also hammering out a national tour, but have released a few Pacific Northwest dates, along with an appearance at SxSW. They are touring in support of Carry On, out now on Seattle based Spark & Shine Records. “Soft acoustic guitar riffs and a chorus of voices wrap their arms around melancholy lyrics anchored by Mayer’s sweet and bittersweet vocals,” Boise Weekly.

  Fauxbois – Will You be Mine by nmcollins

1/6/11 – Sunset Tavern – Seattle, WA
1/7/11 – The Woods – Portland, OR
1/21/11 – Luckey’s – Eugene, OR
1/22/11 – Empyrean – Spokane, WA

Sara Jackson-Holman Releases Holiday EP

Piano-pop songwriter Sara Jackson-Holman has released a three-song, digital-only EP called The Very Merry.  It is being sold digital-only and features holiday classics done in her very own classically-trained style.  This EP is a follow up to her 2010 debut, When You Dream, that brings to mind artists such as Adele, Feist and Norah Jones.  Both albums are available on iTunes.

Unstoppable Death Machines Debut “Slumlord” Video

Hailing from rooftop gigs and sweaty warehouse parties of New York City, Unstoppable Death Machines are excited for the release of their debut video “Slumlord”, the title track from the 7” EP released on Last Ever Records. 

Directed by Scott Cramer, the “Slumlord” video is the perfect visual embodiment of Unstoppable Death Machines’ penchant for abrasive noise punk.  Brothers Billy and Mike have emerged as one of New York City’s best noise punk bands and were recently featured in Village Voice and The Deli, garnering an ever-growing local fan base. 

Playing venues nationwide on “self-booked, sweat drenched DIY tours”, Unstoppable Death  Machines have shared the stage with bands like Ninjasonik, The Death Set, Zach Hill as well as performances at South by Southwest in Austin and CMJ.  They will be touring with fellow New York punk band, Japanther and will kick off 2011 with a tour with Xry.  Stay up to date with Unstoppable Death Machines and check out their debut video for “Slumlord”.

ON TOUR
1/3 – San Antonio, TX @ The Ten Eleven ^
         ^w/Xry