Category Archives: Indie
Edward Sharpe & The Magnetic Zeros Release Exclusive iTunes Session
On November 30th, Edward Sharpe & The Magnetic Zeros released a new iTunes Session- available exclusively through the iTunes store. A six-song collection recorded at EastWest Studio in Los Angeles, the session features reworked, unique versions of some of the band’s most memorable songs found on their debut album, “Up From Below.” The release also includes a previously unrecorded live show favorite, “Fire & Water.”
Edward Sharpe & The Magnetic Zeros will wrap up 2010 by playing a handful of US shows, including KROQ’s Almost Acoustic Christmas in Los Angeles on December 12th. The band will kick off 2011 with a trip to Australia and New Zealand for Big Day Out.
iTunes Session tracklist and future tour dates for the band below:
Edward Sharpe & The Magnetic Zeros – iTunes Session
1. Up From Below
2. Janglin’
3. 40 Day Dream
4. Fire & Water
5. Brother
6. Desert Song
Upcoming Tour Dates
Dec 12 Gibson Amphitheater Universal City, CA
Jan 21 Big Day Out: Auckland Auckland, NZ
Jan 23 Big Day Out at Gold Coast Parklands Gold Coast, AUS
Jan 26 Big Day Out: Sydney Sydney, AUS
Jan 27 Big Day Out: Sydney Sydney, AUS
Jan 28 The Forum Sydney Moore Park, AUS
Jan 30 Big Day Out: Melbourne Melbourne, AUS
Feb 1 The Forum Melbourne Melbourne, AUS
Feb 4 Big Day Out: Adelaide Adelaide, AUS
Feb 6 Big Day Out: Perth Perth, AUS
Grandchildren @ Pianos, NYC – December 2, 2010

Pianos is tiny. Or, I should say, the ground floor showroom where I went is tiny. The front part is taken up by the bar. The upstairs used for other shows and DJ’s. A tiny bar sits tucked into the corner. The modest stage sits plainly against the back wall, with a house drum kit that only moves side to side, never off the stage.
The first band, Diehard, played through their set, rocked a bit, and had a good time. While musically tight, there was something missing. They clearly had the best banter of the night. They were followed by Dinowalrus, a trio of guys who could not decide if they were a dancy electronic band or an ambient indie rock outfit, though they played both well.
Before Dinowalrus could go on, however, the fire alarm kept going off, causing the band to make a song out of the incessant buzzing noise. After that cleared, and Dinowalrus played their set, we still weren’t done with the fire. Someone left their coat too close to a candle, which went up in flames, all while Grandchildren were cramming their many instruments on stage.
While both previous acts fit with relative ease on the stage, Grandchildren and its six members had to pick a spot and sway there. Complete with a drummer, percussionist, two guitarists, bassist and synth player, they broke into their first song, full of ambient noise and tribal drums.
The next thing I knew, it was 45 minutes later and I had been swallowed by a wall of sound. Time passed, moments lingered, everyone in Grandchildren played something like 15 different instruments and I was in awe. While I had heard a handful of songs before, nothing prepared me for their live show. Even through all the space and fuzz of their set, they were incredibly tight. Theirs is the type of music that is better to enjoy than to think “how did they come up with this?”
Lest we think Grandchildren are trying to reinvent Broken Social Scene by throwing 15 of their friends on stage, everyone in Grandchildren plays a significant part. Even the drummer is not just a drummer, as he hops over his drumset, heads to a synth machine, grabs a microphone and belts out lyrics. Or the main vocalist giving his bass to another band member, hopping behind drums and rocking out. And so on down the list.
There is a point in most shows when one realizes who the headliners are, even if unaware before the show started. The opening bands, though playing as well as they can, sound differently than the really polished headliner (though not always). While I enjoyed the sets from Dinowalrus and Diehard, when Grandchildren got up, it was a different sound. All three bands had played with the same set up, the same sound system, yet with Grandchildren it felt complete. If they made mistakes, it was lost within the overall atmosphere of the set.
Grandchildren continue their residency at Pianos the next two Thursdays (the 9th and 16th), with different opening acts. Everyone needs to go see it, to experience something beautiful. I will be back, not to cover it or write articles but to merely enjoy.
The Pierces Release “Love You More”

The Pierces, a New York based band composed of Catherine and Allison Pierce, are definitely doing a good job creating hype for their upcoming record. Their lead single, “Love You More” is a clear continuation of The Pierces’ style of dark lyrics and themes but at the same time you can hear how country has become inspiration for the sisters. Top of the line producers such as Coldplay bassist Guy Berryman and Grammy Award winning producer Rik Simpson are now working on their upcoming album. The sisters also collaborated with Matt Romano from Little Joy and Albert Hammond Jr. from The Strokes, which will definitely provide more of a rock feel to their tracks. The still unnamed album was recorded in Coldplay’s studio in London and in Electric Lady Studios in New York City. Now there are visuals to go along with the lead single, as the Pierces released a music video to “Love You More”. This Tarantino-esque clip takes us to a desert where the siblings drive around and get revenge from an old lover, like a pyromaniac version of Thelma and Louise. Check out the fiery video under the cut!
Ashtar Command Releasing “American Sunshine Volume 1” in 2011

DJ/producer, Chris Holmes, and former Nine Inch Nails member and Filter founder, Brian Liesegang, are the geniuses and/or aliens behind Ashtar Command.
The collaboration hearkens to a new era in music and sociopolitical commentary, as demonstrated in “Gravity,” the album’s first track. Based on interviews Holmes conducted back in ’94 with members of the Heaven’s Gate cult (yes, I’m serious), they put together a video mockumentary about the group that ended up committing mass suicide in 1997. Z Berg does a great job on lead vocals on the track and the album, American Sunshine Volume 1 includes contributions from an assortment of talent including members of Edward Sharp and The Magnetic Zeros, Veruca Salt, Filter, Smashing Pumpkins and R.E.M.
Ashtar Command seeks to promote artistry and independence and the ability to be creative in unprecedented times. Get ready for a sonic exodus out of mainstream pop culture an into another world, or perhaps a new solar system altogether.
For more on Ashtar Command visit www.ashtar-command.com
If you do nothing else, you just have to watch this video.
Holcombe Waller Offers Free Download To Celebrate New Album

In preparation for his third album entitled Into the Dark Unknown and set to release February 22, 2011, singer, songwriter, composer and video artist Holcombe Waller is offering his single “Risk of Change” as a free download.
The San Francisco native, began his musical career while attending Yale University studying art. During that time, he produced and mixed two albums for Bryce and Aaron Dessner and Bryan Devendor of The National fame. Returning the favor, the three played on Waller’s debut album Advertising Space released in 1999 on Holcombe’s very own label, Napoleon Records. In 2001, he released his second album, Extravagant Gesture.
In 2005, Waller moved to Portland, Oregon. Over the years, he has stepped outside his box of recorded music and ventured into theater, performance art and video installation. In 2008, he embarked on a new experience performing in “In the Dark Unknown: The Hope of Chest” which toured the U.S. as well as Canada and Croatia. During this time, Waller wrote the songs for his new album which is sure to be a melodic combination of songs and lyrics that will show off his talent as a musician and songwriter.
For more information about Holcombe including album information and tour dates, visit his Web site here.


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