Starfucker Add Dates To North American Tour

Portland’s Starfucker (or STRFKR for the faint of heart) have been selling venue after venue supporting their second album, Reptilians, out on Polyvinyl on a coast to coast tour they kicked off in March. Accordingly, they just added dates to their tour which include playing San Francisco’s Outside Lands and Canada’s Sled Island. Spinner included them in its Top 100 Acts at SXSW 2011 and Pitchfork said, “Onstage, the members swap multiple instruments, providing a kinetic, anything-can-happen energy” when describing their live performances. If they’re coming near you, you might want to check them out.

Here is the updated list of tour dates:
04/19 – Salt Lake City, UT – Kilby Court – Early Show
04/19 – Salt Lake City, UT – Urban Lounge – Late Show
04/21 – Boise, ID – Neurolux
04/22 – Vancouver, BC – The Biltmore Cabaret
04/23 – Seattle, WA – The Vera Project
04/26 – Seattle, WA – The Crocodile
04/28 – Portland, OR – Holocene
04/29 – Portland, OR – Doug Fir Lounge
04/30 – Portland, OR – MS Studios
06/03 – Mexico City, MX – Caradura
06/20 – Pullman, WA – Bell Tower
06/22 – 06/24 – Calgary, AB – Canada Olympic Plaza – Sled Island
06/26 – Spokane, WA – A Club
08/12 – 08/14 – San Francisco, CA – Outside Lands

LCD Soundsystem Get Everyone To Dance On Their Grave At Madison Square Garden


I remember the first time I spotted LCD Soundsystem’s lead singer and creator James Murphy on the L train. It was a Sunday afternoon and we were the only two people in the car, besides a street performer playing a saxophone for change. I sat there only a few feet away from both of them, studying James as he leaned against the door with his headphones on. The performance was one I will never forget. He played that thing with blood sweat and tears, jumping around flailing his legs, while at the same time hitting some of the worst possible notes he could or could not think of. James just stood there nonplussed, as if the man wasn’t even there before exiting the train on 1st Avenue. Though we never made eye contact, I am pretty sure we both shared a moment of random perplexity that made us think to ourselves “Only in New York City” which is perhaps one of the many reasons we love this place so much.

Nearly 5 years later, I found myself standing in a line outside of Mercury Lounge amongst 500+ people for hours anxious to get general admission tickets to what would be the last LCD Soundsystem show ever. The company of friends was the only thing keeping me from thinking about standing there in 14 degree weather risking hypothermia, and the fact that I woke up at 7am to go stand on a line in the first place. A month later, as we walked into Madison Square Garden, my friends and I sighed the words of relief “totally worth it”… When we made it to the floor, we just stood there for a minute and spun our heads around in amazement. We watched hundreds upon hundreds of people dance there asses off, all in unison bearing ear to ear grins. Everyone was clad in black and white, as this was a “funeral” for the band of sorts, but no way did it feel like one. We all knew we were part of something huge. I don’t mean to gush, but you just had to be there.

The show started on a somber note, playing the first bars of 10cc’s “Not In Love”, a track I always include on CD mixes for friends, though I am sure it went unnoticed to most of the audience. The first set included “Dance Yrself Clean”, “Daft Punk Is Playing At My House”, “All My Friends”, and “Tired” with a snippet of 70’s progressive rock band Yes’ “Heart of the Sunrise”, a song I have known since my toddler years. It was a joyful ending as my friends and I danced arm in arm, and great predecessor to the following 2 and a half hours the show still had.

The second set started with a track they made for a Nike ad called “45:33”, which most perceived was performed as a joke, but mostly so Murphy could take a break. The tune previews clips of songs that later became the track list to their sophomore studio release “Sound Of Silver”. Some of the special guest who joined them onstage include Reggie Watts, and DFA affiliates The Juan Maclean and Shit Robot who performed in a rocket ship and a pyramid, putting to rest the rumors that Daft Punk would be making an appearance. Coming into the third set saw Arcade Fire approach the stage to back vocals for “North American Scum”, a ground-shaking performance of “Movement”, the very first song I ever heard by them, and “Home” which I am sure left a cry ball in everyones throat.

But the real tear jerker, of course, was “New York I Love You, But You’re Bringing Me Down”, and it was so for so many reasons. As James announced that he was about to sing his last song ever, the audience booed, prompting him to ask not for boos but for cheers, and cheers he got, for about 5 minutes in fact. He thanked his family, fans, friends, and band mates with tears in his eyes, and started the song, adding profoundly long pauses in between lines. During the songs ending, white balloons fell from the ceiling, and James bowed, sealing the deal on one of the best live performances I have ever seen in my entire life, and the end of LCD Soundsystem.

I still haven’t made eye contact with James, and I probably never will for that matter, but I feel like we relived that moment from 5 years ago. There was no train, no crazy saxophone player, just a lot of love, a lot of energy and an amazing perfromance. Thank you LCD Soundsystem for the music, for the memories, and for sharing a fondness for New York City that will never die…

Young Prisms Premiere New Video

Most quotes praising Young Prisms include the words “Psychedelic,” “no-fi” (or “lo-fi,”), refer to the washed-out guitars and mention the band’s sunny Californian origins. All these words come together in the band’s latest video for their song off Friends For Now on Kanine Records, “Breathless,” which premiered this week on Altered Zones. Initially shot by Andrew Creighton, the first draft of the video was brought to Denver to director Trevor Peterson, of Woodsman, who shot added more visuals. Watching this video feels like on long look into a big rocking kaleidoscope.

Experience it for yourself. Watch the video for “Breathless” below:

And if watching that video made you want to experience this dizzying experience live, you can! They’ve been touring the US and will be on the road until the end of April with the Fresh & Onlys and Crocodiles on a few dates.

Here are their upcoming tour dates:

4/19 – Frankies – Toledo, OH
4/20 – Lincoln Hall – Chicago, IL (with Fresh & Onlys and Crocodiles)
4/21 – Parts & Labour – Toronto, ON (with Fresh & Onlys)
4/22 – Il Motore – Montreal, QC (with Fresh & Onlys)
4/23 – Music Hall of Williamsburg Brooklyn, NY (with Fresh & Onlys and Crocodiles)
4/24 – Kung Fu Necktie – Philadelphia, PA (with Fresh & Onlys and Crocodiles)
4/25 – The Red Palace – Washington, DC (with Fresh & Onlys and Crocodiles)
4/26 – King’s Barcade – Raleigh, NC (with Crocodiles)
4/27 – The Earl – Atlanta, GA (with Fresh & Onlys and Crocodiles)
4/28 – Bottletree – Birmingham, AL (with Fresh & Onlys and Crocodiles)
4/29 – The Republic – New Orleans, LA (with Fresh & Onlys and Crocodiles)
4/30 – Seaholm Powerplant, Austin Psych Festival – Austin, TX

London Suede Play First US Show In Fourteen Years

 

Suede remastered and expanded, released 30 June
The London Suede burst onto the UK scene in 1992 and were quickly proclaimed “The Best New Band in Britain” by Melody Maker Magazine before their debut album even released.

The band somehow managed to live up to the hype and proceeded release five critically acclaimed albums from 1992 to 2003, when the group decided to take a break.

The band returned in March of this year and appeared to never have missed a beat. Suede has played three shows that were all lauded as some of the band’s best.

Now, for the first time since 1997 the group will be coming back to America, slated to play Coachella. The band recently released Best Of CD and seem intent on picking up exactly where they left off nearly a decade ago.

You can hear the remastered track “The Beautiful Ones” right here.

 

French Horn Rebellion Releases ‘The Infinite Music Of The French Horn Rebellion’

https://i0.wp.com/www.thelineofbestfit.com/wp-content/media/2010/10/French-Horn.jpg

This Milwaukee duo’s debut album is not something to miss.  This album explores a wide breadth of genres sonically.  It ranges from 70’s and 80’s oriented dance to progressive synth lines and electronic funk.  Wavering vocals, punchy bass lines and crisp synth lines pervade this album, linking it. While at times reminiscent of Phoenix, Daft Punk, and MGMT, the unique combination of crowd-friendly, catchy songs and those that are more introspective and nostalgic creates an album unlike any other.

The album opens with an upbeat, feel-good song, “Up All Night,” which rivets the listener with catchy melodies and synth lines.  This dance-floor mentality is scattered throughout the album; tracks like “The Body Electric” and “What I Want” are riddled with guitar riffs, bass lines and vocals that stick.  “This Moment” is a testament to the marriage of an 70’s or 80’s like riff with punchy electronic moments and a healthy dose of synth action, at the same time, snippets of French horn mingle with the other sounds in the track.   “Running Through the Wild” opens with a cool symphony of electronic musings and melodies before taking off with lyrics like “running through the wilderness hunting for love.”  This track is easy and fun to listen to, while at the same time it pushes the listener.  It would seem they’ve struck the balance between the two perfectly.  The seventh track, “What I Want,” is arguably the centerpiece of this album.  This seven minute long track is anthemic and not unlike a rollercoaster.  With fun and attractive synths and a wavering bass line, this song does not fail to please.  With lines like “We can tell it’s not enough, just bring it back to what I want” and the tin of a melody in the higher register, this track provokes more than just the urge to dance.

As this album moves towards its second half, tracks like “The Cantor Meets the Alien,” “Mawson’s Peak,” and “Antarctica/ The Decision” show off the album’s more introspective side.  These songs highlight the innovation between the two brothers, who seem fond of pushing the boundary between catchy and pensive.  At the same time, “Broken Heart” is an electronic continuation of the same emotional tone of “Last Summer,” whose sentimental and mellow vocals ruminate on events past.  “Broken Heart” merges the upbeat qualities of earlier tracks like “Up All Night” with lyrics a touch more introspective: “I’m so sick of it but I can’t help myself . . . and it breaks my heart.”
French Horn Rebellion has done a great thing with their debut album; their unique sound is both progressive and nostalgic, moreover, it’s superb.  While at times it can seem a bit saccharine, usually it’s just plain cool.  French Horn Rebellion has successfully married 70’s and 80’s-esque chord progressions and brass instruments with electronic funk.   Through this, the pair of brothers has managed to create a sound and style completely their own.

Shit Robot Gives Away New Track

Shit Robot recently wowed a packed house at Terminal 5, opening for and jamming with LCD Soundsystem for the group’s last handful of shows. Now the group is looking to expand, releasing a new EP and planning an upcoming tour.

Robot’s first EP, Losing My Patience, will be out on April 18th both digitally and on vinyl. It features remixes from Hot Chip and Unabombers.

If you can’t wait a week (seriously?), Shit Robot will accommodate. The group has released the single “Losing My Patience” for free thanks to DFA Records. Grab your copy right here!