VIDEO VOYAGEUR: 3 Q’S WITH BUD E. LUV

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Behind the Scenes with Bud E. Luv’s Re-imagining of “Music to Watch Girls By”

For over 35 years, Bud E. Luv has been a captivating presence in San Francisco’s music and nightlife scene.

The charismatic alter ego of singer and showman Bobby Vickers, Bud E. Luv is known for blending humor, nostalgia, and sophistication in his performances. And with a career spanning prestigious venues like The Fillmore, Bimbo’s, and Paradise Lounge, and appearances across the U.S., he has become a fixture of timeless entertainment. His versatility allows him to effortlessly explore various musical genres, from jazz to pop, while maintaining an engaging, larger-than-life persona.

Recently, Bud E. Luv has turned his attention to reimagining the 1960s classic “Music to Watch Girls By.”

Known for its catchy melody and lighthearted vibe, the song has been revisited by various artists over the years but Bud’s new rendition brings a fresh and thoughtful perspective. In collaboration with director Tom Donald of hiTrecords, Bud E. Luv has produced a visually stunning black-and-white music video that reflects the complexities of modern society while paying homage to the song’s timeless appeal.

We got the chance to sit down with Bud E. Luv as he shares the story behind his decision to re-imagine the song, the inspirations behind the video, and the thoughtful message he hopes to convey.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Music To Watch Girls By” was written some 60 years ago, and today it’s regarded in some circles as inflammatory. We disagree.

To us, it’s a beautifully-written ode to the joys of humanity, in all its forms. Beauty is always in the eye of the beholder.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We chose Mr. Tipple’s, perhaps the classiest nightclub in San Francisco, for its noir lighting and background. It’s the kind of place where Bud E. Luv performs, but also where the young woman might venture for a night out.

As we stage the meeting between the two characters, this iconic location was perfect. In like manner, black and white photography seemed the right choice.

3. What was the process of making the video?

Our message is one of inclusion; we want to suggest that all of humanity, regardless of age or gender, is beautiful.

And as such, the simple act of beholding one another is as natural an act as we can undertake.

Speaking about the music video, Bud E. Luv shares, “Our goal was to send a message of inclusion and shared humanity. It’s not about objectifying – it’s about appreciating people for who they are, in all their forms.”

The combination of Luv’s timeless persona with Tom Donald’s thoughtful direction elevates this project into a reflection on human interaction, perception, and the beauty of fleeting moments.

Through thoughtful storytelling and elegant visuals, this new version invites audiences to appreciate the beauty and complexity of human connection. This project shows an enduring creativity and charm and that Bud E. Luv’s legacy will continue to captivate audiences for many years to come.

Find out more about Bud E. Luv on his Website.

Watch the video to “Music To Watch Girls By” on YouTube.

Shane Heilman’s Latest Release “Psalm 51 (Forgive Me)” Takes the Worship World by Storm – Listen Now!

With over 45,000 YouTube subscribers, and more than 32,000 monthly Spotify streams, singer-songwriter Shane Hellman has a wide reaching and fast growing International audience. 

His latest release, “Psalm 51 (Forgive me)” forms part of The Psalms Project; an ambitious project to set all 150 Psalms to music. 

Each album release from The Psalms Project shows Heilman’s adeptness at bringing together contemporary melodies with ageless Psalms, captivating audiences worldwide.

Collaborations with renowned musicians and producers coupled with a firm commitment to keeping the essence of the ancient texts within a modern composition, have really solidified this project’s standing in worship music. 

“Psalm 51 (Forgive Me)” draws inspiration from King David’s plea of forgiveness. Through introspective lyrics and emotive melodies, this song offers a poignant respite and exploration of human frailty and redemption. And it tackles a difficult and deep topic.

Shane shares: 

As you probably know, it was written by David after committing adultery with Bathsheba and trying to cover it up by having her husband killed in battle. 

I was hesitant to even try to write a song that captured all of Psalm 51 with music. 

Charles Spurgeon, the famous preacher, even put off writing a commentary on Psalm 51 for weeks because he felt no words could to it justice! 

He said, “Such a psalm may be wept over, absorbed into the soul…but commented on – ah! where is he who having attempted it can do other than blush at his defeat?”

Yet, I’m happy to report, I did write, compose, and record a song (with some friends of mine) for all of Psalm 51!

I think it’s one of the best songs we’ve ever done.”

This soothing and beautiful rendition of Psalms 51 set to music is not only inspiring, but really demonstrates the transformative potential of music and faith. The very talented singer, Trot Lifto, provides exquisite vocals, with haunting piano chords and soaring strings. 

This song captures a sensitive treatment of what is a complex Psalm and subject matter, with simple melodies and accompaniment to create a very beautiful Psalm rendition. 

As the Psalms Projects drums up increasing popularity, Shane’s continues to have a steadfast commitment to translating all 150 Psalms to music, bringing universal themes of hope, forgiveness, and Divine love to the fore. 

The Psalms Project is led by singer/songwriter/producer Shane Heilman, and includes the collaboration of more than 70 accomplished musicians, including Grammy nominees Phil Keaggy and Jeff Duo to name just a few. 

Psalm 51 features singer Trot Lifto. 

Follow The Psalms Project Now Online:

Website | Facebook | Instagram | Spotify | YouTube

San Francisco’s Beloved Crooner Russ Lorenson Dives into the Holidays with the Release of “Standard Time: Live in New York.”

Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”

Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.

A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.

Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”

“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.

Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.

“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.

“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.

Reflecting on the album, Lorenson remarks:

“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”

Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.

Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.

“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”

Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.

Listen to “Standard Time: Live in New York” on Spotify.

Stay current with Russ Lorenson on his website, and follow him on Facebook and Instagram.

Subscribe to his official YouTube channel to watch the latest videos.

Download and stream his music on Spotify, Apple Music and YouTube music.

About Russ Lorenson

Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.

Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”

Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”

Spoon Announce U.S. Tour with Deerhunter

Last week another gigantic buzz album hit stores in the form of Spoon’s Transference (Merge). To celebrate the release of their record, the band is heading out on tour starting this March with friends, Deerhunter. Spoon will travel from Glasglow to California, and are also taking The Strange Boys and Micachu and the Shapes along with them with Deerhunter to take over as openers in the spring. The venues look pretty intimate for the tour, and very classy for the most part. Spoon will be hitting Radio City Music Hall when they come to New York City which is certainly a step up for the band who seems to get bigger and bigger everytime they release a new song. Check out the tour dates below!

02-14 Glasgow, Scotland – King Tut’s
02-15 Manchester, England – Academy 3
02-16 London, England – Electric Ballroom
02-18 Amsterdam, Netherlands – Paradiso
02-19 Cologne, Germany – Luxor
02-20 Berlin, Germany – Frannz Club
03-17 Austin, TX – Stubbs (NPR SXSW showcase) %
03-18 New Orleans, LA – Republic %@
03-19 Birmingham, AL – Workplay Soundstage %@
03-20 Atlanta, GA – Tabernacle %@
03-22 Washington, DC – 9:30 Club %@
03-23 Washington, DC – 9:30 Club %@
03-24 Richmond, VA – The National %@
03-26 New York, NY – Radio City Music Hall %@
03-27 Boston, MA – House of Blues %@
03-29 Toronto, Ontario – Sound Academy %@
03-30 Royal Oak, MI – Royal Oak Music Theater %@
04-01 Chicago, IL – Aragon Ballroom %^
04-02 Minneapolis, MN – First Avenue %^
04-03 Minneapolis, MN – First Avenue %^
04-05 Denver, CO – Ogden Theater %^
04-06 Denver, CO – Ogden Theater %^
04-07 Salt Lake City, UT – In the Venue %^
04-09 Seattle, WA – Moore Theater %^
04-10 Seattle, WA – Moore Theater %^
04-11 Vancouver, British Columbia – Orpheum Theater %^
04-13 Oakland, CA – Fox Theater %^

% with Deerhunter
@ with the Strange Boys
^ with Micachu and the Shapes