by Jane Lambert

The Ferocious Revival of Animals In Denial with “Crash Course Volume 3 – Rust Covered Lust”

Animals-In-Denial-Crash-Course-Vol-3-Rust-Colored-Lust

With “Crash Course Volume 3: Rust Covered Lust”, Animals In Denial closes the loop on a trilogy of sound, taking long-forgotten demos and raw ideas and forging them into something stronger, sharper and more alive than ever before.

The songs that make up this new EP have been completely overhauled with cutting-edge production techniques, AI assisted enhancements, and a relentless drive to elevate past works into its fully realized form. The result is an album that pulses forwards with electricity, aggression, and a kind of nostalgia that surges forwards with teeth bared.

Listen here:

Opening with “Operator”, this song itself is an impressive evolution, born from a beat that haunted Animals in Denial since age 14 after watching The Matrix. Originally pieced together using a lite version of Ableton Live and a handful of drum samples, “Operator” took on a new life when Steven Seibold (Hate Dept/Pigface) stepped in for additional production and mixing.

His expertise helped sharpen the track’s cold, metallic edges, while subtle tweaks – like a reworked third verse and unexpected backing vocals in the chorus – pushed the song into new territory.

Meanwhile, “Coi” immediately plunges the listener into a world of industrial beats and searing guitars. What was once an abandoned demo has transformed into an undeniable force, with a dark and pulsing energy reminiscent of Pretty Hate Machine-era Nine Inch Nails, fused with the density and controlled chaos of The Fragile. It’s the kind of track that demands movement—whether that’s a rhythmic head-nod or full-body immersion in the beat is up to the listener.

Then comes “Rage”, a track that more than lives up to its name. This is a song that doesn’t just explore anger but embodies it. The layers of heavy guitar, thunderous toms and jagged synths create a soundscape that feels like an explosion caught in slow motion, both destructive and oddly beautiful. Originally conceived as an exploration of rage personified, the final song is raw and unrelenting.

The overall EP has a tension about it, with the songs pushing and pulling between the past and a re-invention, between the person who wrote them years ago and the artist bringing them to life today.

The themes that run through the album – fractured relationships, self-discovery, the scars we carry – are given a new weight through the updated production and evolved vocal delivery.

The title itself, “Rust Covered Lust“, suggests something that was once polished but has been left to decay. And that’s exactly what this album does. Rather than discarding past work, it honors it, stripping away the imperfections while keeping the beating heart intact. Christian Imes is reclaiming the songs, and re-shaping them.

By blending industrial, metal, electronic as well as alternative elements with an arsenal of modern production techniques, “Crash Course Volume 3: Rust Covered Lust” does what all great re-visitations should: it re-defines the past.

Whether you have been following the series from the beginning or you are stepping in to the world of Animals In Denial for the first time, “Rust Covered Lust” is sure to be an undeniable force.

Stay current with everything Animals In Denial on the Website, and Facebook.

Stream music on Spotify, Soundcloud and YouTube music.

03.14.25

by Jane Lambert

Keyth Jones Releases Gritty New Single “Run To Me”

Keyth Jones has never been afraid to shake things up. Over the years, he has explored everything from the kaleidoscopic harmonies of Fractal Cat to the experimental edges of Plän Pläns, always taking his music somewhere new.

His latest single, “Run To Me” roars in with a different kind of mission, cutting through the noise with a blistering, fuzzed out garage rock rush.

Listen here:

This track is a raw, high energy homage to the rough and tumble 1960’s garage bands that lit up basement parties and dive bars before vanishing into crates of forgotten vinyl. As soon as the guitars kick in, it’s all speed, sweat, and grit.

There is an urgency; Jones sings like he has something to prove, his voice riding the distortion like a runaway train. The rhythm section is relentless, keeping the pulse pounding from start to finish.

Jones wrote “Run To Me” in the most fitting way possible – jamming with his wife on drums, chasing the thrill of loud, unfiltered rock n’ roll. That energy is baked into every note.

“Run to Me” came from a 2022 jam session with my wife on drums. I had just started playing electric guitar again and wanted to write a rocker that paid homage to the 60s garage bands. My buddy and I used to spend hours combing bargain bins in record stores for those bands. It was like a competition to see who could unearth the most obscure 60s relic. Then we’d go back to his basement and rock out, and we always felt like we were the only people in the world who cared about this stuff.”

But don’t mistake the song’s ragged edges for carelessness. Getting the right balance between loose and electrifyingly tight took serious effort. Jones has said that this was the toughest track to get right in the studio, with producer Miles Gannett helping to fine tune the chaos into something razor sharp.

This is the perfect preview to Jones’s upcoming “Love Yourself” EP, due out in April 2025. While the full project is set to explore themes of self-reflection and romance, “Run To Me” is all adrenaline. Rock and roll at its most immediate and infectious.

Whether you are a fan of The Sonics, The Stooges, or The White Stripes, this one demands to be played out loud!

Listen to “Run To Me” now on Spotify.

Keep up with Keyth Jones on his Website

02.14.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH ANDREW STONEHOME

Andrew Stonehome isn’t just making music. He is creating experiences that resonate with the listener on a deeper level. His latest single “Then You Fly” is an introspective conversation with his inner child, capturing the emotional complexities of growth and the power in vulnerability.

As an artist who writes, performs, and produces his own music, Andrew’s dedication to authenticity is evident.

With “Then You Fly”, he takes that honesty a step further, translating the song’s deeply personal message into a striking visual.

In this interview, Andrew opens up about the inspiration behind the track, the challenges of balancing emotion with melody and the creative process behind his latest music video.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This song is a conversation with my inner child, whom I’ve tried to protect for so much of my life. Recently, I’ve had to confront some of my deepest fears around vulnerability, and this song feels like a snapshot of my thoughts on that.

When I wrote the lyrics, I dug deep and allowed myself to get emotional, which isn’t usually my approach. Each sentiment in the song feels incredibly personal to me. This is the song I feel most connected to – more than anything else I’ve written. If someone were to ask me for an example of my music, this would be the song I’d share.

Because this song is so personal and important to me, I wanted to create a video for it that I could be as proud of as I am of the song itself.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

I enjoy creating videos and the creative challenges that come with it. I wanted to visually show that I play all of the instruments in my music. My vision was to create the look of an entire band, where I’m every member, performing live on stage. Initially, I had hoped to make it look like there was a large gospel choir, with me as every member, alongside the band. However, due to time and technical limitations, I had to settle for three background singers.

I watched some other videos to see how they approached things, and one that was particularly helpful was Brandi Carlile’s video for “The Story.”

It was useful to notice little details, like how she looked directly at the camera for some shots.

3. What was the process of making the video?

I came up with the concept for the video and asked my friend Vince Radostitz, a talented photographer and videographer, if he’d be willing to film it for me. To test the concept, I filmed a rough version at home and then shared the demo with Vince so he could get a sense of what I was envisioning. We met to brainstorm further, and I visited a few locations to decide where to film. I also created a document with a plan and agenda for the filming day, including a detailed shot list, specifying which outfits I’d wear for each part and how long each segment should take.

We filmed at the Patricia Reser Center for the Performing Arts, which is close to my house.

We started loading in at 10 a.m., and it took a few hours for the crew to set up the lighting, so we didn’t actually start filming until almost 2 p.m. We finished around 6 p.m., and I was relieved that we managed to capture most of what I’d hoped for. It took me a couple of weeks to edit everything, which was fun because Vince did such a great job of getting fantastic footage. I was really happy with how it turned out.

I also created a “Making of” video that offers a behind-the-scenes look at how the video was made, and I’m just as proud of it as I am of the final video itself:

02.13.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH SIREN

Love at first sight. It’s the kind of magic we read about, dream about and sometimes, if we are lucky, experience for ourselves.

For Siren frontman Rob Phillips, that moment wasn’t just a fleeting feeling. It was the spark that ignited their latest single, “Arrow”.

A blend of melodic rock, progressive influences, and Middle America roots, “Arrow” captures the intensity of an instant connection. The kind that defies logic and begs the question: Could this be the one?

With a music video directed by Isaac Deitz (Manchester Orchestra, Grouplove, Switchfoot), the visual storytelling mirrors Phillips’s own love story about two people unknowingly crossing paths until fate finally brings them together.

The video’s unique paper airplane concept ties their connection together making for an unforgettable ending.

We got the chance to sit down with Rob Phillips and find out more about the inspiration behind “Arrow”, the personal love story that shaped it, and what it was like bringing that moment to life through music and film.

From the real-life first meeting with his wife, this is a song and story filled with emotion, fate and rock and roll magic.

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Arrow” is first and foremost a love story. I wrote the song about meeting my wife to be. I think that it is ironic that we both lived and worked in the same town only a few steps away from each other and never met. A friend of mine recommended this high end restaurant that had a rock band playing that night so I walked down there to see the band.

When I arrived, I was greeted by the hostess for seating and there was this beautiful woman with brown eyes. She gave me a smile and that was our beginning. We both felt the same instant attraction.

It was like finding a needle in a haystack. We are very blessed to have found love. The video shows the couple passing each other every day and never meeting until the end.

What was the inspiration behind this new video (visuals, storyline, etc.)?

We used the lyrics in the song for the storyline. Isaac Dietz is the Video Producer and he had a vision for the song. He approached me with the paper airplane concept and I thought it was a great idea. We were able to tie in the couples chance meeting with the message in the paper airplane when they meet on the bridge and embrace. A nice bow on the top at the end.

What was the process of making the video?

Isaac filmed the actors in Georgia and the band was not involved with that process.

The band’s performance was filmed in Florida at a local bar called JD’s in Coral Springs. My wife’s father was there for the filming and he is 100 years old and a WW2 Veteran.

It was such an honor to have him there with us. Everyone wanted to get pictures of him. He is a true rock star and as a family we will always cherish these moments.

02.11.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH GAVIN HOLLIGAN

From the roar of the football pitch to the soul-stirring acoustics of Abbey Road, Gavin Holligan’s journey has been anything but ordinary.

Once a rising star in the world of professional football, he made the bold leap into music, carving out a career that has seen him work with legends like Stevie Wonder, Gloria Gaynor, and Duffy.

But beyond the session gigs and high-profile collaborations, Gavin’s true creativity lies in his ability to create deeply personal, timeless music. Songs that stir you on a deep leve.

His latest release “Just Passing Through“is no exception. Inspired by the fear of losing a close friend to cancer, the song captures the raw emotion of grief, love and the fleeting nature of life.

Recorded live at the now iconic Abbey Road Studios, this track strips everything back to its very essence – pure, unfiltered storytelling through music. In this interview, Gavin shares the deeply personal journey behind the song, the magic of recording, and what it means to create something timeless.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

The song was inspired by the pending thought of losing a close friend and colleague who was diagnosed with cancer a few years ago. Fortunately he has made a full recovery, but the whole experience hit me deeply, and made me consider that we are all facing the inevitability of our departure from this life, or at some point likely to lose someone that we love and appreciate dearly.

Less than a year after writing the song, I was invited by a record label to record a couple of my original songs, live at Abbey Road, and I thought it would be the right time to express this piece, and do it in the most honest and meaningful way, especially after having lost a good friend and colleague of mine, (a separate incident to my other friend, also to a brutal bout of cancer).

My next challenge became figuring out who would be able to assist me musically, but I was fortunate to have the good pleasure of being accompanied by some of the best musicians I know! I and the core musical line up, met for a meet and greet – the day before to play through the song and feel our way through the structure, and make sure we were all on ‘the same page’. And then we did one final run through in the morning of the shoot – before the trip to Abbey road, where we met the String players for a final top and tail on set.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

So much of my time is spent carefully crafting music/records (for myself and others), with the use of software, samples, and machines! . Whilst this is an amazing and enjoyable process (for the most part) there is something magical about capturing a live take of a song, in one take, with humans in the room. The video is literally a documentation of that exact moment, when we all found a way to connect with the song, and each other, and do it seamlessly! It was all about maintaining the integrity of the sentiment of the arrangement and the lyrics, by bringing a level of simplicity and honesty to the performance, which I believe can be very hard to do, but I feel that we did thankfully!

3. What was the process of making the video?

There was an enormous amount of pressure, as we only had around 45 mins to get in and set up, do a quick sound check, and execute the song! Most of the magic of the video is in witnessing the beauty of the music/arrangement, the lyrics, and of course, the honesty caught on camera. There was literally no way of preparing for that moment, other than being ‘fully present’, and of course knowing how to deliver in your chosen craft (performers and crew).

There was a camera team set up and an audio team already assembled to capture the moment, and we literally had time enough to record 3 takes of the track.

We then decided on which take was the best take, and I believe it was take three that we chose as the best take!

Even the camera edit was done live, so all in all, a very efficient process and an incredible outcome considering all the variables!

I am really pleased the world can enjoy this art in such an authentic way.

01.22.25

by Jane Lambert

Sound Strider’s “Progress” Is a Furious Post-Industrial Reckoning

Few artists arrive with a debut single as unapologetically incendiary as Sound Strider’s “Progress”

A brutal takedown of late-stage capitalism wrapped in industrial beats and scathing lyricism, the track is really a manifesto. The lead single from his upcoming album entitled “Mechanical Animist“, “Progress” channels the existential dread of the 2020s into a relentless, dystopian groove that feels both timely and timeless.

Listen in here:

The track wastes no time setting its tone, opening with a mechanical, almost sarcastic list of capitalist rituals: “investment, testing, impressing the boss”, before plunging into a caustic critique of a system that equates expansion with erosion.

Over pounding percussion and hypnotic synth layers, Sound Strider methodically deconstructs the corporate machine, exposing the greed, environmental devastation, and dehumanization lurking beneath its polished surface. His lyricism is both surgical and seething as it dissects the absurdity of modern economic and political structures with the precision of a manifesto.

As the track progresses, its intensity only deepens. Mirroring the spiraling anxiety of an era where profit margins outweigh human well-being.

By the time Sound Strider reaches the track’s climax, a relentless chant of “F** progress,”* it’s clear that this is a cry against the hollow promises of unchecked technological advancement and a society that prioritizes perpetual growth over collective survival.

Vocally, Sound Strider oscillates between spoken-word venom and punk-adjacent fervor. His delivery reminiscent of the fiery urgency of Zack de la Rocha or the poetic rebellion of Saul Williams.

There are moments where his cadence feels almost hypnotic, as it drwas listeners into a trance-like meditation on their own complicity in the systems he critiques. Then, without warning, his voice explodes into raw frustration as it rips through the track with an immediacy that feels as much like a live protest as it does a studio recording.

“Progress” is a high-voltage blend of industrial, trip-hop, and experimental electronica, evoking echoes of Nine Inch Nails, Death Grips, and early Massive Attack. Production is razor-sharp, with each layer meticulously designed to create an atmosphere of tension and unease.

In an era where protest music often gets diluted for mass appeal, “Progress” refuses to compromise. It is raw, relentless, and absolutely essential listening.

Connect with Sound Strider:

Website / Facebook / Instagram / Spotify / Soundcloud