English born, but raised in Ontario, Canada, Gracie Jet has emerged on the alternative pop scene with great gusto.
Her debut single “Sister” is an emotional and raw ballad that explores the relationship with her sister who has struggled with mental health since she was a child. The song is delicate and also carries strength with the rich vocals from Gracie. It is a song about struggle, perseverance, family and love.
“My sister has struggled with mental health for years. As her sister, I have watched her through it all. I’ve watched as my best friend/sister retreated to her bedroom and became a stranger. I’ve walked with her through it all. I’ve taken her to the hospital, watched her fall apart. I’ve watched her struggle through all the ups and downs and been so scared that you would lose her in the end.”
While this song explores a serious and challenging theme, Gracie´s upbeat energy and character shines through. Her voice alone commands all of the attention here, with a rich range similar to that of pop star Adele and Lana Del Ray.
“I wrote this song for her to remind her she is not alone and that she is loved and she would miss that her life is valuable. This is a love song also for all the family members watching their loved ones struggle and an anthem for people struggling that you are not alone.”
Listen to “Sister” today to hear what all the fuss is about over this brilliant young Canadian artist.
Storyteller Chet Lam spent his childhood in Hong Kong’s gritty, inner city housing complexes with very little resources. As a gay kid growing up in a humble environment while trying to figure out where he fit in, he found solace in the poignant and poetic outlaw and brokenhearted narratives of 1970s Americana and country artists.
Chet also saw in USA roots music similarities with Chinese pop, as both brimmed with strong melodies, sensitive stories, and careful attention to lyrical detail. Now, after becoming a highly-respected artist in the Asian market, Chet hopes to bring a heartfelt fusion of East-West pop sensibilities to the Western Hemisphere.
“From a young age, I knew I was different, and it felt like music was a way out. Songs by Leonard Cohen, Joni Mitchell, and Emmylou Harris were my escape and my education,” the globally-based artist says. “I noticed their theme of thriving in the face of hardships to also be very present in Chinese pop music.”
The globally renowned Asian pop and folk singer/songwriter recently released his newest folk pop album Back to the Stars Again, inspired by the world renowned and deeply loved classic book The Little Prince. The book turned 76 years old in 2022 and has been published in 250 languages. To this day, it remains poignant as it tells the story of a young prince who comes to multiple planets throughout the universe including earth and it touches on themes of love, loss, loneliness and friendship.
“I was always fascinated by the simplicity and the depth of this French classic,” says Chet. “I wrote these songs from the perspective of each character. The Little Prince is a romantic, of course, The Fox is simply a drama queen, The Rose is spoiled, The Ghosts are actually everyday people, The Snake is innocent… all characters coming together will be a life lived to the fullest.”
His unique and signature sense of storytelling draws from Leonard Cohen and Joni Mitchell, but it’s also quite similar to James Taylor or Simon and Garfunkel, the latter can also be heard in his voice. He blends folk tradition with pop ideas of synthetic sounds and tones to create a sense of aethereal space and airy melodies. He beautifully tells the story from different perspectives which provides a fresh take on the classic.
The Flip Phones are the folk rock duo making waves with their debut EP, Better in the Dark, now streaming.
They’ve just released the music video for their thought provoking single “Man Made Moon.” The intimate setting of the video, with Ryan and Lindsey performing for the viewer in a single shot, allows the viewer to really become enveloped in the song. The camera almost acts like the eyes of the viewer, going back and forth between the two. Because the camera never stops rolling and it’s just the one shot, it flows quite well with the atmosphere of the song.
They play with light in the video as well, fitting seeing as the song was initially inspired by a man made moon they read about. The camera being on the move the whole time also adds an interesting effect with shadow, some shots are more lit than others and some shots you can’t really see the artist’s faces. It’s actually quite brilliant in it’s simplicity.
We got the opportunity to speak with the folk rock duo about their video and the song:
Tell us the story of this song, why did you choose to visualize this song specifically in this way?
“Man-Made Moon” was inspired by an article about an artificial moon meant to help illuminate cities and light up the night sky. It made us wonder: Is more light, specifically human-created light, really a good thing? Or should we sometimes embrace the darkness?
This song is the EP opener and lead single, and it asks the question “Are we better in the dark?” “Man-Made Moon” sets the stage for the lyrical themes throughout Better in the Dark, which explore topics such as humans vs. nature and darkness vs. light.
Given the subject matter of the song, we aimed to contrast the natural darkness of the filming location with the artificial lighting behind us to reflect the dark and light themes in the song.
What was the inspiration behind this video (visuals, storyline, etc.)?
The idea with this video was to capture the energy of our live performance in a studio environment while using light and dark textures to create the atmosphere.
What was the process of making this video?
We made this video with Luke Justin Roberts from LJR Creative as part of his Amplify events, which provide the opportunity for local artists to shoot videos in music studios in the DC area. This video was filmed at Ivakota studio in DC and was shot in a single take with no post-production editing. Luke did a great job of working with us to capture the energy of the song while showcasing the change in vocalists on each verse before singing the choruses together.
The folk rock duo The Flip Phones have released a new single, “Man-Made Moon,” from their EP Better in the Dark, streaming now.
“Man-Made Moon” was inspired by an article about an artificial moon which was designed to help illuminate cities and light up the night sky. It is the lead single and opening to their debut EP, and gives a sense of what is to come with big lyrical themes, including topics such as humans versus nature, darkness versus light, and the mysteries of life.
This track has a catchy indie rock rhythm, well crafted lyrics and captures the essence of The Flip Phones´ spirit. With light and catchy overtones, the song also has a slight nod to darkness with some melodica stylings. They tell stories from the world around us and help us to reflect on our own stories of life, loss and hope.
Based in Arlington, VA, with Philadelphia roots, The Flip Phones have been writing and performing music together since 2008 and were previously known as the “GLEs”. The band includes Lindsey on keyboard, vocals, flute and melodica and Ryan on guitar and vocals.
Their new EP, Better in the Dark, is a 6 song EP which explores adventuring and homecoming, and asks reflective questions in hopes that listeners will better understand the world around them. Better in the Dark charts the story of a young couple who first connect in the city, and then begin exploring the world together as they draw inspiration from their life experiences and people around them.
“We finished these songs just as the world was descending into the uncertainty of the pandemic,” shares the duo. “But stories of resilience emerged amid the gloom, revealing splendor despite sorrow. Light and darkness are inextricably linked.”
(Atlanta, GA) November 16, 2022 – An Empty Room, the original series that explores the connective tissue between 6 uniquely influential artists from the Atlanta music scene, continues with one of Atlanta’s most beloved musicians, Shawn Mullins. He is best known for the 1998 single “Lullaby,” which hit number one on the Billboard Adult Top 40 Chart, sold over a million copies and got him a Grammy nomination.
Shawn’s Volume livestream is warm, intimate, and well produced. It feels more like he’s singing for you rather than at you. He sings hits like “California,” ”Light You Up,” “The Ghost of Johnny Cash,” and more. It’s just Shawn and his guitar, providing a vulnerable and open performance.
He shares fond memories and stories of growing up in Atlanta, when he used to go to Wax ‘N’ Facts Record Store which ignited the fire for his future as a career musician. He recalls his first performance at the Little Five Points Pub (now known as the Corner Tavern) when he was called on stage and too afraid to do one of his originals, so he sang “American Pie,” but the crowd demanded he sing a song he wrote. This was when he realized that people want to hear what he has to offer.
Mullins cultivated an interest in music beginning in his high school days, in part because his grandfather was in a big band group and his mother was musically inclined. He honed his craft in marching band in his college days as a solo acoustic musician. Kiss and Elton John were his superheroes growing up, Kiss being the hottest band in the land for a kid who loved horror movies meant a lot to him. He wanted to sing like Elton, even found inspiration in his fun and animated album covers.
It’s been a quarter century since he exploded onto the folk rock music scene and he has sustained an impressive long-term career, played coast to coast with every artist in his genre imaginable and been a steady headliner for 14 years on the Cayamo Cruises a floating party of music fanatics that in a few weeks will set sail with Jeff Tweedy, Andrew Bird, Patty Griffin, The Nitty Gritty Dirt Band and Shovels and Rope.
Shawn and members of his band will be on hand during his watch party to interact with fans as a warm up for his Variety Playhouse gig on November 26th.
Created and produced in the height of 2020 when touring artists had to pivot, the Empty Room series features quality documentary-style storytelling interspersed with musical performances where the up close viewer perspective serves as the sole audience member.
The Atlanta-based Kearns family created and produced the entire series when the music industry as it was once known had shuttered. The family captured intimate performances and never-before heard stories from musicians with deep Atlanta roots during a time when neither producers nor touring musicians had a clear trajectory for creation. “When the artists asked ‘What do you want me to play?’ I told them: Whatever you would play if you were sitting by yourself in your living room,” says Martin “Marty” Kearns.
About Volume
Volume.com is a 24/7 free live stream platform that allows engagement between artists and their fans to help artists build and monetize their craft, from ticket sales, subscriptions, merch purchases, or by using Volume’s unique online tip system.
Volume differentiates itself by connecting all viewers and performers with first-class sound and visual quality. Their multi-layered audio effects, plugins, and soundcheck create a unique and seamless experience for both performers and audience members. They celebrate all artistic expression, be that in music, podcasts, comedy, or even sports, and provide a fun, welcoming, and vibrant community for all.
“I always had anger issues growing up, and I never found a healthy way to let things out until I discovered the drums and writing my own music,” says punk rock artist Gunnar Gill, also known as the “One Man Punk Band.” “I like aggressiveness; I like things hardcore; and I like making high-energy music that makes people want to jump around.”
Gunnar Gill cuts a striking image, flaunting a high-rise mohawk, and clad in a tank top and well-worn jeans. The 19 year old West Palm Beach, Florida-based singer, songwriter, drummer, and multi-instrumentalist is punk’s newest raging rebel rocker. Gunnar is a singular talent who combines 21st-century attitude with a throwback lo-fi classic punk sound.
His newest punk rock single, “Who’s the Real Coward,” is a cathartic release of anger through the aggressive sound of punk rock. The song was inspired by an old ex-bandmate of Gunnar who talked about Gunnar behind his back. Essentially, he was using Gunnar for his musical abilities. The betrayal permeates the music with the barked vocals and a dizzying display of blast-beat drumming
Gunnar’s music melds the anthemic pop-punk of artists such as Blink 182 and Green Day with the stoned poetics and, sometimes, vulgarities of rapper Mac Miller. “I like to sneak in lyrics that make people turn their heads, and go ‘what did he just say?!’,” Gunnar says laughing. He travels the state of Florida performing as a “one man punk band,” dazzling audiences with his showmanship as he jumps from guitar to drums. Gunnar has also enlisted a motley assortment of his musical partners in crime for the Gunnar Gill Band. Gunnar fans are highly-engaged online, and many of his videos have reached 10,000 views and beyond.
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