Jessica Cotten Debuts Her New EP, ‘Edge of the Wilderness’

Edge of the Wilderness is the provocative new EP from the indie electro-pop artist Jessica Cotten. The 6 song EP is Jessica’s aim at political and cultural uproar. It calls out failed leaders, corrupt systems, and hypocritical faith.

“This is a big deal for me, but I felt like I had to speak up,” Jessica says. “I wrote these songs out of a need to express my feelings, and share my experiences of existing alongside broken systems. I didn’t intend for the songs to be a way of exposing harmful people and ways of thinking, but, as I wrote, these things needed to be named. I was angry when I wrote a lot of these songs, and I’m still angry.”

Edge of the Wilderness is ambient and atmospheric as her dream pop elements blend with the electro-elements. Her voice is angelic and calm juxtaposed against her guttural lyrics. Each song tackles something different. Opening the EP is “City on Fire.” This song was written during the political unrest spanning 2016-2020. Jessica found herself separating herself from toxic people and cultures as she watches everything fall apart around her. The overall message is that of hope, however. It’s meant to say, “this way of doing things is broken; it’s falling apart, and we need to let it fall apart so we can build something new and healthy.”

“My Heroes” points out gender discrimination, the lust for power, continued systemic misogyny, and the idea that leadership means putting people last and putting personal drive and success first. “Another Love” follows with the theme of Christianity and the hypocrisy it often boasts. But “Reach Out To Me” follows with a strike of love and hope as she explores how we are all connected which is why we should all care more for each other.

“Steady Now” was actually written as a piece of a poem from one of the novels Jessica wrote. “This particular character is a strong, fierce woman who always knows what to do, and this poem/song is her talking to herself in the midst of a really painful, scary loss,” Jessica reveals.

The EP wraps up with “Every Golden Hour,” a mostly ambient instrumental song about Jessica’s dog, who unfortunately is no longer here. It’s about connection, that even though he’s gone, their spirits are still connected.

Making Edge of the Wilderness marks a powerful journey overcoming anxiety, fear, and showing up for yourself, even if that means stepping out into the unknown. “Music is in my soul and it makes me come alive,” Jessica says. “I hope that my words, stories, and melodies offer the world a place to breathe and a sense of connection to the deeper meanings of life.”

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Low Tide Levee’s “Nautilus” is Hypnotic Psychedelic Rock at its Finest

The image of the sea at its lowest level—low tide—and the shore littered with an array of curiosities, presents a powerful metaphor for self-reflection. The idea of a “mental low tide” can be applied to those revelatory but fleeting moments after a hit of pot or a micro dose, or upon waking up from a vivid dream. They can even occur in a random jolt of inspiration where a buried desire comes into consciousness. 

“The name Low Tide Levee speaks to me on a lot of levels: I do love marine biology, I am a diver, and I am passionate about ocean conservation,” shares singer/songwriter, composer, and former Marine Biologist Amy Brookes. “The analogy of low tide symbolizing revealing things in our unconscious and subconscious is powerful for me. I am always drawn to looking at the strange and gross things after a low tide. Exploring those things metaphorically in our minds can be healing and powerful.” 

Low Tide Levee’s new psychedelic and classic rock single “Nautilus” symbolizes this idea of ocean tides meeting one’s mental tide. Inspired by a tiny Nautilus carving, a beautiful netsuke that Amy happened upon by luck while in a little shop one day. Originally a “riff song,” there are 3 distinct melodies in the song that all came together into song. Eventually, it came to Amy that she could feature the Nautilus character.

“Nautilus” flows a lot like the tide. The classic guitar riffs with the hypnotic beat and an island pop vocal style in Amy’s voice create an ebb and flow in the music. The energy is reminiscent of Pink Floyd meets Fleetwood Mac. It gives off a feels of sitting in the ocean and letting the tide take you away, drifting and floating with the water and current. Lyrically speaking, the listener is invited to journey down into the ocean, sinking beneath the waves with the surface sounds further and further away, and life slowing down.

“As the development of this song unfolded with lyrics emerging from my subconscious, it became about the wisdom of life, far beyond our human thinking ways, and the depth that exists if only we take the time to listen,” says Amy.

Listen here:

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Merlot Embargo Shares Their New Indie Pop Single “Not Gonna”

Merlot Embargo is the self-produced and independent indie pop duo recording music out of our home studio in LA, where they’re also raising their daughter Joanna. Their music is diverse but rooted in the classics. While they strive to make each song something unique and fresh, Scarlet’s sultry voice and Geoff’s groovy guitar-ing make it all feel like Merlot Embargo.

Some might even consider Scarlet and Geoff an unlikely duo: a seat-of-the-pants, army brat singer-songwriter, paired with a native Californian music school nerd and engineer by day. But the blending of their different approaches to music (and life) has helped them create music that’s provocative, but also real and approachable. They temper each other’s worst tendencies, and in their good moments, bring out the best qualities in each other.  Throw in their band, and it’s a collab made in heaven.

Merlot Embargo just released their new upbeat and catchy pop rock single, “Not Gonna,” a song that takes down their own inner demons about ageism in the music industry. The music tells a story of fun and excitement while the lyrics tell a story of resistance and obstacles. Together, it reflects the message of being outwardly fine, but battling setbacks in pursuit of a goal on the inside.

Scarlet’s voice is familiar, almost like a Brandi Carlile meets Ingrid Michaelson. The music and beat is instantly recognizable as uniquely Merlot Embargo with it’s clear influence of Coldplay and The Beatles.

“Hopefully, this song inspires people to keep persevering and following their dreams,” share the duo. “They may be closer than they realize.”

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Gracie Jet Debuts Emotionally Powerful New Single “Sister”

English born, but raised in Ontario, Canada, Gracie Jet has emerged on the alternative pop scene with great gusto. 

Her debut single “Sister” is an emotional and raw ballad that explores the relationship with her sister who has struggled with mental health since she was a child. The song is delicate and also carries strength with the rich vocals from Gracie. It is a song about struggle, perseverance, family and love.

“My sister has struggled with mental health for years. As her sister, I have watched her through it all. I’ve watched as my best friend/sister retreated to her bedroom and became a stranger. I’ve walked with her through it all. I’ve taken  her to the hospital, watched her fall apart. I’ve watched her struggle through all the ups and downs and been so scared that you would lose her in the end.” 

While this song explores a serious and challenging theme, Gracie´s upbeat energy and character shines through. Her voice alone commands all of the attention here, with a rich range similar to that of pop star Adele and Lana Del Ray. 

“I wrote this song for her to remind her she is not alone and that she is loved and she would miss that her life is valuable. This is a love song also for all the  family members watching their loved ones struggle and an anthem for people struggling that you are not alone.”

Listen to “Sister” today to hear what all the fuss is about over this brilliant young Canadian artist. 

Stay current with Gracie Jet on her Website, and social media channels Instagram , Facebook , Twitter and TikTok . Stream music on YouTube, Spotify and Soundcloud.

Veteran Hong Kong Singer Songwriter, Music Producer, and  TV Presenter Chet Lam Shares His Newest Storied Album

Storyteller Chet Lam spent his childhood in Hong Kong’s gritty, inner city housing complexes with very little resources. As a gay kid growing up in a humble environment while trying to figure out where he fit in, he found solace in the poignant and poetic outlaw and brokenhearted narratives of 1970s Americana and country artists.

Chet also saw in USA roots music similarities with Chinese pop, as both brimmed with strong melodies, sensitive stories, and careful attention to lyrical detail. Now, after becoming a highly-respected artist in the Asian market, Chet hopes to bring a heartfelt fusion of East-West pop sensibilities to the Western Hemisphere.

“From a young age, I knew I was different, and it felt like music was a way out. Songs by Leonard Cohen, Joni Mitchell, and Emmylou Harris were my escape and my education,” the globally-based artist says. “I noticed their theme of thriving in the face of hardships to also be very present in Chinese pop music.”

The globally renowned Asian pop and folk singer/songwriter recently released his newest folk pop album Back to the Stars Again, inspired by the world renowned and deeply loved classic book The Little Prince. The book turned 76 years old in 2022 and has been published in 250 languages. To this day, it remains poignant as it tells the story of a young prince who comes to multiple planets throughout the universe including earth and it touches on themes of love, loss, loneliness and friendship.

“I was always fascinated by the simplicity and the depth of this French classic,” says Chet. “I wrote these songs from the perspective of each character. The Little Prince is a romantic, of course, The Fox is simply a drama queen, The Rose is spoiled, The Ghosts are actually everyday people, The Snake is innocent… all characters coming together will be a life lived to the fullest.”

His unique and signature sense of storytelling draws from Leonard Cohen and Joni Mitchell, but it’s also quite similar to James Taylor or Simon and Garfunkel, the latter can also be heard in his voice. He blends folk tradition with pop ideas of synthetic sounds and tones to create a sense of aethereal space and airy melodies. He beautifully tells the story from different perspectives which provides a fresh take on the classic.

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Video Premiere: The Flip Phones Debut Their Music Video for “Man Made Moon”

The Flip Phones are the folk rock duo making waves with their debut EP, Better in the Dark, now streaming.

They’ve just released the music video for their thought provoking single “Man Made Moon.” The intimate setting of the video, with Ryan and Lindsey performing for the viewer in a single shot, allows the viewer to really become enveloped in the song. The camera almost acts like the eyes of the viewer, going back and forth between the two. Because the camera never stops rolling and it’s just the one shot, it flows quite well with the atmosphere of the song.

They play with light in the video as well, fitting seeing as the song was initially inspired by a man made moon they read about. The camera being on the move the whole time also adds an interesting effect with shadow, some shots are more lit than others and some shots you can’t really see the artist’s faces. It’s actually quite brilliant in it’s simplicity.

We got the opportunity to speak with the folk rock duo about their video and the song:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?   

“Man-Made Moon” was inspired by an article about an artificial moon meant to help illuminate cities and light up the night sky. It made us wonder: Is more light, specifically human-created light, really a good thing? Or should we sometimes embrace the darkness?

This song is the EP opener and lead single, and it asks the question “Are we better in the dark?” “Man-Made Moon” sets the stage for the lyrical themes throughout Better in the Dark, which explore topics such as humans vs. nature and darkness vs. light.

Given the subject matter of the song, we aimed to contrast the natural darkness of the filming location with the artificial lighting behind us to reflect the dark and light themes in the song.

What was the inspiration behind this video (visuals, storyline, etc.)?

The idea with this video was to capture the energy of our live performance in a studio environment while using light and dark textures to create the atmosphere. 

What was the process of making this video?

We made this video with Luke Justin Roberts from LJR Creative as part of his Amplify events, which provide the opportunity for local artists to shoot videos in music studios in the DC area. This video was filmed at Ivakota studio in DC and was shot in a single take with no post-production editing. Luke did a great job of working with us to capture the energy of the song while showcasing the change in vocalists on each verse before singing the choruses together.

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