Secondhand Sunday: Ryan Adams’ ‘New York, New York’


This week the most incredible and unexpected thing happened. I met Ryan Adams. Yes I was certainly afraid of what was going to happen. Would I be a totally idiot in front of him? Would he be a nice guy? Well win on both sides. He was one of the nicest people I’ve ever met, and the fact I didn’t explode with excitement meeting my musical hero was great. I was telling Ryan how I was in a ‘creative rut’ and he suggested to me a few books to pick up and read to inspire me. Even wrote them down for me. This week’s secondhand sunday is a tribute to Ryan. ‘New York, New York,’ a song that when I first heard it 8 years ago, I ‘just didn’t like.’ Then 2 months later I woke up and felt the need to buy everything he’s ever done. Thank God for that. And Ryan.

Watch Ryan Adam’s ‘New York, New York’

Dry Your Tears, Owen is Here.

Owen’s Mike Kinsella is one of the busiest men in indie rock. Juggling musical projects and now a baby, somehow he manages to create the most interesting sound out there. Owen just released New Leaves (Polyvinyl), the newest record yesterday and there is only one word for it: Brilliant. Our writer Elissa Suh talked to Mike over the phone on September 10th and got the inside scoop of everything Owen.

Elissa: So I heard you played a show last night in boston…

Mike Kinsella: Yeah I flew back today and just sort of got up from my nap, now I’ve got the baby in a stroller.

Congratulations! I heard you are now a husband. How old is the baby?             

Thanks! She’s just over five months.

I know youve been doing a couple college shows. Do you prefer to play in smaller venues like that?

 It’s funny because yesterday the show was on the quad. But yeah in general I prefer smaller venues. The thing with college shows is they pay really good money. They just have a huge budget, so they usually make it worth your while.

 So it’s not that you hate playing large shows and large crowds?

 No, it’s more that you’ve got to fight to be quiet, so I prefer smaller shows.

 I think it’s fitting to your music and your style. I read some stuff from your Myspace page about supposed fans and haters. (www.myspace.com/mybandowen). Is that real?

Yeah, it’s really stupid, but it’s real. I think there are a couple of them that I think are genuine; people are mad at me or something, and then there’s a couple of people who just think it’s funny.

 Well we have an idea of what the Owen hates are like. Obviously some of them are misinformed. What are the fans like?

 Pretty polite. I would like to say kind of well-read… good looking, you know what I mean. You know, the cream of the crop; the best that society has to offer.

 Haha. What’s the weirdest thing a fan has ever done?

It’s just weird now with the internet. People ask a lot of random things like recently somebody wrote  “It’s my friend’s birthday, can you call up and say happy birthday? or leave a voicemail?” I didn’t even respond. I hate singing into the phone and I think it’s sort of weird. I can’t imagine when I was growing up, calling up… Morrissey and being like “HEY MORRISSEY sing to my friend!”

You have a lot of literary references. Are you well read?

 Oh, no. I’m just faking it.

 What’s the last book you’ve read?

 I usually start books and get attached to one theme or part of the plot and then most of them I don’t finish but I’ll wonder what happened to that part, or that guy, and sort of write it myself, and sometimes the reference shows up in my song. But I get way too addicted to television and sports.

So you’re pretty well rounded then.

My wife’s a high school teacher, she reads all the time.  So Id like to think she can teach me of the importance of reading and I can teach her the importance of….. 

A touchdown?

 A touchdown! Scoring more points to beat your opponent.

New Leaves comes out in a few weeks (released yesterday 9/22). I’ve heard it’s a departure as the title says, both musically and thematically, but when I listened to the title track I was pleasantly surprised to find it still retained that sort of biting quality. At some point it says “You’ll spend your whole fucking life walking”. I thought it was kind of ironic given the title, and it seems that people are expecting more heartfelt lyrics.

 I just did an interview where the kid was like,” I’ve heard you’ve totally changed in this record!” I don’t think it’s too different. I think New leaves is maybe the new perspective from which I’m writing from, which is a totally old dude, maybe. I still like to write about the same things. I think the same situations inspire me, but not the same perspective or the way I deal.  I’m still sort of critical of people. I don’t think I got real nice all of a sudden. I’m not giving anybody free passes all of a sudden. Haha.

You said you are inspired by situations, by what’s going on with you and your emotions. I guess how relevant is what you write to what you’re feeling? How reflective are they?

Most of the songs start with one or two lines. I’ll write a line or two and it might be a month later or year later that the whole song is written around it. Maybe to finish it off I’ll embellish or I’ll think of a way to make it more narrative.

 So it’s definitely a combination of how you’re feeling plus the editing process.

Yeah, it’s definitely not a stream of consciousness. I don’t fill pages and pages at one moment. It’s a song. And then there will be two lines from here and I’ll write a few more  there.  One will be third persona and one might be first person and I’ll fit them together somehow.

I understand that songwriting and making music in general can be really cathartic. Does it ever make you feel vulnerable? Or do you ever think “Hey, the person I’m writing this song about totally knows it?”

 It’s funny because I’ve been asked that because my music is pretty expressive and I usually dismiss it. But recently I realized that it is like an outlet. Maybe I don’t feel like I need to get it off my chest because I’ve just been getting it off my chest, without even realizing it. But within the past week I just sort of noticed that. Every so often a song will be about something or somebody but it doesn’t happen that much anymore. I used to write songs about girls and maybe a few times it got a little awkward but now they’re more…I don’t know if it’s more general or more specific, but they’re about things that hopefully more people can relate to without having specific information.

Alternative Press “Chicago’s most unhappy troubadour”.  How do you feel about that? Do you consider yourself a sad person?

No, I’m a very non-sad person. I think music is  a way to express the parts I’ve been down about.  I don’t think my songs are that sad. They’re mostly just critical. Maybe ten years ago I was pining over girls more but I think the situation, these are the reasons why, but it’s not sad. I think the music is sort of low-key and somber, but that’s because my favorite bands were always low-key and somber.

 You seem very observant. like you said, you’re critical. You’re not pining, you’re just able to see what’s going on in a relationship or given situation.

 Hopefully it’s just observational, and not about awkward or uncomfortable topics. I understand  certain songs, like when I read about my dad dying like, who the hell wants to listen to that? So I try to write it in a way that’s a little joke, or ironic so its not just super super heavy.

 Do you have a favorite song on the new album?

 There are certain parts. Like a guitar part I’ll play a million times and I’m like “Oh that’s so cool!” Just little moments where I get excited about it. But I don’t know if I have a favorite song. Each song I try to have a moment where it comes in and changes the song somehow.  But yeah it’s like choosing your favorite baby.

 I see I see. Not that I have songs or babies..

 Well what do you like?

 Film.

 It’s like picking your favorite movie.

What is your favorite movie? 

Right, I can’t answer that!

 What goes into choosing your set list?  How far ahead of time do you decide?

It’s not spontaneous because there’s a lot of tuning involved. So I play songs relative. What’s relative to what’s before and after. But for these upcoming  shows, I’m learning a couple off the new record that I haven’t played just because people who have seen me before don’t have to hear the same 12 songs every time.

 Are you ever surprised at the requests?

Any sort of hint that anybody’s sort of listening to the song makes me uncomfortable. I never think about the fact that once the album comes out, people are listening to these songs. Any time there’s an allusion, I get sort of creeped out. But when they request a song, depending on where I am tuning wise, there’s probably a good chance I won’t be able to play it.

 Any song you won’t play?

 You’re probably talking about ‘Never Meant’ maybe?

 Oh I wasn’t referring to anything specifically.

 I think there are two or three songs my wife refuses me to play so I sort of forgot how to play those.  I’m not really against learning some of them. Some of them are 6 or 7 minutes long on the album and it’s just me and guitar and it’s hard to keep that interesting so I think some songs are better for a live setting.

 You recently got married and had a child, while writing the last album. Did that in anyway change its content? The people thinking you’ve turned into this happy man is attributed to the fact that you’re married and settled down.

 It’s just part of the process. I definitely enjoy being married. There’s definitely a transition period like, “Oh i love this girl i’m totally married to her its awesome! I’m going to the bars and get drunk,” and she’s like “Why would you do that? we’re married,”and I’m just like, “Oh it’s what i do.” You have to figure out your new role, you know? 

 Yeah, I’ve been happy all the time.  Some of these songs are written, maybe when I wasn’t happy. There are bands that write these songs and they’re real upbeat. Sometimes that is how i’m like… oh man I don’t feel like playing these sad songs. There was a band yesterday…this band was playing this pop punk or something and it was positive and you know what? They’re forcing it too. It’s really really hard, unless you’re playing watered down bland music like Jack Johnson, to each night be in that mood, to be totally flat, and I have no interest in playing really watered down music like Jack Johnson.

 So what’s the best way to get over a breakup?

 Um. [pause] alcohol and just being social. That would be my advice.

 What new music have you been listening to?

I don’t listen to music too much. I listen to sports talk or NPR in the car. I’ve got these albums of popular bands done in a style that a baby would enjoy, like all bells and flutes. So I’ve got a Ramones album I’ve been listening to a lot, a Cure album and then the Radiohead album for babies. So I guess a lot of baby music.

Haha. That makes sense for now. What’s happens in the future now?

I think I’m in a good place. I’ve played enough and satisfied that urge, and traveled enough to have satisfied that urge. Honestly, just continue what I’m doing. Hopefully write more concise or better songs.  So maybe in five years I will have written the best song ever written… No that probably won’t happen. I’ll be doing this in the next five years. 

Check out Owen on MYSPACE

Of Montreal *Terminal 5*NYC*9-18-2009

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Making love like a pair of black wizards is never an easy thing to do. Unless you’re  Mr. Kevin Barnes, the frontman of an indie-pop band , Of Montreal with  roots from Athens, Georgia. Putting on a neurotically avante-garde show is only one of the few talents that  the band possesses.

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It’s not even 6 o’clock on a Friday night in Manhattan, but outside of the Terminal 5 music venue, an army of starving fans dressed in skittle -colored clothing are clenching their sweaty fists,while agitatedly waiting for the security to let the crowd begin its flow. The intergalactic monarch and opener of the night, Janelle Monae left the fans hungry for more of her electrically  polished dance moves and nymphet sound.

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While Monae built up the acid- trip energy for the night, Of Montreal astounded  the massive crowd into another break loose lunatic spiral. Labyrynth’s Goblin king- inspired attire, retro double-necked guitar,  gas masks, crucifix, pillow-fights, confetti, feathers, oh yes, and half-naked girls in diapers joining Barnes and the band during the act. Surprisingly enough, Of Montreal brought back their  2005 album, Sunlandic Twins.  Its  hypnotizing guitars and catchy lyrics had all the fans singing along to the “The Party’s Crashing Us Now.”  Also performed “I was never young,” “ Forecast, Fascist, Future,” “An Eluardian Instance”set off an uncoordinated, free -flowing tone that the band was touring for enjoyment, rather just for the promotion of their magnetically ingenious album Skeletal Lamping. Hissing Fauna also made quiet a number of  surprising appearances.A lthough the album presents an interpersonal reflection on the front man’s tenebrous year, Barnes’ performance says otherwise. 

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 Halfway down, “Cato as a Pun “ and” Sink the Seine” manifested the sound and kicked off any melancholic taste that the  album references to. Towards the end of the set, the show was sort of a rolling sticky ball of bizarre.  Meanwhile, Barnes’ wife, Nina and daughter, Alabee  bewilderedly danced onstage sporting splashy costumes  and wigs. The  night ended with an encore and the band performing Diana Ross’s “Love Hangover”, during which Monae and  Solange Knowles joined the jam.
–By Viktorsha Uliyanova
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Secondhand Sunday: Pavement ‘Gold Soundz’

Today’s Secondhand Sunday is dedicated to PAVEMENT. Okay we are ridiculously excited, like most, about their upcoming reunion tour. We all know it can lead to more things, and if not, we all have the chance to experience them live if we missed it in the 90’s. Myself included. Though most of us thought this day would never happen, and if it did, it would be about 10 years from now.  What is totally odd about this reunion is the fact that the past couple of weeks I have felt it coming. I’ve been listening to all of my old Pavement records, and only that. Most of the Modern Mystery staff has been talking lately about ‘What if Pavement reunited? Maybe we could stalk them out and talk them into it!’ The second part was just a joke (as I didn’t think we were going to Stephen Malkmus’ house anytime soon), but we just thought it was something that should happen.

On this note, I want to tell you about a new venture we have started. As of September 22, 2009 we are starting Project Pavement on Twitter. What in the world is this you ask? Well to celebrate the countdown to the first Pavement reunion show scheduled for September 22, 2010, we are going to leak any news we can get our hands on as things are updated. Also, every day will be a new Pavement lyric to get you into the vibe of things. Ist rad.

Watch this week’s Secondhand Sunday, Pavement ‘Gold Soundz’. It just fits….Go back to those gold sounds…

Sin Fan Bous to Tour with Mum

Relatively speaking, Iceland isn’t exactly a breeding ground for notable new music. But among the few underground acts emerging from the island country is experimental pop act Sin Fang Bous, who seems to be on a mission to change that.

Bous, whose real name is Sindi Mar Sigfusson,will be making his North American tour debut in October with Mum,  in support of his debut album Clangour (Morr Music). The tour which runs for about two weeks, makes a stop at CMJ on the 24th at Le Poisson Rouge. Clangour is filled with beautiful sounds, both musically and vocally, that will capture you at first listen. Sigfusson also plays in Seabear, making this is his first solo album.

Listen to Sin Fang Bous’ first single, ”Catch the Light”

Sin Fang Bous On Tour with Múm

10/21 Somerville, MA (US) – The Somerville Theatre (w / Múm)
10/22 Philadelphia (US) – First Unitarian (w / Múm)
10/23 Washington DC (US) – Black Cat (w / Múm)
10/24 New York (US) – Le Poisson Rouge (w / Múm)
10/26 Montreal (CA) – Le National (w / Múm)
10/27 Toronto (CA) – Phoenix Concert Theatre (w / Múm)
10/28 Chicago (US) – Logan Square (w / Múm)
10/29 Minneapolis (US) – McGuire Theater (w / Múm)
11/01 Calgary (CA) – Marquee Room (w / Múm)
11/02 Vancouver (CA) – Richards on Richards (w / Múm)
11/03 Seattle (US) – Showbox at the Market (w / Múm)
11/04 Portland (US) – Aladdin Theater (w / Múm)
11/05 San Francisco, CA (US) – The Independent (w / Múm)
11/06 Los Angeles (US) – El Rey Theatre (w / Múm)
11/07 Santa Ana (US) – Yost Theatre (w / Múm)

BIGGEST NEWS EVER! PAVEMENT REUNION TOUR IS ON!

KIDS IT’S FINALLY HAPPENING!!! Just confirmed last night that PAVEMENT IS PLAYING 4 NIGHTS AT CENTRAL PARK SUMMERSTAGE in 2010 as part as the PAVEMENT REUNION TOUR. We all knew it would happen someday when the Godfathers of Indie would reunite, but now knowing it’s actually for real is just beyond our wildest imagination. The band is also rumored to be playing All Tomorrow’s Parties and Coachella in 2010. We have a feeling this tour is going to be HUGE. Summer Babe here we come!!!