Wildlife Release Full Length Version of Their EP, “Strike Hard, Young Diamond”

Canada is a big and confusing place, unless of course, you’re from there. But even then, it’s still a lot to grasp, eh? Seems like the vastness and all the maple sugar highs can often cause people to freak out like a Moose Gone Wild. Or at least, they write songs about the confounded feelings from living in such a large, cold and too-cussing-polite-about-it-all place. Toronto’s Wildlife clearly is no exception, as demonstrated on their latest release, Strike Hard, Young Diamond.

Channeling fellow Canadians Tokyo Police Club and wilderness influenced uber-rockers, Wolf Parade; Wildlife delivers a melodic, heady, transfixing offering with Strike Hard, Young Diamond. Extended from their EP of the same name, Wildlife thought it fitting to finish the project by adding gutsier tracks to round out the effort.

Emoting youth gone angstier, Strike Hard, Young Diamond plays almost too candid at times, offering desperation right from the opening tracks, “Stand in the Water” and “Sea Dreamer” all the way through to “American Eyes” and “Out,” but it works in their favor, like a sordid reality show, it’s hard to turn away. “Drunken Heart” is sure to be a classic. It waxes and wanes with a precision so hypnotic that you’ll mourn it’s ending with maudlin pause. Even “Move to the City,” which sounds familiar and somewhat unimportant at first, unravels into anthem status.

Though there are at least more than twelve moments eerily indistinguishable from Wolf Parade (or any of their myriad worthy side/side/side projects), there’s solace in the sounds on Strike Hard Young Diamond. Imagine that you’re standing in the middle of Canada’s magnificent Boreal Forest. Certainly no one would feel nearly as comforted if there was only one frail tree standing alone. Wildlife embraces the Canadian sound with hubris, laying deep roots alongside fellow greats, hopefully for decades to come.

Vive le forests.

But don’t take my word for it. Listen for yourself. Three songs for FREE:
http://wildlifeband.bandcamp.com/

The Phenomenal Handclap Band Releases Remixes LP featuring Fujiya and Miyagi, Munk, Clock Opera and more!

Download “The Journey To Serra Da Estrella (Fujiya & Miyagi remix)” via URB or click image below

2010 has been an incredible and active year for NYC’s The Phenomenal Handclap Band. After a successful U.S. tour supporting their 2009 debut the members are back in the studio recording a second record. While TPHB are locked away in the studio Friendly Fire Recordings will be releasing a Remixes LP on November 16th utilizing some of the best remix artists in music today. “Listening to the remixes, I’m struck with the feeling that many of our originals have been completely re-incarnated in the most literal sense of the term.” says Daniel from TPHB.

Introducing the remixers…

1. Tears (Stallions Remix)

Stallions, a most excellent collaboration between nouveau disco pioneer Lovefingers and Brooklyn’s Lee Douglas.

2. 15 to 20 (80 Kidz remix)

Tokyo’s 80 Kidz, the explosive two person electro unit currently on tour with Major Lazer.

3. Baby (Clock Opera remix)

London born Clock Opera make “frenetic, bleep ridden synth rock.” However they also happen to be quite excellent, hype machine  remixers for Marina & the Diamonds and Everything Everything.

4. All Of The Above (T.H. White Remix)

T.H. White is more than a musician. Outside of making music, dropping killer remixes like this one and producing others, he’s written music for The Sopranos, and commercials for BMW and Reebok.

5. You’ll Disappear (Munk remix)

Gomma head honcho Munk needs little introduction. His 2005 LP “Aperitivo” was a cult classic and judging by the dancefloor reaction to his remix of  “You’ll Disappear” it may just well be too.

6. Dim The Lights (Coco Electrik remix)

Brighton’s Coco Electrik continue to make some of the most perfect electro pop out there and here turn “Dim The Lights” into a robotic sleaze fest that would perfectly soundtrack a dive bar in Blade Runner.

7. Give It A Rest (Snack & C’mish remix)

NYC’s Snack & C’mish have been killing it of late on Supra Records and here rework “Give It A Rest” to maximum effect.

8. 15 to 20 (Den Haan remix)

Glasgow residents and Optimo favorites Den Haan go all Hl NRG funk on the album’s lead single “15 to 20”  and turn it into a dancefloor smash.

9. Testimony (Cosmodelica remix)

London club impresario and David Mancuso cohort Cosmodelica rolls out the groove on “Testimony” and gives it a bit of the Loft club magic.

10. Baby (Virgil Howe remix)

Virgil Howe‘s take on the album favorite “Baby” takes the soul elements of the original and mixes in  a little Lover’s Rock, dub and early 90’s downtempo. Perfect.

11. The Martyr (Live KEXP Session)

The Phenomenal Handclap Band doing what they do best. No messing.

12. The Journey to Serra Da Estrella (Fujiya & Miyagi remix)

And lastly kraut-funk geniuses Fujiyagi & Miyagi have crafted “The Journey to Serra Da Estrella” into a full on instrumental expedition.

For more info please visit

http://friendlyfirerecordings.com

http://www.myspace.com/phenomenalhandclap



Check Out Kisses During Their West Coast Tour

View All Photos | photo by Olivia Hemaratanatorn | KISSES

Kisses, the dream pop duo from Los Angeles, announced last week that they will embark on a seven city west coast tour that began Friday night in San Diego, CA. Tonight they play Crepe Place in Santa Cruz, CA. The tour is in support of their debut release The Heart of the Nightlife which will be released in the U.S. on November, 16th. The album has already come out in the UK to glowing reviews.

Kisses is made up of lead singer and songwriter Jesse Kivel and Zinzi Edmundson, keyboards and backing vocals. Together they have created a sound reminiscent of early days of new wave music with a hint of ‘70s disco thrown into the mix while at the same time keeping their sound very current and fresh. Front man Kivel says that he likes to write songs that take people out of their every day lives.

“Great pop music is about escape. Kisses is about entering into another world,” Kivel explained.

Kisses by Kisses

Kisses wraps up their west coast jaunt on Thursday, November 11th in San Francisco at Popscene. You can get the latest information and pre-order The Heart of the Nightlife here at the band’s Web site.

Tour Dates:

11/10 Blue Lamp, Sacramento, CA
11/11 Popscene, San Francisco, CA
12/04 Mondrian, Los Angeles, CA * (DJ Set)
* = w/ Jens Lekman

Woodsman Announce New Album And Tour With Gauntlet Hair


Shortly after the release of their EP Mystery tape earlier this year, the Colorado based group announces that they will release a new full length this January. The first single off the album (which is appropriately named Rare Forms) is entitled “Insects”, and is as hypnotic and gloomy as one would expect from this quartet.

Along with the release of “Insects” the band has also announced that they will begin a west coast tour with the experimental duo Gauntlet Hair. The tour is already underway and the rest of the dates are listed below along with the single Insects.

Woodsman – “Insects” by OctopusWindmill

November 9 Villanova, CA
November 10 Mama Buzz Café, CA
November 11 Milk Bar, CA
November 12 TBA Santa Cruz, CA
November 13 The Bacchus, CA
November 14 Origami Vinyl, CA
November 15 Acrobatics Everyday, CA
November 16 Soda Bar, CA
November 18 The Kosmos, NM

Pepper Rabbit Hops All Over the Left Coast

Is it ever a bad time to be a band based in Los Angeles? Not if you’re the LA based duo, Pepper Rabbit. On the heels of their debut, Beauregard, released October 26th, Pepper Rabbit’s Xander Singh and Luc Laurent are garnering praises from fellow Angelinos, Local Natives, and press raves across the country from FILTER, WNYC, and Seattle’s KEXP.

Gearing up for fall concert dates with Freelance Whales, Passion Pit and coming in early 2011, two shows with Ra Ra Riot, Pepper Rabbit kicks off the tour with a show at The Echo in Los Angeles on November 18th. Their live show delivers a variety of instrumentation unique to Pepper Rabbit’s sound—expect ukele, synths, clarinet and those unmistakable rhythms. Catch their latest track, “Babette!” here.

Tour Dates:

11/18/10 – Los Angeles, CA @ Echo
11/19/10 – San Francisco, CA @ Rickshaw Shop ^#
11/23/10 – Seattle, WA @ The Crocodile ^#
11/24/10 – Vancouver, BC @ The Biltmore
11/29/10 – Vancouver, BC @ Vogue Theatre *
11/30/10 – Seattle, WA @ Moore Theatre *
12/1/10 – Portland, OR @ Crystal Ballroom *
12/3/10 – Santa Cruz, CA @ Santa Cruz Civic Auditorium *
12/4/10 – Pomona, CA @ Fox Theatre *
12/5/10 – San Diego, CA @ Soma *
12/7/10 – Los Angeles, CA @ Hollywood Palladium *
12/9/10 – Las Vegas, NV @ House of Blues *
1/22/10 – Sacramento, CA @ Harlow’s %
1/25/10 – Eugene, OR @ WOW Hall %
^ w/ Freelance Whales
# w/ Miniature Tigers
* w/ Passion Pit
% w/ Ra Ra Riot

www.myspace.com/pepperrabbit

Back Up North. Air Waves Interview.

Winter isn’t here yet and Air Waves are already mapping out pins for the new year. Air Waves is a music project created by Nicole Schneit, who has been undergoing a fluctuating capsule of transitioning band members and tasting the crowd of southern habitat. Still, her heart-warming lyrics and catchy head-bopping tunes set themselves apart from the uniformed nature of indie-pop.

It is known that you moved away to Austin at the end of this past summer, what brings you back to New York?

We have an album coming out really soon, so we thought it would be nice to play for a little bit before it is released.

What made you decide to move away from New York?

My girlfriend lives in Austin and we had been long-distance for about two years, so she was going to come here, but I have lived in New York my whole life, so I decided to move there. I’m coming back in February.

Did you grow up in the city?

I was raised in Nyack, New York, it’s about an hour away. I moved to the city and lived here for about eight years in Greenpoint, Brooklyn.

Have your writing techniques changed with the move?

I’d been playing more guitar and keyboard, because it’s a bit more accessible in the house. I’m trying out different instruments, which is really fun. I enjoy when people take on instruments they don’t really have an idea of how to play. When I play guitar it’s more of a repetition and me playing the same chords and songs, so I’ve been doing more experimenting than songwriting. It’s been less lyrical living in Austin so far.

Is it more difficult to write music in Brooklyn or Austin?

Neither, but in Austin I have more privacy.

How would you describe your music to someone from another planet and who has  never heard it before?

Another planet, like ET? (laughs)Minimal pop, or something similar to that.

With the departure of your last drummer, you have transitional band members, who writes most of the material?

I write the songs on my guitar and the lyrical content, then I bring it to the band and they  take off from there and come up with their part.

Do you have a new drummer on the rise?

We’re looking, no luck so far. We’re trying to figure out if we need someone who lives in Austin or in New York, and it’s difficult because we’re going to be touring a lot.

What do you enjoy about being a part of the CMJ?

It’s really cool to see all of my friends. Even though Austin feels like the music capital right now, nowhere else has as many bands and as much creativity as New York. Even in Austin, when I go to shows and play there, the same people go, I can only really play there once a month, not more than that. In New York, there is a different crowd every time.

You’re currently touring here, on the East Coast, where are you most excited about performing your tunes?

Vermont! I just love it , it’s so pretty there and I’m excited to drive through there this time of the year. I don’t even know anything about the venue.

Do you have plans to tour the West?

Yes, probably January or February.

What is your favorite song to perform  live?

Newest material is always the most fun to perform to see if people like it and share the freshness of it. Right now it’s this song “Ride.”

Which song do the fans ask the most for?

Definitely “Shine On.” I haven’t been playing it that much. (laughs)

How have you been adjusting to the music scene outside of New York?

It’s been very hard. I don’t really have band members there. I’ve played two shows with Adam from Yellow Fever. I can’t say I’ve totally found a nitch there yet. I’m just glad to be working on my music inside my home, playing in Austin will come later.

-Viktorsha Uliyanova