by Jane Lambert

Elizabeth P.W. Shares Her New Folk Single “Brooklyn”

Brooklyn based singer-songwriter Elizabeth P.W. has a new single out now called “Brooklyn.”

A song packed with meaning, “Brooklyn” came to Elizabeth suddenly after the death of her aunt in Manhattan who was involved in a car accident:

“With my Aunt Amy´s death, I had a sudden realization: after over 100 years of Brooklyn being the hub of our family, I was the last living person in the Phillipson family who remained. The chorus of the song popped into my head one day and the rest of the song came soon after.”

With the Americana folk chorus and key instrumental violin and accordion solos, this song is memorable and full of emotion. As a multi-instrumentalist, Elizabeth´s music has been nominated for various composer awards as well as being premiered in films at Tribeca Film Festival, DOC NYC and more.

“Brooklyn” combines various synth sounds with organic instruments like the folk violin to create her signature sound.

Elizabeth released her debut folk album “Haven´t Found It” back in 2019, to much critical acclaim and she has been busy ever since composing music for film scores such as the 2021 NAACP Image Award nominated short film “Gets Good Light”.

Her music influences include Fleetwood Mac, Jackson Browne and Glen Campbell. With such an eclectic sound and great musical talent for both songwriting and performing, we can´t wait to hear more of Elizabeth´s music both on screen and future single releases.

Stay current with Elizabeth Phillipson-Weiner on her Website and social media channels Instagram ,Twitter and TikTok.

Stream music on YouTube , Spotify and Soundcloud

11.01.22

by Jane Lambert

Gary Dranow and the Manic Emotions Release First Two Singles From Their Upcoming Album

Gary Dranow & the Manic Emotions is a Park City, Utah-based classic rock band making music for the square pegs. After creating successful business endeavors in the world of outdoor sports, bandleader Gary Dranow turned to music to help him cope with bipolar disorder and the effects of a stroke. The result is a genre-defying collection of songs that provide comfort to those who are also walking a difficult path.

The band just released two singles from their upcoming album, Destiny Road, and album 25 years in the making.

The first is the pop rock single “Fool Outta Me,” a song with a Bon Jovi meets Pink Floyd 80’s inspired sound. The melody grabs your attention and demands your ears with it’s catchy hook and masterful songwriting. The song is about a one sided dysfunctional and unrequited love, the subject of the song has had enough and is calling it quits. “The lyrics were inspired by one of my own failed relationships where my emotions and effort were not returned,” shares Gary.

The second is the more classic and heavy rock single “Twisted Minds,” a song with an Ozzy Osbourne meets The Rolling Stones melodies and rock structure. This song is alive with wailing guitars, lyrical poetry, and emotional intensity. The song is an energetic and cathartic song about the insanity of loving someone with an unhinged mind. Lyrics like “Infatuation takes the blame, what does it matter, when your living in lies, you lose the game” sets the table for a fare of emotional angst and once again the trauma of dysfunctional relationships, of which Dranow has had many in his 50 years of trying to find lasting love.

Influenced by the musical work of icons Hendrix and Stevie Ray Vaughn, Gary Dranow and The Manic Emotions are set to soar to new heights, as they send ripples through the Blues and Rock music scene. They are a force to be reckoned with and are bound to be on your playlists.

Connect with Gary Dranow and the Manic Emotions

Website // Instagram // Facebook // YouTube // Soundcloud

10.28.22

by Jane Lambert

Premiere: Alt Pop Artist Tara Novak Premieres Her New Album ‘Layers of Identity’

Tara Novak is a trained classical violinist turned alternative pop artist who dropped out of music school to explore who she was without the violin. She spent the next two years bartending and discovered yoga, music festivals, and fine dining. She read many books – from beat poets to business manuals and opened the floodgates to the rock, pop, folk, and dance music she had deliberately shut out in the past.

Tara’s music is deliberate and specifically crafted to create empathy. She uses music as a healing tool for herself and listeners. “I write songs because it allows me to process the world I observe,” shares Tara. “Music opens our hearts and minds.”

She just released her new album Layers of Identity. The 10 song alternative and orchestral pop album bleeds of human nature, who we are as individuals and as a society, and encapsulates the blended way we see the world. Her style is ballad-like with each song giving off a “Candle in the Wind” vibe. She is backed by violins, the piano, and an electronic beat found in contemporary pop songs.

Every song brings their own story to the table. “Just Me & You” was inspired by a homeless girl she saw begging for change and she thought “what determines our paths in life?” It’s a reminder that we are not all that different. “My Heart Was Jumping” is a playful song that blends the sounds of Eastern and Western styles of music. This is what emerges when a long-time touring violinist pens a song about the ups and downs of a relationship. In “A Place Called Purpose,” the most orchestral song on the album, is actually an epic written by Tara about a young girl’s attempt at finding a place called purpose.

Connect with Tara Novak

Website / Instagram / Facebook / Twitter / YouTube / Spotify / Soundcloud

10.10.22

by Jane Lambert

Ariel Arbisser Shares Her New Electro-Pop Single “Rabbit Hole”

Singer/songwriter Ariel Arbisser’s music and performances make her audiences feel seen, heard, and offers a unique glimpse into how she experiences the highs and lows of the world. Her music is raw and passionate, a brand of pop that you won’t find in other artists.

She just released her new electro-pop single, with a hint of funk, “Rabbit Hole,” the follow up single to her last release “Bloodshed.” “The core of this song came to me last year and it’s had a chokehold on me since,” shares Ariel. “Thematically there’s some crossover, but ‘Rabbit Hole’ comes down from the rage-filled fever pitch of ‘Bloodshed’ to this which is a more restrained, sexy, slow-burn. Things haven’t settled yet. The ‘dark side’ is still enticing, maybe even more comfortable than it was before. The full song sonically is true, addictive journey downward.”

“Rabbit Hole” has a contemporary meets retro electro-pop sound, almost like a Sara Bareilles meets Harry Styles. Her voice carries such strength, similar to an Alice Russell or Brandi Carlile, or even an Adele.

Through her lens as a white, Jewish, queer woman, she is transparent when learning out loud and participates in ongoing conversations about mental health, body neutrality, sex positivity, social and racial justice, LGBTQ rights, and more. In a world that’s dangerous for far too many and uncomfortable for almost everyone, she creates a touchstone by creating art, appreciating simple pleasures, and taking dedicated and intentional risks for love.

“With love comes inevitable pain– miscommunication, betrayal, heartache, loss… Allowing yourself to be vulnerable enough to experience love, however briefly, is brave. And it’s worth it in the end.”

Connect with Ariel Arbisser via:
Website / Instagram / Twitter / Facebook / TikTok / YouTube / Spotify / Soundcloud

10.10.22

by Jane Lambert

Happy For No Reason Share Their Jazzy Folk Rock Album ‘Take It Higher’

The Portland, OR-based band, Happy For No Reason, celebrate every single one of life’s precious moments as two of their members are literally happy to be alive. Comprising of Jo Alexis on vocals and percussion, Neil Goldstein on guitar, and Mark Pritchard on flute, the founding members of Happy For No Reason navigate the rich waters of jazzy folk with a pinch of rock, a dash of soul, and even a touch of Bossa Nova.

They just released their album, Take It Higher, a collection of 12 songs that ooze love and life. Each song makes you smile, gets you dancing with the beat, and swaying with their infectious melodies.

Their song “Hummingbird Heartbeat” was actually written by Jo Alexis about a major accident she had. While her vocals soar in every song, something about the delicacy and strength in her voice for “Hummingbird Heartbeat” puts the song on a higher plain. It’s about forced changed and the ability to adapt to the obstacles of life.

With a variety of inspirations that include Hubert Laws, Jean-Pierre Rampal, Ian Andersen, Eva Cassidy, Esperanza Spalding, Camille, Joe Strummer, Bonnie Raitt, Nancy King, Kurt Elling, Milton Nascimento, The Band, Pentangle and Neil’s aforementioned love of 60’s Brit pop and West Coast bands, Happy For No Reason are the very definition of cool intelligent music that fulfils dreams. Embrace their happiness and let them Take It Higher.

Connect with Happy For No Reason via:
Website / Facebook / YouTube / Spotify

09.22.22

by Jane Lambert

Star Goes Nova New “Moonlight Beat with Sonic Butterfly” Stuns Listeners

Star Goes Nova is the talented new face in the world of Electro Pop, Synth, and EDM. Showcasing a brilliant journey through a sonic starship, the artist spins moving epic stories with instrumental masterpieces. A trailblazer in the genre, Star Goes Nova dispenses cinematic masterpieces, creatively composed for the next generation of musical icons. With electrifying sounds, memorable beats, and pulsating bass lines, her music is reminiscent of Pink Floyd, Swedish House Mafia, and The Glitch Mob.

She just released “Moonlight Beat with Sonic Butterfly,” a cinematic and fantasy synth and EDM single. Sonic Butterfly is a 26 string acoustic, chromatic, long-string harp designed and played by Andrea Brook. The strings are at minimum 60ft long and often strung over 200 feet long, and span out over the audience, transforming indoor and outdoor theaters, buildings, and natural environments into a stunning immersive musical instrument.

The technical incorporation of the unique giant harp into Star Goes Nova’s “Moonlight Beat” was an epic feat in itself with Grammy winning producer John Baffa tracking 16 microphones, mathematically distanced to achieve authentic echo/delay reverberations down the length of 60 foot harp strings. Star Goes Nova expertly wove in gorgeous piano, electronica and powerful growling dubstep beats. The effect is an epic tale of an astronaut discovering an ancient castle on a distant moon.

Listen here: