by Jane Lambert

Kick and the Hug’s Video for their Single “Born Too Late” is an Embrace of Live Music Experience of the Past and Present

The up and coming four-piece indie pop band, Kick and the Hug, grew up with a live music experience that, simply put, is slowly going out of style. The era of taking in the music by feeling it is now gone. While the music listeners and concert goers of today still take in the music, though in a new and different way, what they have that Kick and the Hug didn’t is the internet. Smartphones and social media have changed the landscape of concerts and live music, therefore changing the way music is experienced. The generation of Woodstock attendees and Dead Heads are replaced with the new generation of P!nk and Arianna Grande concerts, which is usually posted about the next day. Kick and the Hug’s most recent single, “Born Too Late” is a pop rock song about seeing a concert through the phone.

The video for “Born Too Late” takes the idea of being born into a generation of music that enjoys a concert through posting about being there on Instagram and turns it on it’s head. The normal thing to do now is to post a photo and/or video of the concert you went to. Members of the Kick and the Hug, who would enjoy music like the Dead Heads, were now experiencing music through their phones. They had changed with the time and realized that they were no longer experiencing music the same way either. Their use of baby dolls in the video is a visualization of the older members of the band both embracing social media and a reminder that they don’t need their phones to have an experience.

“It’s a song about watching shows through your phone…being a camera person instead of just being fully immersed in the show,” shares Doug Murray, lead singer and guitar player of Kick and the Hug. “It’s nice to show everyone on social media that you’re having a great time at this awesome show…but you know what’s better? Actually having the great time, not thinking about a post, or tomorrow or even five minutes into the future. It’s a little preachy, cause I catch myself posting clips all the time, but after releasing this song it’s a pretty good reminder to just get the damn shot, stick the phone in my pocket and connect with what’s going on around me.“

Watch the video:

You can find Kick and the Hug via:
Website // Instagram // Facebook // YouTube // Spotify // Soundcloud

11.23.21

by Jane Lambert

The World Appears the Same, But Things Have Changed in “Every Passing Mile”

Christian Parker is a seasoned singer songwriter, recording artist and guitarist from Canton, New York, United States. His new single, taken from the album of the same title, “Every Passing Mile” is a beautiful, emotional song with wistful lyrics and a haunting electric guitar hook.

Parker has been recording music for the last thirty years. Notably, his songs center around themes of the stories of others he knows, as well as the things that we all deal with. Worries, trials, successes, tribulations. The ever-changing ups and downs of life.

“Every Passing Mile” is the story of a relationship now gone. With the passing of time, the feelings for a love gone become more haunting, more memorable in some ways. There is a lovely bridge with the electric guitar, and a lilting chorus that complements Parker’s vocals.

Although melancholic and written with minor chords, this song has an uplifting chorus. There is rhythm, a unique sound to the electric guitar, and an overall musical sound that is profoundly memorable.

Listen to “Every Passing Mile” here:

https://soundcloud.com/moepark/07-every-passing-mile-for/s-59936uuyObq?in=moepark/sets/christian-parker-every-passing-mile/s-HBplasJ6VNO

You will want to listen to this song again and explore more of Parker’s music as you go.

Stay current with Christian Parker on his website: http://www.christianparker.com
Stream “Every Passing Mile” on Soundcloud, Spotify and YouTube music.

11.09.21

by Jane Lambert

Chris Pastore Delivers a New Single, “Deliver Me” From Anticipated Come Back Album

Photo by Pixie Vision Photography http://www.PixieVision.com

For 25 years, Chris Pastore has been writing and performing music. Right out of college, he hit the Baltimore music scene where he fronted and toured with the group Fat Apple in the late 90’s. Set to release his first album in 10 years, Turn the Music up Loud is a compilation of old songs he’s recorded over the years and new ones he’s recorded with some talented friends at the Wrightway Studios in Baltimore. “For me, songwriting is a constant, a daily routine, interactions, daydreams, struggles and jubilation, love, fate and sometimes just a good hook and a solid groove,” says Chris. “Some take years to cultivate and others come in minutes. The words and music can intertwine so simply like pieces of a puzzle when finished, stories like little voyages, then subject to the listeners interpretations and mood.”

He just dropped his new single from his upcoming album. “Deliver Me” is an acoustic rock song with a gripping melody and a strong hook. With a musical sound that’s like the Allman Brothers meets Paul Simon meets The Grateful Dead and a voice much like John Mayer, this song is an inspirational one about facing your fears no matter how scary. His soulful, yet light vocals feel airy in contrast to his guitar, giving a feeling of being out of your own body.

“Deliver Me” acts as a musical hug to listeners who have found themselves somewhat in the dark. It’s a reminder that we have all been through moments of utter weakness and helplessness, and although it can be difficult, nightmares must be confronted, consequences must be faced, and there is a path forward. The music builds as the inspiring story unfolds, starting with a delicate acoustic guitar and ending on an orchestral crescendo.

“Deliver Me” is out now and available on all streaming services. This acoustic rock song is sure to be a hit.

You can find Chris Pastore via:
Instagram
Facebook
YouTube
Spotify
Apple Music
Soundcloud

09.05.14

by Jane Lambert

Latimer House – “Birdcage Walk / Until Then”

The Fall is always my favorite time to discover new music. Perhaps it has something to do with the relaxing feel of the cooler weather, but it seems to get me excited for new music and new bands. Recently I have been falling for the indie pop sounds of Latimer House. The group have just released a phenomenal 7-inch single for “Birdcage Walk,” with the b-side “Until Then,” which you can purchase on translucent red vinyl.

Upon first listen to “Birdcage Walk,” I was already head over heels. Singer Joe Cook’s Prague accent is very prominent, which is a nice departure from the norm. They remind me of a foreign Bishop Allen, which I adore. The guitar hooks are vibrant and memorable and the mandolin makes a perfect add-on in the song. Getting into the b-side “Until Then,” Latimer House provides a bit of a different approach, with punchy guitars and a few sing-talk lines. Making its way into the track is a slight horn section, that gives the song an extra ‘oomph,’ so to speak. The song’s sonically alluring tones are definitely an added bonus.

Latimer House have recently released their new record, All the Rage, via their own label Honk Records. Be sure to check out the Summery / Strokes-esque track “Splash!,” as well when you head over. Chiming guitars and heavenly harmonies. What more can you ask for? It is well worth the listen!Check out Latimer House “Birdcage Walk,” HERE.

Check out Latimer House “Until Then,” HERE.

Grab the latest record, All the Rage, via Bandcamp

08.25.14

by Jane Lambert

“The Past is a Grotesque Animal”…Yes, yes it is.

Over the weekend I had finally watched the long awaited of Montreal documentary, The Past is a Grotesque Animal. I was hesitant to view this film for quite some time, as I thought it would destroy my perception of front man and songwriter Kevin Barnes. This proved to be an eye opening experience for sure. The film highlights the band’s career from the very start. Seeing all of the old footage of how the group came to be was rather charming and delightful. The behind the scenes footage was certainly a treat as well. Their vibrancy and quirkiness definitely shined straight from the screen. Every aspect of the band was touched upon. From troubling relationships, to the brilliant artwork and stage performance antics of brother David Barnes and co., it proved to be truly insightful.

Throughout all of the good times and struggles the band often continued with, the film focused quite a bit on Kevin Barnes’ inner demons. The depression, the anxiety, the need to make ‘good art,’ no matter at what cost. The one problem though, is the need to make ‘good art,’ lead to the departure of longtime and key players Dottie Alexander, James Husband, Bryan Poole (B.P.), alongside Matt Dawson and Davey Pierce respectively.

The thing that struck me most was how easily Barnes removed himself from them to make a complete musical transformation. What came to be one of the most celebrated band of the 00’s, has changed into so many forms that there feels like there is something missing, especially in a live setting. The ever exciting line up during onstage dance parties are something that I, as well as many fans, truly miss. Though change can be good sometimes, The Past is a Grotesque Animal, made Barnes out to have villain tendencies. Whether or not this was the intention, it was an extremely fascinating look into a phenomenal band that has hit home with so many listeners over the past several years.

I don’t think I will ever stop buying of Montreal records. Kevin’s songs have always struck a chord with me. This certainly gives me a different perspective into the world of of Montreal.

08.24.14

by Jane Lambert

Album Review – Voxmirage

Voxmirage is the group you have been looking for. Recently releasing their debut album on July 15, the duo are about to take the world by storm. The self-titled record is filled with 13 glorious tracks that recall new wave influences such as Tears for Fears and Depeche Mode. Made up of members Mike Streng (Vocals, guitars, bass and keyboards), and Aaron Nicholes (Drums, Keyboards, programming, backing vocals and bass), they create quite a unique and brilliant sound. The record is also stunningly mixed and produced by Ken Stingfellow of The Posies and R.E.M. respectively., and mastered at the legendary Abbey Road Studios in London.

Kicking off the record is a short, sweet, and synth filled song that is simply titled “Intro.” This piece immediately sets the tone for the record. “All I Want Is You,” combines lush harmonies and dark sounds alongside a swirling bed of synthesizers and guitars. Streng’s vocals start to standout immediately, which carries throughout the entire record. His voice is very powerful, and evokes great emotion on the set on of songs.

“I Can’t Take It Anymore Than This,” continues the greatness of the record, with honest and heartfelt lyrics. Streng’s vocals are soft yet pierce your very soul. Streng’s vocals are dreamy and haunting all at once. Taking the record down a notch is “Hold On,” which showcases the softer and gentler side of the band. Laced with synthesized strings, the vocals chime in to launch a whole new musical aspect of the record. “Never Go Away,” shares a bit of a 90’s retro feel, in a flattering way. The vibrant and danceable aspect of the track is brought to life with lovely twee-like harmonies and punchy acoustic guitars.

“She’s Going Away,” brings a darker synth sound into the album, with a bit of welcomed industrial flare. The tracks on this record quickly prove that Voxmirage are not only skilled, but can bend and combine genres without flaw. “Want Me Too,” and “Just a Fool,” the latter featuring backing vocals by Ken Stringfellow, displays the group’s softer and subdued side on the record. Again the harmonies grace these tracks, which made them an immediate favorite for me. “Just for Tonight,” adds a whole new element into the record with engaging vocals, and an array of instruments welcoming even the slightest trumpet. “On I Go With You,” brings out another beautiful side of this record, as Streng’s vocals are heavenly.

Bringing back the dance aspect of the record with a punch is “Favorite Son.” Flooded with enchanting synths, this piece will surely get you onto the dance floor and it clearly showcases the group’s knack for writing a great pop-esque song. Up next is “Go Insane,” which is Voxmirage’s take on Lindsey Buckingham’s classic song, which somehow manages to upstage the original with their incredible rendition. It brings all of their musical talents into the spotlight. Closing out the record is “I Know What Scares You.” The piece brings together various different elements we found throughout the record, bringing everything to fruition.

Voxmirage’s Voxmirage is a brilliant debut album that will certainly launch the duo into the spotlight. With heavy hitting and memorable tracks, each piece on the record somehow manages to outdo the other. Hopefully we hear a lot more of Voxmirage in the future. This is only the beginning….and the beginning is great.