by Jane Lambert

Awakening the Spirit with Jennifer Harper’s New Single “Soul Alive”

https-imagestore-ffm-to-link-7321f12ac0c56d1f12279b1091e3b24d

Singer, songwriter and sound alchemist Jennifer Harper’s latest release “Soul Alive”, is something of a vibrational journey.

Listeners are drawn into a musical sound designed to elevate the spirit and open the heart. The song’s infectious energy and Harper’s soulful delivery come together to create an experience that is both uplifting and introspective.

Produced by the talented Matt Anthony, with rhythmic power provided by Tal Bergman on drums, Soul Alive delivers a rich and dynamic sound that balances groove with ethereal beauty.

Harper’s vocals and contributions on keyboard also add a layer of intimacy, inviting listeners to embark on a journey of soulful reflection and limitless potential.

As Harper describes, “Soul Alive” is a call to action. It’s an invitation to awaken the light within and to embrace life in its full vibrancy. The song pulses with positivity and hope, encouraging the listener to shed limitations and step into their highest calling.

“It comes from a feeling of freedom – true liberation, fully thriving in the way that we are designed!! It is an expression of what I’m experiencing in my life right now.

On every level

In every area

Every which way I go

It’s a celebration song for me”

Production is both crisp and powerful, bringing together Harper’s voice with a rich instrumentation that lifts the song to new heights. Bergman’s drumming provides a solid backbone, while Anthony’s multi-instrumental textures add depth and complexity.

Overall, Soul Alive lives up to its title – it makes you feel alive. Whether you’re seeking inspiration, empowerment, or simply a soulful groove to lift your spirits, this track will leave you energized and ready to embrace life’s possibilities.

Jennifer’s music is known for its soulful compositions infused with wisdom from Gene Keys and Human Design, which offer a roadmap for self-discovery and unlocking one’s potential. This in-depth exploration coupled with a steadfast dedication to Buddhist principles, illuminates a path of inner exploration for all who seek it.

Her past successes include performances at prestigious venues and recognition in songwriting competitions, speak events to her growing presence in the music scene. She has been featured in many leading media outlets, including, No Depression, Vents Magazine, Melodic Magazine and Americana Highways.

Keep up to date with Jennifer Harper on her Website

Stream music on Spotify and YouTube Music.

08.23.24

by Jane Lambert

“Skateboard’ by Kristen Rae Bowden: A Charlottesville Singer-Songwriter’s Reflection on Youthful Love and Freedom

Kristen Rae Bowden’s brand new single “Skateboard” is like the equivalent of catching the perfect breeze on a summer evening.

It’s effortlessly cool, fun, and impossible to resist. This indie-pop gem is all about the rush of first love and the carefree freedom of summer nights.

From the moment Joe Lawlor’s guitar riff kicks in, you’re pulled into a dreamy world where guitars shimmer with a mix of clean tones and just enough edge to keep things interesting, creating a backdrop that’s as vibrant as a sunset and as gritty as the pavement under your wheels.

Bowden’s vocals are pure magic – equal parts tender and daring, she’s got that rare ability to make every lyric feel like it’s meant just for you.

Produced with a perfect balance of indie sensibility and pop appeal, “Skateboard” is mixed by music industry heavyweights John Alagia and Pedro Laet. The layered guitars and Bowden’s ethereal vocals creates a dreamy soundscape that is as warm and inviting.

Whether you’re reminiscing about your own youthful escapades or in the thick of them now, “Skateboard” is a track that will have you lost in the heat of summer nights and the timeless thrill of young love.

Kristen Rae Bowden is a singer-songwriter with deep roots in music, growing up in a musically gifted family in Boone, North Carolina. She taught herself piano by ear and later expanded her musical education with classical flute training and a BFA in acting and musical theater from Elon University.

In 2019, she released her debut album, marking the start of her solo career. Collaborations with Joe Lawlor, a guitarist with ties to the Dave Matthews Band, have been a highlight of her recent work, including performances at major events and alongside notable musicians. Kristen’s music is known for its impressionistic storytelling and evolving style.

Keep up to date with Kristen Rae Bowden here:

Website / Facebook / Instagram / Spotify / Soundcloud / YouTube Music

07.11.24

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH GEORGE COLLINS

231220-Saving-the-Best-for-Last-Revised-Final-Resized-for-Distrokid

George Collins is a multi-faceted artist whose music, writing, and creative endeavours reflect a life rich with experience and inspiration.

Hailing from Washington D.C., and now based in Prague, Collins has embarked on a musical journey that transcends traditional boundaries as he blends classic rock influences with contemporary themes.

Collins recently released his latest single, “Saving the Best for Last,” a standout track from the eagerly anticipated EP, “Songs for Grown-ups” set to be released this summer. This song serves as a powerful, upbeat anthem about the beauty and potential of aging inspired by musical legends such as George Harrison, Bruce Springsteen, Van Morrison, and Neil Diamond. Wrapping up the EP’s themes, it reflects on the passage of time and the wisdom gained through life’s experiences.

In this interview, Collins delves into the story behind “Saving the Best for Last.” He believes in the possibility of achieving one’s best work at any age, a sentiment that is passionately conveyed through his music.

We also explore the creative process behind the song’s captivating video, crafted by the talented Marta Vorontsova. Utilizing stock footage, AI images, and animation, the video beautifully illustrates the song’s themes and Collins’ vision. From conceptual discussions to iterative feedback, Collins describes how this collaboration brought his ideas to life in a visually stunning manner.

The official lyric video for “Saving the Best for Last” by George Collins is now available on YouTube here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This was the last tune written for my second EP, “Songs for Grown-ups,” and I knew I wanted to end this collection with a positive, upbeat, exuberant anthem about getting better with age.

For this song I was inspired by the work of George Harrison, Bruce Springsteen, Van Morrison and Neil Diamond.

The song summarizes the themes explored in the previous tracks of the EP and reaches the hopeful conclusion that, as I continue getting older and enter a new phase of existence, I can bring all the lessons I’ve learned to bear to create a fulfilling and joyful later stage of life.

I have always believed that, no matter my age, my best days and best work lie ahead of me – and this song attempts to express that belief.

I have also been inspired by iconic artists who did some of their greatest work in their later years such as Bach, Beethoven, Yeats, Eliot, Monet, Matisse and Picasso – masters who can serve as models for us all by fusing youthful energy and passion with the wisdom and perspective of age.

Plus, the track absolutely rocks and is loaded with hooks, including a 1970s-style modulation to emphasize the “surprise” in the lyrics – one doesn’t hear many such modulations these days!

2. What was the inspiration behind this video (visuals, storyline, etc.)?

There were several key images I knew I wanted to focus on in the video to illustrate the themes of the song: confusing maps and road signs (“Figure out the way that I should go”), climbing mountains and overcoming other difficulties (“But I never lost faith in me and all that I could be”), couples working their way through difficulties (“It’s taken us a while to learn to smile”), older men finishing a race and winning trophies (“Here I am, better than ever”), older couples deeply in love and enjoying their Golden Years (“We’re gonna have fun in the days to come”), just to name a few.

3. What was the process of making this video?

I worked with an extremely talented artist named Marta Vorontsova (Instagram: @_imagikali_), who is specialized in creating music videos using stock footage, AI images, and animation techniques. She has produced many videos for me, which are all available on my YouTube channel (@GeorgeCollinsBand), and each one is unique. We had long discussions about the song and my wishes for the video, then she vastly improved on my original ideas with her brilliant, skillful and imaginative visual presentation. It was an iterative process: She would send me a draft, I would send her my comments, then back and forth until we got it just right and we were both happy with the results. “Saving the Best for Last” is an extremely important song for me, and I love how the video captures and beautifully expresses the deeply personal yet universal themes of this exuberant, inspiring song.

Connect with George Collins here:

Website / Facebook / Instagram / Spotify / Soundcloud / Apple Music / YouTube

06.11.24

by Jane Lambert

From Bossa Nova Vibes to Smooth Jazz Bliss in Marla Lewis New Single “Te Quiero A Ti”

Marla-Lewis-Te-Quiero-A-Ti-English-Version-400

New Jersey born artist Marla Lewis has had a remarkable career as a singer, songwriter, and educator.

Her brand new, original single “Te Quiero a Ti”, offered in both Spanish and English renditions, radiates an enchanting groove and ambience.

Marla’s impeccable vocals, reminiscent of the finest bossa nova melodies, is accompanied by a sophisticated arrangement. With elements such as flute, piano, acoustic bass, electric guitar, drums, and lush backing vocals, the song allows Marla’s voice to shine.

Originally, Marla had written a really beautiful tune, but could not come up with lyrics to her liking so she asked her friend Dave Kinnoin to write them. Loving what he came up with, the song was recorded on Marla’s first “Songbook” album. As she had always wanted to have it translated into Spanish, it was not until a few more years that she met Melissa Sanley who was able to use the same instrumental tracks as the previous recording:

“My life was touched by a real life angel — that’s the best way to describe it! I signed up for a Peer Networking program offered by the Grammy organization (I’m a voting member), and they paired me with Melissa Sanley. Talk about Divine intervention! A superb singer, songwriter, recording artist — she speaks four languages, and now she is my voice teacher!

But I digress — I played her a song from my first Songbook album to see if she liked it enough to translate it into Spanish. It had some Spanish words in the lyrics that were written by Dave Kinnoin (I wrote the melody). She told me the title was not correct Spanish! OMG! She changed it to “Te Quiero a Ti,” translated the lyrics, coached me on every line, created the cover art, sang backup vocals, and made the lyric video!”

In essence, the song is warm, very romantic and has a vulnerable vibe too. The powerful and simple message is – New Love, for everyone!

Taking inspiration from an eclectic array of musical influences including Ella Fitzgerald, big band, folk music from around the world, The Beatles, Laura Nyro, Carole King, James Taylor, Michael Franks, and Phoebe Snow, Marla has made her mark with music that involves different styles and genres.

For 25 years, Marla worked as an elementary school teacher, a role which ignited her passion for writing songs that are both educational and entertaining for children. This led to significant achievements, notably her song “Leap of Faith”, co-written with Nancy Schimmel, which was featured on the Grammy-winning children’s album “All About Bullies … Big and Small” in 2011.

Her dedication to children’s music is also evident in her award winning albums “I Love to Talk to Plants” (2009) and “We All Laugh in the Same Language” (2007). Produced by the renowned Bob Stander, both of these albums have earned prestigious awards such as the Parent’s Choice Gold and NAPPA Gold. Marla’s songs have also received First Prize and Finalist honors in various national and international competitions.

Marla’s career took a new direction with her venture into smooth jazz and American standards; with her first album in this genre, “Songbook”, this was a significant shift and was met with critical acclaim. Produced by two-time Grammy award winning producer / engineer Bob Stander, “Songbook” features 14 original tracks that critics have described as “pure bliss.”

Building on this success, Marla released Songbook Volume 2 (SBV2), which further explores smooth jazz, cabaret, and American standards. This album, also produced by Bob Stander, comprises six original tracks showcasing Marla’s vocal talents alongside an accomplished ensemble: Mike Ricchuiti on piano, Teddy Kumpel on electric guitar, Rob Jost on acoustic bass, Matt Miller on drums, Erik Lawrence on sax, Daniel Sadownick on percussion, and Adam Minkoff and Gabby Scherba on backing vocals influenced by the Manhattan Transfer. The album’s first single, “Enchantée,” has achieved remarkable success, reaching #1 on the World Indie Charts and #2 on the Euro Indie Charts.

Her latest single, “Te Quiero a Ti,” is a fantastic song rich in musical influences as well as vibrant passion. Listen to “Te Quiero a Ti” on Spotify now!

Find out more about Marla Lewis on her Website.

Follow on Facebook, Instagram and Twitter.

Stream music on Spotify, Soundcloud, and YouTube Music.

05.02.24

by Jane Lambert

Lady Charles’ New Single “Bedroom Pop” ft. Zoe Towne is a Captivating Tribute to Indie Spirit

Lady Charles’ latest release, “Bedroom Pop,” featuring Zoe Towne, is a mesmerizing journey into the evocative ambiance of the early 2010s indie music scene.

Channeling the spirit of DIY creativity and the raw intimacy of lo-fi sounds, the song serves as a poignant tribute to an era where artists carved out their own spaces within the musical landscape, often from the comfort of their own bedrooms.

At its core, “Bedroom Pop” weaves a narrative rich in themes of self-discovery, collaboration, and the shadows that lurk beneath the surface of the music industry. Through a lyrical exploration of the protagonist’s journey, Lady Charles confronts the spectre of exploitation and the quest for autonomy in a world where artistic integrity can often be compromised.

The song unfolds like a conversation between friends, each verse and chorus revealing layers of emotional depth and introspection. Zoe Towne’s ethereal vocals provide a captivating counterpoint to Lady Charles’ introspective lyrics, adding an additional dimension to the song.

“I have seen a lot of predatory behaviour aimed at young, talented artists, and I wanted to affirm that if you’re finding yourself disrespected or worse you do not owe anything to these types” says Charles of the lyric.

“I’ve always felt very protective of my artistic friends’ output, and there is little more disheartening than seeing someone’s energy sucked away by the promise of success with a hidden cost. The song isn’t inspired by a particular experience, and that’s partially just because of how unfortunately widespread this is. I have helped bands re-record their demos after producers began to demand dates in return for what was supposed to be free help, I have been kicked out of a band only to find out that a remaining member isolated and verbally abused the other once it was just the two of them. I have seen incredibly talented people absolutely burned out by the ludicrous parasatism of these types.”

Musically, “Bedroom Pop” represents a departure from Lady Charles’ usual style, incorporating a blend of major and minor 7th chords that evoke a sense of harmonic richness and complexity.

The inclusion of saxophone refrains and a soulful guitar solo further enhances the song’s atmospheric allure, transporting listeners to a realm where the boundaries between reality and imagination blur.

“The song differs a bit from my usual writing. I used a lot of major and minor 7th chords and arranged the progression such that adjacent chords share harmonic content but the entire progression doesn’t stay in one key. It’s effectively like how a lot of jazz is composed, and I did it because it has a certain airy, open sound that I associate with dreaminess – a major tendency with bedroom pop music is a certain hazy dreamlike quality and because the track isn’t actually that lo-fi I think it helps evoke that atmosphere well. The chorus is a bit more like a traditional pop chorus, and I think it anchors the flow of the verses well – here the lyric is far more direct and less stream of consciousness. The guitar solo is completely opposite my playing on Manic Pixie Dream World – a clean, gentle melodic line drenched in reverb not unlike what you might find in bedroom and dream pop of the era.”

Drawing from personal experiences and influences ranging from David Bowie to the glam-rock era, Lady Charles infuses “Bedroom Pop” with a sense of authenticity and vulnerability.

With its thought provoking lyrics and captivating dreamy sound, the song leaves a lasting impression and invites listeners to embrace their own unique voice and creative vision.

Listen to “Bedroom Pop” on Spotify now!

Stay current with Lady Charles:

Website / Facebook / Instagram / Spotify / Soundcloud / YouTube Music

02.15.24

by Jane Lambert

Jason Vitelli Transcends Genres with his Mesmerizing “1. Ambient Corridors” Album Release.

Brooklyn-based composer, artist, and instrumentalist Jason Vitelli released his new album “1. Ambient Corridors” earlier this year.

The album serves as an inaugural instrumental collection, a series of projects planned by Vitelli, and highlights a return to his compositional roots. His dedication to exploring nuances of instrumental music comes to the fore here where Vitelli vividly experiments with various music styles and elements.

All 12 tracks on this album show genuine musical skill as well as fine talent in sound design and orchestration, creating an overall impressionistic sound.

Earlier single releases from the album, such as “Exit Love Story” and “Night Falls”, exemplify Vitelli’s ability to craft emotive melodies while experimenting with various musical styles and elements, songs which he coins “vignettes” in that they are short and highly illustrative.

While the ambient genre usually conjures up the idea of a quiet and chilled-out musical backdrop, Vitelli takes the genre and molds it with his unique instrumentation and chamber orchestra, creating a more avant-garde sound that could be likened to 20th-century composer Olivier Messiaen delicately mixed with the experimental rock of Bowie and Kate Bush.

There is a newness, a freshness as well as an ode to the “modern” music style of the past, as Vitelli breathes new life into these pieces.

The piano counterpoint in “Lost and Found” is inspired by Bach, for example, while “The Veil” contains richer textures, deep cello melodies, and rhythmic percussion. “Snazzy Cats” brings together gentle jazz piano and cinematic elements with curious pop-style lines and an overall lounge aesthetic.

All of these tracks on the album captivate the listener with quirky and sometimes surprising sounds, adding to the experience.

“1. Ambient Corridors” is a rich collection of instrumentals that Vitelli has been cultivating for over two decades. These pieces all originated from a variety of multimedia projects, including short films, modern ballet productions, and documentaries. Recognizing the abundance of material he had amassed, Jason decided to categorize them based on mood and release each as a playlist in a series of albums. This is why there is a numerical prefix in the album’s title to signify the plan to reveal more playlists in the future.

Some instrumental vignettes were composed with a plan to match specific video cues, while others were to be transformed into fully developed pieces. While Jason handles most of the recording and sampling himself, additional depth was added with session musicians on viola and cello.

Finally, the mastering expertise of audiophile Barry Diament brings the finishing touches, ensuring a cohesive sound through leveling and subtle EQ adjustments.

Listen to “1. Ambient Corridors” on Spotify.

Stay up to date with Jason Vitelli on his Website and social media Facebook and Instagram.

Stream music on YouTube and Spotify.