VIDEO VOYAGEUR: 3 Q’s with JASON SINAY

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Jason Sinay is a name that carries weight in the music world, not just for his collaborations with icons like Keith Richards, Neil Young, and Lucinda Williams, but for his long-standing role as a member of Heartbreaker Mike Campbell’s band, the Dirty Knobs.

Now, stepping into the spotlight with his solo career, Sinay is carving a new path defined by raw masterful and original songwriting, and a deep connection to his musical roots.

At the heart of this next chapter is “High Plains Drifter,” the lead single from his upcoming double album, “The Mountain due to be released at the beginning of 2025.

Inspired by Clint Eastwood’s iconic Western of the same name, the song blends cosmic country-rock with introspective storytelling, painting a vivid picture of self-reckoning. Its jangly guitars and atmospheric grooves capture the timeless spirit of the Old West while reflecting Sinay’s personal journey of confronting inner demons and embracing the complexity of human nature.

In this exclusive interview, Sinay opens up about the inspiration behind the official music video to “High Plains Drifter”:

1. Tell us the story of this song. Why did you choose to visualize this song specifically in this way? 

High Plains Drifter” centers on an ominous character — “Born to be a liar/ Born to be a liar/ Like me” — who turns out to be the man in the mirror. 

The song is about coming to terms with my own sense of good and evil within myself. I never wanted to look at evil in my life. I always was like, That doesn’t exist. That can’t be true. People aren’t that bad.

And then I realized, Well, sometimes, I’m not that bad.

The song is named after Clint Eastwood’s 1973 Western High Plains Drifter — one of my favorite films ever made!

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

We approached legendary music video director Woody Ford, who brings fun and compelling imagery to his work. We all are fans of the silent Western/Comedy films of the early 1900’s and thought those masterpiece’s could be a great resource to tell the story of the onimous characters of the old West, outlined in the song. I am thrilled with the results.

3. What was the process of making this video? 

Woody and his team spent over 40 hours viewing classic silent films, most over 100 years old, that he could repurpose to bring the storyline to life. I was blown away with the wealth of great footage they uncovered.

It was amazing how Woody used the lyrics, throughout the video, and kept the integrity of these classic films by making the video in the style of a silent film. He did use some modern AI technology, to incorporate me as one of the characters in the video … see if you can locate my cameo?

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Keep up to date with Jason Sinay on his Website. 

Stream music on Spotify and YouTube.

Faint Halos Shines Bright in New Album Release “I can see a million lights”

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Faint Halos latest offering, I can see a million lights“, marks a transformative chapter for singer-songwriter and multi-instrumentalist Paul Hashemi.

This album is a striking blend of folk, rock, and experimental sounds, which also maintains a deeply personal narrative throughout all of its ten tracks.

Opening with “The Miracle Comes,” listeners are greeted with an uplifting vibe straight away. Hashemi’s voice shine against a backdrop of rhythmic drumming and bright instrumentation, setting a hopeful tone that carries through the album.

In contrast, “Last Scenes of the Resistance” explores darker themes of sacrifice and the weight of leaving loved ones behind for a cause. Hashemi narrates the story of a resistance fighter, reminding us of the personal stakes involved in the fight for freedom. The lyrical depth here manages to show how Hashemi brings intricate, poignant stories into his music.

One of the standout tracks, “Something To Lose,” re-imagines a previous rock hit as a delicate acoustic piece.

Stripped away of its original electric energy, the song allows the raw vulnerability to take center stage, particularly in the tender harmonies with Paul Hashemi’s daughter, Cate. Their collaboration adds an intimate layer, transforming it into an exploration of familial bonds and shared experiences.

The use of unconventional instruments, like a re-purposed sofa as a kick drum, shows Hashemi’s creativity and ability to find artistry in the everyday.

“Skyline Hill” is another highlight that captures the essence of nostalgia with its minimalist guitar work and evocative lyrics. Hashemi paints a vivid picture of Philadelphia. The delicate eBow guitar lines create an atmosphere that evokes a warm summer night, while the sparse arrangement allows the listener to immerse themselves in the emotional landscape. Here, Hashemi explores themes of belonging and the transient nature of life, emphasizing how our sense of home is shaped by both the familiar as well as more fleeting moments.

The energy shifts dramatically with “Disaster,” where gentle guitar arpeggios gradually build into an emotional crescendo. This track reflects internal conflict, with Hashemi’s unfiltered delivery bringing raw honesty to lines like, “I’m losing grip, it’s getting hard to stay intact.”

The juxtaposition of softness and intensity shows his remarkable ability to convey the complexities of human emotion.

Another reflective moment arrives in “Wasted on Youth,” a ballad that poignantly captures the bittersweet passage of time. The soaring chorus intertwines themes of regret with hope, embodying the struggle of reconciling youthful choices with the wisdom gained over the years. This theme of looking back while moving forward threads throughout the album.

Paul says about the album:

“I can see a million lights” (encapsulates one of its) major themes – reflection on choices made, promises kept, and promises broken in life. For Gen Xers like me, one of the most important values has always been authenticity. Our society today makes it harder than ever to stay authentic, and I think for anybody, as you get older you look back and see things you could have done differently, things that might have been.”

“I can see a million lights” is a beautifully crafted album that feels both intimate and expansive. Hashemi’s innovative approach to instrumentation, combined with emotive lyrics and storytelling, makes it a rewarding listen.

And with more than 100,000 Spotify streams of the singles combined from this album, “I can see a million lights” is sure to be a standout release of 2024 in music.

Keep up to date with Faint Halos:

Website / Facebook / Instagram / Spotify / Soundcloud YouTube Music

Real Stories, Real Songs in George Collins’s Latest EP “Songs for Grown Ups”

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George Collins’s EPSongs for Grown-ups is a wonderful exploration of adulthood all wrapped up in the comforting embrace of Americana rock.

This EP, which includes six previously released singles along with a new and exclusive bonus track, offers a profound reflection on the themes of family, love, aging, and gratitude, all delivered through Collins’s signature warm and inviting sound.

The EP opens with the vibrant “I Got What I Got,” a feel-good anthem that encourages listeners to appreciate life’s blessings.

This song has an upbeat tempo and a melody that creates an instant connection, setting a positive tone for the journey ahead.

Following this, “Where Have I Been All Your Life” displays Collins’s introspective songwriting at its finest, balancing the competing demands of personal passions and family obligations – a relatable sentiment for many especially in the busy world of today.

One of the standout moments in the collection is “My Wish For You.” This song is a touching tribute to Collins’s daughter that took almost a decade to craft. This song encapsulates the hopes and dreams every parent holds for their child, that each parent wants the absolute best for their child and this shows true sincerity and love.

“Stop the Sun” is a more contemplative reminder of life’s fleeting nature, skilfully bringing together themes of time and existence into its storyline. This is a track that invites the listener to pause and reflect, and it really adds a lot of depth to the overall message of the EP.

As the journey comes to a close with “Saving the Best for Last,” listeners are treated to a saxophone-infused melody that has a contemporary flair.

What makes “Songs for Grown-ups” particularly remarkable is Collins’s ability to tackle complex themes without becoming overly serious. Instead, he creates an experience that is both introspective and celebratory and invites the listener to revel in the joy and wisdom that comes with maturity.

Overall, George Collins’s Songs for Grown-ups is a delightful addition to the Americana rock landscape.

It shows an artist who has embraced life’s myriad of experiences, as well as looking back at all of the crossroads and paths that took one to where they are, today. Through catchy hooks and thoughtful storytelling, Collins delivers a collection that will relate for anyone navigating the ups and downs of adulthood.

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Originally from Washington D.C. and currently based in Prague, George Collins blends elements of Americana rock with the introspection of blues and soul. His music nods to iconic artists such as The Beatles, Elvis Costello, Dire Straits, Tom Petty, Otis Redding, as well as James Brown.

Collins is also an experienced writer, having penned two novels, a screenplay, as well as numerous short stories and poems. His artistic journey reflects a deep commitment to authenticity, making him a unique voice in today’s music scene.

Connect with George Collins here:

Website // Facebook // Instagram // Spotify

Gretta Ziller’s Latest Release “Hell’s Half Acre” is Brought Back to Life with a Modern Twist

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Singer songwriter Gretta Ziller’s re-imagining of her decade-old track, “Hell’s Half Acre,” breathes new life into the song with a sense of maturity and emotional depth.

First released on her debut EP, this song has always held a special place in Gretta’s heart, as it marked the beginning of her journey into the music industry. 10 years later, she revisits the song with a fresh perspective.

The track tells the story of leaving a toxic relationship – a tale of realizing that the rebellious allure of someone who seemed exciting at first was damaging. The lyrics evoke a sense of regret and resolve, with lines like “You’re a wild horse running, but I can’t keep up anymore,” echoing the feeling of moving on from something that no longer serves you.

Gretta’s voice is earthy and full of heart, carrying the weight of the song’s message with an acoustic driven Americana sound. Reflecting on her decision to bring this song back, Gretta says:

“I didn’t get to make a video for the original recording, so this time I wanted to create something that hinted at the story but also allowed the listener to connect emotionally.”

The video to accompany the single is filmed in a DIY style by Gretta and her partner. It captures a raw, organic feel that complements the song’s themes of escape and self-discovery. Shot on the west side of Melbourne with landscapes and shrines providing the backdrop, the visuals contain both a physical and emotional journey.

“I wanted layered visuals to suggest the feeling of leaving, without being too literal. I want people to fill in the blanks and connect with the story in their own way.”

This new rendition of “Hell’s Half Acre” re-visits and re-shapes the song and offers listeners a powerful reflection on how much can change in ten years. With this re-release, Gretta Ziller proves that some songs, like the emotions they capture, are timeless.

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About Gretta Ziller

Gretta Ziller is no stranger to blending genres in her music. She often incorporates elements of country, rock, pop, and blues into her unique brand of Americana.

The Melbourne-based singer-songwriter has made a name for herself with her powerful vocals and thoughtful lyrics, earning praise for her ability to convey raw emotion and authenticity in every performance.

Ziller has a background that includes training in classical music. But it’s her exploration of Americana that has brought her widespread acclaim.

“I wanted to push the boundaries of what Americana could be, mixing in all the styles that have influenced me over the years.”

With the re-release of “Hell’s Half Acre” Gretta Ziller proves that some songs, like the emotions that they capture, are timeless.


Stay up to date with Gretta Ziller on her WebsiteFacebook and Instagram.

Stream music on Spotify, Apple Music and YouTube Music.

VIDEO VOYAGEUR: 3 Q’S WITH KRISTEN RAE BOWDEN

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Kristen Rae Bowden is a singer-songwriter with deep musical roots, hailing from Boone, North Carolina.

Growing up in a family of musicians, Kristen developed a keen ear for harmony at an early age and taught herself to play piano before expanding her skills to include classical flute and earning a BFA in acting and musical theater from Elon University.

Since releasing her debut album in 2019, she has become known for her storytelling and music that blends folk influences with pop and Americana. Her music reflects a balance between vulnerability and strength, turning personal experiences into cathartic, universally relatable songs.

Her latest single, “Skateboard,” captures the exhilarating rush of young love, likening its emotional highs to the thrill of skateboarding.

With lyrics inspired by her own memories and co-written with Joe Lawlor (Dave Matthews Band), Kristen continues to create music that resonates deeply with listeners. In this interview, Kristen shares the story behind the music video to “Skateboard,” offering insights into her creative process and the visual storytelling that brings the song to life.

Watch the music video here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Skateboard” is a song about the breathless exhilaration of young love in the newfound freedom of college. 

When I was 18 there was a time when I was still with my high school boyfriend, in a long-distance relationship as he’d gone to a different school. He was a skateboarder. (I definitely was not!) We would visit each other on weekends. It was early September, the weather was still very hot in that “dog days of summer” stagnant way, and I remember waiting until late at night for him to arrive, with heavy anticipation. When he did, we’d go out skateboarding together around the lamp-lit streets and brick paths of the campus, enjoying the cooling breeze of movement as the heat radiated off the pavement, still hot from the sun of the day. We’d stop at various parties, sometimes a home-made half pipe in a parking lot, and drink beer or a PJ concoction out of red solo cups. (I could only pretend to skateboard after I’d lost some of my inhibitions.) We were in love and on our own for the very first time. That feeling of freedom and youthful elation is what inspired the lyrics for this song.

Even though this specific experience of mine is what inspired the lyrics, the song is really about the semi-universal experience of that feeling… the rollercoaster high of young love. Skateboarding is a great metaphor for that thrill.

So I chose to visualize the song with all sorts of different young couples, and skateboarders catching air.

My hope is that all sorts of folks can see something in the visuals that resonates with their own experience of being young and unsupervised and in love.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

Instead of telling a narrative story with this video, I wanted the visuals to impart a feeling of euphoria and exhilaration. What could be more exhilarating than flying through the air (or falling in love for the first time)?

Also, this is a lyric video, so I had the opportunity to use different text styles and animation as a visual expression of what I’m singing. 

The verse lyrics, “If you knew me once / then you know me still / Would you still recognize me?” are quiet and intimate, and sung from the present day as I’m looking back and remembering. I chose a cursive script and gave it a glow effect, as if I’m writing an imaginary letter to all my former lovers.

In contrast, the chorus vocal is soaring and expansive: “Feeling so high / when you’re driving all night / to my front door.” This is me living in the memory of that euphoria, so I chose an expansive outline font and made it transparent, so the skateboarders could fly through the lyrics, and the viewers’ eyes can take it all in at once.

Animating the chorus lyrics was really fun… I love how they give you a sense of the rhythmic patterns.

3. What was the process of making the video?

I made this video myself on my iPad. First I chose stock footage and licensed it… which is really fun, making a giant folder of footage that might work to tell the story and capture the vibe, and then going lyric by lyric deciding what works best. This song really lent itself to that… I basically ended up with a folder of badass skateboarding footage! 

Then I used an app called Videoleap to combine and edit… it’s really geared more towards vertical TikTok videos and such, but I found that I could use it to do everything I was picturing in my head. I enjoy using the touch screen of my ipad for a lot of it, as opposed to a mouse. When I animated the lyrics I was literally dragging them with my fingers to wherever I wanted them to go. Something about this makes the process more fun and engaging to me.

When you don’t have the budget to do a big original video production, these are great options for expressing yourself and using your own creativity to expand on your art as an independent musician. I’m so grateful to all the artists out there who captured this footage and made it available to license! And the editing tools these days have almost no learning curve… anybody can get creative with them.

Cheers to that!

Connect with Kristen Rae Bowden:

Website // Instagram // Facebook // Twitter // YouTube // Spotify // Soundcloud

Jason Sinay Steps Into the Spotlight with “Play It Alone”

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Jason Sinay’s most recent single, “Play It Alone,” marks an exciting shift in his career. 

After parting ways with The Dirty Knobs, Sinay has poured his energy into a solo project that promises to be both deeply personal and musically rich. This new track is the second single from his upcoming double album “The Mountain”.

“Play It Alone” is a compelling blend of heartland rock and introspective lyricism. Sinay’s guitar work is as sharp as ever, but it’s his vulnerable vocals that take the stage. The song’s steady beat and rich instrumentation create a warm backdrop for Sinay’s message about finding independence and navigating life’s rough patches. 

The chorus hits a universal note with lines like “some things you can’t fight but it’s all right… everybody’s got to play alone” to capture the essence of what it is to move on.

The song’s arrangement is both simple and effective. Sinay’s guitar work is a central element, but it’s the way it intertwines with Phil Parlapiano’s contributions on keys, mandolin, and harmonica along with the steady rhythm section featuring Lance Morrison on bass and Matt Laug on drums, that creates such a rich, textured sound. 

This blend of instrumentation provides a warm, engaging backdrop for Sinay’s introspective lyrics.

In discussing his work on The Mountain, Sinay reflects on a period of intense self-examination and creativity:

“I hit a breaking point on the road,” he admits, highlighting the challenges he faced after his departure from the Dirty Knobs. 

This difficult period prompted him to revisit old material and explore new ideas, ultimately leading to the creation of what he considers the most important solo record of his career. 

With the help of producer Martin Pradler, known for his work with Ry Cooder and John Mayer, Sinay has written a song that will resonate his audience with a level of authenticity that is rare in music today: 

“I needed to go and play alone and do my own thing, and have my own journey,” Sinay says. “It’s about leaving a situation unapologetically, but still saying, “Sorry you feel that way. I get it.”

“I’ve been very blessed in my life. I’ve been so fortunate. And there’s so much need in the world right now. Like, more than ever. It’s just beyond belief. I just want people to enjoy the music, and I really, really want to get out there and play this music for people. Because ultimately playing live is where I shine. That’s my favorite medium.”

“Play It Alone” is a sign of Sinay’s evolving solo career. His transition from celebrated guitarist to a standout solo artist together with a talent for creating rich, textured music makes this a stand out track. 

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Los Angeles-based, Sinay has performed with legends like Keith Richards, Neil Young, and Jackson Browne. He’s best known for his 15-year tenure with Mike Campbell’s band, the Dirty Knobs, but has now embraced his solo career with The Mountain, a double album produced by Martin Pradler.

The first disc features a full band, while the second is a stripped-down acoustic version of the same songs.

Inspired by Led Zeppelin, Sinay began playing guitar at age nine and has since gigged with iconic musicians throughout his career. After leaving the Dirty Knobs in 2022, Sinay focused on The Mountain, which he considers his most important solo record. He’s eager to return to the stage and is planning to donate the album’s proceeds to charity.

Keep up to date with Jason Sinay on his Website.

Stream music on Spotify and YouTube.