Jason Vitelli Transcends Genres with his Mesmerizing “1. Ambient Corridors” Album Release.

Brooklyn-based composer, artist, and instrumentalist Jason Vitelli released his new album “1. Ambient Corridors” earlier this year. 

The album serves as an inaugural instrumental collection, a series of projects planned by Vitelli, and highlights a return to his compositional roots. His dedication to exploring nuances of instrumental music comes to the fore here where Vitelli vividly experiments with various music styles and elements. 

All 12 tracks on this album show genuine musical skill as well as fine talent in sound design and orchestration, creating an overall impressionistic sound. 

Earlier single releases from the album, such as “Exit Love Story” and “Night Falls”, exemplify Vitelli’s ability to craft emotive melodies while experimenting with various musical styles and elements, songs which he coins “vignettes” in that they are short and highly illustrative. 

While the ambient genre usually conjures up the idea of a quiet and chilled-out musical backdrop, Vitelli takes the genre and molds it with his unique instrumentation and chamber orchestra, creating a more avant-garde sound that could be likened to 20th-century composer Olivier Messiaen delicately mixed with the experimental rock of Bowie and Kate Bush. 

There is a newness, a freshness as well as an ode to the “modern” music style of the past, as Vitelli breathes new life into these pieces. 

The piano counterpoint in “Lost and Found” is inspired by Bach, for example, while “The Veil” contains richer textures, deep cello melodies, and rhythmic percussion. “Snazzy Cats” brings together gentle jazz piano and cinematic elements with curious pop-style lines and an overall lounge aesthetic. 

All of these tracks on the album captivate the listener with quirky and sometimes surprising sounds, adding to the experience. 

“1. Ambient Corridors” is a rich collection of instrumentals that Vitelli has been cultivating for over two decades. These pieces all originated from a variety of multimedia projects, including short films, modern ballet productions, and documentaries. Recognizing the abundance of material he had amassed, Jason decided to categorize them based on mood and release each as a playlist in a series of albums. This is why there is a numerical prefix in the album’s title to signify the plan to reveal more playlists in the future. 

Some instrumental vignettes were composed with a plan to match specific video cues, while others were to be transformed into fully developed pieces. While Jason handles most of the recording and sampling himself, additional depth was added with session musicians on viola and cello. 

Finally, the mastering expertise of audiophile Barry Diament brings the finishing touches, ensuring a cohesive sound through leveling and subtle EQ adjustments. 

Listen to “1. Ambient Corridors” on Spotify

Stay up to date with Jason Vitelli on his Website and social media Facebook and Instagram.

Stream music on YouTube and Spotify.

San Francisco’s Beloved Crooner Russ Lorenson Dives into the Holidays with the Release of “Standard Time: Live in New York.”

Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”

Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.

A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.

Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”

“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.

Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.

“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.

“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.

Reflecting on the album, Lorenson remarks:

“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”

Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.

Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.

“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”

Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.

Listen to “Standard Time: Live in New York” on Spotify.

Stay current with Russ Lorenson on his website, and follow him on Facebook and Instagram.

Subscribe to his official YouTube channel to watch the latest videos.

Download and stream his music on Spotify, Apple Music and YouTube music.

About Russ Lorenson

Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.

Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”

Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”

Musique Noire Connects with The Younger Musical Generation in their Album ‘intergenerational’

Musique Noire is the Detroit based all female jazz fusion group. Members Michelle May (violinist and flutist), Leslie Deshazor (violist), JoVia Armstrong (percussionist), and Leah Lucas (violist and violinist), are all accomplished musicians who have performed with high-profile artists such as Stevie Wonder, KEM, and Aretha Franklin. The group’s name reflects their interest in jazz and world music, and their music is informed by the culture of Black people.

Musique Noire’s latest album, intergenerational, showcases the band’s signature jazz and world music fusion sound with a unique twist. The album is a collaboration with three talented up-and-coming musicians, who were asked to write based on their experiences as women or from a woman they admired. The result is an eclectic mix of tracks, each with its own story to tell.

Intergenerational opens with Leslie’s arrangement of the traditional spiritual “Motherless Child,” which incorporates African-style rhythms. Leah’s original composition, “Kaleidoscope,” is a beautifully crafted jazz tune, written by her husband John, who is a pianist, drummer, and composer. JoVia’s contribution, “Nirvana – Feast or Famine,” features lyricist Mahogany Jones and explores themes of Afro-futurism. Michelle’s “Cuban Sunset (Arterdercer Cubano)” is an entirely improvised tune that showcases her violin and flute playing skills.

The impressive collection of tracks reveals the unique talents of Musique Noire and their collaborators. The band believes in leaving a legacy and wanted to have a unique way to reach out to a younger generation.

The album’s sophisticated sound and unique arrangements of world, jazz, soul, and R&B traditions make it a must-listen. With a nomination for a 2023 Detroit Music Award for Outstanding World Recording, Musique Noire continues to prove that they are a force to be reckoned with.

Connect with Musique Noire via:

Website / Instagram / Facebook / YouTube / Spotify / Soundcloud

Josiah Mann Releases Debut Album ‘Grace’

Josiah Mann
Ford Photographs – Nashville Architectural Photographer

Josiah Mann’s debut album, Grace, is an indie pop and adult contemporary concept album that tells a love story from beginning to end. The album has been in the making for 15 years, and it shows in the carefully crafted songs and emotional journey portrayed through the music.

From the upbeat and passionate “Angel” to the heartbreaking “Rainy Day,” Josiah Mann’s vocals and piano work capture the emotional depth of the protagonist’s journey. The sound is reminiscent of Snow Patrol and John Mayer, blending electric guitar and piano riffs with driving percussion and soulful lyrics.

What sets Grace apart is the accompanying mini-film consisting of 10 music videos that bring the album’s narrative to life. Each video corresponds to a track on the album, showcasing the highs and lows of the relationship as well as the protagonist’s emotional journey.

The album’s story has a happy ending, with Josiah Mann himself having found love and support for his artistic goals. “This has never been about getting famous, it’s been about translating and expressing what is in my heart in the sincerest way I can,” he says.

Grace is a well-crafted album that takes the listener on a journey of love, heartbreak, and self-discovery. It’s a promising debut for Josiah Mann, and one that is sure to resonate with fans of indie pop and adult contemporary music.

Connect with Josiah Mann

Website / Instagram / Facebook / YouTube / TikTok / Spotify / Soundcloud

Veteran Hong Kong Singer Songwriter, Music Producer, and  TV Presenter Chet Lam Shares His Newest Storied Album

Storyteller Chet Lam spent his childhood in Hong Kong’s gritty, inner city housing complexes with very little resources. As a gay kid growing up in a humble environment while trying to figure out where he fit in, he found solace in the poignant and poetic outlaw and brokenhearted narratives of 1970s Americana and country artists.

Chet also saw in USA roots music similarities with Chinese pop, as both brimmed with strong melodies, sensitive stories, and careful attention to lyrical detail. Now, after becoming a highly-respected artist in the Asian market, Chet hopes to bring a heartfelt fusion of East-West pop sensibilities to the Western Hemisphere.

“From a young age, I knew I was different, and it felt like music was a way out. Songs by Leonard Cohen, Joni Mitchell, and Emmylou Harris were my escape and my education,” the globally-based artist says. “I noticed their theme of thriving in the face of hardships to also be very present in Chinese pop music.”

The globally renowned Asian pop and folk singer/songwriter recently released his newest folk pop album Back to the Stars Again, inspired by the world renowned and deeply loved classic book The Little Prince. The book turned 76 years old in 2022 and has been published in 250 languages. To this day, it remains poignant as it tells the story of a young prince who comes to multiple planets throughout the universe including earth and it touches on themes of love, loss, loneliness and friendship.

“I was always fascinated by the simplicity and the depth of this French classic,” says Chet. “I wrote these songs from the perspective of each character. The Little Prince is a romantic, of course, The Fox is simply a drama queen, The Rose is spoiled, The Ghosts are actually everyday people, The Snake is innocent… all characters coming together will be a life lived to the fullest.”

His unique and signature sense of storytelling draws from Leonard Cohen and Joni Mitchell, but it’s also quite similar to James Taylor or Simon and Garfunkel, the latter can also be heard in his voice. He blends folk tradition with pop ideas of synthetic sounds and tones to create a sense of aethereal space and airy melodies. He beautifully tells the story from different perspectives which provides a fresh take on the classic.

Connect with Chet Lam

Website / Instagram / Facebook / YouTube / Spotify / Soundcloud

The Dorons Share Their New Alternative Rock Album, ‘The Doronic Verses’

The 4 piece Providence, Rhode Island-based alternative rock band The Dorons, have just released their debut contemporary rock album, The Doronic Verses.

The Rosenfield family makes up The Dorons, features mom Janice on drums, dad Norman on lead guitar, older brother Aryeh on bass, and younger brother Yosef on lead vocals and guitar. The band came together back in 2017 when Aryeh, then a music major in college, had a senior recital and decided to recruit his family to play with him for the occasion. Mom and dad had retired as performing musicians, previously vets of the ’80s and ’90s Boston alt-rock scene. 

The music of the Dorons evokes contemporary folk-rock, singer-songwriter, and alt-rock styles with searing lead guitar playing, impassioned vocals, sage and sensitive lyrics, earworm hooks, and a stirring acoustic-rock foundation. Their songs also contain nuanced rhythm section interplay. The band’s evocative name is fascinatingly layered. It references the Doors and the bittersweet minor scale, the Dorian mode, plus it hilariously rhymes with “morons.” Additionally, the word “dor” in Hebrew means “generation,” which speaks to the multigenerational nature of the band.

The Doronic Verses is a tight 11-song album of carefully crafted contemporary rock, shaded with singer-songwriter intimacy, country flourishes, and blues-rock urgency. The acoustic-rocker song “This New Poison” is a freshly penned original written by Yosef and Janice, and it boasts a Greta Van Fleet-esque swagger, replete with smoldering bluesy lead guitar. The catchy pop rock tune “Not the Usual Fare” features acoustic guitar layered with chiming electric guitar, along with overlapping “call-and-response” backing vocals. “I wrote that song years ago about my brother, who was autistic, during a time when society and the medical profession didn’t understand the condition. He was a beautiful soul and loved music, and he ended up being institutionalized,” Janice says.

Connect with The Dorons via:

Website / Instagram / Facebook / Twitter / YouTube / Spotify