Stephen Jaymes and the Tantrum at the End of the World

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Stephen Jaymes has a knack for tapping into the creeping, existential dread of modern life and turning it into something you can sing along to.

His new single, “Baby Can’t Be Helped” is no exception – part folk-punk catharsis, part psychological diagnosis, and entirely too relevant for comfort. It’s the kind of song that makes you laugh a little at how doomed we all are before hitting you with the realization that, actually, we might not be.

At the heart of the track is Baby, the part of the human brain that just flat-out refuses to accept help, no matter how obvious, simple or necessary that help may be.

Baby clings to suffering with a white-knuckled grip, resenting the mere suggestion that things could improve. And in 2025, with the world teetering on the edge of what feels like irreversible collapse, it’s hard to shake the feeling that Baby isn’t just some rogue impulse in our own heads. It’s in charge of everything.

Jaymes, ever the sharp observer, delivers this message with a mix of deadpan humor and real frustration.

The song opens with a heavy and brooding guitar progression, played just softly enough to feel unsettling. When his vocals come in, he is almost talking at first, calm and measured, like a doctor trying to explain a difficult diagnosis. And then the chorus hits with its rolling, bluesy ascension.

And then there is the realiseation that, of course, Baby can’t be helped.

It’s an addictive cycle, both musically and thematically – building toward clarity, then crumbling under the weight of that same old resistance.

The structure of the song mirrors exactly what it’s describing – the fight to reason with a world that refuses to be reasoned with. It’s maddening, it’s darkly funny, and, it’s deeply relatable.

But there’s something else happening here, too. Jaymes isn’t just throwing his hands up in despair. This track is part of his larger message entitle “#VISION2025” – a call to recognize those forces keeping us locked in this endless tantrum, and to actually do something about it. It’s a reminder that before we can change the world, we have to confront that part of ourselves that refuses to change.

And the funny thing is that we all know Baby. We have seen it in people we love, in people we can’t stand, and in ourselces. Maybe if we start recognising when Baby is pulling the strings, we can finally start taking the rattle away.

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Album Review: Weekend – “Sports”

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It’s not too often that the word “subtle” can be used when describing a noise rock band, but “subtle” is exactly what went through my head while listening to Weekend’s Slumberland debut-LP, Sports. The San Francisco trio is quickly gaining popularity, after a year of touring with such bands as Japandroids and A Place To Bury Strangers. The ten song collection of Sports excels in finding nuance within their wall of sound. Although all of the typical elements of noise rock are present—reverb guitars, droning vocals, hammering percussion, and washes of ambient and static sound—Weekend chooses not to use all of these elements continuously.

“Coma Summer” and “Youth Haunts” open the album with the kind of frenetic energy Weekend is gaining notoriety for in their live act, throwing rhythm and guitars at the listener in a frenetic, although not completely aggressive way. Creating this maelstrom of sound over two tracks gives Weekend the room to back off on the volume later on, and become more introspective and lyrical in the middle of the disc. “Monday Morning” is emblematic of exactly what the title states; a slower guitar beat combines with layers of vocals, making a dark snapshot of a grey start to the work week—full of longing (or even regret) for the lost reverie of the weekend. And although snippets of lyrics can be heard in tracks like “Age Class,” where lead singer Shaun Darkin repeatedly sobs “There’s something in our blood,” Sports is not an album that propels its personal message through words. Atmosphere is the main language of the music at hand, and Weekend takes you through incredibly fluid changes in texture throughout the album, making the music feel like a mix of both a summer trip to the beach and the soundtrack of your worst nightmare. The music is both insular and exposed, and all kinds of beautiful.

Many critics are making the obvious comparisons between Weekend and other post-punk outfits: My Bloody Valentine, Joy Division, Sonic Youth, and The Jesus & Mary Chain. Despite having very credible similarities, I couldn’t help thinking of more recent influences, like Liars’ self-titled album, and the earliest work of Sigur Rós, Von, while listening to Sports. These groups, like Weekend, craft music of sweeping crescendo and silences that coax the ear, rather than beating it into submission. Their diversity of sound ultimately makes for a more haunting and satisfying work. At best, Weekend are helping to pave the way to producing craftier and more nuanced versions of the popular post-punk sound, and at worst, they have just made a really, really good album.

Weekend Out On The Road

San Francisco- based shoegazin’ trio, Weekend have been described as a band that takes the aggression of punk and filters it through a wall of reverb.

Favorably compared to bands such as No Age, Sonic Youth and Skullflower, the band has already released two sold-out EPs. The band has finished work on their first full length, Sports which is set to be released this upcoming Tuesday,November 9.

Weekend has also released a video from their upcoming album. You can check out “Monday Morning/Monongah, WV” below.

http://pitchfork-cdn.s3.amazonaws.com/player/DelveMoviePlayer.swf

The band has also announced that they will be taking their up-tempo yet haunting tunes out to the masses. The group will tour with the Pains of Being Pure at Heart and Young Prisms.

***Tour Dates***

11.09: San Francisco, CA – The Independent
11.10: Santa Barbra, CA – SoHo
11.11: San Diego, CA – The Loft UCSD
11.12: Los Angeles, CA – Echoplex
11.14: Denver, CO – Larimer Lounge
11.15: Lawrence, KS – Replay Lounge
11.17: Chicago, IL – Subterranean
11.18: Grand Rapids, MI – Founders Brewery
11.19: Detroit, MI – The Contemporary Art
11.20: Pittsburgh, PA – Most Wanted Fine Art
11.21: Brooklyn, NY – Glasslands
11.22: Allston, MA – O’Brien’s Pub
11:23: Milford, CT – Daniel Street
11.26: Philadelphia, PA – Johnny Brenda’s
11:27: New York, NY – Cake Shop