George Collins Pushes Forward with Electrified Grit on “New Way”

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George Collins doesn’t just wear his influences on his sleeve. He very much channels them like a man with something urgent to get off his chest.

His new single “New Way” is a blistering, hook-heavy declaration of discontent and renewal. It opens with a fuzz-drenched guitar riff that’s instantly memorable.

Collins, who is a Washington D.C. born, Prague-based singer-songwriter with an unconventional path to music, knows how to get to the point. And in “New Way” the point is clear. Essentially, the world is a mess both culturally, politically, spiritually, and the time to shake things up has arrived.

It’s time for a new way – ’cause I know that something’s wrong

It’s time for a new way – it’s been going on too long

Tired of waiting. No more hesitating. Future’s unwritten – not set in stone.

What gives the track its bite though is not so much the urgency of its message, but the way it blends grit with melody. Anchored with tight drums and layered vocals that recall the energy of an early Costello, the tension of “The Rising” era Springsteen, and the swing for the rafters bravado of classic Stones. But it is all filtered through Collins’ own lens – that of a man who has spent decades in high finance before returning to music with a fresh dynamic and perspective and zero interest in any pretense.

Collins says:

The tune was indirectly inspired by Stanley Kubrick’s classic dystopian film, “A Clockwork Orange.”

Early in the movie, Georgie (no relation!) attempts to wrest control of the ultra-violent gang of Droogs led by Alex (played by Malcolm MacDowell), telling him repeatedly that “It’s part of the new way.”

This line has always stuck with me, and ever since my student days, whenever I decided it was time to turn over a new leaf and start afresh, I would tell myself (in my best Droogie accent), “It’s part of the new way!”

With this phrase in mind, I set out to write the song last year, based on my views of the current scene and a killer guitar riff that had been kicking around in my head for years.  

The song starts out dark and uncertain but finishes on an optimistic and hopeful note with a positive message I hope will resonate far and wide.

Lyrically, “New Way” doesn’t overreach with metaphors — instead, it speaks plainly and directly, like a letter from someone who’s been watching the chaos unfold for years and is finally ready to shout over the noise. There’s frustration, yes, but also a glimmer of optimism and a belief that change is still possible if we’re willing to meet it halfway.

One of the more intriguing inspirations behind the song comes from Stanley Kubrick’s 1970’s film “A Clockwork Orange“. Musically and thematically, “New Way” does indeed set the tone for Collins’s upcoming album entitled “New Ways of Getting Old”, a collection which he has described as his very own attempt at a sprawling, genre spanning work à la Revolver or The White Album.

And “New Way” also proves that you do not need to be young to raise your voice – you just need to have something to say. Lucky for us, George Collins has that in very good measure.

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Keep up with George Collins Band on his Website

Finding Movement in the Stillness in Stephen Jaymes’s Latest Single “Stranded”

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Stephen Jaymes returns with a brand new single out called “Stranded.”

In this single Jaymes turns the everyday experience of feeling stuck into a song for real reflection. As he is known for his poeticism and folk punk sensibilities, Jaymes once again delivers a song that captures the universal tension of being ready to move forward but held in place.

Listen in here:

The song opens with a delicate glockenspiel. As layers of acoustic and electric instrumentation build, a driving rhythm emerges, which mirrors the restless energy that inspires the song. J

Jaymes’s unmistakable voice anchors the track, as he captures a sense of vulnerability and determination. The vocal delivery makes the listener feel as though they are sharing a collective moment of realization.

But it’s the lyrics that are so striking; “Stranded” is packed with clever observations and truths with Jaymes able to turn stagnation into something touching as he explores the act of waiting not as wasted time but as an opportunity to find meaning.

While the mood feels overall light hearted on the surface, there is a lingering depth and a reminder of the strange beauty in life’s pauses. The track doesn’t offer easy solutions of empty optimism, yet it does acknowledge the frustration while urging the listener to embrace the rhythm of running in place.

“Stranded” feels more like a conversation, a shared laugh, and a comforting hand on the shoulder. A reminder perhaps that the act of staying still can be its own kind of progress.

Keep up with Stephen Jaymes on his Website.

Faint Halos Shines Bright in New Album Release “I can see a million lights”

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Faint Halos latest offering, I can see a million lights“, marks a transformative chapter for singer-songwriter and multi-instrumentalist Paul Hashemi.

This album is a striking blend of folk, rock, and experimental sounds, which also maintains a deeply personal narrative throughout all of its ten tracks.

Opening with “The Miracle Comes,” listeners are greeted with an uplifting vibe straight away. Hashemi’s voice shine against a backdrop of rhythmic drumming and bright instrumentation, setting a hopeful tone that carries through the album.

In contrast, “Last Scenes of the Resistance” explores darker themes of sacrifice and the weight of leaving loved ones behind for a cause. Hashemi narrates the story of a resistance fighter, reminding us of the personal stakes involved in the fight for freedom. The lyrical depth here manages to show how Hashemi brings intricate, poignant stories into his music.

One of the standout tracks, “Something To Lose,” re-imagines a previous rock hit as a delicate acoustic piece.

Stripped away of its original electric energy, the song allows the raw vulnerability to take center stage, particularly in the tender harmonies with Paul Hashemi’s daughter, Cate. Their collaboration adds an intimate layer, transforming it into an exploration of familial bonds and shared experiences.

The use of unconventional instruments, like a re-purposed sofa as a kick drum, shows Hashemi’s creativity and ability to find artistry in the everyday.

“Skyline Hill” is another highlight that captures the essence of nostalgia with its minimalist guitar work and evocative lyrics. Hashemi paints a vivid picture of Philadelphia. The delicate eBow guitar lines create an atmosphere that evokes a warm summer night, while the sparse arrangement allows the listener to immerse themselves in the emotional landscape. Here, Hashemi explores themes of belonging and the transient nature of life, emphasizing how our sense of home is shaped by both the familiar as well as more fleeting moments.

The energy shifts dramatically with “Disaster,” where gentle guitar arpeggios gradually build into an emotional crescendo. This track reflects internal conflict, with Hashemi’s unfiltered delivery bringing raw honesty to lines like, “I’m losing grip, it’s getting hard to stay intact.”

The juxtaposition of softness and intensity shows his remarkable ability to convey the complexities of human emotion.

Another reflective moment arrives in “Wasted on Youth,” a ballad that poignantly captures the bittersweet passage of time. The soaring chorus intertwines themes of regret with hope, embodying the struggle of reconciling youthful choices with the wisdom gained over the years. This theme of looking back while moving forward threads throughout the album.

Paul says about the album:

“I can see a million lights” (encapsulates one of its) major themes – reflection on choices made, promises kept, and promises broken in life. For Gen Xers like me, one of the most important values has always been authenticity. Our society today makes it harder than ever to stay authentic, and I think for anybody, as you get older you look back and see things you could have done differently, things that might have been.”

“I can see a million lights” is a beautifully crafted album that feels both intimate and expansive. Hashemi’s innovative approach to instrumentation, combined with emotive lyrics and storytelling, makes it a rewarding listen.

And with more than 100,000 Spotify streams of the singles combined from this album, “I can see a million lights” is sure to be a standout release of 2024 in music.

Keep up to date with Faint Halos:

Website / Facebook / Instagram / Spotify / Soundcloud YouTube Music

Army Navy Release New Album, “The Last Place”

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The California-based indie pop band Army Navy have now released their second album, The Last Place, through their own label, The Fever Zone Records! You can stream it in full at Aol Music. So you know what to expect, SPIN Magazine gave it an 8 out of 10, calling it “a feel-bad record you can actually feel good about.”  Not entirely sure what that means, but judging from the first excerpt the band has made available for download, “The Long Goodbye,” it seems that Army Navy could easily seduce you with their sweet pop tunes. The band is also set to tour throughout the second half of the year so keep your ears out for more news!

Listen to “The Long Goodbye” below:

The Seedy Seeds Announce New Album And Spring Tour

Cincinnati’s The Seedy Seeds have a new album, Verb Noun, and you can listen to the title track here! The band was formed in 2005 and this first track shows us exactly how well they’ve perfected their sound in those few years. You get to have a classic electronic dance beat mixed with an earthy feeling thanks to Mike Ingram’s banjo and a hint of the sound of horses riding in the background in the rhythm. You can listen to the song “Verb Noun” below:

The album will be available at the band’s tour venues throughout March and April before it gets a release online and at the record stores so check the dates below to get your hands on the album if you like what you’ve heard above!

Here are their upcoming tour dates:

MARCH 02 – Pittsburgh, PA – Brillobox

MARCH 03 – Baltimore, MD – Golden West

MARCH 04 – Philadelphia, PA – North Star Bar

MARCH 05 – Brooklyn, NY – Union Hall

MARCH 06 – Pawtucket, RI – The Met

MARCH 07 – Boston, MA – Great Scott

MARCH 08 – New York, NY – Pianos

MARCH 10 – Atlanta, GA – Drunken Unicorn

MARCH 11 – Orlando, FL – Stardust

MARCH 12 – Jacksonville, FL – Jack Rabbits

MARCH 13 – Hattiesburg, MS – Thirsty Hippo

SXSW – Schedule TBA

MARCH 20 – Denton, TX – Rubber Gloves

MARCH 22 – Santa Fe, NM – Corazon

MARCH 23 – Tempe, AZ – Yucca Tap Room

MARCH 24 – Upland, CA – The Wire Music & Art Venue

MARCH 25 – Los Angeles, CA – The Mint

MARCH 26 – Davis, CA – TBA

MARCH 27 – San Francisco, CA – Hotel Utah

MARCH 29 – Seattle, WA – Hi-Dive

MARCH 30 – Portland, OR – Mississippi Studios

MARCH 31 – Boise, ID – The Reef

APRIL 02 – Salt Lake City, UT – Bar Deluxe

APRIL 03 – Denver, CO – Summit Front Bar

APRIL 04 – Colorado Springs, CO – Triple Nickel Tavern

APRIL 06 – Chicago, IL – Beat Kitchen

APRIL 07 – Lansing, MI – Mac’s Bar

APRIL 08 – Columbus, OH – The Tree House

 

Song Review: Bright Eyes’ “Shell Games”

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“Shell Games” is the new single off Bright Eyes’ new upcoming album titled The People’s Keys. The song starts with Conor Oberst singing the metaphor-filled lyrics with the company of a piano. What seems to be a slow paced melancholic song is broken down by an explosion of synth, piano and drums that play in unison to create a great steady beat. With an almost electro-rock feel to it, “Shell Games” is a mesh of great lyrics and an interesting composition. Check out the song over at Pitchfork, and the new album cover above!