Laying It Down With The Honors

A combination of Jim Beam and a desire to change the world produces indie rock band The Honors. The Boston four-piece creates intricate yet accessible rock songs thickly layered with gritty, compelling instrumentation, sophisticated guitar licks, and raspy sincerity. Lead singer Brandon’s passionate vocals are particularly distinguished in “Passing on Blue”; the captivating melody provides the ideal vehicle for an unrestrained, heartfelt lyrical delivery that is one of The Honors’ trademark musical elements. 

Jason and Brandon of the band answered questions via email at a coffee shop on tour in Niagara Falls, NY.

Liv: What inspired you to make music together? How did you all meet?

Brandon: Someone once told us that people form bands to either change the world or get laid. I suppose you could say that we are inspired by a good mix of both.

Jason: Brandon and I met while studying English at Regents College in London, England. What began as late night, post-club jam sessions grew into a lasting musical relationship. We reunited several years later in Boston and decided to form The Honors sometime in the winter of 2008. Jason was playing in a successful New England area hip-hop band called The Press Project, and after performing their final show at the 2008 Bonnaroo Music and Arts festival, Jason recruited the hip-hop band’s bassist, Roland, to join the new band. Andrew came to Boston to study jazz at the Berklee College of Music, and knew of Brandon through mutual friends, as both Brandon and Andrew hail from the Ohio Valley.  

Liv: What inspires your music on a non-musical level? Like, a book or piece of artwork…

Jason: ‘20,000 Leagues Under the Sea’ by Jules Verne. Anything involving the ocean, really.  

Liv: What was your very first show like?

Brandon: We had so much fun we can’t really remember.  

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Liv: What has been your biggest conflict to over come as a band or as individual musicians?

Brandon: Who gets to sit shotgun on tour.  

Liv: How has the relationship within the band changed over time?

Brandon: We used to shake hands. Now we give hugs.  

Liv: What does the near future hold for The Honors? Ten years from now?

Jason: Lots and lots of touring, meeting new people (preferably lovely ladies), empty bottles of whiskey, shoe polish, Walmart parking lots, Mark Jacobs, releasing a debut album, legendary fame in Japan.

Brandon: Ten years from now doing all the same things but in a world we helped to change.

 Liv: What’s your pre show/post show routine? Describe your rock show experience…

Jason: Preshow-

750ml of Jim Beam

5 cigarettes

1 to 3 windsor knots

Engaging as many lovely ladies as possible. Spice to taste.  

Brandon: Postshow- 30 Pack of Miller High Life, so every lady gets a drink at the afterparty.  

Jason: If you’re a female, like to dance, party, have fun, and forget the day to day bull shit that inundates all our lives, then this is the show for you. If you’re a male, and like to look at females dancing, partying, having fun, and forgetting the day to day bull shit that inundates all our lives, then this is the show for you. Party on!  

Liv: What’s your favorite/least favorite things about being on tour and/or being in the studio?

 Jason: Favorite studio experience: the initial play back of a new song.

Brandon: Least favorite: waiting around for the engineers to set everything set up.  

Liv: What song do you wish you had written?

‘Love Game’ by Lady Gaga.  

Liv: What are your favorite swear words?

Jason: The Jonas Brothers. PressShot

Check out the band’s myspace here!

Causing a Scene with The New Collisions

Meet our newest writer, Olivia Hauck! She also writes for the amazing blog ‘Rock n Roll Boston’. Olivia recently sat down with indie pop sensations The New Collisions who discuss everything about how they met to Scott Guild’s Brian Wilson obsession.
All Photos by Michael Connors

The New Collisions will get you out of your seat and dancing like a maniac. The band’s playful, synth-y pop melds perfectly with silver-haired frontwoman Sarah Guild’s sexy and intimately intense vocals. Within the first five seconds of songs like “Parachutes on the Dance Floor” and “Ones to Wander,” it is impossible not to get hooked on their addictive music. Their fantastic sound translates into an energetic and commanding live performance, making a New Collisions show one worth attending.

Scott and Sarah of The New Collisions

Liv: How did you two meet, music related or otherwise?

Sarah: We met in college, at Marlboro in Vermont during some freshman orienation thing.

Scott: It’s a weird, weird place. The kind of college that if you get caught with pot, they give you a five-dollar fine. Originally, Sarah’s from Pennsylvania and I’m from Connecticut…two hot spots.

 Liv: Were you studying music?

Sarah: We were going to school basically for general studies…I was looking to do something with herbology, or botany or something

Liv: Are you still involved in that?

Sarah: Well, I’m a massage therapist so I get to work with herbal essential oils.

Liv: Scott, what is your day job?

Scott: I work all over Boston…Banana Republic, Middle East, T.T. the Bears, I did some real estate stuff… I worked at Cheapo Records for, like, a day…

Liv: You happen to be married… when did you two decide you liked each other?

Sarah: It was about two months into our friendship, I think?90411mac053

Scott: She had a boyfriend! And she dumped him! I was a nihilist at the time, so of course I was irresistible.

Sarah: And I was looking for a challenge!

Liv: How did you come to realize you wanted to play music together?

Scott: That was way down the line; we were already married. I sort of played, but I don’t even think I had a guitar when we met, did I?

Sarah: Oh, you did, you were playing Bob Dylan songs, playing like…”Earth Angel.”

Scott: I love that song “Earth Angel.”

Liv: When did you get the band together? And evolve into the genre you’re in now?

Scott: I was 23, and I had just finished my degree in Philsophy. We went over to England so I could do grad school at Oxford, and we soon realized we wanted to return to the States to do something musical. We re-located back to Connecticut, and both enrolled in grad schools there. We were immediately unhappy…without bashing Connecticut, it’s safe to say there is a very diminutive music scene. Although we were both in school, we realized more and more how much we liked doing music. Actually, we were doing folk music at the time – well, more ambient, weird, Sufjan Stevens-esque. We got really, really bored doing that after awhile.

Sarah: We played the coffee house circuit, but people would rather watch the TV than listen to us.
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Scott: I eventually bought an electric guitar; we wanted to pursue a more upbeat, rock and roll sound. We holed up in our bedroom for days with a drum machine, just writing new stuff…and suddenly we had all new songs! I’m not even sure how it happened…so we put together a band around this, and never knew how much fun we’d have playing this dance pop rock music. It’s rock, but it’s melodic, it’s dance-able…

Liv: What are some musical influences for your “dance pop rock” sound?

Sarah: Missing Persons, Debbie Harry…

Scott: Our music at first though was a lot more like Arcade Fire, The National, and Interpol, but a little more sedate, a little more mopey. They’re all our favorite bands, but it’s not music you can dance to with your girlfriends (imitate dancing girls). As we developed and played more shows, we noticed people dancing to our music, so we started playing faster and faster-

Sarah: I think there is something we missed here, we had moved to Boston at this point!

Scott: Oh yeah, we had already moved up here while this was happening!

Liv: How did you decide on Boston?

Scott: Boston is just so sweet and inviting, we love this city.

Liv: The local music scene is incredible here, for a city of our size…

Scott: Yeah, the music scene in Boston welcomed us with open arms. The first show we played was at TT’s. We just showed up here, playing our music, and everyone was incredibly good to us. I don’t think we’ve had a single bad experience with the local music scene. Fans are so supportive.

Sarah: We’re not trying to be mainstream, per se, but we’re trying to reach as many people as possible with our music. We want to be attainable.

Scott: Our lyrics are meaningful, and the content is something a lot of people can relate to.

Liv: What’s the lyric writing process? What goes through your head? Do you simply sit down and say “Ok, today I’m writing a song” or does it just spontaneously come to you?

Scott: I’ll write the lyrics, just doodling whatever comes out, but since I can’t really sing it’s more like, “Uhn uhn uhn uhn dun dun dun dun” all on one or two notes. I’ll give the lyrics to Sarah-

Sarah: And I’ll be like, “Ok, this is good, keep that, move that line over here, change the chorus…” I’ll hear him strumming on the guitar and I’ll join him in his doodling, just humming melodies and working things out for hours.

Liv: Do you transcribe any of the music?

Scott: I don’t, ever. I play chords on my guitar, I hum the lyrics, and I just remember it, figuring out what works and how the lyrics go with what chords I’m playing…

Sarah: Scott’s really good at phrasing. There will always be the right number of words for what he’s playing.
Scott: But Sarah is more classically trained, so she can write things down. When she does keyboard parts she can notate it.

Liv: When it comes to your melodies, Sarah, do you write those down?

Sarah: No, I memorize them. I rarely write down my melodies.
Scott: Sometimes she sings a song differently a few times before we nail down what we like, we were in the studio earlier and she started singing one song like we’d never heard it before.

Sarah: I’m always improvising. I never really bolt down a melody.
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Liv: What’s your favorite song to play live? What gets the adrenaline exploding through your body?

Scott: The two new songs we just did in the studio with Anthony J. Resta; he used to produce Duran Duran and Blondie. He’s unbelievable. We collaborated with him and Greg Hawkes of The Cars; Greg came in and layed down keyboard parts for these two songs.

Sarah: The two new ones are called “No Free Ride” and “Beautiful and Numb”. We love playing them live.

Scott: We have them as singles, which sound better than anything we’ve done so far, but we’re just waiting to release them. They’re going to be digitally released and on a 7 inch.

Liv: Where do you see yourself in five years? Ten years?

Sarah: I want to be touring. We have to be.

Scott: This time next year I know we’ll be touring. That’s what we want. Badly.

Sarah: Our team, our entertainment lawyer, manager, and producer, sees us breaking into England and exploring that market. We have a lot of friends in South America who think our music would do well down there also.

Scott: The overall goal right now is just to keep building and building the fan base.

Liv: It seems you’ve been through the “getting started” process, done and finished with scrounging around at coffee houses…do you have any advice for musicians just starting out? Anything you did or didn’t do well, something you’d do again?

Scott: I think the two things that worked best for us was that you have to put on an energetic and crazy live show. That’s what gets people to remember you. That’s what gets people talking about you. I’ve seen bands starting out and they stand there stock still, nervously performing, and it doesn’t work. That’ll kill you. The other thing is that a band should meet every single fan and every single person interested in the band’s music.

Sarah: Just be open and friendly. I appreciate so much the people on the top tier still being down to earth and helpful.

Scott: I remember, once when I was working at the Middle East, I was the driver for Tom Morello. We ended up hanging out with him for like, two days. We had a blast, he was fantastic.

Liv: If there is any band or musican you would ideally love to collaborate with in any capacity, who would it be?

Scott: I’d love to do something with Brian Wilson.

Sarah: Scott is a Brian Wilson superfan. It’s borderline creepy.

Scott: Brian Wilson literally has changed my life.

Sarah: The way he produced music made me think about music differently…. but I would like to meet Debbie Harry.

Liv: Who wouldn’t? She’s a goddess.

Sarah: She’s so amazing, and she just has this edginess that isn’t pretentious. It’s all coming from who she is as a person and from her life experiences. She’s one of those inherently cool people.

Liv: Got any famous last words you’d like to leave us with? Better think of something witty and clever so we know that you’re cool.

Scott: I’m very appreciative of how quickly our band has progressed, and how many people have attached themselves to us, helping promote us and helping push us forward. We don’t have trust funds or rich parents, and everything we get to do is because we make it happen with the help of our friends and fans. Thank you!
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The Everyday Visuals Astound with New Album

The Everyday Visuals are more than just a band that hails from Boston, but they can also be viewed as a ‘listening experience’. Recently recieving a copy of their newest self titled record, ‘The Everyday Visuals’,I was immediatly drawn to what they were selling. This album blew away any expectations I had going into it.

The record starts off with ‘Intro (Morning Star)’  which is a nice soft start to what is about to come. It hits you with a ‘bang’ but not in the way you would expect it to. It feels a bit like Fleet Foxes at first, but The Everyday Visuals certainly make this sound their own. Taking it up a notch is ‘Limb From Limb’ that will have listeners out of their seat dancing. ‘ Florence Foster Jensen’ contains the most beautiful harmonies that I’ve heard in quite a long time. They are literally flawless.  The members voices are meant to go together. Its obvious.

 ‘I Can’t Stop You’ is a nice ballad that seems like it would be the perfect Sunday morning song. ‘Heal Me’ which has quickly become my favorite song on the record really brings out the  beauty in singer’s Christoper Pappa’s voice, which adds to the overall depth of the record. ‘I’ll Take it All in Stride’ puts emphasis on everything The Everyday Visuals are about. Amazing vocals and harmonies, infectious guitar sounds and smooth keyboard playing which I wish there was more of in this world.

‘Boom! Boom! Boom!’ is a song that will catch your attention immediately. I think the title really explains it all. Mixing indie with folk,this song is perfect. ‘Restless Heart’ reminds me of an old Ryan Adams song which is an extremely good thing to remind someone of.  The overall vibe of the song and  with Pappa’s voice coming in and out is beautiful and well crafted. The same goes for ‘Daydream Ghosts’ which is another song that can only be described as perfect. ‘Driving’ is a lovely soft song that brings out more silky vocals and acoustic guitar picking. ‘Peers’  will have your foot tapping for sure, ‘Its too much to bare’ sings Pappas as his voice fades into the distance. The album ends with ‘It’s All I Can Do’,  a sweet little acoustic song that makes for a brilliant ending to a more than astonishing record. In all honesty, if I put together my ‘Top 10 of 2009’ right now, The Everyday Visuals would be the number 1 spot.  This record is filled with brilliant melodies and catchy tunes that only get better with every listen.

Listen to The Everyday Visuals at their MYSPACE

Watch The Everyday Visuals Video for ‘Boom! Boom! Boom!’

Calvin Harris Remixes Passion Pit

I think the title says it all. Calvin Harris recently remixed Passion Pit’s ‘The Reeling’ and the only reaction that can explain this is ‘WOW’. Combining two of the current hottest musical forces Harris manages to give a whole new life to this Passion Pit song….just when you didn’t think one of their songs could possibly get any better.  Giving the song a little softer tone and a brilliant into bassline I can only imagine what would happen if these guys made a record together. 

Passion Pit is currently on tour so don’t forget to check them out in your city! Tour dates can be found at their Myspace.

Download Calvin Harris’ remix of Passion Pit’s ‘The Reeling’ HERE