Video Voyeur: 3Qs with Molly Kruse

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Songstress Molly Kruse is back for another round in our Video Voyeur series! The eclectic artist who has recently unveiled her new video for “Come Back to Me,” takes us behind the scenes of the inspiration and influence that went into crafting both the song and video. An artist that will stand the test of time, we are intrigued by her noteworthy sound and vision. We caught up with Kruse to get the inside scoop of the video which you will find below.

Tell us the story of this song, why did you choose to visualize this song specifically?

Thanks so much for featuring my video! In 2014, I was briefly dating someone, and about a month after the relationship had fizzled out, I had a dream about him. Upon waking, I was filled to the brim with unbridled joy that I felt compelled to write “Come Back to Me”! I’d been playing around with this lilting, soulful piano melody for a week prior to the song’s conception – inspired by looping loads of Marvin Gaye tracks and “Am I The Same Girl?” by Barbara Acklin, specifically – which I then paired with lyrics that I worked on over the next couple of days. Because I felt such joy, the song easily flowed out of me onto paper.

I chose to visualize this song specifically because it felt so natural to do so! Even when I was writing “Come Back to Me”, images of how I wanted the eventual music video to look came to me pretty instantly; 1960’s California beach culture, a classic car, Southern California sunsets, a retro aesthetic and coloring, and hair flowing in the wind were elements that popped into my mind.

What was the inspiration behind this video (visuals, storyline, etc.)?

Because the song is a joyful, retro, Motown/soul throwback, I wanted to encapsulate that genre and era but still keep it contemporary and modern. I knew pretty quickly that a classic car would feature pretty prominently in the video, likely from the 1950’s or 1960’s. Other elements that I wanted to include were beautiful, vibrant retro coloring, a Southern California beach (and lots of playing around in the sun and sand!), and vintage clothing from a bygone era. Also, because I felt such elation when writing the song, it was essential to me that the audience experience that joy when watching the video; I thought filming in Malibu and driving an amazing, old convertible, all while performing this song that’s so dear to my heart would help to encapsulate that.

What was the process of making this video?

The process of making “Come Back to Me” took longer than my previous video, “Ruby” – which you can watch here: http://www.hyperurl.co/c2adzc – because there were more elements to finesse in emulating that 1960’s California beach vibe – namely, finding the perfect classic car and wardrobe pieces and picking a day when it wasn’t raining to shoot! The director, Erin Lunsford, the producer, Tim Deters, and I sat down over numerous sessions, phone calls, and emails and meticulously coordinated all the props, location details, and various other elements. We had to delay the shoot for a couple of weekends because of extremely rainy, March weather, but when we finally set a date to film, we were able to get such amazing shots in the LA sunshine. I couldn’t be happier with how it turned out, and thank you so much for featuring it!

Follow Molly on her socials:

Facebook: http://www.facebook.com/mollykrusemusic

Twitter: http://www.twitter.com/mollykrusemusic

Instagram: http://www.instagram.com/mollykrusemusic

Monad Shares “Turning Wheels”

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Monad, Eshchar Nachmany’s musical project started in an isolated house in the Moshav, a small town in his native Israel, in an avocado grove by the sea.

Links:

1. Facebook – https://www.facebook.com/monadmusic
2. Soundcloud – https://soundcloud.com/monadband/turning-wheels-r

With a lot of time to himself Nachmany started to build a studio from scratch. Initially, he set out to make music with little to no knowledge of recording and producing techniques and knowing very little about audio equipment. He acquired some old broken tape machines and synths and more out of curiosity than anything, he was able to bring them back to life and turn them into a vital part of an innovative puzzle. Through trial and experimentation Monad’s sound was shaped and constructed from layers of hazy daydreams, creating a surrealistic atmosphere that he would get lost in.

MONAD’s musical influences come from different but not conflicting worlds with electronic influences from Flying Lotus and some Gil Scott Heron thrown in for good measure, he produces a kaleidoscope of Retro-Futurism.

‘Turning Wheels’ is taken from Monad’s debut EP which is set to be released this Summer, it was recorded, produced and mixed by Nachmany with a little help from his friends, the EP deals with a change in mind and music, influenced by personal events and special experiences.

During a visit to Primavera Sound Festival in Spain, Nachmany met British Dream Pop duo AR Kane, after an adventurous night he was invited to their performance which exposed him to Shoegaze and Dream Pop which then went on to deeply influence his sound.

As a touring act, Nachmany plays alongside Ittamar Erb (Drums), Daniel Spitzer (Bass), Shay Zagreba (Guitars) and Yuval Geva (Keyboard and Samples).

Video Voyeur: 3Qs with Rebecca Haviland and Whiskey Heart

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Rebecca Haviland and Whiskey Heart have proven to be one of the most sensational acts to grace our presence this year. Haviland’s knack for crafting the perfect song is brought to another level with their newest video for “You and I.” Quickly becoming a New York staple, each track and video that the group releases is a brilliant look into the artistry of the band. Rebecca Haviland and Whiskey Heart, includes members Chris Anderson (Martin Sexton), Todd Caldwell (C S & N) & Kenny Shaw (Dispatch). Recently catching up wit Rebecca, she shares what went into making the band’s latest release, “You and I,” which you can read below.

Watch “You and I” here:

Tell us the story of this song, why did you choose to visualize this song specifically?

“You and I” tells the love story of my grandmother, how she met my grandfather, fell in love, and found a way to overcome his passing a few years ago. But really this is a song for anyone who is struggling to move on and find their way in life after losing a loved one. It’s also a song about female empowerment in that it’s about a woman learning to not only identify her life based on her relationship with her husband, but to feel secure being alone and becoming her own person. So it was very important to me to add a visual component to this song.

What was the inspiration for this video (visuals, storyline, etc.)?

We decided that the video needed something to show the emotional aspect of the lyrics and melody, but didn’t want to do a video with a clear storyline. It was important to us not to define the relationship as male/female, but to leave it open for any kind of relationship or couple. Whitney G Bowley, who choreographed the dance sequence, did a fantastic job of bringing out the emotion of the song. Together with Kristina Dejardin, they really added an entire new visual aspect to the video. We were able to film the video in my friend’s barn, which also really added to the vibe of the video.

What was the process of making this video?

Jackson Hoffman, the videographer and I, like to keep the process a simple as possible. It took about 4 hours to film the video including setup, thanks to Whitney working on the dance sequence in advance. We initially intended to add another location to the shoot for my scenes, but once we finished filming the dancers and the sequences of me in the barn, we realized that simple was definitely better. The only treatment to the space was a small smoke machine which helped to outline the light and add more atmosphere to the shots. Jack and I spent a few weeks in post production, but everything came together quickly.

Find Rebecca Haviland and Whiskey Heart on Facebook:
https://www.facebook.com/pg/RebeccaHavilandAndWhiskeyHeart/

Rebecca Haviland and Whiskey Heart Website:
https://www.rebeccahaviland.com/

“The Ship of Desires” a Hypnotic Track from Nandan Gautam

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Nandan Gautam takes listeners on a metaphysical journey through his spiritual awakening on his album and semi-autobiography, The King of the Sea. The Baku, Azerbaijan-based digital composer knew he was destined to be a musician, but after struggling to grasp the guitar, he still believed his true calling was music. After meeting guru Bharat Thakur, he had an enlightening experience through meditation and discovered how he could use electronic instruments as his medium for musical expression.

A highlight off the album, “The Ship of Desires”, deals with the internal conflicts of spirituality and the real world through an array of hypnotic pulsing synthesizers, Eastern-influenced percussion, and Nandan’s smooth throat singing. This track in particular showcases Nandan’s eclectic musical influences as it transitions from ethereal and soothing to an invigorating rock section featuring the intricate guitar solos of Tony Das.

 

The accompanying music video captures this sonic juxtaposition through contrasting scenes in nature to depict spiritual life in a secular world. We love The King of the Sea and can’t wait to hear what Nandan delivers next!

Listen to “The Ship of Desires” here:

The Ship Of Desires (feat. Tony Das) by Nandan Gautam

 

Follow Nandan Gautam here:

Facebook: https://www.facebook.com/nandangautamofficial/

Twitter:https://twitter.com/Nandangautam

Instagram: https://www.instagram.com/nandangautamofficial/

“Come Back to Me” Video is timeless and Lovely Just Like Molly Kruse

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Molly Kruse returns with a video for her song, “Come Back to Me”, off her self-titled EP. Inspired by a short relationship, Kruse shares her feelings of joy and reverie through blissfully nostalgic instrumentation and retro visuals. She enlisted renown film orchestrator, Randy Kerber, and director Erin Lunsford to bring her vision to life.

“It was imperative to me that the audience experience the pure elation and joy I felt while creating the song, so Erin and I worked tirelessly to emphasize that feeling. We envisioned using a classic car – to enhance the retro vibe of the song – and setting the shoot in Malibu – to get that classic, California, 1960’s beach feeling.”

“Come Back to Me” gives off strong nostalgia vibes through Motown-esque instrumentation and her sweet, soulful vocal. The song’s message is wholesome as is the accompanying music video in which she spends a romantic day with her beau, former cast member of VH1’s “Love and Hip Hop: Atlanta” Nicholas Canyon, on the beach. The video perfectly complements the track’s feelings of reminiscing over a past love through the beautiful cinematography.

 

Watch the video here:

 

Follow Molly on her socials:

Facebook: http://www.facebook.com/mollykrusemusic

Twitter: http://www.twitter.com/mollykrusemusic

Instagram: http://www.instagram.com/mollykrusemusic

 

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Dan Miraldi Plays EP Release Show at Mercury Lounge Tomorrow Night

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Dan Miraldi isn’t your average singer-songwriter. His intense lyricism and musical charisma will strike your ears upon first listen. Leading into his EP release, which is out next Friday, he takes to the stage at Mercury Lounge in New York City for a more-than-memorable night. Playing alongside Jon Masters tomorrow evening (7/21), be sure to get there early as doors open at 7:30. See you at the show!

Dan Miraldi
Jon Masters
Double EP Release Show
https://www.facebook.com/events/218049378835915/
Mercury Lounge
Saturday, July 21st, 2018, 7:30PM
$10 // 21+

Tickets: https://ticketf.ly/2KuaEz5