Video Voyager: Low Tide Levee’s Video for “Dang Diggy”

Low Tide Levee

Low Tide Levee is the newly emerging band of seasoned musicians featuring singer/songwriter, composer, drummer, pianist, and former marine biologist Amy Brookes as the primary creative force. She writes the songs, sings lead vocals and harmonies, and plays drums, percussion, and keyboard. Her husband, Sasha Ames, is the band’s bassist and, sometimes, studio guitarist, and the trio is rounded out by a guitarist.

The band just released their new single “Dang Diggy” and it’s accompanying video. The 60’s pop and progressive rock song was written during one of Amy’s jaunts to a local tea shop she used to frequent to get the creative juices flowing. She came up with this tune, not really expecting much from it, but it ended up being a band favorite.

The fun Claymation video depicts the character of Dang Diggy as an almost divine entity, throwing pies down onto the man below. This man is in a boat with nowhere to run from the pies, his only options are to jump out and swim or sit and take it. It’s a clear depiction of life through whatever it has down on you, good and bad.

We spoke to Amy about the video and what her ideas were:

Tell us the story of this song. Why did you choose to visualize this song specifically in this way?

Dang Diggy came to me during one of my jaunts to my local tea shop that I used to frequent, a unique kind of place to gather and chat with random strangers, while enjoying the subtleties and meditation of gongfu tea ceremony. I often used my walks there and my time sipping tea to invite in the creative process, and many a gem came and was captured with my voice memo or note app on my phone.

The words just came into my head, and I thought it was a fun, silly, trippy song that could be a camp song. Little did I know that my band would love it and we would turn it into a rock anthem. Each pie is a ridiculous stoner dream of an over- the-top kind of dessert that exceeds all reason and just sounds like heaven, even if it would in reality be too much. Eventually, I realized that this incredible mask we found for our music studio (aka the “Funk Palace”) *was* Dang Diggy, and that Dang Diggy was absolutely this non-gendered deity that hung about in the sky throwing down pies to whomever might be fortunate enough to receive them.

What was the inspiration behind this video (visuals, storyline, etc.)?

It was my dream to have a Claymation video showing the story of this character Dang Diggy, a deity-like being who hangs about in the sky throwing down all the different pies. I found someone on Fiverr (Aleksej Pezzi) who did really cool Claymation music videos, and we worked together on filling out the rest of the story and visuals. He proposed a number of different characters for the little creature receiving the pies, and I fell in love with one of them that was sort of Gumby-like with this big heart on its chest.  I liked the idea of the creature being in a boat since our band is very inspired by the ocean.  

What was the process of making this video? 

I wrote to Aleksej about the Dang Diggy mask (and sent photos) and the idea of a Claymation version of it throwing down pies, and we went through a process of sketches and proposals for each character’s look – starting with a sketch and progressing to a clay version.  He sent me a mock-up for each scene and we ironed out the details.  I wasn’t exactly keen on having Dang Diggy’s pie come out of its nose bathed in snot in one verse, but he kept it in and I just went with it (lol!!).  In the end, I wound up loving the whole little movie, it was beyond the sum of its parts and I was so delighted with the expression Aleksej created in each character as the story progresses.  No matter how many times I’ve viewed it now, it still cracks me up!  

Connect with Low Tide Levee via:

Website / Instagram / Facebook / TikTok / YouTube / Spotify / Soundcloud

Video Voyager: “Let the Healing Begin” by Sahffi Lynne

Sahffi Lynne is an international medicine musician and vocal coach, offering their music, meditations, ceremonies, and teachings as medicine to illuminate our connection as human beings.

They just released their music video for their moving single “Let the Healing Begin,” an acoustic folk-like song about using creative processes to heal from grief and pain. The video depicts this kind of healing by way of 3 separate forms of art. Sahffi is depicted writing a song, a woman is depicted painting, and a man is depicted dancing.

The video is a beautiful piece that complements the single perfectly. Everything about it, from the people to the setting to the action is stunning. Even as we watched it, it provided catharsis as a viewer, almost like we felt seen.

“My own experiences have shown me that with a combination of meditation, creativity, plant medicines, and professional support, one can truly heal trauma and reclaim their birthright of living in love. I am honored to carry the medicine of music to teach and guide those interested in doing the necessary work to connect with their true voice and purpose,” shares Sahffi.

We got a chance to speak with Sahffi about their song and video and dove into the specific artistic choices:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Actually, the interesting thing about this song is that it was completely channeled! I often hear music in the wind or hear melodies in the woods, yet this is the only time (so far!) that I watched my hand write the lyrics without a clue of what I was writing! I then picked up my guitar, and as I read the lyrics, the song just poured out of me. The message, “you can let the darkness win, or you can let the healing begin,” was so profound for me at that specific moment of my life. I was struggling to move forward after a bitter breakup, an illness that temporarily kept me from singing and working, and a subsequent move out of my home because of income lost. This song was a beautiful reminder for me that I had the choice to continue on in life or give up. The song gave me strength and truly helped to heal my heart!

I was talking with a friend after the album, “Pulse of Evolution,” came out in 2021. (“Let the Healing Begin” was released on that album.) I told her I’d love for more people to hear the song, as I hoped it would touch others as it did me. She reminded me that many people “consume with their eyes” these days (as she put it!), and her words planted a seed that a beautiful video needed to be created for this powerful song!

I am grateful so many others resonate with this song’s message of hope and strength, and I am proud the video represents and reflects the message of this song so beautifully.

What was the inspiration behind this video (visuals, storyline, etc.)?

The video originally was going to be an animation, yet the plans for that fell through. I didn’t know how I was going to make a video, yet a Facebook friend, Maranda Kosten, reached out saying she felt called to talk with me about how we could work together. I thought perhaps she would be interested in voice lessons, (which she did end up taking!), yet she mentioned she worked for Do Good Video Productions. Within a couple of weeks we were meeting with the team at Do Good, along with my director, Lucas de Britto, talking about making a video! I couldn’t believe how easy it was to have found such an amazing team of people as excited about this song and project as I was!

My last hurdle was funding, yet I was grateful that over 150+ of my community supporters donated to my birthday campaign to make it happen!

The storyline follows three artists (a dancer, a painter, and me, a musician), from their lowest point, through creation, and ultimately to their reconnection of their spirit. Throughout it all, they each have elders watching over them, encouraging them with their silent wisdom and strength. I love how the video shows the process of healing includes the movement of creation!

One fun fact: the video starts out in muted colors and becomes more vibrant by the end. The inspiration for that effect was “The Wizard of Oz!”

What was the process of making this video?

This project was a year in the making! It started with a seed of an idea, then quickly jumped to a crowd sourcing campaign. The IndieGoGo campaign was a huge success, with over 150+ of my supporters making contributions, and one angel investor matching the total! I am so grateful for the support I receive for my music!

With my community’s support, we started site visits to the location of the video, my dear friend’s private land in Pennsylvania lovingly called “Hawk’s Ridge.” Magically, the dates for the shoot in May worked for everyone involved, and we were grateful for beautiful weather that weekend!

Do Good Productions was wonderful to work with, offering a fantastic production and creative team, and the shoot went off without a hitch. In fact, we all mentioned how unusual it is to have everything fall into place so easily! My director, Lucas de Britto, was also the editor, and I am grateful for his sweet temperament and amazing talent.

Everything came together for a holiday 2023 release, and I am super proud of this community-supported project! I hope everyone will be touched by the song and story line of the video as I have been.

Connect with Sahffi Lynne via:

Website / Instagram / Facebook / YouTube / Spotify

Video Voyager: Happy For No Reason’s “Canaries (Hot Summer Night)”

Happy For No Reason is a band that is the antithesis of their name. The band based out of Portland Oregon celebrate every single one of life’s precious moments as two of their members are literally happy to be alive. Comprising of Jo Alexis (vocals and percussion), Neil Goldstein (guitar), and Mark Pritchard (flute), the founding members of Happy For No Reason navigate the rich waters of Jazzy Folk with a pinch of rock, a dash of soul, and even a touch of Bossa Nova.

Their jazzy folk rock single “Canaries (Hot Summer Night)” was revived from Neil and Jo’s early music careers. Neil wrote this chord progression with a jazz band in 1974 and Jo wrote the lyrics in 1991. They put them together one night in 2015 to make the song we hear now. It’s an example of how many of their songs came together.

“The lyrics are about my boyfriend who was working in Harlem at the time and I went to visit him knowing we might break up,” says Jo. “Breaking up when you are still in love is painful but the song has turned into a raucous uptempo sing-along, like the rat pack with a female lead!”

They finished recording, mixing, and making the music video during the pandemic. A friend of Jo’s told suggested the lead vocals were initially too aggressive. So, Jo bought a new microphone and redid her parts, also learning how to use Logic, the DAW (digital audio work station) and spent many hours comping the flute and piano solos.

Their video for “Canaries(Hot Summer Night)” depicts the band on a steampunk style ship, captained by Jo. They are on a mission to catch a canary. The ship and crew are eventually wrecked and never catch the canary. It’s a metaphor for self-destruction, you want something so bad that you’re willing to ignore red flags.

We spoke with Jo Alexis about the video:

Tell us the story of this song, why did you choose to visualize this song specifically in this way? 

We didn’t actually choose it but trusted the animator to come up with something fabulous! I saw one of his videos on YouTube and looked him up.  He does a combination of live action and animation and I thought it would be amazing for this song!

What was the inspiration behind this video?

Honestly, we gave Christian Bolorinos, our director/animator/producer complete creative freedom on this so all of the ideas were his and we showed up in costume and followed direction. He is SUCH a joy to work with and has an incredible sense of humor! I was  delighted with the result and so was the wonder world. The video has acquired 136k views on Facebook and is also a favorite on my YouTube channel.

What was the process of making this video? 

The process was so much fun! We rented a studio in Portland and showed up in steampunk outfits(during the pandemic so we wore masks except when shooting!). We shot the music video in Portland but our director, animator and script writer, Christian Bolorinos, was in Barcelona. So we FaceTimed with him during the shoot which actually worked out really well! He directed us from Spain and we just followed his directions. I rented boat props like a steering wheel and a nautical telescope and of course, ropes. We used a fan to make it look as if we were in a terrible storm. Here are some cool pics of our shoot with the band in steampunk costumes.

Connect with Happy For No Reason via:
Website / Facebook / YouTube / Spotify

Video Voyager: Josiah Mann’s “Angel”

Ford Photographs – Nashville Architectural Photographer

Josiah Mann is the indie singer/songwriter who’s driven by passion and perfectionism. This is evident right off the bat in his debut single “Angel,” from his forthcoming debut album, Grace. He has an Ed Sheeran and John Mayer quality to his music with that sweet acoustic sound and smooth vocals. The song bursts with new-romance euphoria and the lyrics here poetically hopeful.

The video for “Angel” depicts the message of the song: a love story. He shares the story in the first minute and a half of the video of how he met his first girlfriend. The rest of the video goes on to show a young couple, a younger Josiah and his girlfriend, on a date and falling in love.

We got a chance to speak with Josiah about his video. Let’s dive in:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

The music video is literally the actual story of the song. I wrote this song 15 years ago for my girlfriend after our first date. A couple weeks later I recorded the song and then gave it to her for Valentine’s day!

What was the inspiration behind this video?

We wanted to match the visuals to the lyrics of the song. It was important to me that we captured some of the lyrics like “then we watched the stars” by showing a couple watching the stars together outside.

What was the process of making this video?

We booked a great location in Nashville to film at this beautiful wedding venue / barn. We were thinking about having me play the younger version of myself, but a few days before the shoot we decided to hire actors instead. We found two great actors and working with them made the process even more fun. It was super cool and trippy to see this recreation of a real thing that happened in my life so long ago!

Connect with Josiah

Website / Instagram / Facebook / YouTube / TikTok / Spotify / Soundcloud

Video Voyager: AP Tobler’s “Claustrophobia”

AP Tobler has released their new single “Claustrophobia” and it’s accompanying video, an alt rock grunge song reminiscent of Green Day meets Weezer.

The song is about how uncomfortable they are in their own skin and is translated into their video. The whole thing is quick frames of a variety of different shots, consisting of AP in several different positions and outfits, the empty coach, and the empty coach with just their guitar. The many different ways they orient themselves is a perfect representation of trying to find comfort with yourself.

We spoke with AP about their video. Check out what they had to share about the “Claustrophobia” music video:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Claustrophobia is about feeling trapped and uncomfortable in your body. I wrote this song at a point of severe discomfort with myself. I was also just getting out of a spell of writer’s block and it took me quite a while to bring the song to completion. In the video, I wear all sorts of different clothes. The line, “You can’t become a new person every day,” inspired these outfit changes that show my futile attempts to renew myself.

What was the inspiration behind this video?

The video features myself singing the song while sitting on a desolate sofa. My outfit and position changes often in the video. These outfit changes represent that no matter what external things I change, I am still the same at the core, even if I don’t want to be.

What was the process of making this video?

The process of making the video was super easy and quick. The shoot consisted of myself singing along to the track in varying outfits and positions. The video was different from my others as we used a single camera angle for all the shots. We shot in my house which helped us prepare test shots and make sure we would get what we wanted. I did multiple sing throughs in each outfit and my dad did the editing. The tv frame and glitches represent changing the channel on an old television. While the concept is simple it is one of my favorites.

Watch here:

Connect with AP Tobler via:
Website / Instagram / Twitter / Facebook / TikTok / YouTube / Spotify / Soundcloud

Video Voyager: Yutao’s Lofi Single “Sensation”

Yutao is the indie bedroom pop artist based in Los Angeles. His songs are emotive but elusive, with lyrics that explore frustration, lost love, identity, wanting to belong, and music that is delicately dense with lush ambience and airy melodies. His aesthetic evokes alternative electro-pop artist keishi, and the vibrant scene of young Asian musicians around the 88rising record label. 

His video for his latest single “Sensation,” is a hypnotic counterpart to the song. It’s somehow both still and ever-moving. He captures a sense of passion and whirling emotions, the sensations of a new relationship, but also shares the fast-paced nature of it. The camera never stops moving, almost like a visual time limit. Nothing lasts forever.

We spoke with Yutao about the music video for “Sensation”:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

The story of this song is about capturing the sensation of those “fireworks” like emotion & relationship. As if two people know nothing will last, the moment is too beautiful to pass. 

What was the inspiration behind this video? 

The inspiration summarizes my past relationship experience; just when you were still in the moment of the “firework,” the show ended without you even realizing it. 

What was the process of making this video?

We found a location in LA where the owner renovated the whole house into a trippy greenhouse. After discussing the direction, we decided to take the approach to a more dreamy and psychedelic type of experience to recreate the short-lasting sensation.

Watch here:

Connect with Yutao via:

Website / Instagram / Twitter / Facebook / TikTok / YouTube / Spotify