by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH MOMENTS OF

Fresh off a string of high-profile shows and the release of their emotionally charged single “Threshold”, Portland, Maine’s Moments Of are proving they’re not just riding the emo revival wave. They are helping shape it.

With a sound that bridges early 2000’s emo and the grit of modern alternative rock, the band has quickly built a reputation for delivering high energy performances that stick with you.

In this exclusive interview, the band opens up about the creative process behind their “Threshold” Official Music Video – why they chose a performance driven concept over a narrative, how nostalgia for the late ’90s and early 2000’s shaped its aesthetic, and what it was like shooting under the intense glow (and heat) of vintage stage lighting:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

We really thought long and hard about the direction we wanted to take as a band for the Threshold music video. The talk of building a narrative story behind the video was had but we really thought that due to the energy of the song and our timeline to get it done by that a high energy performance video would be best for Threshold. We also wanted to bring high quality, and a high energy performance video back to the scene as a cornerstone for our new music and sound. And when people see us live, we bring that same energy, so we wanted people anywhere in the world to be able to get a sense of that from Threshold.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

For us a lot of the inspiration comes from the late 90’s early 2000’s videos not just music videos but entertainment and tv in general. The warm feeling and soft focus bring in those themes that you’d see on tv back then and also plays on many techniques how soap operas were shot. Giving off that heaven like feeling. The set being well lit and showing the gear, flight cases, rigging around gives it that feeling of watching a band at a theater or opera house where you would see rigging, cases, amps in the background.

3. What was the process of making the video?

The making of Threshold was done in a soundstage environment where we had full control of the space. The decision was made to use older tungsten film and stage lights to really play into the theme we wanted and to be immersed in the set. Warm, cozy, heavenly, euphoric even and the focus would just be the band well-lit and slamming hard. We shot the video setup to takedown in about 5-6 hours. Of course, we did many takes of the video individually and full band during that window to get the shots we needed. It was challenging at times dealing with old school stage and film lights as they admit a crazy amount of heat, so staying hydrated was key and avoiding knocking over or brushing up against lights and stands because everything was hot enough to cook food on. But we think it was the right move once we saw the finished video! Threshold is a raw and basic take on a well-lit and shot performance music video that will be timeless and invoke feelings from a simpler era in music.

Keep up to date with Moments Of on the Website

07.29.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH REEYA BANERJEE

After a string of visually striking and concept driven singles, Reeya Banerjee brings things home both literally and figuratively with the music video for “Upstate Rust,” the fourth and final release ahead of her upcoming album This Place set for release on August 22nd, 2025.

Filmed at Lorien Sound in Brooklyn, the video captures Banerjee and her band The Merseyside Darby in their natural habitat – laughing, sweating and absolutely living inside the music.

Unlike the stylized visuals of her previous singles, this video opts for raw honesty and full band energy, spotlighting the chemistry, connection and joy that fuel Banerjee’s live performances.

It’s a fitting choice for a track that closes the album with heart and clarity.

We sat down with Reeya to talk about the story behind the song, and the decision to film a stripped down performance.

1. Tell us the story of this song – why did you choose to visualize this song specifically in this way?

Upstate Rust is the closing track on my album This Place, and in many ways, it’s the emotional resolution.

It’s a song about leaving a place you’ve loved – not with regret, but with trust, love and a little bit of fear. It’s about grown-up decisions, emotional survival and believing that what you’ve built can last, even when the geography changes.

The three singles before this had quirky, stylized videos – animation, photo essays, rogue guerrilla no-permit filming in Grand Central.

With Upstate Rust, I wanted to do something totally different. I wanted to showcase my band, The Merseyside Darby, because this song feels like a full-band anthem. Even though they didn’t record it with me originally, they’ve learned it, owned it, and made it their own.

This video is a celebration of that live energy – of how much fun we have together in the room. It’s the first time we’re all on screen together, and it felt like the right way to bring this song to life.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

The inspiration was really simple: let’s just show the band being the band. Upstate Rust is a big, reverb-heavy, U2-flavored banger, and it’s also my favorite song on the record. We wanted to show what it actually feels like to play it together – no gimmicks, no heavy storyline, just real joy and connection.

We shot the video at Lorien Sound in Brooklyn, which is a studio run by my lead guitarist James Rubino and his business partners Austin Birdy and Jack Quigley. Our rehearsal space is the live room at the studio, and Jack also directed the video. We pumped the master track through the PA and performed it together thirteen times – close-ups of everyone, wide shots of the room, no lip-sync fakery, just full-out playing.

Jack’s footage captured our chemistry and the joy we feel making music together. Luke Folger, our drummer (also my creative partner, co-writer, and the producer and composer for the record) is a beast on drums and has a smile that could light up a room. He’s a full-on beam of sunshine.

There’s a moment where I’m singing along with Daria Klotz, my bass player, and we’re just in the moment together. I’ve known her for ten years – we’ve sung in harmony together in so many bar bands and performances and other contexts, and it was lovely to capture that shared history on camera.

Sam Levine is our rhythm guitarist and the newest member of the band. He’s incredibly talented and smart, and a bit shy – but by the end of the shoot, he was rocking out and singing along, and it was just so endearing to watch him come into his own.

My favorite part is in the final chorus where James and I are literally jumping up and down together. We’ve also known each other for ten years – he’s my ride-or-die best friend. It felt like having a dance party with my little brother. Neither of us are spring chickens – we both have bad knees – so it was probably a terrible idea, but we couldn’t resist. At one point, James’s hat flew off mid-jump and he kicked it toward Sam, who had to duck to avoid being beaned in the face. We could not stop laughing. I’m almost sad that moment didn’t make the final cut.

3. What was the process of making the video?

This was honestly one of the most fun and relaxed shoots I’ve ever done. We met at Lorien Sound, and Jack set up a click track for Luke so we could stay locked in with the master. Then we ran the song thirteen times – two close-up takes for each band member, and three full-room passes to capture the in-between moments and the group dynamic.

The goal wasn’t perfection – it was connection. We weren’t trying to make a slick, overly produced performance video – but that said, what Jack delivered is the most polished of the four videos I’ve made to support the singles from This Place.

We wanted to show what it actually feels like to rehearse this song: sweaty, joyful, slightly chaotic, and deeply connected.

I think that comes through in the video.

Find out more about Reeya Banerjee on her Website

07.14.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH DEBO RAY

Debo Ray is well known for her powerhouse vocals, and for her ability to command stage presence, but with her latest single “Take That,” the Boston based artist opens a new chapter. Vulnerable, raw and fearless, the song marks a turning point in her music journey – one where personal history, healing and musical innovation come together.

In this exclusive interview, Debo shares the story behind “Take That,” the emotionals that shaped its lyrics, and the process of bringing her past and present selves together on screen.

Filmed in collaboration with Vano Projects, the music video captures the emotional weight of childhood memory, the struggle to reclaim identity and the ultimate act of self liberation.

Watch the Official Music Video here:

1.Tell us the story of this song. Why did you choose to visualise this song specifically in this way?

“Take That” is about reclaiming your power. It’s about what happens when you face down your past, especially the parts that tried to define you, and choose to stand in your truth anyway. I (and my writing partners Jerry Velona and Prince Charles Alexander) wrote this song from the perspective of someone who’s walked through emotional fire and come out the other side with scars and strength.

We chose to visualize this story by weaving together my past and present selves: child Debo and adult Debo, because I truly believe our younger selves never leave us. They’re witnesses. They’re roots. They hold the earliest versions of our dreams. Showing both timelines in the video allowed us to bring that emotional journey to life. I wanted people to feel the transformation.

The video team at Vano Projects helped us bring this vision to life with so much creativity and care, even within the constraints of an indie artist budget (which, let’s be real, is always a part of the puzzle!). We shot everything in just a day and a half across three nearby locations, and somehow, it all came together like magic.

2. What was the inspiration behind this video? (visuals, storyline etc.)

I’m a first-generation Haitian-American, raised in a deeply religious and traditional household. My upbringing was filled with music (both my parents are gifted singers and instrumentalists) but it was also filled with strict expectations, unspoken tension, and emotional volatility. My father had a temper that shaped a lot of my early experiences with fear, shame, and silence. Those patterns followed me, even into adulthood.

For years, I buried that part of my story. I thought if I just kept performing, kept achieving, I could outrun the pain. But when I began writing this album, I knew I had to be honest. “Take That” became a turning point: a declaration. Not of vengeance, but of truth. A way of saying: This happened. It shaped me. But it doesn’t own me anymore.

The visuals reflect that healing arc. There’s resistance, confrontation, but ultimately, release. And that’s the legacy I want to build; not one of hiding pain, but transforming it.

3. What was the process of making the video?

Creating with Bojan and Laura of Vano Projects is always a joy. They’re not just brilliant visual storytellers, they’re collaborators who really see me. We’ve done several videos together now, and they understand my vision, my aesthetic, and my need to tell the whole story from styling, setting, emotion, all of it.

Jerry (my husband, co-writer, and creative partner) and I brought them a loose concept rooted in the lyrics: this idea of a young girl running toward herself. I told them I was finally ready to show more of what I’d been holding back. From there, the four of us sculpted the vision: Laura sourced the two phenomenal actors — Jaelyn Francis, who played little me, and Jimmy Jules, who played my father — and Bojan found the main location. Jerry suggested the Harvard Stadium for the final running shots, which gave the video that haunting sense of endurance and triumph.

We shot most of it in one powerful, emotional day and wrapped up with a quick sunrise shoot at the stadium. The result is something that feels both deeply personal and universally human. It’s one of the bravest things I’ve ever created.

Keep up with Debo Ray on her Website

06.30.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH REEYA BANERJEE

Get ready to hit the ground running with Reeya Banerjee’s brand new music video for her punchy new single “Runner.”

This visually dynamic video brings to life the hectic, high energy pace of Reeya’s NYC corporate commute days. All complete with high heels, crowded platforms and a barefoot dash through Grand Central Station.

Directed by Reeya herself and edited by Khalifa Cyrus, the video captures the raw, scrappy energy of city life and the relentless rhythm of chasing deadlines, trains, and moments of breathless motion. It’s a candid and kinetic snapshot of a uniquely New York experience, set to a soundtrack that’s as urgent and unrelenting as the story it tells.

Watch “Runner” now and feel the pulse of the city through Reeya’s eyes:

1. Tell us the story of this song. Why did you choose to visualize it this way?

“Runner” is a punky, breathless tribute to my NYC corporate commute era — all high heels, Metro-North mayhem, and motion without pause. I was constantly running: to the train, to the office, back to the platform, across the Mid-Hudson Bridge after work… lather rinse repeat five days a week.

This song captures that manic rhythm. I wanted to visualize it literally — because I really did run barefoot through Grand Central to catch my train. So we shot that. It felt right to put my actual memories on screen.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

This is my first traditional narrative music video — and it’s rooted in one of the most absurd and real parts of my 20s. The storyline recreates my daily commute: barrelling through the streets of midtown Manhattan, dodging crowds in Grand Central, racing across the platform in heels (or not), and finally collapsing into a train seat as the Hudson River goes by. Khalifa Cyrus brought the pacing to life by blending live footage, timelapses, and performance moments that channel the song’s urgency. It’s scrappy, sweaty, and deeply New York.

3. What was the process of making the video?

We shot on location in Manhattan and Brooklyn — no permits, just sneakers (and high heels!), friends, and phones. Guntas Singh and Jack Quigley helped film the Grand Central and street scenes while I directed and hoped no one would kick us out of the concourse. Khalifa Cyrus handled the edit, cutting between candid footage and the video’s climactic barefoot sprint. This was a deeply DIY process that mirrors the energy of the song: raw, real, and running on fumes.

Keep up with Reeya Banerjee on her Website

06.11.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s with HAVILAH TOWER

Sometimes, the most resonant songs emerge not from a single moment of inspiration but from a long, quiet process of rediscovery.

“Open Wide” is the latest single from cinematic folk-pop artist Havilah Tower, and it is one such song – a reflective and emotionally charged meditation on what it means to outgrow the life you thought you wanted. Tower explores the quiet reckoning that comes when ambition gives way to presence, and when clarity begins to form in the spaces we often overlook.

The journey to Open Wide began with an unexpected spark: an article about her alma mater, the University of Texas at Austin, hiring their first Songwriter-in-Residence.

That artist, Darden Smith, would go on to mentor Tower through a series of creative breakthroughs, helping her reconnect with her voice in new ways. What followed was a groundbreaking collaboration across borders – Tower and her longtime trio partnered with international music startup Hall Up to bring the track to life, working with UK-based producer David A. Griffiths and Hollywood engineer Adam Freeman to shape the sound.

“Open Wide” marks a shift not just in Tower’s sound, but in her storytelling. It’s the product of reflection, resilience and a willingness to see – and sing – the truth.

1.Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Our newest single, Open Wide, is a cinematic folk-pop song that explores what happens when you’ve built up a “dream life” but it turns out to be different than you thought or want anymore.

Open Wide is a raw, lyrical reflection on trading illusion for truth—and finding the courage to be honest with yourself on what really matters to you, which often are the simple things around you all along.

Or you can stream or buy Open Wide on your favorite music platform: https://distrokid.com/hyperfollow/havilahtower/open-wide

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

For the Open Wide music video, we wanted to bring the core message of the song, showing the contrast of someone leading a seemingly successful life on the surface while also struggling.

In the music video for “Open Wide”, you follow a central character as she rises to fame through her music, a life she worked hard to create. Even though it all looks beautiful on the outside, she is struggling on the inside missing the core, fundamental things in her life she grew up like spending time with family, true connections with friends and a sense of herself.

Central to where we meet the main character in the story is an unraveling of this supposed “dream life”. It’s through this unraveling that she breaks through to something more meaningful, her own truth and direction – all things that take courage to embrace when you’re leading such a seemingly successful life. This shift plays out in the music video as a parallel between her adult self and her childhood memories that she starts to reconnect with.

It’s a reminder that all the glitters is not gold, and that sometimes our hardest moments can be doorways into something more truer and more meaningful. Hence the lyrics: “Unraveling minds open wide”.

3. What was the process of making the video?

In making Open Wide, we wanted to push the envelope of leveraging technology to tell the story. We tend to embrace a “test and learn” mentality so we decided to leverage some of the latest AI tools, like Runway, and build out the narrative portion of the story, which involved a lot of hours of fine-tuning prompts and then of course, editing the clips to tell the story. Through this work, we built out the journey of our central character.

Simultaneously, we wanted to ground the video in this world with a performance from our band so we conducted multiple filmings in order to capture each of us to interweave throughout the video, mainly featuring Havilah Tower as the primary narrator who is singing Open Wide.

There is a subtle moment that happens at the beginning and end of the music video, starting off with what appears to be a forced smile but ending with a more real, authentic smile. The smile bookends the journey of going from a seemingly successful life to truer success of being connected to yourself and making choices that are actually fulfilling.

Find out more about Havilah Tower on her Website

05.27.25

by Jane Lambert

VIDEO VOYAGEUR: 3Q’s WITH STIGMA

Emerging from the heart of Germany’s modern rock scene, Stigma are not here to chase trends.

With their debut album Second Chance on the horizon, the band is carving out a sound that is both emotionally raw and powerfully cinematic in sound.

Their latest single, “Faraway,” serves as a stunning entry point. It’s a brooding, confessional track steeped in guilt, isolation and that quiet ache of waiting for redemption.

But what sets Stigma apart isn’t just the intensity of their music. It is the honesty behind it. For their first official video, the band turned the camera inward and cpatured not a scripted narrative, but the real-time journey of recording “Faraway” in a remote mountain studio.

We sat down with the band to talk about the origins of “Faraway,” the making of the video, and what fans can expect from Second Chance. What followed was a candid, heartfelt conversation about facing the past, embracing vulnerability, and holding out hope for what’s still to come:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Faraway is about guilt, isolation, and the hope for redemption – someone exiled, trapped by both physical walls and inner regrets, holding on to the distant dream of being forgiven. It’s not about escape, but about waiting to be freed. That emotional weight runs through every line of the song.

We wanted to show that tension honestly. The video shifts between two sides: the intense, emotional live performance while recording the track, and the quiet, raw moments behind the scenes. No drama, no acting – just what really happened.

That contrast brings authenticity. It’s not a concept video – it’s a feeling. A haunting pull toward something just out of reach – but with the quiet certainty that the day will come.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We approached the video like a short documentary – no actors, no script, just what actually happened. The storyline behind the scenes follows our real journey: arriving at the studio in the mountains, stepping out of the car, setting up gear, getting feedback from our producer, tuning, laughing, working. It’s that quiet buildup before the storm – a glimpse into the atmosphere that shaped the song.

Visually, the contrast was key. We alternated these raw, candid moments with close-up shots of us performing Faraway in the studio – not for the camera, but for real.

That mix gives the video its pulse. It’s less about acting out a plot and more about letting the setting, the process, and the people tell the story. The goal was simple: to make you feel the song, not just hear it.

3. What was the process of making the video?

I brought in Mattia Mariotti – a skilled video producer and guitarist for Philipp Burger (Frei.Wild) – to film our time in the studio. I asked him to capture everything without restriction. No script, no posing – just real moments. I trusted his eye and gave him full freedom to document whatever unfolded.

After several days of shooting, he told me, “There’s a lot of material here.” That’s when I had the idea to turn it into our first official video. What made it click was the natural rhythm of the footage – the way the calm, intimate behind-the-scenes shots contrasted with the explosive, emotional performance scenes. It mirrored exactly what Faraway does musically: restrained, confessional verses that build into a powerful, wide-open chorus.

That structure became the backbone of the edit. The camera follows the same emotional arc as the song itself – from inner conflict to a burst of longing and release.

That’s how the video found its form: through truth, not planning.

Follow Stigma on their Website