by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH MADAME Z

In a world increasingly defined by crisis – climate change, social division, political dysfunction, and a profound disconnection from nature and one another – art and music can serve as both mirror and medicine.

For Madame Z , music isn’t just an outlet. It is a lifeline. A writer at heart, and a musician by calling, she brings a deep emotional honesty to her work, balancing the stark realities of the present moment with a fierce and unwavering belief in our collective potential to heal and transform.

Her latest release “Save The World” is a heartfelt plea for unity in the face of collapse. It is a song born out of sorry and yet steeped in hope. A reminder that while we may feel powerless as individuals, together, we still hold the power to change course.

In this Exclusive Interview, Madame Z opens up about the inspiration behind the track, the challenges of being a one woman creative force, and why the video’s poignant visuals are just as essential as the lyrics themselves.

1. Tell us the story of this song, why did you choose to visualize this song specifically in
this way?

It can be deeply disheartening to reflect on the state of the world – the pollution, the relentless destruction of our planet on so many levels, the poisoning of our oceans and waterways, the mass extinction of countless species (thanks, unsurprisingly, to human activity), the reality of climate change (whether some choose to acknowledge it or not), and the ever-present forces of bigotry, racism, war, genocide, political dysfunction, division, and hatred. The list feels endless – and it is catastrophic. The energy of the planet itself seems to echo this pain.

As Einstein once said, “Man invented the atomic bomb, but no mouse would ever construct a mousetrap.” In so many ways, we are engineering our own downfall – driven by capitalism, greed, and a profound disconnection from one another and from the Earth. This song, I believe, speaks volumes without needing much explanation. Yes, it’s painful to witness and experience all of this. It can feel overwhelming, even hopeless. But the message at the heart of it is powerful: we need to come together. It’s not too late. We still have the ability to make a difference – even if it’s just by being a light in the darkness and holding on to the possibility of change.

Similarly, the video itself highlights much despair and destruction but also intertwines moments of hope and potential. The current state of the world may feel bleak but there is potential for humanity to turn it around.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

As noted, it coincides with the lyrics themselves. Despair (which many of us have been feeling as of late) but looking to the future of possibility. As one person, I may not be able to change the entire world but TOGETHER we can make an impact.

3. What was the process of making the video?

I chose to use AI for this video because, simply put, I’m a one-woman operation.

I have three kids and a demanding executive-level corporate job that often spills into evenings and weekends. Music isn’t my primary or even secondary priority in terms of time – but it’s essential to who I am. It’s as vital to me as the air I breathe. At my core, I’m a writer. Music is one of the few ways I can fully express the emotions and thoughts I often struggle to put into words. But with the limited time I have, I have to rely on the tools available to me to help bring my ideas to life.

My publisher has been encouraging me to pair videos with my releases, but since it’s just me doing all of this, I lean on resources that make that possible. I’d love to shoot and produce videos from scratch – but right now, that’s just not a realistic option. So, I do what I can. I created short video snippets and pieced them together to help visualize the message I wanted to share through this song. It might not be perfect – but perfection is overrated anyway.

What matters most is the message, the emotion and the intention behind it.

Stay connected with Madame Z:

Website / Instagram / Spotify / Apple Music / YouTube Music

02.14.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH ANDREW STONEHOME

Andrew Stonehome isn’t just making music. He is creating experiences that resonate with the listener on a deeper level. His latest single “Then You Fly” is an introspective conversation with his inner child, capturing the emotional complexities of growth and the power in vulnerability.

As an artist who writes, performs, and produces his own music, Andrew’s dedication to authenticity is evident.

With “Then You Fly”, he takes that honesty a step further, translating the song’s deeply personal message into a striking visual.

In this interview, Andrew opens up about the inspiration behind the track, the challenges of balancing emotion with melody and the creative process behind his latest music video.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This song is a conversation with my inner child, whom I’ve tried to protect for so much of my life. Recently, I’ve had to confront some of my deepest fears around vulnerability, and this song feels like a snapshot of my thoughts on that.

When I wrote the lyrics, I dug deep and allowed myself to get emotional, which isn’t usually my approach. Each sentiment in the song feels incredibly personal to me. This is the song I feel most connected to – more than anything else I’ve written. If someone were to ask me for an example of my music, this would be the song I’d share.

Because this song is so personal and important to me, I wanted to create a video for it that I could be as proud of as I am of the song itself.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

I enjoy creating videos and the creative challenges that come with it. I wanted to visually show that I play all of the instruments in my music. My vision was to create the look of an entire band, where I’m every member, performing live on stage. Initially, I had hoped to make it look like there was a large gospel choir, with me as every member, alongside the band. However, due to time and technical limitations, I had to settle for three background singers.

I watched some other videos to see how they approached things, and one that was particularly helpful was Brandi Carlile’s video for “The Story.”

It was useful to notice little details, like how she looked directly at the camera for some shots.

3. What was the process of making the video?

I came up with the concept for the video and asked my friend Vince Radostitz, a talented photographer and videographer, if he’d be willing to film it for me. To test the concept, I filmed a rough version at home and then shared the demo with Vince so he could get a sense of what I was envisioning. We met to brainstorm further, and I visited a few locations to decide where to film. I also created a document with a plan and agenda for the filming day, including a detailed shot list, specifying which outfits I’d wear for each part and how long each segment should take.

We filmed at the Patricia Reser Center for the Performing Arts, which is close to my house.

We started loading in at 10 a.m., and it took a few hours for the crew to set up the lighting, so we didn’t actually start filming until almost 2 p.m. We finished around 6 p.m., and I was relieved that we managed to capture most of what I’d hoped for. It took me a couple of weeks to edit everything, which was fun because Vince did such a great job of getting fantastic footage. I was really happy with how it turned out.

I also created a “Making of” video that offers a behind-the-scenes look at how the video was made, and I’m just as proud of it as I am of the final video itself:

01.31.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH MASSEY

“Box of Rain” has always been a song that carries an emotional weight, deeply intertwined with themes of love, loss, and the healing power of music.

Originally written by Grateful Dead bassist Phil Lesh as a poignant farewell to his father, it has since become one of the band’s most cherished and resonant tracks.

When Phil Lesh passed away in October of 2024, MASSEY found himself reflecting on the profound connection he has with this song. In collaboration with Vince Herman of Leftover Salmon, he has created a new, rock-infused version of “Box of Rain” that pays tribute to Lesh’s legacy while breathing new life into the timeless classic.

Released today, this re-imagined rendition is much more than a cover. This is a wonderful tribute to one of MASSEY’s all-time favorite songs and a celebration of the enduring spirit of the Grateful Dead.

Working alongside an exceptional group of musicians including Charlie Wooton, Daniel Groover, Peter Oravetz, Michael Lemmler, and Doug Belote, MASSEY brought his vision to life at Dockside Studio, with the track being elevated by the mastery of JoeBaby Michaels and Abbey Road Studios.

But the journey didn’t end with the recording. The release is accompanied by a vibrant music video that allows listeners to experience “Box of Rain” in a new visual context. Directed by Jim Mimna, the video complements the song’s messages of connection and healing while also inviting a new generation of fans to discover the beauty in this timeless piece.

In this interview, MASSEY opens up about the inspiration behind reinterpreting “Box of Rain”, the collaborative process with Vince Herman and the emotional journey of revisiting a song so deeply connected to both personal and wider themes:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This is a cover of the Grateful Dead song Box of Rain. It is one of the few Dead songs written by bass player Phil Lesh, who passed away a couple months ago, just as we were preparing to record all the tracks for the upcoming MASSEY debut album: Reason For Being. JoeBaby Michaels, the founder and head of my label, Bent River Records, who is also my producer, had instructed that it would be a good idea to include a cover.

When Phil passed I immediately thought of Box of Rain. It is just about my very favorite Grateful Dead song. It has always struck me in a deeply profound and emotional way. And with Phil’s passing, I thought it was very appropriate. We did agree it should be a more edgy rock version, one of my natural styles, which I feel we accomplished, while still totally respecting and paying homage to the original, and Phil.

It’s important to note that this is a duet with Vince Herman, a founding member of Leftover Salmon. A long time friend of JoeBaby’s, they had never worked together, and they agreed this would be a perfect, heartfelt song for them, and me, to collaborate. Vince is one of the nicest, sweetest, rockstars you’ll ever meet. And I believe our work together on this song shines the light.

2. What inspired this video (visuals, storyline, etc.)?

The song was written by Phil as his dad was dying. I believe it’s a metaphor of love, loss, and the personal peace and healing that’s available to all of us. It’s very beautiful. And I was always emotionally affected by it, as with much of the music I deeply love, from the actual music first, even more than the words.

3. What was the process of making this video?

The video is so excellently done by our videographer Jim Mimna. He combined the studio footage of me and Vince, as well as the amazing players in our band: Charlie Wooton on bass, Peter Oravetz on lead guitar, Daniel Groover on guitar, Michael Lemmler on keys, and Doug Belote on drums; Paired with very effusive illustrated images that, like the song lyrics, suggest deep emotional meaning but allow for interpretation by the viewer.

12.11.24

by Jane Lambert

Video Voyaguer: 3 Q’s with The IT City

This holiday season, The It City bring a fresh take on festive nostalgia with their heartwarming music video for “Christmas At Home”.

Known for their blend of modern sounds and timeless appeal, the band re-imagines their original orchestral holiday anthem in an intimate, acoustic trio format.

The result is a cozy stripped-down rendition that perfectly captures the warmth, longing and joy that defines the holiday season.

In this exclusive interview, we take a deeper dive into the inspiration behind the song, the creative vision for the music video, and the magic of bringing their holiday vision to life with the help of the talented Sean Power of Music City Content Kings.

Watch here:

1. Tell us the story of this song, why did you choose to visualize this song specifically in
this way?

“Christmas At Home” is a forlorn little love letter to the holidays. We wanted to evoke the warm feelings of nostalgia that sneak in this time of year.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We love the old Christmas specials and all of the unique and interesting performances from them. It was also an exciting musical opportunity to reimagine the original arrangement, replete with full orchestration, as a simplified acoustic trio!

3. What was the process of making the video?

The inimitable Sean Power of Music City Content Kings has a cozy studio here in Nashville. He does incredible work and had the cameras all set up and the stockings hung by the sound baffles with care. It’s always a delight to work with him whenever we can!

About The It City

The It City is a dynamic Nashville-based band known for its eclectic fusion of sounds that blend pop, rock, and soul with the timeless spirit of the city’s musical heritage.

Formed by a group of talented musicians including DJ Phillips (guitar, vocals), Derrek Phillips (drums, percussion, backing vocals), Rich Brinsfield (bass, backing vocals), and Reed Pittman (keyboards, vocals) the band has quickly become a standout act in the vibrant Nashville music scene.

With a string of successful releases and collaborations, The It City has received attention both locally and internationally, sharing the stage with music legends such as Elton John, Lana Del Rey, Sting, and Maren Morris.

The band’s sound is characterized by rich harmonies, infectious melodies, and a deep-rooted commitment to musicianship, evident in their diverse musical influences and creative approach to songwriting.

Their holiday single Christmas At Home is the latest in a series of releases that explore their familiar sounds while staying true to the heart of what makes their music so universally appealing.

Connect with The IT City here:

Website / Facebook / Instagram / Spotify / Apple Music / YouTube Music

10.01.24

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’S WITH BUD E. LUV

Behind the Scenes with Bud E. Luv’s Re-imagining of “Music to Watch Girls By”

For over 35 years, Bud E. Luv has been a captivating presence in San Francisco’s music and nightlife scene.

The charismatic alter ego of singer and showman Bobby Vickers, Bud E. Luv is known for blending humor, nostalgia, and sophistication in his performances. And with a career spanning prestigious venues like The Fillmore, Bimbo’s, and Paradise Lounge, and appearances across the U.S., he has become a fixture of timeless entertainment. His versatility allows him to effortlessly explore various musical genres, from jazz to pop, while maintaining an engaging, larger-than-life persona.

Recently, Bud E. Luv has turned his attention to reimagining the 1960s classic “Music to Watch Girls By.”

Known for its catchy melody and lighthearted vibe, the song has been revisited by various artists over the years but Bud’s new rendition brings a fresh and thoughtful perspective. In collaboration with director Tom Donald of hiTrecords, Bud E. Luv has produced a visually stunning black-and-white music video that reflects the complexities of modern society while paying homage to the song’s timeless appeal.

We got the chance to sit down with Bud E. Luv as he shares the story behind his decision to re-imagine the song, the inspirations behind the video, and the thoughtful message he hopes to convey.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Music To Watch Girls By” was written some 60 years ago, and today it’s regarded in some circles as inflammatory. We disagree.

To us, it’s a beautifully-written ode to the joys of humanity, in all its forms. Beauty is always in the eye of the beholder.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We chose Mr. Tipple’s, perhaps the classiest nightclub in San Francisco, for its noir lighting and background. It’s the kind of place where Bud E. Luv performs, but also where the young woman might venture for a night out.

As we stage the meeting between the two characters, this iconic location was perfect. In like manner, black and white photography seemed the right choice.

3. What was the process of making the video?

Our message is one of inclusion; we want to suggest that all of humanity, regardless of age or gender, is beautiful.

And as such, the simple act of beholding one another is as natural an act as we can undertake.

Speaking about the music video, Bud E. Luv shares, “Our goal was to send a message of inclusion and shared humanity. It’s not about objectifying – it’s about appreciating people for who they are, in all their forms.”

The combination of Luv’s timeless persona with Tom Donald’s thoughtful direction elevates this project into a reflection on human interaction, perception, and the beauty of fleeting moments.

Through thoughtful storytelling and elegant visuals, this new version invites audiences to appreciate the beauty and complexity of human connection. This project shows an enduring creativity and charm and that Bud E. Luv’s legacy will continue to captivate audiences for many years to come.

Find out more about Bud E. Luv on his Website.

Watch the video to “Music To Watch Girls By” on YouTube.

08.12.24

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s with STEVEN CHESNE

In a world increasingly divided by borders, languages, and ideologies, there comes a powerful musical statement that seeks to remind us of our shared origins and intertwined destinies.

Steven Chesne, the visionary composer behind the genre-defying album “Descendants (in 79 Languages)“, has released a music video that’s as innovative and thought-provoking as the album itself.

This project brings together voices from around the globe, bringing them together into a landscape of sound and imagery that speaks to our shared humanity and interconnected fate. Unfolding over a period of four years, Chesne led the meticulous translation efforts with native speakers brought on board to ensure both accuracy and cultural authenticity in the final work.

In this interview, Steven Chesne takes us behind the scenes of this extraordinary new music video that has been making waves in the world music scene, sharing the inspiration and challenges that came with visualizing a song as unique as “We Are the Descendants.”

From the futuristic setting to the profound messages embedded within, he explores the artistry and vision that make this video a compelling extension of the album’s themes of unity and cultural fusion.

The accompanying music video takes this message to new heights, blending futuristic visuals with a global chorus of voices to create an immersive experience that resonates on a deep, emotional level:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

The whole time I was working on this song, “We are the Descendants”, I knew it had to be listened to in conjunction with a video.

With all of these languages weaving in and out, you really get a whole different dimension if there’s some visual cues about what language you’re hearing.

This is really how that song is meant to be heard!

2. What was the inspiration behind this video (visuals, storyline, etc.)?

I had been thinking about the fragmenting of civilization. And yet, we are all made of the same material. We have a shared origin, and whether we like it or not, our fate is intertwined.

It led me to find a commonality that spans humanity. What can everybody yell out? “We are the descendants.”

We don’t think of this idea too much, but when we hear it, it sounds familiar. And it lifts us up just a tiny bit. It moves the waves just slightly in that direction.

3. Can you describe the video and the concept behind it?

Most of the action in part one takes place on Earth in the future, after the Earth becomes trashed and uninhabitable. So Fredo Bang is walking inside a very large “earth station” that is very clean and antiseptic, and separate from the barren desert outside.

On the walls of this structure are video monitors with faces of all of the vocalist from all over the world. Each one of them sings their phrase as they weave together, between Fredo Bang’s rapping.

There’s a young boy on the Earth station, who is experimenting with a giant laser that eventually pierces the wall of the structure. This takes us to part two of the video which uses music from the big Finale at the end of the album. There is also some new music scored for the video, to connect the two songs.

The key concept behind the dramatic ending is that all of us are going to have to struggle together if we’re to survive together. Our fate is intertwined.

The music that accompanies the big ending dramatic part, the Finale of the album, involves all of the languages singing simultaneously. This sounds a bit like a gigantic nebula sort of choir. This sound is eventually overtaken by a symphony orchestra. The choir and the orchestra struggle together, and it’s a really unique, fascinating sound. It’s an extremely full, very complex texture.

Keep up to date with Steven Chesne at www.chezworks.com