Modern Mystery Staff’s Year in Lists

Joe Paolucci

Top 3 Albums
The National High Violet- Another grower from the National. I think I’ll be listening to this one for a long time. It’s hard to beat Matt Berninger lyrically.

Beach Fossils Beach Fossils- This album may not be perfect. Many songs sound similar, but Beach fossils HAVE a distinctive sound. They stand out in this modern surf genre. Every time they release something, it’s better than the last thing they released. They are strong lyrically-emotional and yet numb. The guitars rhythmically work together so well, and I just feel they are all around tight as a band. I understand that Dustin Payseur fronted a lot of the work, but I’m just glad they all work together.

Beach House Teen Dream- Just a great album. Either you like it or you don’t.

Top 3 Songs

Toro Y Moi- “Talamak”Chaz Bundick has a great voice and an amazing talent for producing. I don’t know if half the time I’m listening to pure moods, late 80s/ early 90s hip-hop, or some kind of unreleased Steely Dan/ Fleetwood Mac, but I like it… It’s so smooth.

Beach Fossils- “Youth”- An infectious riff leads us into one of my favorite lines “ It’s not so worth getting all bent out of shape about,” which defines the song title for me.

Gold Panda –“You” If you can make a song using just the word “you”… that’s pretty cool.

Top 3 Shows

Pavement –Twice in a five day stint, and I still wish I went more.

Yo La Tengo – I remember raking my dead grandfather’s leaves and listening to “Prisoners of Love”. I can’t believe it took me this long to get up here and see them.

Beach Fossils – One of my favorite modern Brooklyn bands. They can’t seem to quite pull off what they do on their recordings, but the energy they display on stage suffices.

Andres Sanchez

Top 3 Albums:

Here We Go Magic – Pigeons
– This album pulls together some of my favorite sounds in music, fuzzy guitars, subtle keys, and groovy bass lines. It’s a delicately-crafted work of art that channels everything in your emotional spectrum.

Deerhunter – Halcyon Digest
– I wish I could quantify this, but I can’t. I love this album and anything I say will more than likely fail to do it justice.

Les Savy Fav – Root For Ruin
This album quenched my thirst for rock and roll this year. Yeah, there were plenty of other rocking records out there, but this one took the cake and ate it in front of me. To this day, I still fantasize about breaking shit with Tim Harrington.

Top 3 Songs:
Thee Oh Sees – “I Was Denied”
The Babies – “Meet Me In The City”
Beach Fossils – “Vacation”

Top 3 Shows:
Woods – some guy named Ben’s House @ SXSW in Austin, Texas March 18th(?)
Here We Go Magic @ Schubas in Chicago, Illinois July 17th
Pavement @ Stubb’s in Austin, Texas September 28th

Top 3 Music Videos:
El Guincho – “Bombay”
Here We Go Magic – “Casual”
Someone Still Loves You Boris Yeltsin – “Let It Sway”

Aitor Zabalegui

Top 3 Albums:

 

3. Ariel Pink’s Haunted Graffiti – Before Today
 Hearing Ariel Pink referred to as the so-called godfather of chillwave makes me want to compare him to Neil Young, the godfather of perhaps the very opposite of genres — grunge (RIP).  What makes this such a stark comparison is the fact that they have anything in common at all.  Ariel Pink’s history lingers in relative obscurity, with most people not being introduced to him until Before Today.  But it was the abrupt turn to accessibility on Today that suggests Pink had this sound in the bag from the beginning and instead chose to fade in rather than fade away, to quote the phrase.  Just listen to the initial version of “Can’t Hear My Eyes,” which features none of the polish and AM sheen that makes it so immediately rich sounding on the album cut.  Pink, much like Young, seems to have unlimited tricks up his sleeve sure to prolong his newly-found relevancy in indie music.  I bought this album after listening to the first 15 seconds of “Bright Lit Blue Skies” with the assumption that it would offer me everything I liked about King Khan, and found that his crown had been passed.
2. Women – Public Strain
 Too derivate is the criticism you hear about this Calgary band and their engrossing sophomore effort, Public Strain — they don’t offer anything you can’t hear from White Light White Heat or they’re the Canadian Sonic Youth.  I can’t argue that Public Strain borrows graciously from notable influences, but from the album art down to the very last fading notes you can make out of the closing track’s magnificent coda, I will say Women have made the most complete album of 2010.  Much like their debut, listening to a single track on Public Strain individually is like reading a chapter of The Prince with no context and putting the book down without realizing it deliberately, and effectively, influenced the unknowing likes of Henry VIII, Napoleon, and Joseph Stalin to rule poorly.  The album plays out in non-sequential acts that blend together, hinged on delicate noise and disarray.  Every sound has been meticulously arranged into its right place, with Chad VanGaalen once again taking the helm as producer and enveloping the band in a bleak, cavernous haze the music distantly creeps out from.  The band manage to create something missing lately from indie music, an invigorating listen that only develops further with repeated visits.  Just to get into it a bit, “Narrow with the Hall” hints at what was so appealing about “Black Rice” then assures you that you won’t be getting more of the same on this record, “Venice Lockjaw” features absolutely stunning chord changes, “Drag Open” is a welcome box cutter to the throat, and “Eyesore” is perfect.  With no luck finding any lyrics online and the lack of any in the liner notes, interpreting Public Strain will remain an enduring and satisfying project.
1. Titus Andronicus – The Monitor
In a sea of indie rock bands, Titus Andronicus is an utterly unashamed indie rock band led by a visibly shy, medicated sudo-recluse.  Seeing them live for the first time back in March, this irony was made apparent with the disparity of lead singer Patrick Stickles walking on stage declaring, “Let’s make this the best Sunday night of our lives!” and later offering a lengthy apology to the audience and staff of Slim’s for nearly getting the show canceled during sound check.  Stickles pointed towards his laundry list of mental illnesses that can sometimes lead his acute sensitivity to make him “act a fool.” Paradoxical as all this may be, seeing it in person found it making sense.  This music is medication, catharsis, emotional release, what have you… Sing along with a venue full of people repeating “you will always be a loser!” and Stickles doesn’t even have to finish the line, you already know its okay.  That’s listening to The Monitor in a nutshell.  
Top 3 Songs:
3. Deerhunter – “Revival”
2. Real Estate – “Out of Tune”
1. Weekend – “End Times”    
Top 2 Shows:
2. Pavement, June 25 @ Greek Theatre, Berkeley, CA
1. Titus Andronicus, March 28 @ Slims, San Francisco, CA
Top Music Videos
3. Kanye West – “Runaway”
2. Best Coast – “When I’m With You”
1. Grinderman – “Heathen Child”
 
 Wesley Ambrecht
Best Albums of 2010

1.       Mumford & Sons – Sigh No More

Though it was released overseas in 2009, Sigh No More didn’t make its way into US records shops until February of this year. Because of which I, and many other critics, have decided to consider it a 2010 release. Some critics have taken to labeling Sigh No More the year’s best debut, but that’s actually a disservice to what is far and away the year’s best album period. There is nary a flaw throughout the entire runtime of Sigh No More.

2.       The National – High Violet

From the distorted opening notes of “Terrible Love,” until the very last note of “Vanderlyle Crybaby Geek,” The National take listeners on sonic adventure that often juxtaposes beautiful imagery with absolute melancholy. High Violet is the type of album that offers almost instant gratification, but still continues to grow on you with each subsequent spin.  Littered with some of this year’s best songs like “Lemonworld” and “Bloodbuzz Ohio,” High Violet also houses songs gems like “Anyone’s Ghost” and “Sorrow.” This is modern rock at its finest: poetic, edgy and most importantly meaningful.

3.       The Gaslight Anthem – American Slang

With American Slang, The Gaslight Anthem manage to embrace all of their influences, most notably Bruce Springsteen, while simultaneously honing their own sound. There is a sense of immediacy to their music that demands your attention. Once you give yourself over to American Slang, you are rewarded by a wave of nostalgia. This is a band acutely aware of their own mortality and the current state of music, both of which they treat with disdain.

Best Songs of 2010

1.       Power – Kanye West

2.       Cosmic Love – Florence + The Machine

3.       A Girl, A Boy, and a Graveyard – Jeremy Messersmith

4.       Radioactive – Kings of Leon

5.       Young Blood – The Naked and Famous

Best Music Videos

1.       Madder Red – Yeasayer

2.       Cooler Than Me – Mike Posner

3.       Tighten Up – The Black Keys

Special Recognition to Kanye West’s film Runaway

Michael Cirigliano II
 
Best Albums
– These New Puritans, Hidden.  After a spiky, punk-infused debut album, These New Puritans made a complete turnaround with Hidden; turning to lengthy song structures, woodwind and brass chorales, and an incredibly mature writing style for their follow-up album.
– Jónsi, Go. Although Jónsi didn’t break the mold here, he created incredibly upbeat music that wouldn’t necessarily find its way onto a standard Sigur Rós album. Any work that delivers his vocals over a foundation of organ, strings, and mallet percussion is a winner in my book.
– Arcade Fire, The Suburbs. Arcade Fire can’t seem to do any wrong- they are the Jon Stewart of rock music. After the grandiose Neon Bible, the group kept things more emotionally intimate, making listeners both swoon and cringe at the thought of their own childhoods in the suburbs.
Best Videos
-Esben & The Witch, “Marching Song”
-Arcade Fire, “We Used To Wait”
-Lady Gaga & Beyoncé, “Telephone”
Best Songs
-Jónsi, “Kolnidur”
-The Irrepressibles, “In This Shirt”
-Perfume Genius, “Lookout, Lookout”
Best Shows
-Mad Men
-Parks & Recreation
-Hoarders

Nathan Collins

Top 3 albums of the year:

1) Flying Lotus – Cosmogramma – equal parts electronic, jazz and hip hop, this album reveals new beauty with each listen. Put it on shuffle to discover and entirely different album.
2) Jonsi – Go – One of those times when a lead singer creates a truly original side project. A great pop record.
3) Anais Mitchell – Hadestown – This folk opera features everyone from Justin Vernon (Bon Iver) to Ani DiFranco. Sweeping epic storytelling mixed with some downright amazing folk music.

Jill Ettinger

Top 3 Albums of the Year 

1. joanna newsom have one on me

joanna newsom is evolving. fast. put her under a microscope and i bet scientists would discover some new genes or super DNA or something never before seen.  the 3 cd set, have one on me, is better song after better song of some of the best music ever made. note to new parents: yes it’s a really good idea to move to the woods, let your children wander in the forest by themselves on 3-day vision quests and teach them to play harp.

2. warpaint the fool

the debut from LA’s warpaint sounds almost as if someone discovered an underground city of super music geniuses living under hollywood’s walk of stars. warpaint sounds like cat power and bat for lashes had lou reed’s love children who they only let listen to radiohead and pj harvey records while spinning around and around like barefoot sufis on a bed of rose petals. the fool is absolutely addictive and prescient.

3. four tet there is love in you

four tet tapped into something bold with there is love in you. if “angel echoes” doesn’t gut you every time you listen to it, please see a doctor. the album progresses like a dream that twinkles and sparkles. if these songs were animals, they would all be unicorns. but not the cartoony fantasy unicorns; the real ones.

Top 3 Songs of the Year

infinite arms-band of horses

sleepless in silverlake-les savy fav

pray for rain-massive attack

Top 3 Shows of the Year

Faith No More Palladium Theater, LA

Fat Freddy’s Drop Music Box, LA

Amon Tobin Echoplex, LA

Top 3 Music Videos of the Year

Heathen Child-Grinderman
Enter the Ninja-Die Antwoord 
Red Lights-Holy Fuck 

Zach Yanowitz

Albums

1. Kanye West- My Beautiful Dark Twisted Fantasy: Yeezy embraced his ego and crafted a record of pure, glamorous honesty. The scope is epic yet personal, lush yet raw.
2. Titus Andronicus- The Monitor: The New Jersey neo-punks use Civil War imagery and lots of noise and alcohol to make a soundtrack for our era of uncertainty and angst.
3. This Is Happening- LCD Soundsystem: James Murphy welcomes his mortality and crushes a dance record with pumping highs and lows, with just enough inner turmoil to keep it real.
Songs
1. Sprawl II (Mountains Beyond Mountains)- Arcade Fire
2. Ambling Alp- Yeasayer
3. Monster (Ft. Bon Iver, Rick Ross, Jay-Z, Nicki Minaj)- Kanye West
Shows
1. The Hold Steady @ Republic, New Orleans 9/24
2. Wolf Parade @ The Fox Theater, Oakland 7/30
3. Girls (w/ Smith Westerns & Magic Kids) @ One Eyed Jacks, New Orleans 2/2
Music Videos
1. Lady GaGa- Telephone
2. Duck Sauce- Barbra Streisand
3. Die Antwoord- Enter the Ninja

Krista De La Rosa

Albums of the year:

01) Deerhunter – Halcyon Digest
I firmly believe that I will never love a person as much as I love Halycon Digest.  I firmly believe that I will never fall this hard for an album so quickly as I have with Halcyon Digest.  I listened to this album the second it was released and I never stopped listening to it since.  Bradford Cox is a man I will always deeply admire more than many, many other musicians.  This album is just one of those that will make you say, “Jesus  Christ, this is fucking beautiful.” Every single song brings chills down my spine.  Every riff of the guitar, every key and button pushed, every word spoken; this is what a perfect album sounds like.  There is no such thing as disappointment when it comes to an album like this.  No such thing.

02) Coma Cinema – Stoned Alone
Mat Cothran of Coma Cinema will go down in history as the greatest songwriter of our generation.  Stoned Alone is an album that I have laughed to, cried to, slept to, walked around campus to, and lived to.  There is plenty of music in this world for us to listen to.  I’d choose Coma Cinema over any and every band I have ever discovered.  Why?  Because Coma Cinema is more than music.  The lyrics are more than words.  Something beyond magic is produced by this amazing, genuine human being.  He doesn’t create music for money or for publicity, but for himself.  Stoned Alone will make you feel something music has never made you feel.  That, I promise you.

03) Magic Man – Real Life Color
Magic Man is composed of two magical men, Sam Lee and Alex Caplow.  I cannot remember for the life of me how I discovered this magical duo, but the second I downloaded Real Life Color off their bandcamp, my life was changed.  I do not want to describe their sound by comparing them to other artists.  Magic Man is nothing but real, passionate magic.  I just want to repeat the words “magic, magic, magic” over and over again until you get a better idea of just how MAGICAL their music is.  I tend to listen to Real Life Color while driving.  I always seem to be driving, so I am a religious listener of this album.  It stirs up my imagination beyond belief.  Whether it be the synth pop vibes or their delicate voices, Magic Man is definitely a duo that I’d consider the highlight of my 2010 music discovering year. 

TOP 3 SONGS OF THE YEAR:

01) Twin Sister – Meet the Frownies

02) Foxes in Fiction – Lately (Memoryhouse cover)

03) Star Slinger – Word

TOP 3 SHOWS OF THE YEAR:

01) I’m going to include all the artists and showcases I saw during SXSW 2010 as my #1 because they were some of the most amazing, memorable performances bundled together.

02) The Tallest Man on Earth / S. Carey

03) Edward Sharpe & the Magnetic Zeros

TOP 3 MUSIC VIDEOS OF THE YEAR:

01) Coma Cinema – Blissed *Created by Tyler T Williams

02) Memoryhouse – Herloim *Created by Jamie Harley

03) Two Bicycles – How Real *Created by Tonje Thilesen

Modern Mystery Holiday Party: Top 10’s From Your Favorite Musicians

The Spinto Band

 Here are our favorite things of the YEAR…Sorry it’s a bit fractured.

ALBUMS

ROAR – I Can’t Handle Change EP
Miniature Tigers – Fortress
Pigeon John- Dragon Slayer
Generationals – Trust EP

Das Racist – Sit Down, Man

Magic Kids – Memphis

From A Fountain – Shale and Sandstone

Big Boi – Sir Lucious Left Foot: The Son of Chico Dusty

Austin Leonard Jones – Superstitions
Half-handed Cloud – As Stowaways in Cabinets of Surf, We Live​-​out in Our Members a Kind of Rebirth

NON ALBUMS

Black Swan
The Beast Pageant
Toy Story 3
Scott Pilgrim vs. the World
Hausu (Criterion Collection Release)

Charlotte Gainsbourg- Heaven Can Wait (the song/video)

It Takes a Nation of Millions to Hold Us Back (33 1/3 Series) – Christopher R. Weingarten
Wilson – Daniel Clowes

BEST THING THAT HAPPENED TO US THIS YEAR

This summer- battling the Miniature Tigers to a game of Super Smash Brothers onstage at a concert in Akron Ohio. The loser of the game had to wear a Lebron James Cavaliers jersey (post-Miami decision).  We lost.  

Paul Sprangers  (Free Energy)

TOP STUFF ( in random order)

crocodiles
someone still loves you boris yeltsin – let it sway
titus andronicus – the monitor
mates of state – covers album
kanye
robyn
bear in heaven
big boi
midlake
surfer blood

best thing was eastbound and down season 2

Phil Dickey (Someone Still Loves You Boris Yeltsin)

Here are my top 10 songs.

1. “Be Professional” by the ACB’s
2. “Boy Like Me” by the ACB’s
3. “Final Exam” by New Monsters Collective
4. “Live Here” by The Lonely Forest
5. “Dirty Thing” by Telekinesis
6. “Young Hearts” by Free Energy
7. “Hahahaohhoho” by Yellow Ostrich
8. “Best Supporting Actress” by One For The Team
9. “Babies” by Via Audio
10. “Hang with Me” by Robyn

The best thing that happened to me this year was getting married.

Aaron Pfenning (Chairlift, Rewards)

Top 10 songs of 2010.

1. Stars – Warpaint
2. Good Day Today – David Lynch
3. Round and Round – Ariel Pink
4. Only The Young – Brandon Flowers
5. Rules – We Are Scientists
6. Congratulations – MGMT
7. Dance Yrself Clean – LCD Soundsystem
8. O.N.E. – Yeasayer
9. Empire Ants – Gorillaz
10. Dark Night of The Soul – Danger Mouse and Sparklehorse

Best thing of 2010:  Getting number ONE and TWO top scores on Gilligan’s Island pinball with Keith Murray at The Commodore.

 

 Justin Kennedy (Army Navy)

I have been in the studio most of the year and I really try not to listen to much new music while writing and recording. But these songs were some of the best that seeped in!

Top 10 songs of 2010

1. Cee Lo Green “Fuck You
2. Arcade Fire “Sprawl II (Mountains Beyond Mountains)”
3. Avi Buffalo “Whats in it for”
4. The Good Natured “Your Body is a Machine”
5. Teenage Fanclub “Baby Lee”
6. Kanye West “Monster”
7. Broken Bells “The High Road
8. Band of Horses “Laredo”
9. Spoon “Got Nuffin”
10. Best Coast “Boyfriend”

 
 
 

 

Todd Goldstein (ARMS)

1. joanna newsom – have one on me
2. james blake – klavierwerke EP
3. vampire weekend – contra
4. baths – cerulean
5. walkmen – lisbon
6. caribou – swim
7. tame impala – innerspeaker
8. oneohtrix point never – returnal
9. jonsi – go
10. pantha du prince – black noise

best thing that happened to me this year: recording the new ARMS album with my amazing new(-ish) band.

Hollerado

Hollerado’s Top ten of 2010
1- Free Energy – stuck on nothing
2 – Titus andronicus – the monitor
3 – Molly rankin – she ep
4 – let’s wrestle – in the court of the wrestling let’s
5 – fang island – fang island
6 – Neil young – le noise
7 – atom division – red smith 7inch
8 – besnard lakes – are the roaring night
9 – strange boys – be brave
10 – Jamie gilmartin – and there was nothing on the radio

Note. We didn’t include arcade fire’s the suburbs because it is so obviously the best record if the year and it should be implicit that it is on everyones list.

Cale Parks (BRAHMS, Aloha)

Alicia Keys – Unthinkable (song)

James Blake – CMYK (ep)

The Radio Dept. – Clinging To a Scheme (lp)

Lindstrøm & Christabelle – Real Life Is No Cool (lp)

Fantastic Mr. Fox – The Eveyln (ep)

Joy Orbison – The Shrew Would Have Cushioned The Blow (song)

Vondelpark – Hippodrome (song)

Steve Moore – Primitive Neural Pathways (lp)

Matthew Dear – Black City (lp)

Dam-Funk – Do U Feel The Same Way I Do (song)

I found a secret spot in Central Park this fall. Many of my favorite moments of 2010 were spent here.

Jennifer O’Connor

Top 10 of 2010

Perfume Genius – Learning
Sharon Van Etten – epic
Kanye West’s G.O.O.D. Fridays
Amy Bezunartea – Restaurants & Bars
Lower Dens – Twin Hand Movement
Arcade Fire The Suburbs
Joanna Newsom – Have One On Me
Deerhunter – Halcyon Digest
Seeing Tom Petty live finally
Belle and Sebastian “I Want the World To Stop”

The best thing I did this year was put out Amy Bezunartea’s debut record Restaurants & Bars on Kiam.

Jordan Hudkins (The Demon Beat)

Top Ten Songs of 2010 (New/Recently (Re)Discovered):

1. Yo La Tengo – “Sugarcube”
2. Weezer – “Getting Up & Leaving”
3. 1910 Fruitgum Co. – “Indian Giver”
4. Cold Cave – “Life Magazine”
5. Hammer No More The Fingers – “It’s About Caring”
6. The Black Keys – “Everlasting Light”
7. Spirit Night – “Don’t Miss Me”
8. Real Estate – That whole record is pretty gnarly
9. Small Black – “Despicable Dogs (Washed Out Remix)
10. Electric Six – “Escape From Ohio”

Best thing that happened in 2010: Relentless touring!

 
 
 

 

Tucker Riggleman (The Demon Beat)

Top Ten Albums of 2010:

1. Beach House – “Teen Dream”
2. The Black Keys – “Brothers”
3. Spirit Night – “What We Will Be”
4. Woodworkings – “We Sit On Floors, We Stand On Chairs”
5. Girls – “Broken Dreams Club” EP
6. Dandelion Snow – “The Grand Scheme Of Things”
7. Pat Pat – “Wizard of This”
8. Lucero – “1372 Overton Park”
9. J Marinelli – “Pre-emptive Skankery Sessions”
10. Sufjan Stevens – “The Age of Adz”

Best thing that happened in 2010: Playing SXSW along with some of our very favorite bands/friends

Jason Nesmith (Casper and the Cookies)

Under the category of General Listening, this was the year of Sex Clark Five and Lee Dorsey. Those two artists demanded my attention. As for 2010 releases, here are my faves.

1. Aquaserge- Ce Tres Cher Serge, Special Origins
2. Kevin Dunn- No Great Lost (reissue)
3. LCD Soundsystem- This Is Happening
4. Poison Control Center- Sad Sour Future
5. Colleen & Paul
6. Field Music- Measure
7. The Apples In Stereo- Travellers in Space & Time
8. Mike Watt- Hyphenated-Man
9. Venice Is Sinking- Sand & Lines
10. Tela Menos- Patagonian Rats

also good:
Teenage Fanclub- Shadows
Stereolab- Not Music
of Montreal- False Priest
The Method Actors- This is Still It

Would have made the list, but it’s from 2009:
Claire & the Reasons- Arrow (from 2009, but FTW!)
Caribou- Swim

The best thing that happened to me all year:
I started working out! Not like six-pack-abs workin’ out, but general-well-being workin’ out. It changed my outlook on life. I’ve started staning differently. I’ve still got a little belly, and that’s probably not going to change. But I feel so much better.
Runner-up: I got to see Paul Collins (of the Nerves and the Beat) and Van Dyke Parks live, two of the best shows I’ve ever witnessed.

Jim Hix (Casper and the Cookies)

2010 saw the release of a lot of music, both mainstream and indie, that I was super-duper excited about.

When it comes to 2010 mainstream hip hop, 2010 had some really great and memorable stuff. The year began with the awesome (was it the third?) return of Jay Z: Blueprint Vol 3. Then all year we were treated to the emergence to the national stage of Nicki Minaj, hip hop’s lady gaga (that’s a good thing). And finally, we close the year off with my favorite major label record of the year, Kanye’s My Beautiful Dark Twisted Fantasy. Like Smucker’s Jelly, even the ridiculous name (let’s not even mention the cover!) couldn’t hold that record back! In my favorite track of the year, Monster, you get Jay Z, Kanye, AND Nicki Minaj, all in the same three minutes and all spitting some of their best rhymes ever!

2010 was also the year that my favorite indie band, Poison Control Center, released their epic double record, Sad Sour Future. I’m not sure what the title of the record speaks to, but the songs it contains are instant classics in the PCC cannon for all fans. (if you’re not a fan yet it’s probably because you just haven’t heard them yet. Check them out, they’re SOOO GOOD!) Like I said, it’s double record yet it somehow manages to retain attention and listen-ability all the way through.

One of my other favorite bands, Indiana’s Jookabox, followed up their brilliant release, 2008’s Ropechain with 2010’s Deadzone Boys. (I just checked on Wikipedia and it says that Deadzone Boys came out in 09 but I didn’t get it until 2010 so that’s when I’m counting it!) It’s hard to describe jookabox by comparing them to other bands cause no one else really sounds like them. Trust me, they’re really good so you should get those two records!!

I have some friends in Toronto, Colleen and Paul, and they recorded a record this year under the name “Colleen and Paul” and this record is AMAZING! It’ relies mostly on acoustic guitar and vocal harmonies in the tradition of Simon and Garfunkel, and man, are the songs good! I just checked and the record is available on itunes for less than 8 bucks and it’s self titled and everyone should run to their computers and buy it cause they’ve never heard it and they don’t know that they have little holes in their hearts where these tunes are gonna fit so nicely.

I have to say, a lot of what I listened to this year was new music coming from the little legendary town I call home, Athens, GA! There’s a new three-piece called The Hums. I can find no web presence for this band and I don’t know if the record is released yet, I think my girl friend bought it at one of their shows, but man, its a great record that sounds kind of like the violent femmes playing white stripes songs, but not really. The album is called Lemonland and you can hear it current;y at the vision video store that I work at. I’ll keep you posted as I find out more. The other record I wanna plug cause if you don’t live here you’ve probably never heard of them but this record is my top record of the year, and it’s by a band called Quiet Hooves. The record is called, Saddle Up and I couldn’t find a place on the web where you could buy it but I know they had a cd release party this year so that’s released enough for me. Go one over to their myspace and check them out. (Start with the album tracks! That’s the stuff you wanna hear!) The songs sound like, I don’t know, really good well thought out baroque pop recorded on a cassette four-track. There’s whimsy and mystery and quiet moments of beauty. I can’t say enough good stuff about this album. Keep your eyes peeled and if you run across it, snag it up!!!

Alright that’s it for me. 2011 is gonna see some exciting new stuff for all the bands I play in. The Goons is going to release its first record so keep and eye out for that!! Marshmallow Coast is going to release “Seniors and Juniors Strike Back” which is a complete re-recording of Andy’s first album he released ten years ago! Casper and the Cookies have just started work on our next record and the demos are sounding awesome so look for a release from us sometime next year! Plenty of touring and promoting next year so if I’m in your town, come see me!!!

Owen Evans – ROAR!

Totally! What music fan doesn’t like to make lists? I’m really glad you included songs too. Smart!

1. Magic Kids – Memphis

2. Carol Cleveland Sings – The Cashmere Cassette

3. MGMT – Congratulations

4. Department of Eagles – Archive 2003-2006

5. Candy Claws – Hidden Lands

6. Miniature Tigers – Fortress

7. Avi Buffalo – S/T

8. Sparklehorse – Dark Night of the Soul

9. Half-handed Cloud – As Stowaways in Cabinets of Surf, We Live-out in Our Members a Kind of Rebirth

10. Mini Mansions – S/T

The best thing that happened to me this year was getting to go on tour with one of my favorite people/musicians and meeting the most amazing girl all in the span of two months.
Leslie Sisson


Leslie Sisson – Matt Pond PA, The Wooden Birds

Try this on for size…

2010’s Top Albums That Killed Me:

1. The Radio Dept – Clinging to a Scheme
2. Arcade Fire – The Suburbs
3. Broken Social Scene – Forgiveness Rock Record
4. The Crackling – Keep Full Ambitious
5. JUNIP – Fields
6. Beach House – Teen Dream
7. Sharon Van Etten – Epic
8. Best Coast – Crazy For You
9. Land of Talk – Cloak and Cipher

10. The Clientele – Minotaur

Aside Honorable Mention:

Matt Pond PA – The Dark Leaves
It’s too good to categorize. Ok, I know I’m in the band, but I’m not on this record so it’s fair to be my fave, even after hearing it repeatedly for a year. Matt is a truly talented songwriter and I’m honored to share the stage with him in not one, but two beloved bands.

This Year’s Top Happening:

My highlight moment was getting called up to sing with Broken Social Scene by the lovely Lisa Lobsinger on Central Park Summer Stage. That came close to dueting with Dan Mangan on the road and spending my year touring in The Wooden Birds and Matt Pond PA. 2010 was a good one. 

 Dave Feldman  (Wyldlife)

Here’s My Top 7 in no order:

1) The Biters- “Hang Around”
2) The So So Glos- “Fred Astaire”
3) The Ex-Humans- “Primitive”
4) The Booze- “Hate City Nights”
5) The Radio Exiles- “Secret Station”
6) The Danvilles- “I Tell You”
7) Cee-Lo Greene-“Fuck You” obviously. That song is incredible.

I’d say that being able to play a show with the Biters was probably my highlight, band wise. That, or any house party show we did at Purchase College. Then again, we haven’t played New Years yet at 58 Gallery, so it might still be too early to tell.

This year pretty much sucked on my end! Anything relating to the band was the best, save for a few more tattoos.

 
 
 Spencer Alexander (Wyldlife)
Heres my top 10 fav songs:

1. Social Distortion “Machine Gun Blues”
After 30 years they’ve still got it.

2.Tokyo Police Club “Favorite Food”
“Champ” is probably the album that was the soundtrack to my summer.

3.The Gaslight Anthem “Boxer”
Sure they sound like Bruce Springsteen, but I like Bruce.

4. The Biters “Hang Around” gotta agree with Dave on this one

5. Arcade Fire “Sprawl II (Mountains beyond mountains)”

6.the Black Keys “Everlasting Light”
I managed to sneak into the end of their set at Central Park, and these guys are as good live as they are on record.

7. Vampire Weekend “Giving up the gun”

8.Girl Talk “Oh no”
Anyone who can make people dance to Black Sabbath is good in my book.

9.Tokyo Police Club “End of a Spark”

10.Cee-Lo Greene “Fuck you”

Best thing that happened to me this year?
I would have to say playing a show at monster island basement in brooklyn, immediately driving to Iowa after our set on a random road trip, driving back to New York after a couple days, and then playing a 101.9 rxp showcase opening for Steel Train at the Bowery Electric. It was a crazy week to say the least.

That or hearing myself on the radio was pretty damn cool.

Interview: Kevin Devine & Bad Books

Kevin Devine and Manchester Orchestra teamed up to create indie super group, Bad Books.  We had the opportunity of interviewing  Kevin recently who was ever so nice to answer our questions.

Modern Mystery:  This is one of the most anticipated lineups in a while. Kevin Devine and Manchester Orchestra. How did Bad Books come about?

Kevin Devine: We’ve known each other for almost four years now, met on tour with Brand New in 2007, and got along really well, enjoyed each others’ stuff, and have been talking about actually making music together ever since.  It was a question of aligning two separate and busy schedules to give it a fair shake, and we were able to do that this January.

Do you find it hard to work on Bad Books and still be able to work on your original projects?

Not yet, not at all.  It kind of worked out perfectly in terms of finding a window where we were both pretty available to devote the necessary focus to at least lift this off the ground.  I wish we’d have been able to do a bit more touring for the record, but our collective schedules just didn’t really allow for it, and with that in mind, I’m glad we got to wedge in as much as we have.

How does playing in Bad Books feel, as far as writing songs and playing live, differ from what you’re used to as a solo artist?

I’ve been playing in bands my whole life, and have a group I play with when I do my own stuff, so it’s not like I went from playing exclusively alone with an acoustic guitar to playing in this big rock context and it required a super big adjustment.  What’s different about playing in Bad Books is the people – people always bring their stamp to things and by nature songs change if you let the personnel change them – and the dynamic – I’m not necessarily “leading” here as much as I am part of a whole, and that’s been really nice and I think strengthens the performance and material, being able to spread that role and responsibility around. 

When it came to writing songs, how did you two collaborate? Did you work on the tracks together or did you come in with music you have already worked on?

We both came in with some structures and ideas, some basic frameworks lyrically and melodically, and then built out around those.  We were both very vocal and involved with each others’ songs, suggesting structural changes, harmony ideas, arrangements, all that stuff.

What is your favorite track on the album and why?

Probably “Holding Down The Laughter” or “Baby Shoes”.  I just think those are the best developed and the most exciting to me, the most progressive.  They make me excited to see what we’ll do next. 

What was the inspiration behind the songs on this record?

I think each song carries its own inspiration; there was no binding governing principle to create some sort of theme or collectivized idea, it’s not like a concept record or anything.  I wouldn’t speak for Andy but I’d say that my songs tend to be about people figuring out the relationship between crisis and hope, people dealing with loss and acceptance, people trying to make sense of how to keep open in a very difficult and at times relentless world.  I think to varying extents all the songs on this record are about those things, too.

What are the future plans for Bad Books? Can we expect to hear more from you?

That’s the plan.  Hopefully we can get in and make another record sometime next year.

Self-Reflection With Jesse Malin

Jesse Malin took some time off from packing for his European tour with his band, The St Marks Social, to talk to us about his new adventures and his long career, and how it went from punk and hardcore to softer styles.

Modern Mystery: Can you tell us about the St Marks Social? Who’s involved? What it’s about?

Jesse Malin: I’ve had a lot of backing bands… I love bands, and being in band, being part of a gang, a social club. And as a New Yorker, St Marks was the place where you were free to express yourself, where you came to find like-minded people, artists, drug addicts… Anyone who was a a little outside of society. Most places in the world have an area like that, which is not for the mainstream person. Now of course that’s changed, it resembles more Little Tokyo now but it still has that history with the beats, the record shops, Lenny Bruce lived there… So the band was getting a group of guys together, like Todd Youth that I’ve known since we were kids. It’s a great line-up; it feels like a band, like a five-headed monster. And now we’re going to Europe and we’re doing a Holiday Tour in the North East where we’ll be back playing in New York on December 11th at the Bowery Ballroom.

MM: How long did it take you to record Love It To Life?

JM: The producer, Ted Hutt, knows how to make a records fast and cheap. We laid the basic tracks down in three days, then spent about a month on overdubs and mixing. We worked in LA, as well as Greenpoint in Brooklyn. His method is to do a lot in pre-production and get everything into place before you even enter the studio.

MM: How do you write songs? What inspires you?

Watching the movie of life and feeling it. Listening to people talk, reading, films, listening to other music… I always carry a pen with me. I like to record on tape as well. You can enter this unconscious trance where you’re singing melodies and you may get a sense of where a song is going, then you connect the dots. Finishing the song is the work.

MM: How do you keep the songwriting process fresh? You’ve been doing this for quite a while now…

JM: Hearing new things. When you hear something for the first time, it gets the juices flowing. When you’re walking around New York as well, songs just happen. I read in a book about the Clash that Joe Strummer said, “No input, No output.” It’s about challenging yourself with new things. Maybe it’s tuning your guitar differently. Sometimes I write with rhythms; I ask my drummer to give my a beat and start working on that. It’s about motion and stimulating that side of the brain.

MM: Tell us about your experiences in the studio. Do you like working there? What are your favorite parts of the recording process?

JM: The stage and the studio are two different animals and I like them both. When you play live, you have the instant gratification from the audience and then the free beer [laughs]. When you come in the studio, you think you can create things one way but the elements and the ingredients you have available can change a song you may have bashed out in rehearsals. It can morph. I had thought my first solo record out as a mellow, piano record. In the studio, it can go the other way!

I like analog a lot and old mics. I like tape. I don’t mind Pro Tools and all that but I try to use analog technology as much as I can. I mean, I write in notebooks, those black and white composition notebooks from high school. I like the art form to be physical.

MM: With all that you are doing as a musician, how do you find the time to co-own two bars, The Bowery Electric and Niagara?

JM: It’s this club house, Sinatra fantasy that turned bigger [laughs]. We get good people, and we can hire friends and give them support. It’s a lot about having a great staff at both places because, you know, I don’t know how to make a screwdriver. But I like to have a good time.

MM: Why did you decide to go solo after D Generation split?

JM: I was scared of going solo. I thought it was very adult and I needed to grow a mustache and I didn’t think it was very rock’n’roll, but my friend Ryan Adams convinced me. D Generation was a real band; every member was key. We’d been together 7 years, we’d recorded 3 albums, it was time for a change. I wanted to strip it down, write something more personal and quiet. I think D Generation was misunderstood. People paid more attention to the hair, the mascara and the slam dancing. I wanted to give more attention to the writing.

MM: What made you decide to go back to a band now?

JM: I missed being in a band. It was like a benevolent dictatorship as solo artist. But now I like that I can do both. I can do an acoustic tour by myself, and now we’re going to Europe with The St Marks Social and we have a rocking album. I like having the freedom of doing both. They’re different physical challenges. With the band, I can work off their energy.

MM: You’ve touched on this a little earlier, but could you tell us more about your favorite aspect of touring?

JM: It’s the idea that you can do it every night. And the ore you do it, the better you are at it. It’s like a muscle to train all the time. The feeling of taking something private to people, the give and take with the audience, you can’t get that any other way. It’s a sort of religious, guttural, tribal experience. You get very hooked. I don’t love all the bad food, the border controls, the time zones, the bed bugs in some hotels, but I’m always grateful for the audience.

MM: Where are some of your favorite places to perform?

JM: I like Chicago, Stockholm, London, Italy… I love playing in Glasgow, Scotland. And of course New York. At the end of this tour, we’ll be back performing here around Christmas time. The beer always tastes better after hard work.

MM: You collaborated with Ryan Adams with The Finger. Is there any chance of a second collaboration? Possibly outside of the punk genre?

JM: Ryan’s been a big part of my career. He’s played guitar in every studio record I’ve released. I’m sure we’ll work together again at some point. He produced my first solo record, he has a raw, tough, 1950’s approach. He lives in LA, and I’m here in New York so we’re both doing our own thing but who knows? It’s always a good time with the kid.

MM: How have you evolved as an artist since your beginnings?

JM: I’m still angry, although probably less angry. I’ve worked hard to have a stronger voice, to play my guitar better. It comes from practicing. I think I’ve come full circle with genres… The more you do, you get confident and comfortable. You find your own spin on everything. It’s about mixing what you hear and seeing what comes out with your own twist. I like the “happy-sad” thing like Sam Cooke, with the happy music and the sad lyrics. I’m still working to get on his level though.

MM: What would you be if you weren’t a musician?

JM: That’s always a tough question. I always think that I wouldn’t know what to do and that’s why I’m a musician [laughs]. But I like film, movies, writing stories, DJing, spoken word – I’ve dabbled in that a little bit. Maybe I’d be a bank robber or an archeologist or a rabbi, although I’m not so much into organized religion. I’ve always been into PMA, “Positive Mental Attitude.” Maybe I’d teach, or I’d be a student to learn again. I’m also into healthy food and finding alternatives to dead animals. Maybe I could write a book of all the places to get good vegan and vegetarian delicacies.

Catch Jesse Malin & The St. Marks Social with Marah at the Bowery Ballroom on Saturday, December 11th. For more info about the show go HERE.

Interview: Josh Jones of Univox

Modern Mystery: How did the band form? What is the story behind Univox?

Josh Jones: When we were 15 Kent and I got bored with calling each other gay so we picked up his parent’s instruments and started a band. We met Joe at our first show. His band was better than ours, and way cooler. They were like Sonic Youth and the Stooges. So we became friends and eventually all of our plans and friends abandoned us, leaving only Joe and me in the same area. Rob played drums in a bunch of pop punk and tough guy bands (http://www.youtube.com/watch?v=Tl5_-FBMk8I). Then we met working at the same bookstore and I gave him some tapes Joe and I had made. After that he learned to play bass and clarinet and proved that he was really serious about music. Then we moved to Philly and scraped Kent off the floor of a South Philly basement and chained him to a drum stool.

You are known as a staple in the Philly rock scene. How does it feel when you play in other cities? Was this your first time playing at CMJ?

A staple in the starving flesh of the Philly rock scene, hell yes we are. I personally love playing in other cities, it feels great when you aren’t already on a first name basis with the sound guy. But I bend both ways, familiarity is nice, but it’s extra exciting to be thrust onto a bill and have the opportunity to really excite all new people who aren’t used to the Philly flavor. This was our first time in CMJ.

How does the band write songs? Is it a collaborative effort or does everyone bring in their own ideas?

We don’t have any one process. Some songs are written in dreams, then hastily recorded in the waking world. That’s my favorite. I had a dream where the Rolling Stones were playing this really great song, then I woke up and realized they didn’t ever write a song like that so I figured it out, wrote out the lyrics and recorded it all in 5 minutes, then I had to go to work. We wrote the second half of Conan together based on a jam. Joe wrote Pi when he was sixteen based on a memory of a TV commercial jingle.

Where does the name Univox come from and what made you decide on that name?

Univox is an old amplifier and guitar manufacturer company. When the band was just Joe and I, we started out just doing experimental sound all mixed down and amplified through his Univox U-108. Univox is what Joe wrote on the tape.

Where does the name Univox come from and what made you decide on that name?

The best part is listening to what you’ve recorded for the first time, then hearing the layers build as you track.

What is your favorite part about play live? Where is your favorite place to play?

The only thing that matters when you’re playing live is energy. Everything has to be focused on that. Achieving the kind of energy that will make people bounce around like hot atoms is a life pursuit. And even when you prepare for years and pour over every movement in every song and you’re in the spotlight delivering more than your body can handle, people may still hold still. It’s like a sickness, that stillness. So to answer your question, my favorite place to play is the place where people are ramming their bodies straight into mine, waltzing when we’re not playing in threes and screaming through a broad and genuine smile.

What’s the craziest experience the band has had together while on the road?

There have been a lot. There was the time the K-9 cop was trailing us and we happened to have contraband in the vehicle and Kent said the dog wouldn’t be able to smell it because he hid it in a coffee can. Then there was the time Kent had us stay with a dominatrix who kept her place super dirty so her slave could clean it up the next day and we were supposed to leave before he showed up but ran late and had to hide in a bedroom while it all went on. Or the time Kent started beating on an empty canister of gas with a lead pipe at some dude’s house and then I joined the mob that was going after him so he wouldn’t get caught or beaten. Or the personal concert Kent put on under the El in the middle of the night and then woke up in a pool of blood because a guy broke his skull with one punch for waking up his kids.

What do you love most about being a band?

Making music with my friends and getting close to them through it.

Who are your influences and how do you incorporate them into your music but make them your own?

The Who, Kate Bush, David Bowie, the Stooges, Lou Reed, John Cale, Cat Stevens, King Crimson, everything on Blue Note, Ornette Coleman, the Four Tops, the Clash, Diana Ross, Michael Jackson, New Order, Television, Randy Newman, the Zombies, Marc Bolan, Queen, Sonic Youth, Silver Apples, Suicide, Cody Chestnutt, Baxter Dury, Damon Albarn, the Troggs, the Kinks, Clinic, Koji Kondo, Dave Smolen, the Ramones, Tom Waits and others. The only way to incorporate it all is to let it all out. I don’t think any of us have ever written a song thinking, let’s make it sound like this band. When we’re arranging we might mention a performer to imply a certain affectation, but it’s never forced or contrived.

Now that CMJ is over, what is up next for the band?

We’re going to keep playing 1000 shows and recording tapes and making videos and ripping ourselves apart for the art, but not forever. Never forever.

Thanks for the questions. This was fun. Let us know if you wanna come out to a show sometime, we’ll put you on the list. You’re blog is awesome.