Hailing from the coastal strawberry fields of Camarillo, California at the edge of Los Angeles’ Santa Monica Mountains, Steven Doman is a multi-instrumentalist, composer, and audio engineer with an affinity for nature.

His new EP, Our Lady Of The High Appalachian Mountains, drew inspiration from the process of moving from California to Québec in 2016 and the moods that followed.

Focus track, “Follow The Ripples,” is a gentle piano-led pop song, written for the film En Eclaireuses by Constance Chaput-Raby, a documentary about a group of girl scouts adventuring in the forest of Estrie, Québec.

“Tulip’s head above the breeze, pendulum in the wind.” Psychedelic and warm, “Follow The Ripples” features lyrical contributions from Doman’s partner, multi-disciplinary artist Grace Singh. 

https://stevendoman.bandcamp.com/track/follow-the-ripples-2

The new song from OurGlassZoo was inspired by the singer’s (Josias Tschanz) experience working on the Eastside of Vancouver through a volunteer organization. It deals with the misconception of homelessness in the city through the eyes of a close friend that was lost.

Vancouver is a place of two minds: on one hand, it is wealthy, shining and beautiful – constantly growing. On the other hand poverty, addiction and hardship abound.

The poignant emotional sounds of horns mixed with the presence of guitar layers add to the melancholic/poetic concept of the song. The band wanted to create an anthem for anyone who might be adrift. ‘Here’ is the voice that reminds you that you are not alone and that there is someone that will listen and reach out their hand when you need it the most.

Theo Tams has a relaxed and soulful new single to share entitled, “Tongue Tied,” one which he considers to be “a bit of a queer anthem”. 

Written after Tams and his partner announced their engagement to their families, who weren’t exactly supportive. A light and airy, R&B inflected pop track, “Tongue Tied” captures the feeling that ‘at the end of the day, I know you’re mine and I’m yours.’ 

Lyrically, “Tongue Tied” nods to Tams’ Christian upbringing (“All our sins, no hypocrite,”) and the ways in which some Christians have reduced the gay community to “just sex, rather than the actual love, comraderie, friendship, art, and spirit that exists within so much of the community.”

“We still have a lot of support, even familial support has come around, but in that moment it was us against the world.” explains Theo.

As the release date for Allegories’ new album (Endless, out April 29th) approaches, the duo are sharing a final single, the beguiling dance track that is “Always True.”

“‘Always True’ feels like the dark part at the end of the night,” the band explains. “The wrong side of 5am. A dark warehouse bouncing to ominous synth pads, and 909s. A sudden surge of energy, a second wind, one more dance while the night wears off.”

The song builds to a dizzying crescendo, bright melodies exploring the overwhelming, comforting, exhausting, electrifying, impossible and necessary nature of human interaction.

Founding member of Port Cities, Carleton Stone is an award-winning artist, songwriter, and producer based in Cape Breton, Nova Scotia. 

Preparing for a new solo release in June 2022, Carleton is about to share the single, “Monte Carlo,” a nostalgic reflection on the sacrifices parents make for their children, as well as the ones musicians make to pursue their careers.

An emotional blend of folk and classic singer-songwriter influences, “Monte Carlo” features lyrics that are about “the things in our past that aren’t around anymore, or the dreams you might have had when you were young that haven’t come to fruition in the way you hoped,” explains Stone.

For over a decade, international touring artist and award-winning songwriter Matt Epp has been the quintessential troubadour of the Canadian prairies, who has won the admiration of an audience that spans the globe.

His new single, “Made For Love” was written on a bright, sunny day last winter. While Matt was staying at a friend’s converted old rural church dubbed “the Art Church,” sunlight was streaming through the tall stained glass windows in the chapel. 

“I remember spinning around the room, playing 12-string guitar and smiling so big and laughing as I played,” said Matt. “The song came out so quickly – I didn’t think twice about any lyric – they just came out the way that they did. The process was so fun and inspired that I didn’t want to change a thing about it when I did the final recording.”