A Very Merry MIXMAS!

The holidays are soon approaching and we here at Modern Mystery have just the right thing to get you into the Christmas spirit! Holiday music is one of the best things about the season and we hope you enjoy this little, well, er, big mix. It’s our second Mixmas and we went all out with 38 songs this year. Everyone from Matt Pond PA to Of Montreal, you have to check it out below to believe your little eyes. This is the one gift you can peek at this Christmas!

Dressy Bessy- All the Right Reasons
The Sixth Great Lake- Always After Christmas Boring
Asobi Seksu- Merry Christmas (I Don’t Want to Fight Tonight)
Belle and Sebastian– O Little Town of Bethlehem
Blitzen Trapper- Christmas is Coming Soon
Bright Eyes- Have Yourself a Merry Little Christmas
Casper and the Cookies- Kiss Me Beneath the Christmas Tree
Ladybug Transistor- Christmas Extravangza
My First Keyboard- Christmas is Only Good If You’re a Girl (Boy)
Of Montreal- Christmas Isn’t Safe for Animals
Essex Green- Deck the Halls
Denison Winter- A Christmas Song
Drive-By Truckers-Mrs. Claus’ Kimono
The Features- Christmas Wish Book
Felice Brothers- Murder by Mistletoe
The Music Tapes- Freeing Song for Reigndeer
Frightened Rabbit- It’s Xmas So We’ll Stop
Fun.- Believe in Me
Gentlemen Auction House- Don’t Want Another Christmas Like Last Christmas
Marbles- Gift for You
Fabulous Bird with Bill Doss-It’s Christmas Time Again
Long Winters- Sometimes You Have to Work on Christmas
Low-Just Like Christmas
Matt Pond PA- Holiday Road
My Morning Jacket- Christmas Time is Here
Of Montreal- My Favorite Christmas (In a Hundred Words or Less)
Reigning Sound- If Christmas Can’t Bring You Home
Rilo Kiley- Xmas Cake
Robbers on High Street- Seasons Greetings
Ryan Adams- Hey Parker, It’s Christmas
Summer Hymns- Santa Couldn’t Fit You Under My Tree
Slow Club- Christmas TV
Sufjan Stevens- That Was the Worst Christmas Ever!
The Wedding Present- White Christmas
The Raveonettes- Christmas (Baby Please Come Home)
The Wombats- This is Christmas
The Damnwells- Xmas Eve
The Knife- Christmas Reindeer

Josh Ottum “It’s Alright”

There has been a buzz about singer/songwriter Josh Ottum for quite a while now. Known for being a little wacky and also having a stockpile of his own songs. Finally it is time for him to share them all with the world. Ottum will release his highly anticipated debut record Like the Season (Cheap Lullaby) on October 21st.  For his first record he’s already pulling out some big names. Appearing on the album is James McAlister (Sufjan Stevens) Casey Foubert (Pedro the Lion, Sufjan Stevens) and engineer Jon Ervie (Modest Mouse). The first single “It’s Alright” shows his influences new and old from Randy Newman and Stevie Wonder to Phoenix and Ben Folds. Check out the tune below!

Download Josh Ottum “It’s Alright”

Sufjan Stevens @ Bowery Ballroom, New York – October 5, 2009

Going into the Sufjan Stevens show last night, I must admit I didn’t know what to expect. Having heard great things about his live set, the bar was set pretty high for him. This was his second date in New York as there are two sold out nights in Williamsburg to follow. The show opened with Asthmatic Kitty labelmates, Cryptacize who were a pleasant surprise. Singer Nedelle Torrisi has a soft angelic voice that’s not afraid to mix dark with poppy. The band seemed well recieved by the crowd.

Then, it was Sufjan time. No matter how big this guy gets, he still comes on stage to set up his own equipment. Fans in the front of the stage were sneaking pictures of him getting ready with smiles on their faces. With a band of over ten people it’s amazing how they even fit onto the Bowery stage.

Stevens greeted the crowd and launched into the set with banjo in hand. The setlist was mostly a cross between new songs and Come on Feel the Illinoise which made for a stellar lineup. Seeing Stevens play live is every bit as amazing as hearing his records. He sings with little effort because it comes so natural to him. The backup singers who included Nedelle from Cryptacize sounded heavenly behind the mixture of trumpets and assorted wind instruments that appeared throughout the night.

One thing I learned about Sufjan last night is that he is a bit of a joker. He said he is ‘”not very good talking onstage,” before he announced a string of songs, giggling “this one’s by Sufjan Stevens!” A lot of the new songs that he played last night strayed away from his orchestral sound that we’ve come to know and love. The new tracks with titles like “Impossible Soul” and “There is Too Much Love in Here,” are a bit electronic based but not in a cheesey way that feels forced. Somehow these songs still fit in with the likes of his banjo/acoustic songs like “Casimir Pulaski Day” which was one of the highlights of the night. Another surprise Sufjan had up his sleeves was the track “The Man of Metropolis Steals Our Hearts,” which they hadn’t played it in so long that he admittedly had to write out the words to keep onstage. Stevens and the band played it flawlessly though, just like the other songs in the set. The show closed with a short encore: a low key version of “Chicago” and the earlier mentioned new tune “There is Too Much Love in Here,” as Sufjan stated that the encore had to end ‘just right and louder.’ It did just that.

Photos by Ivy Weir

Check out MORE Photos of Sufjan’s Show AFTER THE JUMP

Causing a Scene with The New Collisions

Meet our newest writer, Olivia Hauck! She also writes for the amazing blog ‘Rock n Roll Boston’. Olivia recently sat down with indie pop sensations The New Collisions who discuss everything about how they met to Scott Guild’s Brian Wilson obsession.
All Photos by Michael Connors

The New Collisions will get you out of your seat and dancing like a maniac. The band’s playful, synth-y pop melds perfectly with silver-haired frontwoman Sarah Guild’s sexy and intimately intense vocals. Within the first five seconds of songs like “Parachutes on the Dance Floor” and “Ones to Wander,” it is impossible not to get hooked on their addictive music. Their fantastic sound translates into an energetic and commanding live performance, making a New Collisions show one worth attending.

Scott and Sarah of The New Collisions

Liv: How did you two meet, music related or otherwise?

Sarah: We met in college, at Marlboro in Vermont during some freshman orienation thing.

Scott: It’s a weird, weird place. The kind of college that if you get caught with pot, they give you a five-dollar fine. Originally, Sarah’s from Pennsylvania and I’m from Connecticut…two hot spots.

 Liv: Were you studying music?

Sarah: We were going to school basically for general studies…I was looking to do something with herbology, or botany or something

Liv: Are you still involved in that?

Sarah: Well, I’m a massage therapist so I get to work with herbal essential oils.

Liv: Scott, what is your day job?

Scott: I work all over Boston…Banana Republic, Middle East, T.T. the Bears, I did some real estate stuff… I worked at Cheapo Records for, like, a day…

Liv: You happen to be married… when did you two decide you liked each other?

Sarah: It was about two months into our friendship, I think?90411mac053

Scott: She had a boyfriend! And she dumped him! I was a nihilist at the time, so of course I was irresistible.

Sarah: And I was looking for a challenge!

Liv: How did you come to realize you wanted to play music together?

Scott: That was way down the line; we were already married. I sort of played, but I don’t even think I had a guitar when we met, did I?

Sarah: Oh, you did, you were playing Bob Dylan songs, playing like…”Earth Angel.”

Scott: I love that song “Earth Angel.”

Liv: When did you get the band together? And evolve into the genre you’re in now?

Scott: I was 23, and I had just finished my degree in Philsophy. We went over to England so I could do grad school at Oxford, and we soon realized we wanted to return to the States to do something musical. We re-located back to Connecticut, and both enrolled in grad schools there. We were immediately unhappy…without bashing Connecticut, it’s safe to say there is a very diminutive music scene. Although we were both in school, we realized more and more how much we liked doing music. Actually, we were doing folk music at the time – well, more ambient, weird, Sufjan Stevens-esque. We got really, really bored doing that after awhile.

Sarah: We played the coffee house circuit, but people would rather watch the TV than listen to us.
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Scott: I eventually bought an electric guitar; we wanted to pursue a more upbeat, rock and roll sound. We holed up in our bedroom for days with a drum machine, just writing new stuff…and suddenly we had all new songs! I’m not even sure how it happened…so we put together a band around this, and never knew how much fun we’d have playing this dance pop rock music. It’s rock, but it’s melodic, it’s dance-able…

Liv: What are some musical influences for your “dance pop rock” sound?

Sarah: Missing Persons, Debbie Harry…

Scott: Our music at first though was a lot more like Arcade Fire, The National, and Interpol, but a little more sedate, a little more mopey. They’re all our favorite bands, but it’s not music you can dance to with your girlfriends (imitate dancing girls). As we developed and played more shows, we noticed people dancing to our music, so we started playing faster and faster-

Sarah: I think there is something we missed here, we had moved to Boston at this point!

Scott: Oh yeah, we had already moved up here while this was happening!

Liv: How did you decide on Boston?

Scott: Boston is just so sweet and inviting, we love this city.

Liv: The local music scene is incredible here, for a city of our size…

Scott: Yeah, the music scene in Boston welcomed us with open arms. The first show we played was at TT’s. We just showed up here, playing our music, and everyone was incredibly good to us. I don’t think we’ve had a single bad experience with the local music scene. Fans are so supportive.

Sarah: We’re not trying to be mainstream, per se, but we’re trying to reach as many people as possible with our music. We want to be attainable.

Scott: Our lyrics are meaningful, and the content is something a lot of people can relate to.

Liv: What’s the lyric writing process? What goes through your head? Do you simply sit down and say “Ok, today I’m writing a song” or does it just spontaneously come to you?

Scott: I’ll write the lyrics, just doodling whatever comes out, but since I can’t really sing it’s more like, “Uhn uhn uhn uhn dun dun dun dun” all on one or two notes. I’ll give the lyrics to Sarah-

Sarah: And I’ll be like, “Ok, this is good, keep that, move that line over here, change the chorus…” I’ll hear him strumming on the guitar and I’ll join him in his doodling, just humming melodies and working things out for hours.

Liv: Do you transcribe any of the music?

Scott: I don’t, ever. I play chords on my guitar, I hum the lyrics, and I just remember it, figuring out what works and how the lyrics go with what chords I’m playing…

Sarah: Scott’s really good at phrasing. There will always be the right number of words for what he’s playing.
Scott: But Sarah is more classically trained, so she can write things down. When she does keyboard parts she can notate it.

Liv: When it comes to your melodies, Sarah, do you write those down?

Sarah: No, I memorize them. I rarely write down my melodies.
Scott: Sometimes she sings a song differently a few times before we nail down what we like, we were in the studio earlier and she started singing one song like we’d never heard it before.

Sarah: I’m always improvising. I never really bolt down a melody.
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Liv: What’s your favorite song to play live? What gets the adrenaline exploding through your body?

Scott: The two new songs we just did in the studio with Anthony J. Resta; he used to produce Duran Duran and Blondie. He’s unbelievable. We collaborated with him and Greg Hawkes of The Cars; Greg came in and layed down keyboard parts for these two songs.

Sarah: The two new ones are called “No Free Ride” and “Beautiful and Numb”. We love playing them live.

Scott: We have them as singles, which sound better than anything we’ve done so far, but we’re just waiting to release them. They’re going to be digitally released and on a 7 inch.

Liv: Where do you see yourself in five years? Ten years?

Sarah: I want to be touring. We have to be.

Scott: This time next year I know we’ll be touring. That’s what we want. Badly.

Sarah: Our team, our entertainment lawyer, manager, and producer, sees us breaking into England and exploring that market. We have a lot of friends in South America who think our music would do well down there also.

Scott: The overall goal right now is just to keep building and building the fan base.

Liv: It seems you’ve been through the “getting started” process, done and finished with scrounging around at coffee houses…do you have any advice for musicians just starting out? Anything you did or didn’t do well, something you’d do again?

Scott: I think the two things that worked best for us was that you have to put on an energetic and crazy live show. That’s what gets people to remember you. That’s what gets people talking about you. I’ve seen bands starting out and they stand there stock still, nervously performing, and it doesn’t work. That’ll kill you. The other thing is that a band should meet every single fan and every single person interested in the band’s music.

Sarah: Just be open and friendly. I appreciate so much the people on the top tier still being down to earth and helpful.

Scott: I remember, once when I was working at the Middle East, I was the driver for Tom Morello. We ended up hanging out with him for like, two days. We had a blast, he was fantastic.

Liv: If there is any band or musican you would ideally love to collaborate with in any capacity, who would it be?

Scott: I’d love to do something with Brian Wilson.

Sarah: Scott is a Brian Wilson superfan. It’s borderline creepy.

Scott: Brian Wilson literally has changed my life.

Sarah: The way he produced music made me think about music differently…. but I would like to meet Debbie Harry.

Liv: Who wouldn’t? She’s a goddess.

Sarah: She’s so amazing, and she just has this edginess that isn’t pretentious. It’s all coming from who she is as a person and from her life experiences. She’s one of those inherently cool people.

Liv: Got any famous last words you’d like to leave us with? Better think of something witty and clever so we know that you’re cool.

Scott: I’m very appreciative of how quickly our band has progressed, and how many people have attached themselves to us, helping promote us and helping push us forward. We don’t have trust funds or rich parents, and everything we get to do is because we make it happen with the help of our friends and fans. Thank you!
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Sufjan Stevens Sings About Sofia Coppola

Over the weekend Sufjan Stevens shared with the world that he is very nostalgic. Stevens came across a few old demo tapes of his from college and decided to share one of them with the world. The title? ‘Sofia’s Song’,  which is literally a song about Sofia Coppola. This borders on flattering and weird, but you can already tell that he was brewing something special. Equipped with banjo he came up with the song claiming that Sofia was his ‘imaginary confident’ when writing songs in his early days. I guess everyone needs to be inspired by something. The tale of his name and early music career was posted along with the song on his label, Asthamatic Kitty, along about the journey of his songwriting process. This is a great listen and read for any Sufjan fan, obsessive or otherwise.

Download ‘Sofia’s Song’

Merry Mixmas, Part 2.

The Strokes Christmas

I guess its the Holidays that have my head in a fog, but somehow there were a few Christmas songs that I forgot to add to the list this weekend. One of them being a current favorite, ‘Seasons Greetings,’ by Robbers on High Street.

Speaking of Robbers on High Street, we here at Modern Mystery have some Holiday surprises up our sleeves for the next couple of weeks. Not to give anything away, but it includes bands such as Robbers on High Street,  Someone Still Loves You Boris Yeltsin, Phantom Planet, Sloan, Miniature Tigers, Of Montreal, and more…….

Its pretty awesome if I may say so myself, and you will just have to wait and see what some of these bands had to share with us.

Merry Mixmas Part 2

Robbers on High Street- Seasons Greetings
Belle and Sebastian- O Little Town of Bethleham
Feist- Lo, How a Rose E’re Blooming
Great Lake Swimmers- Song for the Angels
Blitzen Trapper- Christmas is Coming Soon
*The Hives with Cyndi Lauper- Christmas Duel
Low- Just Like Christmas
Long Winters- Sometimes You Have to Work on Christmas
Pedro the Lion- God Rest Ye Merry Gentlemen
Polyphonic Spree-Merry Christmas (War is Over)
Rufus Wainwright-Spotlight on Christmas
Of Montreal- Christmas Isn’t Safe for Animals
Marbles- Gift for You
Fabulous Bird with Bill Doss- Its Christmas Time Again
Summer Hymns- Santa Couldn’t Fit You Under My Tree
The Sixth Great Lake- Always After Christmas Boring
Elf Power- The Winter is Coming
Jet- Back Door Santa
Belle and Sebastian- Santa Claus

Sufjan Stevens- That Was the Worst Christmas Ever!
* The Hives and Cyndi Lauper doing a duet? I know. Its just as weird as it sounds. They seem like a pretty unlikely duo.  Ironically for Christmas when I was about 4, I had gotten my first cassette tape. It was of Cyndi Lauper’s ‘True Colors’ album. I still have it. I had to be the most hip kid in Kindergarten.