by Jane Lambert

Gun-Shy Butterfly Aren’t Here to Babysit Egos on “Manchild”

There’s a moment in “Manchild”, Gun-Shy Butterfly’s scathing new single, when the sarcasm curdles into something darker.

It’s the sound of the last straw breaking, the laugh you let out after being underestimated one too many times. It’s also the moment you realize this song is a reckoning of sorts.

Philadelphia based duo Julie Exter and Andrea Tarka White take no prisoners on this fuzzed-out, fire breathing alt-rock track that drips with wit, indignation and undeniable hooks.

What starts as a pointed eye-roll becomes a full on evisceration of entitled mediocrity, all set to a soundtrack that echoes the raw honesty of Hole and the punch of L7, with a melodic sensibility entirely their own.

But “Manchild” doesn’t just about calling out bad behavior—it’s about the emotional labor women are expected to do in response to it. The song’s brilliance lies in its refusal to smooth over that exhaustion. Instead, it puts it front and center, lets it roar and dares you to look away.

The lyrics are needle sharp here and they balance bitterness with clarity – there’s no vagueness and no metaphor to soften the blow. Just bold, clear language that hits like truth tends to – suddenly and without apology.

Production wise, it’s lean and loud. Every instrument has room to breathe, but it never lets up in intensity. The guitar tones snarl, the bass stalks just beneath the surface and Exter’s vocals command every inch of the mix.

“Manchild” then is a torch song for the pissed off and perpetually talked over. It’s a reminder that sometimes, the most powerful thing that you can do is tell the truth and crank the volume up while you do it.

About Gun-Shy Butterfly

Gun-Shy Butterfly is the Philadelphia based alt-rock duo of Julie Exter and Andrea Tarka White.

With a minimalist setup and a maximalist sound, the pair craft raw and riff-heavy anthems fueled by feminist fire and unfiltered emotion. Blending the grit of ’90s grunge with sharp lyrical wit, Gun-Shy Butterfly tackles everything from cultural exhaustion to personal reclamation. Always loud, always honest.

Their debut singles “Dark Side” and “Manchild” announce the arrival of a band unafraid to rage, reflect, and rip the volume right off.

Find out more on the Website

07.15.25

by Jane Lambert

The Sound of Getting Back Up – MASSEY’s “Comeback Morning”

“Comeback Morning” doesn’t beg for your attention. It doesn’t try to dazzle with clever production tricks or polished perfection. It feels more like that quiet, electric moment of survival.

MASSEY is not your typical frontman. He is more of a conjurer, someone who pulls whole arrangements out of thin air with nothing but his voice.

Listen here:

And the stellar line up of musicians on this one is no joke. Charlie Wooton’s bassline has weight, Oravetz and Groover on guitar keep it lean and expressive, and Doug Belote’s drums give the whole track its steady heartbeat. Then there is Lemmler’s Hammond organ – warm, wide and grounding and the 504 Horns who elevate it even further.

But more than any single performance, what sticks is the overall vibe.

“Comeback Morning” very much sounds like it was built on real trust between players, and on MASSEY’s belief in second chances. That message that “The comeback is always sweeter,” a phrase borrowed from his father, is the kind of line you believe because you can hear that MASSEY does.

It’s a big hearted, soul driven reminder that even after the darkest nights, the light still shows up and sometimes its in a song.

About MASSEY

MASSEY showed up like a spark — fully formed, voice first — when producer JoeBaby Michaels caught wind of something wild, soulful and unmistakably original.

At the center of it all is MASSEY who sings, hums, whistles and scats every idea into being. Think James Brown if he built the bones of the song from the air.

There’s something visceral about the way MASSEY approaches music. Songs begin as voice memos — grooves and hooks born of walks, dreams, gut feelings — and get fleshed out by a tight circle of trusted collaborators, especially his guitarist and writing partner Peter Oravetz. The result is music that feels lived in but alive, rooted in New Orleans funk and soul, laced with rock grit and retro R&B swing.

In just a handful of releases, MASSEY has already made noise. His first few singles have racked up over 600,000 views collectively, with each new track carving out more of his singular identity.

With his debut album Reason For Being dropping soon and a slate of live performances kicking off with NOLA JazzFest, MASSEY is stepping fully into the spotlight.

Keep up with MASSEY on his Website

07.14.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH DEBO RAY

Debo Ray is well known for her powerhouse vocals, and for her ability to command stage presence, but with her latest single “Take That,” the Boston based artist opens a new chapter. Vulnerable, raw and fearless, the song marks a turning point in her music journey – one where personal history, healing and musical innovation come together.

In this exclusive interview, Debo shares the story behind “Take That,” the emotionals that shaped its lyrics, and the process of bringing her past and present selves together on screen.

Filmed in collaboration with Vano Projects, the music video captures the emotional weight of childhood memory, the struggle to reclaim identity and the ultimate act of self liberation.

Watch the Official Music Video here:

1.Tell us the story of this song. Why did you choose to visualise this song specifically in this way?

“Take That” is about reclaiming your power. It’s about what happens when you face down your past, especially the parts that tried to define you, and choose to stand in your truth anyway. I (and my writing partners Jerry Velona and Prince Charles Alexander) wrote this song from the perspective of someone who’s walked through emotional fire and come out the other side with scars and strength.

We chose to visualize this story by weaving together my past and present selves: child Debo and adult Debo, because I truly believe our younger selves never leave us. They’re witnesses. They’re roots. They hold the earliest versions of our dreams. Showing both timelines in the video allowed us to bring that emotional journey to life. I wanted people to feel the transformation.

The video team at Vano Projects helped us bring this vision to life with so much creativity and care, even within the constraints of an indie artist budget (which, let’s be real, is always a part of the puzzle!). We shot everything in just a day and a half across three nearby locations, and somehow, it all came together like magic.

2. What was the inspiration behind this video? (visuals, storyline etc.)

I’m a first-generation Haitian-American, raised in a deeply religious and traditional household. My upbringing was filled with music (both my parents are gifted singers and instrumentalists) but it was also filled with strict expectations, unspoken tension, and emotional volatility. My father had a temper that shaped a lot of my early experiences with fear, shame, and silence. Those patterns followed me, even into adulthood.

For years, I buried that part of my story. I thought if I just kept performing, kept achieving, I could outrun the pain. But when I began writing this album, I knew I had to be honest. “Take That” became a turning point: a declaration. Not of vengeance, but of truth. A way of saying: This happened. It shaped me. But it doesn’t own me anymore.

The visuals reflect that healing arc. There’s resistance, confrontation, but ultimately, release. And that’s the legacy I want to build; not one of hiding pain, but transforming it.

3. What was the process of making the video?

Creating with Bojan and Laura of Vano Projects is always a joy. They’re not just brilliant visual storytellers, they’re collaborators who really see me. We’ve done several videos together now, and they understand my vision, my aesthetic, and my need to tell the whole story from styling, setting, emotion, all of it.

Jerry (my husband, co-writer, and creative partner) and I brought them a loose concept rooted in the lyrics: this idea of a young girl running toward herself. I told them I was finally ready to show more of what I’d been holding back. From there, the four of us sculpted the vision: Laura sourced the two phenomenal actors — Jaelyn Francis, who played little me, and Jimmy Jules, who played my father — and Bojan found the main location. Jerry suggested the Harvard Stadium for the final running shots, which gave the video that haunting sense of endurance and triumph.

We shot most of it in one powerful, emotional day and wrapped up with a quick sunrise shoot at the stadium. The result is something that feels both deeply personal and universally human. It’s one of the bravest things I’ve ever created.

Keep up with Debo Ray on her Website

07.11.25

by Jane Lambert

Saint Tone Lights the Fuse with New Single “Explode”

With brand new single “Explode,” Saint Tone delivers a ballad that digs deep into the emotional trenches, conveying a message of healing and release.

Saint Tone is known for his positive and uplifting songs, but the Sarasota based artist slows things down on this more introspective track. The emotional impact is just as hard hitting.

Listen in here:

Built around warm acoustic guitar, gentle piano and subtle atmospheric textures, “Explode” draws listeners into an intimate space of vulnerability. The lyrics are raw and reflective, with lines like “I am here to expose all the bitterness that soils my soul”, striking a chord for anyone burdened by the trials of life and any unresolved pain.

As the song unfolds, it becomes clear that this isn’t just about sadness. It is more about transformation. Saint Tone invites us to confront the darkest corners of ourselves, not to dwell there, but to finally let go.

The repetition of the chorus – “If I don’t let it go, I will explode” – is both a warning and a revelation. The result is a song that is much like a musical exhale, making way for light again after a rough period.

For fans of Sting, Damien Rice or Ben Harper’s more meditative work, “Explode” will feel like home.

It’s a powerful reminder that sometimes the most important journey is an inward one, and one where healing begins with honesty.

About Saint Tone

With over 7,000 performances to his name, Saint Tone delivers an uplifting fusion of pop, rock and country styles. He combines catchy hooks with spiritual affirmations and thought provoking lyrics.

Based in Sarasota, Florida, Tony Saint Tone writes music that is centered on themes of self empowerment, motivation and connectionl. His storytelling and high vibe energy together with empowering messages create a musical exoerience that is both fun and deeply meaningful.

Perfect for anthem seekers, dancers and old souls alike, Saint Tone’s music will make your feet move while also feeding your soul.

Find out all about Saint Tone on his Website

Stream music on Spotify and Apple Music

07.01.25

by Jane Lambert

VIDEO VOYAGEUR: 3 Q’s WITH MOLLY THOMAS

When a life altering moment changes everything, some artists retreat. Others write. For Molly Thomas, the aftermath of a devastating car accident in August 2023 became both a period of deep healing and unexpected creative clarity.

Her new single “Crash,” co-written with longtime collaborator Ken Rose, captures that raw emotional journey with rare honesty and grace.

Quiet, luminous, and haunting in its simplicity, “Crash” tells the story of survival, acceptance and the deep gratitude that follows being kept on this earth by the kindness of others.

In this interview, Ken Rose opens up about the inspiration behind the song, the process of writing and recording it, and the symbolism behind the intimate video that accompanies its release.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

Crash was the only song we wrote after Molly’s accident. We were sitting on Captain Tom’s dock, in the hammocks. Molly was still in recovery, and the song just flowed naturally.

It’s always been a favorite because of its honesty, and I love the free, easy ’70s vibe we captured. “Crash” is essentially a documentary that encapsulates Molly’s accident — not just the physical experience, but the emotional and spiritual journey as well.

It’s also a reflection of the deep gratitude we feel for the community and circle of friends who showed up when Molly needed support the most. I asked Molly to record a simple, neutral, and unaffected vocal video on the porch because I wanted to capture her emotional strength. It was a gamble — it was either going to work or completely fall flat.

Since Molly and I were writing and recording the album before, during, and after the crash, I witnessed her pain, joy, and growth firsthand. I wanted to capture her “survival” in the video — and I think we did.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

The inspiration for the video was to capture the essence of “pure” Molly, combined with the feeling of movement — driving — to represent her journey and recovery. The clarity of Molly’s emotions, contrasted with a blurry, surreal night drive through a foreign country (I filmed it in Casablanca, Morocco), felt like the right metaphor.

3. What was the process of making the video?

The process of making the video was simple: don’t overthink anything.

We had just half a day to create something, so it had to be all about trust and flow. That’s how our creative partnership has always worked — trusting that whatever we make together will be honest.

Find out more about Molly Thomas on her Website

06.30.25

by Jane Lambert

Havilah Tower’s “Open Wide” Shines a Light on Quiet Courage

An emotional folk-pop reflection on the moment your life begins to shift.

Havilah Tower’s latest single Open Wide captures something elusive. That subtle turning point when you realize the life you’ve built no longer fits the shape of your heart.

Wrapped in a warm folk pop instrumentation, “Open Wide” is something of a softly unfolding meditation on self-honesty, transformation and the beauty of rediscovering what truly matters.

Built around a graceful acoustic guitar line and anchored by Havilah’s soulful and expressive vocals, the song opens like a journal entry. It’s private, deliberate and fully human. As she sings of a dream life slipping from her grasp, the listener is drawn into that universal threshold where illusion gives way to truth, not with drama, but with clarity. This is the sound of someone who is choosing alignment over image and heart over habit.

What takes “Open Wide” to the next level though is its arrangement – the cello swells, the ambient textures and the thoughtful percussion surrounds the lyrics without ever overwhelming them. Each instrumental choice seems to lean into the song’s emotional arc, and echoes the idea that shedding old narratives can work to make space for something more honest and grounded.

Lyrically, Havilah strikes a balance between a sense of vulnerability and control. Lines like “the dream that I had, it’s not what I thought” carry both disappointment and empowerment. There is maturity in her writing, as each verse is anchored in lived experience.

Listeners who are familiar with artist like Patty Griffin, Brandi Carlile or even the more introspective moments of Taylor Swift’s “Folklore” will feel at home here. But “Open Wide” is not derivative – it is distinctly Havilah.

What makes the track even more especially resonant is how it reframes letting go not as failure, but as a grace.

It’s a song for anyone who has ever paused in the middle of their own story and asked: “Is this still true for me?”

In that way, “Open Wide” becomes more than a single, but also an invitation. One that asks you to step into your life with your own eyes – and heart – fully open.

Keep up with Havilah Tower on her Website

Stream music on Spotify and Apple Music