Brooklyn based singer-songwriter Elizabeth P.W. has a new single out now called “Brooklyn.”
A song packed with meaning, “Brooklyn” came to Elizabeth suddenly after the death of her aunt in Manhattan who was involved in a car accident:
“With my Aunt Amy´s death, I had a sudden realization: after over 100 years of Brooklyn being the hub of our family, I was the last living person in the Phillipson family who remained. The chorus of the song popped into my head one day and the rest of the song came soon after.”
With the Americana folk chorus and key instrumental violin and accordion solos, this song is memorable and full of emotion. As a multi-instrumentalist, Elizabeth´s music has been nominated for various composer awards as well as being premiered in films at Tribeca Film Festival, DOC NYC and more.
“Brooklyn” combines various synth sounds with organic instruments like the folk violin to create her signature sound.
Elizabeth released her debut folk album “Haven´t Found It” back in 2019, to much critical acclaim and she has been busy ever since composing music for film scores such as the 2021 NAACP Image Award nominated short film “Gets Good Light”.
Her music influences include Fleetwood Mac, Jackson Browne and Glen Campbell. With such an eclectic sound and great musical talent for both songwriting and performing, we can´t wait to hear more of Elizabeth´s music both on screen and future single releases.
Stay current with Elizabeth Phillipson-Weiner on her Website and social media channels Instagram ,Twitter and TikTok.
American band Siren has released their brand new album Beyond the Rainbow.
This is an album that you can truly become immersed in; raw, authentic, contemporary metal rock. The opening track “Lawless Life” starts with a progressive metal guitar riff. The lyrical “High Wire” and “Sympathetic Response” are more laid-back rock songs, written by Mike and Rob Phillips.
Many songs on this album are unexpected, in the sense that musically it is extremely tight and well written, as well as experimenting with different musical concepts. Siren have really gone the extra mile with this new release.
¨When we began writing Beyond the Rainbow, we would write as a group with the exception of ‘High Wire.’ ‘Empty Ocean,’ and ‘Sympathetic Response,’ which Mike and I wrote. Normally Mike and I will bring the songs to the band, and let them work out their parts. A process we have gone back to for our upcoming material, as it seems to work much better for the writing process.” – Rob Phillips
When Phillips had sought to reunite the band back in 2005 with drummer/engineer Mike Cupino, and a new musical direction, the band did release their first Siren album called “Don´t Mind”. It wasn´t until much later, as three new band members joined the group, that the musical sound developed even more.
Today, Siren exists with the same lineup as previous releases, except for the lead guitarist. Todd Grubbs replaces Leo Boland as the lead guitar, and brings a guitar virtuoso which really makes the band stand out with a progressive, fusion style.
The first track on the album, “Lawless Life” was released earlier this year as a single to much critical acclaim, together with a music video produced by Nathan Mowery. With influences such as The Beatles, Led Zeppelin and Foo Fighters, it is hard not to enjoy this eclectic blend of progressive rock.
Gary Dranow & the Manic Emotions is a Park City, Utah-based classic rock band making music for the square pegs. After creating successful business endeavors in the world of outdoor sports, bandleader Gary Dranow turned to music to help him cope with bipolar disorder and the effects of a stroke. The result is a genre-defying collection of songs that provide comfort to those who are also walking a difficult path.
The band just released two singles from their upcoming album, Destiny Road, and album 25 years in the making.
The first is the pop rock single “Fool Outta Me,” a song with a Bon Jovi meets Pink Floyd 80’s inspired sound. The melody grabs your attention and demands your ears with it’s catchy hook and masterful songwriting. The song is about a one sided dysfunctional and unrequited love, the subject of the song has had enough and is calling it quits. “The lyrics were inspired by one of my own failed relationships where my emotions and effort were not returned,” shares Gary.
The second is the more classic and heavy rock single “Twisted Minds,” a song with an Ozzy Osbourne meets The Rolling Stones melodies and rock structure. This song is alive with wailing guitars, lyrical poetry, and emotional intensity. The song is an energetic and cathartic song about the insanity of loving someone with an unhinged mind. Lyrics like “Infatuation takes the blame, what does it matter, when your living in lies, you lose the game” sets the table for a fare of emotional angst and once again the trauma of dysfunctional relationships, of which Dranow has had many in his 50 years of trying to find lasting love.
Influenced by the musical work of icons Hendrix and Stevie Ray Vaughn, Gary Dranow and The Manic Emotions are set to soar to new heights, as they send ripples through the Blues and Rock music scene. They are a force to be reckoned with and are bound to be on your playlists.
Tara Novak is a trained classical violinist turned alternative pop artist who dropped out of music school to explore who she was without the violin. She spent the next two years bartending and discovered yoga, music festivals, and fine dining. She read many books – from beat poets to business manuals and opened the floodgates to the rock, pop, folk, and dance music she had deliberately shut out in the past.
Tara’s music is deliberate and specifically crafted to create empathy. She uses music as a healing tool for herself and listeners. “I write songs because it allows me to process the world I observe,” shares Tara. “Music opens our hearts and minds.”
She just released her new album Layers of Identity. The 10 song alternative and orchestral pop album bleeds of human nature, who we are as individuals and as a society, and encapsulates the blended way we see the world. Her style is ballad-like with each song giving off a “Candle in the Wind” vibe. She is backed by violins, the piano, and an electronic beat found in contemporary pop songs.
Every song brings their own story to the table. “Just Me & You” was inspired by a homeless girl she saw begging for change and she thought “what determines our paths in life?” It’s a reminder that we are not all that different. “My Heart Was Jumping” is a playful song that blends the sounds of Eastern and Western styles of music. This is what emerges when a long-time touring violinist pens a song about the ups and downs of a relationship. In “A Place Called Purpose,” the most orchestral song on the album, is actually an epic written by Tara about a young girl’s attempt at finding a place called purpose.
Happy For No Reason is a band that is the antithesis of their name. The band based out of Portland Oregon celebrate every single one of life’s precious moments as two of their members are literally happy to be alive. Comprising of Jo Alexis (vocals and percussion), Neil Goldstein (guitar), and Mark Pritchard (flute), the founding members of Happy For No Reason navigate the rich waters of Jazzy Folk with a pinch of rock, a dash of soul, and even a touch of Bossa Nova.
Their jazzy folk rock single “Canaries (Hot Summer Night)” was revived from Neil and Jo’s early music careers. Neil wrote this chord progression with a jazz band in 1974 and Jo wrote the lyrics in 1991. They put them together one night in 2015 to make the song we hear now. It’s an example of how many of their songs came together.
“The lyrics are about my boyfriend who was working in Harlem at the time and I went to visit him knowing we might break up,” says Jo. “Breaking up when you are still in love is painful but the song has turned into a raucous uptempo sing-along, like the rat pack with a female lead!”
They finished recording, mixing, and making the music video during the pandemic. A friend of Jo’s told suggested the lead vocals were initially too aggressive. So, Jo bought a new microphone and redid her parts, also learning how to use Logic, the DAW (digital audio work station) and spent many hours comping the flute and piano solos.
Their video for “Canaries(Hot Summer Night)” depicts the band on a steampunk style ship, captained by Jo. They are on a mission to catch a canary. The ship and crew are eventually wrecked and never catch the canary. It’s a metaphor for self-destruction, you want something so bad that you’re willing to ignore red flags.
We spoke with Jo Alexis about the video:
Tell us the story of this song, why did you choose to visualize this song specifically in this way?
We didn’t actually choose it but trusted the animator to come up with something fabulous! I saw one of his videos on YouTube and looked him up. He does a combination of live action and animation and I thought it would be amazing for this song!
What was the inspiration behind this video?
Honestly, we gave Christian Bolorinos, our director/animator/producer complete creative freedom on this so all of the ideas were his and we showed up in costume and followed direction. He is SUCH a joy to work with and has an incredible sense of humor! I was delighted with the result and so was the wonder world. The video has acquired 136k views on Facebook and is also a favorite on my YouTube channel.
What was the process of making this video?
The process was so much fun! We rented a studio in Portland and showed up in steampunk outfits(during the pandemic so we wore masks except when shooting!). We shot the music video in Portland but our director, animator and script writer, Christian Bolorinos, was in Barcelona. So we FaceTimed with him during the shoot which actually worked out really well! He directed us from Spain and we just followed his directions. I rented boat props like a steering wheel and a nautical telescope and of course, ropes. We used a fan to make it look as if we were in a terrible storm. Here are some cool pics of our shoot with the band in steampunk costumes.
Singer/songwriter Ariel Arbisser’s music and performances make her audiences feel seen, heard, and offers a unique glimpse into how she experiences the highs and lows of the world. Her music is raw and passionate, a brand of pop that you won’t find in other artists.
She just released her new electro-pop single, with a hint of funk, “Rabbit Hole,” the follow up single to her last release “Bloodshed.” “The core of this song came to me last year and it’s had a chokehold on me since,” shares Ariel. “Thematically there’s some crossover, but ‘Rabbit Hole’ comes down from the rage-filled fever pitch of ‘Bloodshed’ to this which is a more restrained, sexy, slow-burn. Things haven’t settled yet. The ‘dark side’ is still enticing, maybe even more comfortable than it was before. The full song sonically is true, addictive journey downward.”
“Rabbit Hole” has a contemporary meets retro electro-pop sound, almost like a Sara Bareilles meets Harry Styles. Her voice carries such strength, similar to an Alice Russell or Brandi Carlile, or even an Adele.
Through her lens as a white, Jewish, queer woman, she is transparent when learning out loud and participates in ongoing conversations about mental health, body neutrality, sex positivity, social and racial justice, LGBTQ rights, and more. In a world that’s dangerous for far too many and uncomfortable for almost everyone, she creates a touchstone by creating art, appreciating simple pleasures, and taking dedicated and intentional risks for love.
“With love comes inevitable pain– miscommunication, betrayal, heartache, loss… Allowing yourself to be vulnerable enough to experience love, however briefly, is brave. And it’s worth it in the end.”
Modern Mystery 
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