Singer-songwriter Heidi Vincent is making a poignant return to music, armed with newfound clarity about her identity and direction.
After dedicating several years to raising her remarkable daughter, exploring healthy love, and undergoing a phoenix-like self-evolution following a later in life ADHD diagnosis, Heidi steps back into the music scene with a series of singles. The opening track, “Dear ADHD,” reflects her vulnerability and uplifts as she embraces a newfound power.
Heidi is based in Vancouver, BC, and embodies a unique storytelling talent that delves into the depth of emotions, identity and transformative life moments. Her musical aesthetic seamlessly fuses earthiness with elegance, as she eloquently describes herself as “bare feet in the dirt, but can still hang with the judges.”
Blending elements of indie, pop, rock, folk, and country, Heidi’s songs feature personal, playful, and relatable lyrics that resonate with listeners.
In her pop-country anthem, “Dear ADHD,” Heidi fearlessly challenges and dismantles the stigma surrounding life with ADHD. She underscores the profound ability of art, music, and self-expression to unite hearts, describing the song as a genuine expression from her heart to the listener’s:
“The amazing thing about art, music, expression is that it connects our hearts; this song is from my heart to yours!”
Vincent’s life journey has been profoundly influenced by a complex upbringing, raised by “Greatest Generation” patriarchal grandparents and “Silent Generation” matriarchal grandparents. A strained relationship with her mother, who passed away suddenly at 42, adds layers of complexity to her narrative.
Reflecting on her mother’s challenges in understanding her ADHD, Heidi says, “I know my mother fiercely loved me, but I know she had challenges with parts of who I was because she didn’t understand my ADHD.”
Having previously released two full-length albums, Vincent’s active presence in the Canadian and North American music scene includes features on television, terrestrial and satellite radio, and placements in films and TV programs. Her latest single, “Dear ADHD,” has garnered critical acclaim, secured curated playlist spots, and earned airplay on satellite and international terrestrial radio.
Following “Dear ADHD,” Heidi will release two more singles, including the country ballad “What Love Can Do” and the playful “Criminal.”
Keep up to date with Heidi Vincent on her Website, and social media channels Facebook and Instagram.
Connie Lansberg has created a world where jazz meets storytelling, and energy healing finds its voice through music. She’s the creator of Transformational Entertainment™, a genre that’s as intriguing as it sounds.
An accomplished jazz artist, songwriter, and author, Connie’s work is a harmonious blend of wellness and artistry, wrapped up in songs that resonate on multiple levels. And she is one of the most streamed Jazz artists in her home country – Australia.
With a career that spans multiple albums and even a novel, Connie has become a fixture in the Australian jazz scene. Known for her poetic lyrics and elegantly expressive melodies, Connie Lansberg has a knack for capturing the complexities of human emotion in 4-minute musical soliloquies. Today, we delve into the creative process and inspiration behind her latest video, exploring how it adds yet another layer to her already rich tapestry of work.
1. Tell us the story of “Deep End of Love”; why did you choose to visualize it specifically in this way?
“Deep End of Love” with all its gravitas in the music is a little tongue-in-cheek look at the games we play in the name of love and how refreshing it would be to just take the leap without our baggage, our wounds, and our pain. I have a live video of this song, but it seemed too safe. My music is not safe because it isn’t because it is always its own thing and not readily easy to place in a genre. So I searched and found a great lyric video creator and sent him as many images as I could because, at that time, I didn’t know he could draw and I wanted to suggest a certain darkness.
2. What was the inspiration behind this video (visuals, storyline, etc.)?
The song asks the question, do you think it’s possible to give your heart to another fully without fear? So the heroine had to represent the question. I wanted to see her grapple with it and then triumph.
3. What was the process of making this video? (and anything else you want to tell us?)
When I choose another creator to work with I always let them show me what they’ve got first, without too much direction after the initial brief. However, when I realised, most jazz-based songs don’t have lyric videos because of all the improv, and “Deep End of Love” has two improv sections, middle and end of the song, I knew I had to jump in a little more than normal. I pushed this guy to his limit! We crafted the two improv sections and I asked him to draw and then animate this woman and I was thrilled with the results. She has such a strong nobble face, not like the prettiness you see in Western world women. I do have a confession in that I did recut the video to get that impact at the end, but I think I got the very best out of this guy. He’s done a few more for me that are really good too. I love the freedom of lyric videos as well as the fact that for me, the lyrics are so important. Lyrics are my true gift and so many people pay no attention to them. For me, if you don’t listen to my lyrics, you’re missing the point.
Whether she’s penning a novel or crafting a jazz tune, Connie’s belief that we create our own reality shines through. Her songs are not just melodic expressions but also vehicles for energy healing and wellness. As we await her next project, one thing is certain: Connie will continue to challenge, inspire, and transform us, one note and one word at a time.
Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”
Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.
A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.
Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”
“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.
Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.
“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.
“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.
Reflecting on the album, Lorenson remarks:
“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”
Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.
Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.
“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”
Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.
Listen to “Standard Time: Live in New York” on Spotify.
Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.
Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”
Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”
George Collins takes listeners on a poignant and personal journey with his soul-stirring song, “My Wish For You.” Born out of a profound life moment, this heartfelt composition tells a narrative that transcends the boundaries of time and emotion.
The origin of the song dates back to a hot August day in 2012 when Collins, a late-blooming father at 50, was walking home from the hospital after witnessing the birth of his daughter. Overwhelmed by the emotions of that transformative experience, Collins received what he describes as a “download.”
The chorus of “My Wish For You” arrived almost fully formed, compelling him to capture the moment in a notebook, tears streaming down his face.
A decade later, Collins revisits those heartfelt lines as he writes songs for the “Songs for Grown-ups” EP. Inspired by the scenario of a father cuddling his newborn daughter and expressing hopes for her life, the song takes shape as a timeless piece of musical storytelling.
The chorus, with its recurring “May you…” and the resonant hook, “That is my wish for you,” becomes the emotional anchor of the song. Drawing inspiration from F. Scott Fitzgerald’s wisdom in “Letter to His Daughter,” Collins crafts a poetic list of wishes, distilling it down to the ten that find a home in the final lyrics:
“I pulled out my notebook and jotted down the lines – I still have that paper to this day (but then again, I never throw away anything – much to my wife’s annoyance!). I was sitting on a stone wall around the corner from the hospital, tears streaming down my face as I scribbled as fast as I could – attracting numerous stares from passers-by, but I didn’t care.”
Collins’s meticulous attention to emotional impact, rhythm, and singability results in a composition that tugs at the heartstrings. The connection between the lyrics and personal moments, such as Collins cuddling his newborn daughter and singing Stevie Wonder’s “Isn’t She Lovely,” adds a layer of authenticity and relatability.
“My Wish For You” transcends a conventional song; it becomes a vessel for the universal hopes and dreams of a parent for their child. Collins’s journey from a finance career to becoming a full-time dad and embracing creative pursuits is mirrored in the song’s narrative, making it a tribute to the enduring power of life experiences and artistic inspiration.
As the lyrics unfold, listeners are invited into a world where wishes are crafted with care, where the profound and the mundane converge, and where a father’s love becomes an everlasting melody. “My Wish For You” is more than a song; it’s a heartfelt wish encapsulated in music, resonating with anyone who has felt the depth of a parent’s love and the boundless hope for a child’s future.
George Collins has crafted not just a piece of music but a timeless expression of love and aspiration that lingers in the soul.
Sound Strider’s latest single, “Psychedelic Ritual,” marks a captivating exploration into the realms of electronic music.
The artist, with a musical journey spanning decades and performances across Sydney, Australia, France, and Berlin, Germany, showcases a diverse and eclectic approach that breaks away from conventional norms.
In this new track, “Psychedelic Ritual,” listeners are treated to a mesmerizing fusion of acoustic and digital sounds. The composition includes pulsating rhythms, harmonies from a harpsichord, and spoken word delivered by British independent scholar and shaman, Julian Vayne. The result is a departure from traditional psychedelic music, embracing the avant-garde with a touch of what can be described as “spectral alchemy.”
Kevin from Indies & The Underground aptly describes the music as “deliriously trippy psychedelia,” acknowledging Sound Strider’s departure from the norm in electronic music. The track reflects a creative and imaginative approach to the genre, aiming to transport listeners to a space where reality blurs, and the imagination takes the reins.
“Psychedelic Ritual” effectively captures a sense of creative freedom, showcasing Sound Strider’s commitment to exploring the unknown throughout the track. With its outlandish and boundary-pushing nature, the music invites listeners on a journey where the established boundaries of psychedelic music are transcended.
Artwork for the single cover was designed by Avery Von Ringle, and the track was mastered by Anti-Logic, Berlin.
The Color Pink have released a new music video to accompany their latest single “Little Animals” out now.
The song started out as a simple riff which lead singer Mikey Iansito came up with on a synthesizer he purchased a day or two before writing the track. The lyrics to the song explore the idea that we have a deeper, inner instinct that often comes up to the surface, revealing our “little animals.” Mikey says:
“I had these dreamy chords kind of floating around in my head and I just happened to find a perfect patch on the keyboard to play them.”
Some parts of the song are darker than others, while others are brighter and full of sunshine! The lyrics are so risqué and suggestive, but because the music itself is happy and upbeat, it doesn’t sound too dark. The music video reflects this duality.
The idea for the video came about when Mikey thought it would be fun to include his 1974 VW Beetle car in a video and then relate it to the lyrics: “I thought, what if there are these girls in the car who just had a great day at the zoo, and they see this creepy animal playing guitar who is supposed to be so sexy and mysterious, but rather than be excited or impressed, they just drive away with it.”
After years of collecting camera equipment, the moment arrived when Iansito felt confident enough to dive into the world of music video production; the experience was made all the more enjoyable with the enthusiastic participation of friends who all had a hand in bringing the video to life.
Friend and guest guitar player Mike Malinowski was a special guest, who sported a bunny mask, embodying the little animal that becomes the source of laughter, and in a comical turn of events, he even took part in pushing Mikey’s car during the shoot.
The video was co-directed by Marissa DeMarco, who also makes a star appearance, contributing her talents and creativity to the overall success of the project.
Mikey’s musical journey began when exploring the piano at his grandparents’ house, moving to an obsession with synthesizers. Drums were his first instrument, which then turned him into a multi-instrumentalist. He later started recording material after receiving a zip disc recorder as a gift from his Uncle.
Their debut album “Mazes” displays the period of growing up as an teenager, with a vintage element. Seamless production, fun piano chords, synth textures and vocals explore retro-futuristic vibes.
Modern Mystery 
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