Surfer Blood is EVERYWHERE!

Surfer Blood @ CMJ, Cake Shop by you.
We can see a little bit of everything that’s good about music in Surfer Blood. And, while they played a total of twelve shows over the week of CMJ, I only got to catch two of them. It’s still a big number to see any band more than once at CMJ, and they were well worth it! As I trailed behind this site’s curator, Melissa, she will more than likely recount that this band was my obsession for the majority of the festival. We were also more than pleased to be blessed an interview with the band, which is posted below. Surferblood is at the top of the surf rock genre that exploded this summer, although they are hesitant to admit it. No, this is an indie rock band, and one of the best and brightest and…youngest at the most. You can hear the rifts of some of the genres greatest. A little bit of Yo La Tengo, a smidge of built to spill,  and even a pinch of Pavement. So, although the band has a very modern sound, the influences of Surfer Blood go back a ways. This is all in my own interpretation though, the only band dropped by the lead singer, JP Pitts,  as being an influence is Yo La Tengo (in particular the song “Sugar Cube”). Surferblood has been on constant replay in my itunes, and I’m sure we will be hearing a lot about them soon. The CD drops Janurary 19th on Kanine.

 Bonus: Same label as Grizzly Bear!
-Joe Paolucci

Surfer Blood Interview @ CMJ by you.
Surfer Blood is one of the fastest rising bands on the scene right now. Blending a bit of 90’s alternative with 60’s surf rock, the band who was hoping they could land one show at CMJ ended up with over 12. I sat down with the band who is John Paul Pitts, Brian Black, Tom Feketethe, Tyler Schwarz and Marcos Marchesani, on their first day of the festival, in the back of their van no less, to get the scoop on one of the hottest  bands around.

How did everyone in the band meet?

JP: The drummer Tyler and myself have been playing together since 2006 — we met in Orlando, Florida. We started playing together and feeling it out. We were working and going to school full time, and we started jamming together as this band called Jabroni Sandwich, which is a retarded name but we were serious at the time. We had a few members come in and out and then I met these two guys (Tom and Brian) at a Diplo Ultra after party in Miami, we all went for the free beer and met each other. They were like “Oh I’ve heard of you guys, I really like you,” and we had heard their band too and was like “We should all jam together sometime and tour.” And I was like, “Well if you’re serious, call us and we’ll do it.” And three days later were already learning the songs and planning a tour.

Tom: It’s strange, because we had heard their songs and really liked it but none of us were really doing anything, I feel that each of us had a member or two in our band that wasn’t really available to do it full time. We’ve been a band for 6 months, but we started  with the idea of we’re going to get this record out and we’re going to tour and that’s it. So that’s what we did and we’re on a tour right now, so it turned out.

How did you come up with the name Surfer Blood?

JP: The same night that we met in the club, Tyler was in the backseat just mumbling stuff under his breath, and we had the music playing really loud and he wanted us to turn it down but no one was really listening to him so he started yelling random things, and Surfer Blood was one of the things he yelled, and we all were cracking up. We were trying to think of names and stuff.

Who are your influences? You sort of have a Weezer meets Beach Boys vibe.

JP: We get Weezer a lot , but I don’t see it as much. I love Pinkerton but it’s not like it’s a bad thing.

Tom: A lot of people tell us they get a nostalgic feel from us, like we remind them of a lot of bands from the 90’s.

JP: We love all those bands, we don’t really mess around with too much electronic stuff. I mean we have Marcos playing keyboards.

Tom: We have another member (Marcos) we just added to do all the keys and do extra percussion on the record, and it works out.

JP: Now the live show has gotten that much better. Our influences, Yo La Tengo is one of my favorite bands, in terms of current bands, Women are great, Holiday Shores is really good. We’ll be playing with them and we’re excited about that.

Brian: There’s this whole group of bands in Athens, GA, this guy Mercer is in a couple of bands, this one called Mouser.

JP: The So So Glos from New York are really good, we’re big fans. Our influences if you can’t tell in the record, are really, really broad. Some of the guitar effects and rhythms. We get really excited about other people’s music and that’s what kind of makes us want to play music. We love so many bands.

Brian: We’re glad there’s other bands out there otherwise we’d be writing the same song over and over again.

You’ve been getting a lot of attention from blogs, online media and general word of mouth. Does your ever growing and fast attention ever surprise you?

JP: Every single day. We’re just so grateful, just the fact that we’re playing 12 shows. Just four months ago we were like “Oh man hopefully we can find a way to get one CMJ show,” and now we’re playing 12.

Tom: I always say this, it doesn’t really hit us until we’re doing it. We’re kind of floating around and then it’s like “Shit it’s really happening.”

JP: Everytime we see a favorable blog entry or review or something we’re just so happy because people can be so brutal. It’s so bizarre to us. It’s really strange how it happened, we played 4 shows in New York, and the first couple were really bad and then we played one that was decent, then I guess a couple people wrote and heard about us and ever since then it’s been steady. I got a message at 9 o’clock in the morning saying “Hey do you guys want to be on the Pitchfork Forecast?” and we thought they were joking or something and we saw it later that day like “Oh wow!”

Is  this your first time playing CMJ?

JP: Yeah, it’s all of our first time playing, none of our previous bands did.

How did you get involved with Kanine Records?

Brian: You know The Drums? They were name dropping us in interviews and stuff, and then there was a show for Insound that they were playing and they told Leo to go see us at Bruar Falls, and Leo came.

Tom: They’re really cool and they’ve been the most helpful people.

Tyler: When I first moved to Orlando, I was playing in this band that I wasn’t really into but I was playing drums for it, and I didn’t even know anyone. And his band was based 45-minutes east of Orlando and we played a bunch of shows together, so they contacted us about 12 months ago asking if they could use one of our songs for DJing, and it wasn’t until we met each other in Gainsville that I was like “Holy shit, you’re that kid Jacob!”

JP: We are really cautious about being lumped into the whole surf rock thing. The only thing really surfy about our band is that we have vocal harmonies, and our guitars sometimes have reverb on them.

Tom: We don’t want to get pigeonhold in that category, we’re going to do other shit. We’re wondering what the next record is going to sound like.

So your first album, Astro Coast is due out in January. Are you more excited  or more nervous about the release?

Tom: It’s been done for a while, and we just want it to be out and available and start working on more stuff.

How does the songwriting process happen within the band?

JP: Well a majority of the songs we already had but people have brought in new dynamics and things have changed. There’s been a lot of tweeking and the live sound sounds very different from the recording sound. It’s a new perspective.

You’re doing a lengthy tour with Japandroids and Art Brut. Is this the longest tour you’ve ever done?

JP: It’s the furthest we’ve ever been for sure, and yes our longest.

Brian: We did like 30 self-booked dates but those were miserable for the most part. Sometimes you go to a city and no one is there. It happened in DC, it was Thomas’ brother and his girlfriend. Even the promoter didn’t show up.

Where do you see Surfer Blood in 5 years?

JP: We still want to be touring and writing, doing exactly what we’re doing now.

Tom: At the end of the day, there’s nothing we’d rather be doing. It’s fun, it’s better than school!  We don’t want to be some sort of hype band.

JP: We kind of want to break the trend that’s been going on. After people stop blogging about them, it’s all over.

CHECK OUT TONS OF SURFER BLOOD PICTURES FROM CMJ 2009 AFTER THE JUMP

The Spinto Band @ Modern Mystery’s Playtime!

The Spinto Band, CMJ 2009, Modern Mystery Playtime by you.

Last week at CMJ, we had the honor of filming some of our favorite bands as well as a few up and comers. A Modern Mystery favorite around here is of course, The Spinto Band. We had the honor of filming the group outside on the streets of Park Slope, Brooklyn during CMJ last week the night of their Park the Van showcase. Not one, but two performances, the band performed the classic “Oh Mandy” as well as a new, unreleased tune for Halloween called “Won’t You Buy a Pumpkin?”. This is certainly a few videos you won’t want to miss out on!!! Super thanks to The Spinto Band for filming with us!

The Spinto Band “Won’t You Buy a Pumpkin?”

The Spinto Band “Oh Mandy”

More Pictures from the Filming After the JUMP

The Spinto Band @ Union Hall, CMJ, October 23, 2009

spinto8 by you.

For Day 4 of CMJ 2009, it was a messy rainy night in Park Slope, Brooklyn. That’s where the SPINTO BAND was headling the PARK THE VAN records CMJ showcase. Even though they have alot of gear for five band members, they started right on time for their 12:30am slot on the bill.

If you ever seen one of their shows, or heard the song “Brown Boxes” you know that some of the band members use home made kazoos’s to start the song.. Tonight, guitarist Jon Eaton started the show’s set with a Clairnet for “Brown Boxes”. Pretty fun..and I think it worked well..even if kazoo’s sound cooler. I think this might have been my 5th of 6th time seeing the Spinto Band, and they always rock right from the start.

The band broke into old favorites like ” Mountains” “Direct to Helmet” “Did I Tell You”  and then rocked out newer ones from Moonwink ” Later on” , “Needlepoint” and the really fun “Summer Grof” which was an ODE to comic Janeane Garofalo.Then Tom Hughes joked with the audience and  started their cover of “Brazil” which is on their new digital / vinyl only release called Slim and Slender (Park the Van).

You could tell there was alot of energy from the crowd..there were people there for  CMJ just attending the conference…fans of the band, people just hanging out on a friday night..and even older fans & friends from PA and Delaware who were chanting “Tower Hill” during the show. Tower Hill is a private HS in Delaware where some of the boys started the band. The band worked on another new song from their ep ” JackHammer” and rocked out some older tunes like their classic hit “Oh Mandy.” The Spinto Band never disappoint. If you ever get a chance to see them, or if they come to your town, go see them live!

– Joe Madonna

CHECK OUT MORE SPINTO BAND CMJ PICTURES AFTER THE JUMP!

NME CMJ Showcase at The Delancey, Thursday, October 22nd

The Antlers at Music Hall of Williamsburg - CMJ 2009 (October 20th, 2009) by Amanda M Hatfield.

Punctuality is rarely a quality in musicians, so the fact that the NME Showcase on Thursday was off-schedule by 2 hours, is inconsequential. The music was well worth the wait.

The Delancey was swimming with people both outside and inside the venue, itching to get a glance at some of the top names at CMJ this year—We Are Enfant Terrible, Reni Lane, Yes Giantess, Suckers, Delorean, The Antlers, Male Bonding, Bear Hands, and an “X-rated special guest.” Clever.

Barcelona beat producers Delorean, the generally unkempt dance-pop dudes, got the crowd to jump and shake and bob, performing tracks from their catalogue. But then, after a long prep session, the stage switched gears completely, welcoming Brooklyn trio The Antlers, the much-hyped creators of break-out album “Hospice” (French Kiss Records, 2009). The members started off whimsically, prefacing “Bear,” as Peter Silberman’s voice grew and quivered, soaked in melancholy, sweat slapping his guitar. They followed with more tracks from “Hospice” and after each one Silberman seemed to weep a little, which lent his voice increasing character. But the problem with performing such a conceptual album—“Hospice” has a streaming narrative throughout detailing death and love—is that you can’t match its theatrics. But instead, when played live it acquires a guttural feeling, almost desperate, clamoring for attention with its loudness. A compliment, I swear. Not better or worse, just different.

Antlers closed abruptly after playing only five songs, but appropriately with the beautifully elevating “Two.” Silberman sang “Then they stuck you in machines, you came so close to dying/They should have listened, they thought that you were lying,” emotion spilling onto the audience. So in the end, media hype here is justified. The Antlers are just good.

Following up a highly-anticipated band can be jarring, but Bear Hands were just the men to do it. Their brand of pop-punk/funk alt brought a lot of personality to the cramped room, performing tracks from their “Golden EP” and other live favorites, like “Vietnam,” which opened the set with attitude blaring from lead singer and admittedly mediocre guitarist—his opinion, not mine—Dylan Rau’s lips. It was another five-song set, but even in just those five, it was obvious this band has it. I don’t quite know what that it is, but I’m fervently sure that it exists.

There’s no better example of this than when they perform “Sickly Brunette,” drummer TJ Orscher flailing his sticks; bassist Val Loper taking a break from his funky bass line to accompany Orscher on percussion, vindictive on his floor tom; guitarist Ted Feldman engrossed in his chords; Rau devouring the mic, feet pigeon-toed scurrying like an awkward James Brown. The irony of it all: they’re from Connecticut.

So experience Bear Hands’ itness for yourself. Visit the band’s MySpace for new tracks and info on upcoming shows in Connecticut and Sao Paulo, Brazil (Viagem segura!).

You would think they would have a somewhat decent band to preface the headliners, the x-traordinary special guests (ok, fine, you twisted my arm, it was The xx). But no, someone decided to book Male Bonding, a UK troop that by definition blow. Since I don’t know their names and don’t really care to, my recap will be shallow. Pink Pants hopped around stage, making sounds with his guitar. Where’s Waldo dude sat behind drums. And Ahmet Zappa talked into the mic. This is all.  

But then The xx regaled all with their pre-pubescent looking presence, all black attire, and minimalist tunes. Part of the majesty of the Londoners’ performance is the presentation, as they all line up facing the crowd, doing drastically different things with drastically different demeanors. They quieted down the noisy showcase with tracks like “Crystalised,” “Basic Space,” and “Islands” from their 2009 LP “xx,” embodying the noir/new wave appeal of the album, proclaiming their talent subtly to eager Lower East Siders. So thanks, kids. That was by far one of the true highlights of CMJ weekend.

-Paola Capo-Garcia

Robbers on High Street @ The Bell House, Brooklyn, October 22, 2009

Robbers on High Street @ Bell House, CMJ 2009 by ModernMystery.Robbers on High Street seem to be one of the most overlooked indie bands around, but the truth is they put on one ofthe greatest shows you will ever experience. The band only played one show of the CMJ marathon this year and they certainly made the most of it. Displaying new songs from the album they are currently heading back into the studio to record, this was truly a treat for the packed room of Robbers fans at the Bell House Thursday night.

If there was one way to describe the band, it would be a more soulful version of Spoon, though when it comes to song writing Spoon has nothing on them. Singer/guitarist Ben Trokan sings his heart out no matter what the song calls for. The most standout new track from the band is a tune called “Watch it Disappear,” which is filled with melodic vocals, haunting yet beautiful keyboard parts mixed with upbeat strumming.  The glimpse of new songs during their CMJ showcase has fans excited to hear the studio versions.  On a personal note, this was one of my favorite sets at the marathon this year, highly recommended!

Robbers on High Street @ Bell House, CMJ 2009 by ModernMystery.

MORE ROBBERS ON HIGH STREET LIVE PHOTOS AFTER THE JUMP!

Chris Chu of The Morning Benders @ CMJ, Living Room, NY- October 22,2009

Chris Chu of the Morning Benders @ CMJ 2009 by ModernMystery.

Chris Chu is not only the charasmatic lead singer of California’s indie-pop group The Morning Benders, but he has also taken on the role lately of beginner solo artist. Chu performed to a packed house on Thursday night at the Living Room during CMJ. The Morning Benders who are set to release their sophmore album Big Echo (Plus One Music) early next year, sent him out to showcase the new tracks. Chu, who already has an unforgettable voice, shown a new light to the upcoming songs.

The Morning Benders have managed to make an easy transition from the first album Talking Through Tin Cans, maintaining their sugary pop hooks; the songs come off well acoustically which only left everyone in the room hankering for the real thing. Amongst the new songs, Chu pulled off superb covers of Radiohead,  Phil Spektor and Neutral Milk Hotel cover. With the help of a local teen choir on background vocals and an enthusiastic crowd, he ended the night with a new tune.  Clearly, we’re all ready for the album to drop.

Watch live video from Chris Chu’s CMJ Performance!

SEE MORE SHOW PHOTOS AFTER THE JUMP