The Ferocious Revival of Animals In Denial with “Crash Course Volume 3 – Rust Covered Lust”

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With “Crash Course Volume 3: Rust Covered Lust”, Animals In Denial closes the loop on a trilogy of sound, taking long-forgotten demos and raw ideas and forging them into something stronger, sharper and more alive than ever before.

The songs that make up this new EP have been completely overhauled with cutting-edge production techniques, AI assisted enhancements, and a relentless drive to elevate past works into its fully realized form. The result is an album that pulses forwards with electricity, aggression, and a kind of nostalgia that surges forwards with teeth bared.

Listen here:

Opening with “Operator”, this song itself is an impressive evolution, born from a beat that haunted Animals in Denial since age 14 after watching The Matrix. Originally pieced together using a lite version of Ableton Live and a handful of drum samples, “Operator” took on a new life when Steven Seibold (Hate Dept/Pigface) stepped in for additional production and mixing.

His expertise helped sharpen the track’s cold, metallic edges, while subtle tweaks – like a reworked third verse and unexpected backing vocals in the chorus – pushed the song into new territory.

Meanwhile, “Coi” immediately plunges the listener into a world of industrial beats and searing guitars. What was once an abandoned demo has transformed into an undeniable force, with a dark and pulsing energy reminiscent of Pretty Hate Machine-era Nine Inch Nails, fused with the density and controlled chaos of The Fragile. It’s the kind of track that demands movement—whether that’s a rhythmic head-nod or full-body immersion in the beat is up to the listener.

Then comes “Rage”, a track that more than lives up to its name. This is a song that doesn’t just explore anger but embodies it. The layers of heavy guitar, thunderous toms and jagged synths create a soundscape that feels like an explosion caught in slow motion, both destructive and oddly beautiful. Originally conceived as an exploration of rage personified, the final song is raw and unrelenting.

The overall EP has a tension about it, with the songs pushing and pulling between the past and a re-invention, between the person who wrote them years ago and the artist bringing them to life today.

The themes that run through the album – fractured relationships, self-discovery, the scars we carry – are given a new weight through the updated production and evolved vocal delivery.

The title itself, “Rust Covered Lust“, suggests something that was once polished but has been left to decay. And that’s exactly what this album does. Rather than discarding past work, it honors it, stripping away the imperfections while keeping the beating heart intact. Christian Imes is reclaiming the songs, and re-shaping them.

By blending industrial, metal, electronic as well as alternative elements with an arsenal of modern production techniques, “Crash Course Volume 3: Rust Covered Lust” does what all great re-visitations should: it re-defines the past.

Whether you have been following the series from the beginning or you are stepping in to the world of Animals In Denial for the first time, “Rust Covered Lust” is sure to be an undeniable force.

Stay current with everything Animals In Denial on the Website, and Facebook. 

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San Francisco’s Beloved Crooner Russ Lorenson Dives into the Holidays with the Release of “Standard Time: Live in New York.”

Renowned as “San Francisco’s Favorite Crooner,” Russ Lorenson has emerged victorious over cancer, showing his dedication with the release of a never before heard live jazz-cabaret album, “Standard Time: Live In New York.”

Published under the independent label LML Music, Lorenson celebrated the album’s launch on December 4th at The Triad Theater in New York, presenting an exceptional line-up of singers including Billy Stritch, Mary Foster Conklin, Lennie Watts, Jennifer Roberts, and #1 Billboard Artist Spencer Day. All proceeds from the event were to support the American Songbook Association.

A devoted advocate of The Great American Songbook, Lorenson has charmed audiences across the United States and Europe with his rich tenor and warm charisma. With three critically acclaimed albums under his belt, including two Christmas albums still enjoying a heavy radio rotation nearly two decades later, Lorensen faced a life-altering diagnosis of HPV-positive tonsil cancer in 2021.

Overcoming this health challenge through early detection, he now finds himself in remission. While cancer may have taken his ability to sing, it hasn’t silenced his voice. With deep gratitude and a renewed purpose, Lorenson is channeling his creative energies into various projects, including reintroducing his back catalog, a children’s book inspired by his fan-favorite holiday track “Jingles, The Christmas Cat,” and notably, his first album in 8 years, “Standard Time: Live in New York.”

“Standard Time: Live in New York” offers a captivating glimpse into Lorenson’s live performances at the iconic Metropolitan Room in New York, recorded in 2008. The album demonstrates Lorenson’s vision that The Great American Songbook continues to evolve, featuring a “modern classics” program of songs.

Throughout his musical career, Lorenson masterfully interprets a range of compositions, from a haunting rendition of Lionel Richie’s “Hello” to heartfelt performances like “How I Will Say I Love You,” “Diamond In The Sky,” and the beautifully nostalgic “It’s Raining Memories.” Each track carries versatility and a deep connection to jazz’s profound history.

“Raise the Roof” stands out as a dynamic and energetic musical piece, crafted by composer Andrew Lippa. Infused with a lively, rhythmic melody and spirited jazzy undertones, the song radiates infectious enthusiasm.

“Standard Time: Live in New York” serves as a seamless bridge between the classics of the past and the potential classics of the future, influenced by contemporary greats like Michael Feinstein, Harry Connick Jr., Tony DeSare and John Pizzarelli.

Reflecting on the album, Lorenson remarks:

“Many have deemed that The Great American Songbook is going extinct. But in 2008, I saw it differently. I put together a show of “new standards,” demonstrating that songs with soul and depth were still being crafted. My show, “Standard Time,” was a tribute to love and relationships, shedding light on the fresh pages being added to The Great American Songbook of the New Millennium.”

Beyond the album, Lorenson has exciting plans, including a series of children’s books, starting with his Christmas book in 2024, and other special offerings. His career, and music, have been fuelled by his desire to leave a lasting, positive legacy, and these future endeavors show this lasting commitment.

Standard Time: Live in New York” is a reminder of the timeless appeal of classic song-writing and performances. Lorenson invites listeners to embark on this soulful musical expedition, rekindling their love for The Great American Songbook’s perennial charm, while embracing the promise of tunes that resonate with today’s audiences.

“While initially recorded with the intention of a 2009 release, this album of songs from the sorely missed Metropolitan Room nightclub had been shelved. But now, 15 years later, these rediscovered gems validate my belief: many have indeed evolved into the new generation’s standards.”

Standard Time: Live In New York was co-produced by René Wieland, Dutch music producer, engineer and radio host of The Great American Songbook Radio Station.

Listen to “Standard Time: Live in New York” on Spotify.

Stay current with Russ Lorenson on his website, and follow him on Facebook and Instagram.

Subscribe to his official YouTube channel to watch the latest videos.

Download and stream his music on Spotify, Apple Music and YouTube music.

About Russ Lorenson

Since making his breakthrough club debut in 2005, Russ Lorenson has solidified his standing as one of the foremost interpreters of jazz standards in the San Francisco Bay Area. Whether gracing the stage of a grand concert hall or engaging an audience in the more intimate setting of a cabaret, Lorenson’s singing prowess shines.

Drawing comparisons to the likes of Tony Bennett, Mel Tormé, and Chet Baker, his voice is both memorable and savored, earning him the title of “San Francisco’s Favorite Crooner.”

Lorenson’s musical finesses has not gone unnoticed. Downbeat magazine hailed him as “a showman of taste and discretion,” recognizing his sophisticated command of musical language. The Los Angeles Times commended his “supple voice and strong sense of characterization,” noting his ability to infuse each song with depth. The San Diego Union-Tribute praised his “relaxed, easy deliveries,” deeming them natural and heartfelt. In simpler terms, the Coronado Journal deemed him nothing short of “irresistible.”

70’s Rock n’ Roll Band Sunflower Fox and the Chicken Leg Share New Energetic Single “Breathe It In”

Sunflower Fox and the Chicken Leg’s new single “Breathe It In” is a classic rock lover’s dream come true. The band hails from Minneapolis and is inspired by the golden age of rock and roll. The song takes listeners on a wild ride back to the 1970s with its groovy vibes and vintage instrumentation.

From the very first guitar riff, it’s clear that this band is dedicated to capturing the spirit of classic rock. Lead singer Kaity Heart’s guttural vocals are reminiscent of Pat Benatar and Joan Jett, and the soaring guitar riffs will have you shredding air like you’re at a stadium concert. The catchy chorus and infectious melody will make your heart race and have you singing along in no time.

“Breathe It In” is a must-listen for anyone who loves classic rock. It’s a perfect blend of old-school rock and roll and modern production techniques that captures the spirit of the 70s. Sunflower Fox and the Chicken Leg is a band to watch out for, and their commitment to bringing back the glory of 1970s rock is truly exciting.

The band’s commitment to bringing back the studio experience is evident in the production quality. Recorded at Studio in the Country in Louisiana, the same studio where Kansas recorded ‘Carry on My Wayward Son,’ the song perfectly balances the raw energy of the guitars with the polished sheen of modern production. Mixed by Ron Nevison, a living legend who has worked on several of the band’s main influences including Heart, Bad Company, and Thin Lizzy, the song captures the vintage sound that made the 70s so iconic.

What sets Sunflower Fox and the Chicken Leg apart is their playful presence and dedication to capturing the studio experience. They are on a mission to visit as many iconic studios in the country as possible to bring back the magic of real studio recordings. Their love of the genre is evident in the unnecessarily complicated bridge of the song, which pays homage to the classic songs that would insert one measure of 5/4 or play some out-of-the-blue overly-complicated breakdown.

Connect with Sunflower Fox and the Chicken Leg

Website / Instagram / Facebook / YouTube / Spotify / Soundcloud

Low Tide Levee’s “Nautilus” is Hypnotic Psychedelic Rock at its Finest

The image of the sea at its lowest level—low tide—and the shore littered with an array of curiosities, presents a powerful metaphor for self-reflection. The idea of a “mental low tide” can be applied to those revelatory but fleeting moments after a hit of pot or a micro dose, or upon waking up from a vivid dream. They can even occur in a random jolt of inspiration where a buried desire comes into consciousness. 

“The name Low Tide Levee speaks to me on a lot of levels: I do love marine biology, I am a diver, and I am passionate about ocean conservation,” shares singer/songwriter, composer, and former Marine Biologist Amy Brookes. “The analogy of low tide symbolizing revealing things in our unconscious and subconscious is powerful for me. I am always drawn to looking at the strange and gross things after a low tide. Exploring those things metaphorically in our minds can be healing and powerful.” 

Low Tide Levee’s new psychedelic and classic rock single “Nautilus” symbolizes this idea of ocean tides meeting one’s mental tide. Inspired by a tiny Nautilus carving, a beautiful netsuke that Amy happened upon by luck while in a little shop one day. Originally a “riff song,” there are 3 distinct melodies in the song that all came together into song. Eventually, it came to Amy that she could feature the Nautilus character.

“Nautilus” flows a lot like the tide. The classic guitar riffs with the hypnotic beat and an island pop vocal style in Amy’s voice create an ebb and flow in the music. The energy is reminiscent of Pink Floyd meets Fleetwood Mac. It gives off a feels of sitting in the ocean and letting the tide take you away, drifting and floating with the water and current. Lyrically speaking, the listener is invited to journey down into the ocean, sinking beneath the waves with the surface sounds further and further away, and life slowing down.

“As the development of this song unfolded with lyrics emerging from my subconscious, it became about the wisdom of life, far beyond our human thinking ways, and the depth that exists if only we take the time to listen,” says Amy.

Listen here:

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Puppets of Castro’s “Living the Dream” is Witty and Catchy

Puppets of Castro is the Los Angeles-based musical project of Andrew Lorand. An eclectic satirist and keen observer of the humor and pathos found around the darker edges of the human condition, Puppets of Castro takes his listeners on an often humorous, and often contemplative ride.

His song, “Living The Dream,” comes from his album, Nude Descending an Elevator. It’s got a great, catchy hook that immediately grabs your attention, and the song contains seven musical references from rock classics. See if you can find them all.

“My first band was the Kiwi’s, back in 5th grade, though technically in 3rd grade I was a member of the 007s, and we had only one song  (we would lip sync to ‘Wipeout’, which of course was an instrumental). Nobody looked at us and thought these guys are really going places,” quips Puppets of Castro. “This song is for all the bands and musicians who stuck with it long after dreams of riding in limos, appearing on The Midnight Special, and getting their Star on Hollywood Blvd. had faded.”

Connect with Puppets of Castro and stream his music via:

Bandcamp / Facebook / YouTube / Spotify / Website

Gary Dranow and the Manic Emotions Release First Two Singles From Their Upcoming Album

Gary Dranow & the Manic Emotions is a Park City, Utah-based classic rock band making music for the square pegs. After creating successful business endeavors in the world of outdoor sports, bandleader Gary Dranow turned to music to help him cope with bipolar disorder and the effects of a stroke. The result is a genre-defying collection of songs that provide comfort to those who are also walking a difficult path.

The band just released two singles from their upcoming album, Destiny Road, and album 25 years in the making.

The first is the pop rock single “Fool Outta Me,” a song with a Bon Jovi meets Pink Floyd 80’s inspired sound. The melody grabs your attention and demands your ears with it’s catchy hook and masterful songwriting. The song is about a one sided dysfunctional and unrequited love, the subject of the song has had enough and is calling it quits. “The lyrics were inspired by one of my own failed relationships where my emotions and effort were not returned,” shares Gary.

The second is the more classic and heavy rock single “Twisted Minds,” a song with an Ozzy Osbourne meets The Rolling Stones melodies and rock structure. This song is alive with wailing guitars, lyrical poetry, and emotional intensity. The song is an energetic and cathartic song about the insanity of loving someone with an unhinged mind. Lyrics like “Infatuation takes the blame, what does it matter, when your living in lies, you lose the game” sets the table for a fare of emotional angst and once again the trauma of dysfunctional relationships, of which Dranow has had many in his 50 years of trying to find lasting love.

Influenced by the musical work of icons Hendrix and Stevie Ray Vaughn, Gary Dranow and The Manic Emotions are set to soar to new heights, as they send ripples through the Blues and Rock music scene. They are a force to be reckoned with and are bound to be on your playlists.

Connect with Gary Dranow and the Manic Emotions

Website // Instagram // Facebook // YouTube // Soundcloud