Maryen Cairn’s Releases Sentimental New Single “Flew Away”

Maryen Cairns’ latest single, “Flew Away” pays homage to Joan Taubman, a trailblazing female pilot from Australia.

Released on International Women’s Day, the song reflects Cairns’ deep admiration for Taubman’s courage and resilience, despite her initially knowing much about her extraordinary life.

The song draws from folk influences, with Cairns’ exquisite vocals and intricate guitar work. 

Performing the song solo, Cairns shares her personal connection to the track including her unique approach to the whistling solo originally composed by her friend Paul Stockton:

“When my children were little, I used to take them to the swimming at the pool in my parents building in Sydney. They were, like most children, very noisy! An old lady who lived in the building used to waylay us on the way to the pool, and demand to know who gave us the right to use the pool. Years later my mum told me that she had been one of Australia’s first female pilots and that she used to reminisce about flying under the harbour bridge with her friends! Joan Taubman’s flying suit and helmet are in Sydney’s Powerhouse Museum, and I wrote Flew Away to celebrate how we never know what another person has gone through, what they have achieved, just by looking at them.

Now when I see an elderly person I wonder what adventures they’ve had, what made them laugh or cry, if they were able to follow their dreams, what they regretted, if they had a great love… I’m aware that we cannot see what a person has been through by looking at them, and this was a big lesson to me, that resulted in me writing Flew Away. I wrote this just after I had made the Femina Australis album, and of course it would have fitted beautifully on that album, being about an amazing Australian woman! The original recording of this song is on my album Come To Me from 2019. It features a beautiful whistling solo from my London friend Paul Stockton. Having been a leading choirboy at St Paul Cathedral school many many moons ago, this was only his 2nd time in a recording studio, and he came up with an incredible melody to whistle as a solo. Now, I can’t whistle, not at all (!) but I love Paul’s melody so much that I feature his solo by singing it!

Recorded at Echotown Studios in Dorchester, England, and produced by Chris Kimsey, “Flew Away” forms a pivotal part of Cairns’ upcoming debut vinyl release, marking a significant milestone in her music career.

With an extensive catalogue comprising of seven solo albums and collaborations with esteemed artists like Fish and Chris Kimsey, Cairns has solidified her position as a notable figure in the indie music scene.

Born in Scotland, and then emigrating to Australia, she began writing songs at the age of thirteen. She pioneered a home recording studio with tools like the Tascam 4-track, and Cubase. In the 2010s, she broke barriers with albums like “Stories from the Red Tent” which challenged taboos with its groundbreaking birthing imagery, and “Femina Australia” celebrating the lives of Australian women. 

Beyond her solo work, Maryen founded The Mfest, a celebration of motherhood and women’s creativity, and hosted Sydney’s first originals-only open mic night. Collaborations included backing vocals for ex-Marillion vocalist Fish. She even played a grand piano in an extinct volcano for a promotional video.

Inspired by her recent solo tour across the UK in August 2023, Maryen continues to engage with her audience through platforms like The Cairns Club, where she shares her personal stories, as well as a popular livestream series.

Stay current with Maryen Cairns on her Website, Facebook and Instagram.

Enjoy her music Spotify, Apple Music, and YouTube Music.

Shane Heilman’s Latest Release “Psalm 51 (Forgive Me)” Takes the Worship World by Storm – Listen Now!

With over 45,000 YouTube subscribers, and more than 32,000 monthly Spotify streams, singer-songwriter Shane Hellman has a wide reaching and fast growing International audience. 

His latest release, “Psalm 51 (Forgive me)” forms part of The Psalms Project; an ambitious project to set all 150 Psalms to music. 

Each album release from The Psalms Project shows Heilman’s adeptness at bringing together contemporary melodies with ageless Psalms, captivating audiences worldwide.

Collaborations with renowned musicians and producers coupled with a firm commitment to keeping the essence of the ancient texts within a modern composition, have really solidified this project’s standing in worship music. 

“Psalm 51 (Forgive Me)” draws inspiration from King David’s plea of forgiveness. Through introspective lyrics and emotive melodies, this song offers a poignant respite and exploration of human frailty and redemption. And it tackles a difficult and deep topic.

Shane shares: 

As you probably know, it was written by David after committing adultery with Bathsheba and trying to cover it up by having her husband killed in battle. 

I was hesitant to even try to write a song that captured all of Psalm 51 with music. 

Charles Spurgeon, the famous preacher, even put off writing a commentary on Psalm 51 for weeks because he felt no words could to it justice! 

He said, “Such a psalm may be wept over, absorbed into the soul…but commented on – ah! where is he who having attempted it can do other than blush at his defeat?”

Yet, I’m happy to report, I did write, compose, and record a song (with some friends of mine) for all of Psalm 51!

I think it’s one of the best songs we’ve ever done.”

This soothing and beautiful rendition of Psalms 51 set to music is not only inspiring, but really demonstrates the transformative potential of music and faith. The very talented singer, Trot Lifto, provides exquisite vocals, with haunting piano chords and soaring strings. 

This song captures a sensitive treatment of what is a complex Psalm and subject matter, with simple melodies and accompaniment to create a very beautiful Psalm rendition. 

As the Psalms Projects drums up increasing popularity, Shane’s continues to have a steadfast commitment to translating all 150 Psalms to music, bringing universal themes of hope, forgiveness, and Divine love to the fore. 

The Psalms Project is led by singer/songwriter/producer Shane Heilman, and includes the collaboration of more than 70 accomplished musicians, including Grammy nominees Phil Keaggy and Jeff Duo to name just a few. 

Psalm 51 features singer Trot Lifto. 

Follow The Psalms Project Now Online:

Website | Facebook | Instagram | Spotify | YouTube

Behind the Scenes: Crafting Whimsy and Laughter in The Color Pink’s Music Video Debut with Friends, Bunny Masks, and a ’74 VW Beetle!

The Color Pink have released a new music video to accompany their latest single “Little Animals” out now. 

The song started out as a simple riff which lead singer Mikey Iansito came up with on a synthesizer he purchased a day or two before writing the track. The lyrics to the song explore the idea that we have a deeper, inner instinct that often comes up to the surface, revealing our “little animals.” Mikey says: 

“I had these dreamy chords kind of floating around in my head and I just happened to find a perfect patch on the keyboard to play them.” 

Some parts of the song are darker than others, while others are brighter and full of sunshine! The lyrics are so risqué and suggestive, but because the music itself is happy and upbeat, it doesn’t sound too dark. The music video reflects this duality. 

The idea for the video came about when Mikey thought it would be fun to include his 1974 VW Beetle car in a video and then relate it to the lyrics: “I thought, what if there are these girls in the car who just had a great day at the zoo, and they see this creepy animal playing guitar who is supposed to be so sexy and mysterious, but rather than be excited or impressed, they just drive away with it.” 

After years of collecting camera equipment, the moment arrived when Iansito felt confident enough to dive into the world of music video production; the experience was made all the more enjoyable with the enthusiastic participation of friends who all had a hand in bringing the video to life. 

Friend and guest guitar player Mike Malinowski was a special guest, who sported a bunny mask, embodying the little animal that becomes the source of laughter, and in a comical turn of events, he even took part in pushing Mikey’s car during the shoot. 

The video was co-directed by Marissa DeMarco, who also makes a star appearance, contributing her talents and creativity to the overall success of the project. 

Mikey’s musical journey began when exploring the piano at his grandparents’ house, moving to an obsession with synthesizers. Drums were his first instrument, which then turned him into a multi-instrumentalist. He later started recording material after receiving a zip disc recorder as a gift from his Uncle.

Their debut album “Mazes” displays the period of growing up as an teenager, with a vintage element. Seamless production, fun piano chords, synth textures and vocals explore retro-futuristic vibes.

Explore more about The Color Pink on their official Website, and social media Facebook and Instagram. 

Stream music on Spotify.

Video Voyager: Deirdre Murphy’s “Sweet and Strong”

Singer/songwriter Deirdre Murphy is the creator of many original works of music, dance, theatre, circus, and performance art. It’s evident in the music video for her neo-folk song “Sweet and Strong.”

The video is a depiction of a beautiful, light hearted, and sweet celebration of life and friendship. It’s a pure showing of loving life through dance and movement. There has never been a more lively, happy, or delightful music video. It’s freeing to watch these friends interact with each other in such a loving and open way.

We got a chance to speak with Deirdre about the music video and her intentions behind hit:

Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This song has always called for a really physical video, in my mind. My friends and co-performers, Sean and Zsofia, are my training partners and former students. Zsofia asked me one day if her sister could come to class – she said, “She’s only 16 but she is sweet and she is strong.”  And I went home and wrote the song. So it has that neat little tie-in, but also the song is about feeling really secure, really good, in your body and your surroundings which I wanted to get across in the video. My relationship with them routinely involves handstand training, acroyoga, many jokes, and bodywork/massage. I love the physicality of the practices themselves – the movement just feels good and practicing together is always great fun. I knew if I could get those elements captured, they would speak for themselves and they would speak visually for the song.  

What was the inspiration behind this video (visuals, storyline, etc.)? 

Last summer I took up a new hobby with a friend, of rose smelling. We centered our efforts in the rose garden nearest my friend’s house – the one in the video. 

A little known fact that is after about 30 or 40 minutes of smelling the roses, you are absolutely drunk on them. Heady. Our extensive research found that not only does it make you drunk, but also that about one in every ten roses smells exquisite (while some barely have any scent at all!). We further noted that about one in every twenty is magical beyond explanation – transcendent. These are the ones that cause a person to stagger. I remember one particular rose that we couldn’t stop smelling for a full 15-20 minutes, knowing that when we left it we would most probably never find it again. As we spent more time there it occurred to me that it’d be the perfect place to shoot a video for this particular song – it’s very much about stopping to smell the roses and appreciating the little moments. 

I would fully recommend rose smelling as a hobby, by the way. It’s free, it makes you drunk, and there’s no learning curve – you walk in at the top of your game! 

What was the process of making this video? 

The process was just as fun as it looks! We were lucky to work with the wonderful Hannah Bloom, who has a real eye for movement and did a beautiful job with the edit. She used a vintage lens – which I think really adds to the feel – sort of old timey, and highly textured what with all the leaves and vines. I was able to work closely with Hannah on the edit and it was really lovely – she was a pleasure to work with. Sean and Zsofia were in fine form and a lot of craic was had, as is always the case with those two.  

Connect with Deirdre Murphy via:
Website / Instagram / Facebook / Twitter / YouTube / Spotify / Apple Music

Video Voyager: Tadgh Billy King’s “mirror”

Irish alt rock artist Tadgh Billy King’s (pronounced like “Tiger” without the “er”) earliest memories are of literally living above a beloved New York City music venue, The Local 269, his parent’s owned and operated. During that formative time, he soaked in the rock, punk, jazz, and pop that soundtracked the bar’s existence.

This melting pot of sounds would be a template for his own unbound musical explorations where he often explored the music of the Ramones, Green Day, and Nirvana, alongside studying classical vocal and guitar techniques. 

The self-reflective and introspective post punk and alt goth “mirror” is at once ethereal and chaotic, brash and sweet. Filled with chilling guitar ambience, goth-y, thick baritone vocals, and crushing walls of sound, it all leads up to a viscerally anthemic, gazy, wild, final chorus.

The music video reflects the darker, more gothic style of the song. He plays with angles and mirrors to symbolize his internal examination and self-reflection.

We got a chance to speak with Tadgh about the music video for “mirror”:

Tell us the story of this song, why did you choose to visualize this song specifically in this way.

Mirror is a song about self reflection. Its me taking a second to examine myself and take stock. At the time of writing it I was looking at where I’d come from, where I am now and how I’ve changed as a person over the last few years. I wanted the video to take the song further in this direction. With the visuals, I wanted to really lean into the goth rock-y style of the music and the introspective meaning behind the lyrics. I wanted to keep everything looking as dark and moody as possible to match the moodiness of the song.

What was the inspiration behind this video (visuals, storyline, etc.)?

I’ve always really liked when artists are able to tell a larger story over a few different music videos. Even if its just a small easter egg or connection between their videos, I always appreciate it. I’m trying something like that with these videos and mirror, like “sit and wait,” is one piece of a larger story that will become clearer as more videos of mine come out. 

I wanted this video to feel like a weird dream. I wanted to go a little deeper with this idea of self reflection and examination. This is where the visuals of me with my reflection come in. I wanted it to feel like I was stuck in this liminal space and by filming it on black it allowed me to play around with angles and have me really “examine” myself. I’ve also always been interested in playing around with the idea of reality and how dreams can sometimes feel so real it can sometimes really take a second to discern what’s a genuine memory of something that happened in real life and what’s a memory of a dream. 

What was the process of making this video? 

There were two main shoots for this video. The first shoot was done in a rehearsal studio here in Dublin that has these big floor to ceiling windows. We hung up some black material and filmed me standing next to the mirror at different angles singing the song and a few takes of me playing some of the guitar parts. Then the second shoot was me in the car. I chose some visually interesting locations around Dublin for me to get in and out of the car and then drove around the city shooting me from the back seat looking into the rearview mirror and the front seat. 

I really wanted to play with what was real and what was the dream to try and give a sense that by the end of the video, when I get out of the car, its hard to tell if I’m still dreaming or not. Most of that came down to the editing process. This is the part of the process where I was really able to experiment with the different “mirror-on-black” angles and what meaning and feeling they give depending on the orientation. The car shots were pretty easy to edit, I could visualise what I wanted for them from the beginning of planning the video and was really pleased with how they turned out lighting-wise as that was just a complete luck of the draw. 

It was a fun video to make. There will be another one for my next single “breathe out” that will come soon after the single is released on the 21st of July.

Connect with Tadgh Billy King via:
Website // Instagram // Facebook // Twitter // YouTube // TikTok // Spotify

Video Voyager: Best Not Broken’s “I Don’t Belong”

Best Not Broken

Boston’s Best Not Broken has built a reputation for high energy shows and catchy, power pop/rock original songs. Drawing from Brit Pop, Alternative Rock, New Wave, and their own unique brand of singer-songwriter sensibility, the band crafts soundscapes that appeal to fans of artists ranging from The Killers to Ed Sheeran.

Their thoughtful and, at times amusing, lyrics match the upbeat nature of the instrumentation, creating a fresh musical odyssey that is infectiously fun.  Their live performances showcase the band’s contagious energy and often evolve into interactive dance parties where the onstage antics compel fans to rock out and let loose.

Their new song “I Don’t Belong,” and the video, explores adolescence and finding where you belong. It’s a tribute to those that never quite fit in in high school, but ultimately find their way. It’s also tribute to the many aspiring rock stars that never quite make it but have a treasure trove of memories to look back on.

We got the chance to speak with Best Not Broken about their fun and relatable video for “I Don’t Belong”:

Tell us the story of this song, why did you choose to visualize this song specifically in this way? ​

The song “I Don’t Belong” is a satire of a boy who graduates in the 90s, doesn’t align fully with any particular clique, dreams of being a rock star, but turns out to be just an average guy – which ultimately isn’t that bad! The song is intended to shine a spotlight on our inevitable silly high school regrets. The lyrics inspired the light-hearted, nostalgic video… which kind of wrote itself!

What was the inspiration behind this video (visuals, storyline, etc.)? 

This song was dripping nostalgic references to the 80s and 90s and we felt compelled to bring them to life in the video. There was no shortage of visuals to choose from – from the Rubiks cube to the mullets… sadly they all felt to natural! 

What was the process of making this video?

We knew we wanted the video to be shot in a high school. So the first challenge was finding a high school that would actually let us do it. We had the good fortune of getting access to Souhegan High School in Amherst, New Hampshire, which really was designed perfectly for our intended scenes. We hired 106 Studios to handle the video production and collectively brought in our actors and built out the drama. We pre-ordered a bung of 80s and 90s paraphernalia, and after two days of camera work, we had enough footage to tell our little story. We were so lucky to find all the awesome actors and contributors. If you haven’t yet tried to shoot an era-specific nostalgia video, we highly recommend it.. ha!

Connect with Best Not Broken via:

Website / Instagram / Facebook / Twitter / YouTube / Spotify / Soundcloud / Apple Music