Real Estate Announce New Album, “Atlas;” “Talking Backwards Video Out Now

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One of my favorite records hands down of 2012, was Real Estate’s Days. The anticipation for their newest release, which seemed to take forever to come out, had me at the edge of my seat. The group have just revealed the details for the upcoming record, titled Atlas, due out March 4th via Domino Records. Real Estate have also unleashed the tracklisting, which you can find below, as well as a lengthy set of tour dates. Though that’s not all….the group shared “Talking Backwards,” the debut video from the record, which follows in the footsteps of the brilliant echoing tones of Real Estate’s signature sound. Check out the video and all of the information below. I can’t wait to hear the album as a whole. 2014 is shaping up to be a great year for music already. Keep it coming….

Atlas Tracklist
01 “Had to Hear”
02 “Past Lives”
03 “Talking Backwards”
04 “April’s Song”
05 “The Bend”
06 “Crime”
07 “Primitive”
08 “How Might I Live”
09 “Horizon”
10 “Navigator”

Real Estate Tour Dates:

3/01 Noise Pop Festival – San Francisco, CA
3/03 Wonder Ballroom – Portland, OR
3/04 Rickshaw Theatre – Vancouver, BC
3/06 Neumos – Seattle, WA
3/08 Urban Lounge – Salt Lake City, UT
3/09 Fox Theatre – Boulder, CO
3/11 The Fonda Theatre – Los Angeles, CA
3/19 The Sinclair – Boston, MA
3/20 The Sinclair – Boston, MA
3/21 Higher Ground – Burlington, VT
3/22 Il Motore – Montreal, QC
3/23 Opera House – Toronto, ON
3/25 Majestic Theatre – Madison, WI
3/26 Fine Line – Minneapolis, MN
3/27 Metro – Chicago, IL
3/28 Firebird – St Louis, MO
3/29 Exit/In – Nashville, TN
3/31 Terminal West – Atlanta, GA
4/01 Jefferson Theater – Charlottesville, VA
4/02 930 Club – Washington, DC
4/03 Union Transfer – Philadelphia, PA
4/05 Webster Hall – New York, NY

Stephen Malkmus & The Jicks Perform on Fallon, Release “Wig Out at Jagbags”

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The music of Stephen Malkmus always holds a fond place in my heart.  From the first moment I heard the quirky sounds of Pavement around 1994 when I was about 11 years old on MTV’s 120 Minutes, I was instantly intrigued. Through all the muffled Grunge sound and a sea of alternative and industrial bands, Pavement, was like nothing I had ever heard before. For all the youngsters out there, this was way before finding music on the internet or being able to download it on your phone and ipods. We usually had to work to find the music we loved. Countless hours of listening to college radio, recording on cassettes, zines, staying up late to watch 120 Minutes, you name it.

Stephen Malkmus and Pavement were my first true glimpse at ‘Indie Rock.’ None of my friends understood what that even meant at the time. Indie Rock in the suburbs of New York was pretty a non-existent term. I begged my parents to go to see Pavement every time the radio announced they were in town, to no avail. By the time I was old enough, they were no longer a band. Luckily I had the chance to see them twice at their Central Park reunion shows back in 2010, which were phenomenal. Malkmus’ voice I have always found to be one of the most unique in rock n’ roll. Somehow it always sounds a bit sarcastic, which I’m not even sure is intentional. But that’s part  of it’s beauty. Throughout the years with Pavement and his solo-esque project, The Jicks, Malkmus always delivers. He never completely strays away from his classic sound, but it is indeed a sound that has evolved throughout time. It has become more polished, perhaps even a bit slicker. His vocals are always unforgettable, and he never tries to be anything he isn’t.

This week Stephen Malkmus & The Jicks released their 6th studio record. Wig Out at Jagbags, an incredible 14-track piece that somehow is better with every listen. Just unleashing the video for “Cinnamon and Lesbians,” and honoring it with their own ice cream flavor/meet-and-greet fest at Momofuku in NYC this week, the group also appeared on Late Night with Jimmy Fallon performing “Lariat,” with a special online bonus of “Stick Figures in Love.” What a great way to ring in the new year, no? Wig Out at Jagbags isn’t a great departure from any other Jicks record that has been released, but seriously, I wouldn’t have it any other way.

Link to the videos below of the group performing on Jimmy Fallon. Wig Out at Jagbags is out NOW, via the lovely folks at Matador Records.

“Lariat”
http://www.latenightwithjimmyfallon.com/video/stephen-malkmus-and-the-jicks-lariat/n44778

“Stick Figures in Love”
http://www.latenightwithjimmyfallon.com/video/stephen-malkmus-and-the-jicks-stick-figures-in-love/n44766

TOUR DATES:

Wed Feb 12 – Denver, CO – Gothic Theatre (with Tyvek)
Fri Feb 14 – Columbia, MO – Mojo’s (with Tyvek)
Sat Feb 15 – St. Louis, MO – Old Rock House (with Tyvek)
Sun Feb 16 – Omaha, NE – The Waiting Room(with Tyvek)
Tue Feb 18 – Minneapolis, MN – Cedar Cultural Center (with Tyvek)
Wed Feb 19 – Madison, WI – High Noon Saloon (with Tyvek)
Thu Feb 20 – Chicago, IL – Lincoln Hall (with Disappears)
Fri Feb 21 – Ferndale, MI – The Loving Touch (with Disappears)
Sat Feb 22 – Toronto, ON – Lee’s Palace(with Disappears)
Sun Feb 23 – Montreal, QC – Cafe Campus (with Disappears)
Tue Feb 25 – Boston, MA – Paradise (with Disappears)
Wed Feb 26 – New York, NY – Bowery Ballroom (with Disappears)
Thu Feb 27 – Brooklyn, NY – Music Hall of Williamsburg (with Endless Boogie)
Fri Feb 28 – Washington, DC – Black Cat (with Endless Boogie)
Sat March 01 – Philadelphia, PA – Theatre of Living Arts (with Endless Boogie)
Mon March 03 – Carrboro, NC – Cat’s Cradle (with Purling Hiss)
Tue March 04 – Atlanta, GA – Terminal West (with Purling Hiss)
Wed March 05 – Birmingham, AL – The Bottletree (with Purling Hiss)
Thu March 06 – New Orleans, LA – The Parish @ House of Blues (with Purling Hiss)
Fri March 07 – Houston, TX – Fitzgerald’s Upstairs (with Purling Hiss)
Sun March 09 – Dallas, TX – Granada Theater (with Purling Hiss)
Sat March 15 – Portland, OR – Star Theater
Thu March 27 – San Francisco, CA – Slim’s (with Speedy Ortiz)
Fri March 28 – Los Angeles, CA – El Rey Theatre (with Speedy Ortiz)
Sat March 29 – San Diego, CA – Casbah (with Speedy Ortiz)
Sun March 30 – Pioneertown, CA – Pappy & Harriets Pioneertown (with Speedy Ortiz)
Tue April 01 – Phoenix, AZ – The Crescent Ballroom (with Speedy Ortiz)
Wed April 02 – Las Vegas, NV – Beauty Bar (with Speedy Ortiz)
Thu April 03 – Salt Lake City, UT – Urban Lounge (with Speedy Ortiz)
Sat April 05 – Missoula, MT – Top Hat (with Speedy Ortiz)
Mon April 7 – Calgary, AB – Republik (with Speedy Ortiz)
Tue April 8 – Edmonton, AB – Starlite Room (with Speedy Ortiz)
Thu April 10 – Vancouver, BC – Rickshaw Theatre (with Speedy Ortiz)
Fri April 11 – Victoria, BC – Lucky Bar (with Speedy Ortiz)
Sat April 12 – Seattle, WA – Neptune Theatre (with Speedy Ortiz)

What Model Citizens Release “Felony Heights”

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What Model Citizens is the brainchild of Brooklynite Alex Musto, who has just released the electro-laced, Ohn E Amas, alongside their newest single, “Felony Heights,” a vibrant taste of what the record has to offer.

What Model Citizens  was created towards the end of 2009 as a means of exploring noise and feedback-heavy music grounded by a foundation in synth-rock. The band’s music is best described as a fusion of the noisy jagged guitars of Gang Of Four with electroclash melodies of The Faint.

2010 saw the release of What Model Citizens semi self-titled debut,  OH What Model Citizens We Be, followed shortly by 2011’s You’ve Been Set Up. Both albums defined Musto’s sound as grinding juxtapositions of tender synthesizer tones and heavily distorted guitar that beg ears to dissect the layers of sound while daring hips not to shake to the beat. Gritty and driving, OH What Model Citizens We Be and You’ve Been Set Up introduced Musto’s reverb-laden guitar heavy electronic sound, with a driving tenacity.

Described as a mad-man with a music box wielding and electric anarchist, Ohn E Amas captures Musto’s energetic fury in their third album. Sharp synth punctuations, frenzied beats, and an overbearing sense of paranoia permeate throughout What Model Citizens’ exciting new record. Wild and exhilarating, Ohn E Amas distills Musto’s unique electronic sound to a danceable storm and firmly places What Model Citizens in New York’s post-punk electroclash traditions.

Album Review: Madame Freak & The Funky Fever – “Follow the Crack”

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Madame Freak & The Funky Fever prove to be as intriguing as their name. Fronted by the vibrant singer, Jessi Teich, known for her powerhouse jazz and soul singing, is joined by an equally as talented band which hails from Europe. Just unleashing their newest release, Follow the Crack, the record takes you on an unexpected musical journey that will leave your ears ringing…in a good way. Filled with 11-stunning tracks, sit back and get ready for the ride that is Madame Freak & The Funky Fever.

Opening the album is the retro laced piece “Funky Boriel,” a lovely first taste of what Follow the Crack has to offer. Immediately the listener will be drawn to Teich’s outstanding and hypnotic vocals as they glide flawlessly throughout the song. Prominent slapped bass is accompanied with a jazz saxophone which is a rare find in music these days. “Owl!” is up next and will mostly likely become a listener favorite. The track instantly captivated me with its Kimbra inspired spunk, with a great dose of funk infused. “Owl!” will surely have people on the dance floor quickly.

“Like It…Or Not” is a charming number that has a bit of 1990s tendencies thrown into the sound. Not that it is a bad thing. Teich’s vocals surround every element of the song, which really makes her stand out as a vocalist. “Ritournelle,” brings a lovely jazz element further to light on the record. The vocal harmonies make this one an instant favorite, as it is one of the catchiest pieces on the record by far. “Ride It,” also brings a dose of electricity onto the album, as Teich’s scats over a portion of the song. This is truly unique in this day in age, and also a nice breath of fresh air in the current state of music.

“Another World,” flows nicely throughout, with hints of horns, accordions, and swirling guitars. “Chaos,” one of the softest tracks on the record, delights, with seductive tendencies. The bass takes on a form of it’s own in this piece, and haunts throughout. Up next is “Pamplemousse,” which brings Follow the Crack, back up to speed, tempo wise that is. Teich’s somewhat choppy vocals are fast yet effective.

“Electrify,” is when Teich brings out a seductive side to her voice. Alongside bright  harmonies, the piece is brought to life with resonating guitars, maracas and an array of other instruments that all fit together nicely. “The Last Waltz,” has a Broadway feel to it, and is also heavy on the accordion. If any group can make an accordion not feel out of place in modern music, it’s Madame Freak & The Funky Fever. Well done without a doubt! Closing the record is “Brand New Love,” which has a vintage 1970s vibe. Teich’s vocals are right on key, as the elements are reminiscent of Earth, Wind & Fire. Upbeat strumming and keyboards further breathe new life into the track, creating quite a masterpiece.

Madame Freak & The Funky Fever have created quite a brilliant record with Without a Crack. Bringing to life the best elements of music’s past, this album is a must have for 2013. Don’t only take my word but give it a listen as well. You will be pleasantly surprised with this gem. Hopefully we will be hearing more of Madame Freak & The Funky Fever very soon. I’m on the edge of my seat…

Oberhofer Releases

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In the trend of fantastic new albums coming out this Spring (The National, Vampire Weekend, The Strokes, YYYs much?), Oberhofer is right on board. Today Hof and co. release their latest EP, NOTALGIA on Glassnote.

Progressively building his musical catalog with catchy hooks and effect driven guitars, his knack for songwriting really shines through. Just releasing  “You & Me (In The Future)” on Noisey, the EP is laced with heavy themes, but still have the tendency to draw you in, no matter what the subject matter. 

Oberhofer is touring the East Coast this Spring, so check the dates below:

Spring 2013 Tour Dates /

05.02.13 – Glasslands – Brooklyn, NY *

05.03.13 – U Street Music Hall – Washington D.C. *

05.04.13 – Kings Barcade – Raleigh, NC *

05.05.13 –  Shaky Knees Festival, Masquerade Music Park – Atlanta, GA ^

05.07.13 – The High Watt – Nashville, TN *

05.08.13 – Garfield Artworks – Pittsburgh, PA*

07.13.13 – Bunbury Music Festival – Cincinnati, OH #

08.02.13-08.04.13 – Osheaga Festival – Montreal, QC

* with Celestial Shore

^ with Frontier Ruckus and The Antlers

# with MGMT, Divine Fits, Chairlift, Atlas Genius

 

The National Release Two New Songs, “Mistaken for Strangers,” at Tribeca

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lt surely has been a long time since we have heard new material from indie darling Brooklynites, The National, but it seems like we are about to get a good dose of them. Just releasing two phenomenal tracks “Don’t Swallow the Cap,” and “Demons,” in the past few weeks, the group will be releasing the Trouble Will Find Me, on May 21 (4AD). But wait, it gets even better…..have you seen the trailer for the documentary Mistaken for Strangers yet?

The brainchild of Tom Berninger, brother of Matt Berninger, takes viewers on a bumpy roadtrip of being on tour with the band, as well as his own internal struggles and the ones of those around him. Not only does the film look insightful of what goes on inside the lives and creative process of The National, but it takes a deeper look into sibling rivalry, and what it is like to not only live in the shadow of someone else, but your own inner demons and insecurities that casts ones as well. If the trailer is even the slightest hint of the rest of the film, we’re ready to stand up and applaud.