“Todd P Goes to Austin” DVD is released!

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“Many other music docs and concert films can give you an idea of how great a band is live, but how many can truly make you feel like you’re in the audience? Todd P Goes to Austin is in elite company on that count.” -Goatdog’s Movies

“Todd P Goes To Austin” follows concert guru Todd Peterson and with it, you get to see electrifying performances fit to show the energy of the DIY underground scene. Featuring live performances from Matt and Kim, Dan Deacon, Mika Miko and many more, this movie illustrates the experience of concert-going. Check out trailer for the Jay Buim directed film below.

TODD P GOES TO AUSTIN trailer from OTTO ARSENAULT on Vimeo.

You can pick up a copy of the DVD here.

Jonathan Boulet – “You’re A Animal”

Fans of Jonathan Boulet‘s self-titled début may be somewhat thrown upon first listen to “You’re A Animal.” The newest track from the Australian folk-pop artist offers a sneak peek at his forthcoming sophomore album (set to be released next year), and it indicates a significantly new direction in his sound. From the very first note, “You’re A Animal” announces itself as a martial anthem powered by a relentlessly pounding drum rhythm. With lyrics like “I will soldier on…and on, and on, and on!” being chanted over a soundfield of guitar and myriad indeterminate instruments, the song leaves no space for the sort of reflective rumination that pervades (most of) the first album. Gone is anything acoustic, and likewise any lines as meditative or somber as, for instance “March to the Poles and meet me there/ Leave all your wars and all your cares/ Find me and you, my name, but I can’t remember you/ Would you go?” (from “North to South East to You”).

But it would be flat out wrong to suggest that these almost defiant gestures of ceaseless energy – which are at once carnal and furious – have no precedent in Boulet’s prior work. Disappointed – or shocked – fans should note that they didn’t just appear from nowhere. Just give “Ones Who Fly Twos Who Die” another listen; though less of a full-fledged manic attack than “YAA,” the tune features the same “tribal” tympani sound and choral vocals. Both tunes seem to reveal a range of influences, from Animal Collective’s Water Curses EP to fellow-Aussie Xavier Rudd to, of all things, Chumbawumba (yeah, I went there… bet you didn’t see that one coming).

In short, there are continuities that shouldn’t be overlooked. And frankly, what Boulet is doing is technically more interesting than before. “YAA” contains atmosphere and confusion, and it brings to the listener an almost cinematic feeling of being chased through the forest. Some may lament the loss of the more personal voice that showed on the self-titled album, but I, for one, look forward to the next full-length release to see what the dizzying swirl of energy unveiled here yields.

Mynabirds Release Christmas 7”, Debut Video

Saddlecreek’s Mynabirds have released a limited edition 7” for their Christmas song “All I Want is Truth (For Christmas)” with a cover of The Zombies’ “This Will Be Our Year” as the B-Side. For the Mynabirds completists, the first 200 copies sold through Saddlecreek’s website will be pressed on white vinyl. The song is also available as a free download here.

For those still not satisfied, the band has released a video for the song “What We Gained in the Fire” from their debut album. The video features new Super 8 footage of singer Laura Burhenn along with three generations of home movies spliced together.

Watch it here:

Horn Player Colin Stetson’s New Album and Bon Iver Tour in 2011

Though you may not recognize the name, Colin Stetson has played with everyone from the African legend Angelique Kidjo to Tom Waits, Arcade Fire and TV on the Radio.

Though the roster of projects is quite impressive, Stetson is an equally astounding solo performer. You can confirm this yourself by listening to his latest offering on Constellation records, New History Warfare Vol. 2: Judges, releasing late February 2011. Recorded live in Montreal’s Hotel2Tango studio with no overdubbing or looping, guests on the record include the inimitable Laurie Anderson and My Brightest Diamond’s Shara Worden.

Stetson uses all kinds of techniques that probably mean nothing to lay people like us (or at least me). He’s got tricks up his reeds including circular breathing, arpeggiated swirls, singing through the reed of his horn and amazingly, not fainting while doing all this heavy breathwork. In other words, it all sounds hella good and pretty damn impossible.

Whatever you may think you know about jazz will forever be open to reinterpretation and that’s a gift Stetson possesses. He has an ability to defy categorization. Stetson’s originality and forward thinking talent is iconoclastic and refreshing.

Catch Stetson with his bands Sway Machinery and Bell Orchestre or touring with Bon Iver throughout 2011. All the latest here: http://www.colinstetson.com

Toro Y Moi ‘s “Underneath the Pine” Releasing February 2011

2009 was a good year for Toro Y Moi (aka Chaz Bundick). His debut, Causers of This, was met with critical acclaim. The South Carolina native delivered a homemade gem blending 80’s R&B, hip hop, pop all perfectly layered for the dance floor.

Still reeling from the success of Causers of This, Toro Y Moi is back with Underneath the Pine on Carpark Records. Following his creative urges, this latest record draws on influences including Ennio, Morricone and Francois de Roubaix resulting in a lush soundscape reminiscent of R. Steve Moore, David Axelrod and Steve Reich.

Clearly marking a new phase of exploration and expression, Tory Y Moi’s Underneath the Pine delivers unexpected levels of artistry and ability. Look for the release in February 2011.