Victoria, BC rock outfit The Bankes Brothers share “Risk It All,” a high-energy, angsty, and jubilant new single that captures the tension between burnout and bold decision making. Driven by punchy guitars, an old-school rock edge, and a sense of restless momentum, the track channels the frustration of chasing stability while trying to hold onto a creative dream.

At its core, “Risk It All” reflects the reality of building a life in music while navigating the uncertainty that comes with it. “Being in the music industry is everything we wanted starting out,” Nelson Bankes shares. “As we’ve gotten more into it, there’s often a lot more ‘hurry up and wait.’ We’ve all had to work jobs to support ourselves while we chase this thing which can burn you out pretty quick. This song is about that shared frustration, and the reminder that life is what you make of it.”

The song began almost accidentally in the most unassuming way. “This one mostly happened in the shower,” Nelson explains. “I just started humming it and realized that it was a song that hadn’t been written yet.” From that simple melodic idea, the track quickly evolved into one of their most direct and explosive recordings to date.

With rhythm guitar, bass, and drums locked in early, the song still felt like it needed something to fully ignite it. That missing piece arrived unexpectedly in the form of guitarist Carson, who was recovering from a heavy flu during the session. “He was buried in his hoodie on the couch in the corner,” Nelson recalls. “Within two or three takes, he had this crazy lead part that tied the whole song together.”

Sonically, “Risk It All” marks a slight departure for the band, leaning into an old-time rock sensibility with a 1950s-inspired attitude. The result is a raw, punchy track that feels both nostalgic and urgent, balancing classic rock energy with the band’s modern indie edge.

One of the song’s most memorable moments comes in its final vocal section, where the title is pushed into a full, unrestrained scream. “We were all pretty tired that morning,” Nelson says. “I could tell people were starting to fall asleep so on the third or fourth take, I just went for it. It effectively woke up the room and we made martinis after.”

Toronto-based indie-folk troubadour John Muirhead unveils The Nomad & The Never Ending Road, a heartfelt collection of songs that explores what it means to spend years searching for home, purpose, belonging, and yourself. Written between highways, airports, hotel rooms, hometowns, and countless miles on the road, the album captures the uncertainty, beauty, heartbreak, and hope that emerge when life refuses to follow a straight line. Leading the record is “Made It Out,” a warm and reflective meditation on returning home only to discover that both the place and the person returning have quietly changed.

Inspired by a year spent back in his hometown of Georgetown, Ontario, between tours, “Made It Out” captures the strange feeling of revisiting a place that once defined you. Familiar streets remain yet storefronts change, fields become parking lots, and lifelong friends build lives elsewhere. 

“Being back in town felt strangely unfamiliar,” John explains. “Everything had changed, yet nothing had changed at all. I thought a lot about the friends who left, and how happy I was for them, even though I wished they were there with me during that chapter of my life.”

That feeling of existing between two versions of life became the emotional foundation not only of “Made It Out,” but of the entire record. Throughout The Nomad & The Never Ending Road, John explores the uncertainty of chasing dreams, starting over, losing faith, finding it again, and learning that the journey itself often shapes us more than any destination ever could.

“Life isn’t something you eventually figure out,” John says. “It’s an ongoing journey. Sometimes getting lost is exactly what leads you where you’re meant to be.”

The evolution of “Made It Out” mirrors that philosophy. Originally written as an entirely different song during a co-writing session with Simon Ward (The Strumbellas) and producer Ryan Worsley, the track was ultimately dismantled and rebuilt after John stepped away from it. Returning with fresh perspective, he rewrote nearly every lyric around memories of Georgetown with even the bridge being rewritten moments before recording.

That openness to change extended throughout the making of the album. Working alongside Ryan challenged John to embrace patience, experimentation, and collaboration in ways he never had before. Every arrangement, lyric, and production choice was refined with intention, resulting in his most cohesive and emotionally resonant body of work to date.

At its heart, The Nomad & The Never Ending Road is about the emotional landscapes we navigate while trying to become the people we’re meant to be.

Experimental duo Allegories return with “They’ll Never Suspect Us,” a deceptively beautiful and unsettling new single that reframes the idea of the murder ballad as something colder, more detached, and strangely euphoric. Built on ethereal dream pop textures and gliding indie electronic production, the track pairs some of the duo’s most luminous instrumentation with some of their darkest lyrical content to date, collapsing beauty and brutality into the same breath. It’s the latest single from Allegories’ upcoming new album, By accident, On purpose, set for release on October 16th, 2026.

At its core, “They’ll Never Suspect Us” is an imagined scenario pushed to its most uncomfortable extreme: a gleeful, fictional descent into violence narrated with eerie confidence and emotional distance. “There’s a long tradition of murder ballads,” Adam Bentley explains. “But what about murder anthems? A song that gleefully imagines the act, while rubbing the victim’s face in the idea that no one will care about their demise.”

Rather than leaning into shock alone, the track uses its narrative extremity to interrogate perspective itself, folding humour, discomfort, and abstraction into a single unsettling lens. “It’s a morbid, bleak, and weirdly fun exercise in trying on the hat of a truly reprehensible sociopath,” Adam adds. “And setting it all over what might be the dreamiest instrumental on our entire record? That somehow makes it even more twisted. Sometimes imagining the worst can bring out your best.”

That contrast becomes the defining feature of the song. Sonically, “They’ll Never Suspect Us” drifts through hazy dream pop atmospheres and understated indie rock momentum, anchored by soft focus melodies that feel almost calming in isolation. But the emotional framing destabilizes that calm, turning the track into something quietly disorienting; a lullaby with intent hidden just beneath the surface.

The result is one of Allegories’ most paradoxical compositions to date: euphoric yet sinister, intimate yet detached, beautiful yet morally inverted. It continues the duo’s long-standing fascination with unstable narratives and shifting emotional ground, where meaning is never fixed and tone is always in flux.

As with much of their work, the song emerged through layered reconstruction and reinterpretation, gradually evolving from a simple idea into something far more ambiguous and psychologically charged. Within that process, Allegories continue to treat songwriting less as storytelling and more as controlled collapse, allowing intention to fracture and reform in unexpected ways.

“They’ll Never Suspect Us” ultimately refuses resolution. Instead, it lingers in contradiction as a dream you’re not entirely sure you should have been allowed to enter.

Veteran singer-songwriter, producer, and entrepreneur Denise Marsa continues to evolve as an artist, bringing her emotionally driven songwriting into the dance music world with a growing collection of collaborations and club-ready releases. Known for creating what she calls “pop with purpose,” Marsa blends personal storytelling with infectious melodies, using music to explore heartbreak, healing, freedom, and the experiences that connect us.

The accompanying music video takes that message into the heart of New York City, bringing Marsa to The Music Inn, Manhattan’s oldest music store. Moving through the store and into its intimate West Village basement, Marsa is surrounded by musicians, friends, family, and fans, including owner Jeff Slatnick, her first NYC guitarist Frank (Francis) Bosco, and her niece Stephanie Colorado. The result is a video that feels less like a traditional performance and more like a celebration of music, community, and the people who have been part of Marsa’s creative journey.

Her recent work with UK remixers Jim Sullivan and Craig Jones has resulted in seven consecutive Top Ten hits on the UK Music Week Commercial Pop Club Chart, with their latest collaboration, “HOLE (Until Dawn Remix),” continuing that momentum. The track transforms heartbreak into movement, pairing bright guitar, buoyant synths, and shuffling dance beats with a message of finding freedom and joy after difficult experiences.

In this interview, Marsa discusses the story behind “HOLE (Until Dawn Remix),” the making of its music video, her longtime connection to New York’s music community, and how she continues to find new ways to turn personal experiences into music that brings people together.

Tell us the story of this song, why did you choose to visualize this song specifically? 

I was thinking that during tough times musicians tend  to push through it.  To stand up against  what’s going on and either protest it or help others to cope. We are change makers and we become more active either playing live or writing and recording. Maybe people listen more to music during times of needing support. They may listen to the music from their high school or college days, to ease the pressure of the current times.  I thought let’s bring people into the world of what makes music come to life, namely the instruments. Non- musicians as well as musicians might welcome some time in an incredible music store and the West Village has the Music Inn. It’s my way of saying step inside another world; it’s good, and cool and safe.  I recommend walking into any musical instrument store near where you live. You will feel very different when you walk out to how you did when you walked in. And why not learn to play an instrument – so good for the soul! 

What was the inspiration behind this video(visuals, storyline, etc.)? 

 Again, it was the potential of musical instruments and music stores wherever they are. The video starts with me walking into “work” and straight away I am at the front desk, greeting people, showing them the shop’s incredible contents. Welcoming them into this world of magic that all musicians rely on, a world of instruments. Showing people around the space and the instruments while singing. It is a video of discovery with me as the singing music store-tour guide, singing the song, and being in this space, a positive space with a rather intense song, which in the chorus invites people to not want to crawl in a hole, but to feel whole. The song invites people to jump on the train to …freedom. 

What was the process of making this video?

It came together quickly, once I had the idea to film in a music store. I was in Tucson when I had the idea and reached out to a friend Mark who owns the Chicago Music Store, however he was out of town. So once I was back in the city, I went to visit Jeff at Music Inn and he was like yea, come on in, sure, when? 

Jeff is a love and one of a kind who supports musicians 100%. All of us. At any stage. It was soul gratifying, fun, and a big thanks to Jake Ehrlich from Reel Hound Media who made it a smooth and free form shoot. He has a great eye and he knows exactly what to focus the camera on and for how long.  The store is like a magical musical labyrinth and Jeff is the mystic.  We were all in sync that day. I then edited it and he cleaned it up a bit, added a few touches and we were off. We did not film a lot, we knew what we wanted during sections of the song, and we pretty much got all the shots in one take. So the editing was fairly straightforward. 

And big news to share–we just found out today (8.12.2026) that the remix released after “HOLE”, “EVER DIE (Until Dawn Remix)” just peaked at #5 on the UK Music Week Commercial Pop Dance Charts! 9 top 10 since May 2024 in a row! Surreal! We have a new lyric video out for that too.