VIDEO VOYAGEUR: 3 Q’S WITH GRETTA ZILLER

Hell-s-Half-Acre-Anniversary-Artwork

In the realm of music videos where elaborate sets and high-tech effects often dominate, Gretta Ziller’s latest project for her single “Hell’s Half Acre” offers a refreshing departure with its raw, organic appeal.

As a celebrated Americana artist, marking a decade in music, Ziller’s new video is a deeply personal and evocative piece that reflects both her artistic evolution and the story behind her song.

“Hells’s Half Acre” is a track that holds special significance for Ziller as it represents a pivotal moment in her career.

The video, which has been created with a distinctive DIY approach, mirrors the song’s themes of departure, regret, and self-reflection through its earthy, vintage visuals. Rather than presenting a straightforward narrative, the video subtly suggests the song’s story, allowing viewers to interpret and connect with it on a personal level.

We caught up with Ziller to find out more about the creative process behind the video, the inspiration behind it and the innovative techniques used.

1. Tell us the story of this song, why did you choose to visualize this song specifically in
this way? 

“Hell’s Half Acre” holds a special place in my heart as one of the first songs I released when I began my musical journey a decade ago. The song is about getting out of a ‘bad for you’ relationship, the person in the beginning was attracted to the wild/rebelliousness character but in the end it wasn’t who they were and they had to leave.

Although it’s technically a fictitious story there are elements of truth in it. I wrote the song when I was moving from a regional area to a city, a friend of mine was going through a messy divorce, I did know someone in a bike gang, and the Shady Pines Saloon is a real bar and Hell’s Half Acre is a real place! I didn’t get to make a music video for the original recording so this time I wanted to create something that hinted at the story but also allowed the watcher to make up their own about the song.


2. What was the inspiration behind this new video (visuals, storyline, etc.)?

For the release of the new video, I really wanted to create an organic, earthy, vintage feel that complemented the themes of the song. The inspiration was to suggest the story in “Hell’s Half Acre” without being too literal, using subtle visuals like packing a bag,  a dirt road that becomes asphalt, the view outside the car and glimpses of chapels. The idea was to provide hints that evoke the feeling of leaving, regret, and that lingering sense of “I’m old enough to have known better” rather than showing every detail.

I wanted layered visuals to further the idea of memory flashbacks with the feeling of moving forward. Most of all I wanted the clip to allow the watcher the freedom to connect emotionally while imagining the storyline for themselves.

3. What was the process of making the video?

For this video, I took a more DIY approach, which was really exciting and different from how I’ve worked before. I had the concept in mind, and I shared it with my videographer, Arlo Dean Cook, who has done most of my music videos. However, this time, my partner and I decided to film it ourselves.

We spent a day on the west side of Melbourne, capturing the landscape and beautiful Catholic shrines using just our phones. Once we had all the footage, I sent it over to Arlo, and he worked his magic and put it all together. It was a really fun and creatively liberating experience—filming, exploring new parts of my creativity, and having a more hands-on role in bringing the vision to life!

Stay connected with Gretta Ziller on her Website.

Stream music on Spotify, Apple Music, and YouTube Music.

Experience the Raw Power of Maryen Cairns’ Latest Single “Give To The Chase”

Singer-songwriter Maryen Cairns’ latest single, “Give To The Chase” explores a profound connection to nature and her dual roles as both a mother and an artist. 

The vivid imagery of her residing in an off-the-grid yurt while nurturing her children adds a layer of authenticity to her music.

Her choice to record the song in the solace of her home reflects the intimacy and personal nature of the track. This marked the start of a transformative journey which culminated in her 2002 album “Stories from the Red Tent” which explored women’s narrative and bonds within the sanctuary of The Red Tent.

The lyrics of “Give To The Chase” carry a poignant message about humanity’s relationship with the Earth, urging environmental consciousness and stewardship. Maryen’s solo performances amplify this message, transforming it into a rallying cry for a sustainable future.

Maryen’s adeptness at rhythm as well as owning a profound affinity with nature really shine through in her unique performance style. Her talent as both musician and storyteller is evident:

“Give to the Chase” is performed as a solo percussion & vocal piece… shamanic sound ringing in this song for our Mother Earth. Maryen is perched on a cajun with her feet utilising two pedals whilst wearing a rattle on one ankle, simultaneously playing a medicine drum & shaker whilst she sings.

Give to the Chase personifies Mother Earth herself, moving between singing as Mother Earth & singing as a member of the human race. A story of generations working to save the environment and live within nature, knowing that human’s race to survive, with only the fittest/strongest/smartest making it for the human race itself to survive.

Maryen Cairns’ has received widespread acclaim over the past three decades, and is well known for her allegorical themes. She has most famously been guided under the mentorship of Rolling Stones producer, Chris Kimsey.

With her brand new album “One Woman Band, Live at Echotown Studios Vol. 1” due to be released on May 3rd, fans will be delighted to listen to a collection of songs that truly encapsulate her unique sound as well as offer a glimpse into her captivating solo performances.

Maryen Cairns’ music continues to captivate and inspire audiences, offering a reflection on life, nature, and our interconnectedness with the world around us which is often forgotten in the fast paced world today.

Keep up to date with Maryen Cairns:

Website / Facebook / Instagram / Spotify / Apple Music / YouTube Music

Listen to Maryen’s New Single “Give To The Chase” on Spotify!

Faint Halos Drops New Single “Something To Lose” Ahead of Album Release – A Must-Listen for Indie Rock Fans!

Faint Halos, the brainchild of singer-songwriter, producer, and multi-instrumentalist Paul Hashemi, has released their latest single, “Something To Lose,” from the eagerly awaited album “I can see a million lights.”

With a captivating blend of raw emotion and undeniable charm, “Something To Lose” delves into the introspective territory of questioning life choices, especially those that pertain to love and lost love.

Originally conceived with a modern rock sound upon its initial release in 2022, Paul Hashemi has taken the song in a fresh direction opting for a more intimate acoustic setup.

Reflecting on this fresh new take, Hashemi shares:

“After the original release, I felt drawn to explore a different dimension of the song. Stripping away the layers revealed a tender, almost folky quality that I wanted to bring to the forefront.”

The track narrates a poignant tale of lost love with intricate emotional lyrics and instrumentation.

“Something To Lose” exudes a lighthearted charm, seamlessly blending old-school indie rock sounds with a contemporary edge. With unconventional instrumentation, including a sofa repurposed as a kick drum, and the melodic richness of the accordion, Hashemi has an innovative approach within the indie rock genre.

The result is a refreshing departure in a sometimes-stagnant music scene of indie rock music today.

“Something To Lose” was recorded, mixed, and mastered in Paul’s home studio in Berwyn, Pennsylvania;. Vocals were also tracked at home in North Carolina. The instrumentation is two acoustic guitars, an accordion, and some couch slaps/floor stomps. (Although truth be told, the accordion and percussion were both MIDI and not real).

Paul’s daughter Cate joins in too, with vocal harmonies, lending a really bright sound.


Based in Philadelphia, Paul Hashemi is a singer, songwriter, producer, and multi-instrumentalist. He is influenced by his formal training in classical piano, viola, and violin, and has taken much from the vibrant music scene of the 1990s, touring extensively with various rock bands along the East Coast.  

Paul says: “I play a half-dozen instruments and could never just focus on being a “singer” or “guitarist”, which is a really intriguing quality.

Despite a hiatus from music to prioritize familial responsibilities, Hashemi rediscovered his passion during the pandemic lockdown of 2020.

Under the moniker Faint Halos, he embarked on a new chapter in his musical career, crafting deeply introspective songs that explore themes of adulthood, fatherhood, and societal progress.

Connect with Faint Halos:
Website / Facebook / Instagram / Spotify / Soundcloud / YouTube Music

Listen to “Something To Lose” on Spotify and YouTube Music.

VIDEO VOYAGEUR: 3QS WITH GAVIN MCLEOD

At just 24 years old, Gavin McLeod has already established himself as a seasoned singer-songwriter and virtuosic guitarist in the sphere of indie rock music.

From his early days rocking out on video game drums to gracing the stages of festivals and television shows, Gavin’s musical path is nothing short of remarkable.

Driven by a deep passion for collaboration with other musicians, Gavin leads his band of brothers, blending the intimate storytelling of 1970s singer-songwriters with the electrifying energy of modern UK indie rock.

With his debut album, “The Constant Astonishment,” produced by industry veterans, Gavin is poised to captivate audiences with his anthemic melodies and captivating lyrics.

His new single “Things We Used To Do” is accompanied by a brand new music video, which was shot at a live show at the Horseshoe Tavern in Toronto on December 14th 2023.

It features a mix of raw and up close footage from the live show, at what is now a legendary Toronto music venue known for hosting countless influential musicians and bands over the years.

We caught up with Gavin to get the lowdown on the inspiration behind the music video:

1. Tell us the story of this song, why did you choose to visualize this song specifically? 

I have been playing live with my band since I was 11 years old. For the first single off of our debut album, it felt natural to shoot the music video at a show, raw and in the moment. There were a million stories this video could’ve told, but ultimately I wanted it to represent the band and the song in a very real way. Recording this song was an incredibly collaborative experience and most of the track was recorded live off the floor with the four of us in a room together.

Recording the music video at a venue was the closest I felt we could get to that original recording session. It was a special night at the Horseshoe Tavern downtown Toronto, and the whole thing was captured and put together beautifully by Connor Scheffler.

2. What was the inspiration behind this video (visuals, storyline, etc.)?  

I have always taken heavy inspiration from all of the old bands and artists of the 70’s. Neil and Bruce and Petty, those guys always had some great live music videos that always stuck with me. This music video is our attempt at that classic style, with all of the musicians on stage playing the song in real time. It is a raw and messy and chaotic in certain places, but that is how a live show can often be. We stepped out on stage that night with one chance to nail this video shoot, and we are all really happy with the result. We had a great crew filming us that night, and the energy from the crowd in the room was excellent. 

3. What was the process of making this video? 

For anyone from Toronto, the Horseshoe Tavern is an iconic and storied venue. Many great bands have graced the stage, and it’s always an honour to play in that room. I had booked this show months in advance, and when we began music video discussions, it made a lot of sense to line it up with this night. After some preplanning with Connor Scheffler and his team, we met up before soundcheck and started shooting some footage.

The video contains shots from soundcheck, the greenroom, and the live performance of the song. To keep everything in time, our Drummer Tyler played the song to a click track, and we tried our best to play as close to the studio recording as possible (which proved to be much easier said than done).

Afterwards, Connor put a few cuts together for us to watch and absolutely nailed the visuals and the flow of the end product. We are all very happy with how it came out.

The synergy between Gavin McLeod and his band shines brightly in this single and Gavin’s vision of capturing the raw essence of their live performances seamlessly translates into the recording process, resulting in a sound that feels both intimate and exhilarating:

I had the romantic idea of recording the album old school style – live off the floor – just like a show. It was a dream come true”, Gavin says.

“Things We Used To Do” is produced by Ross Hayes Citrullo.

On Lead Vocals are Gavin McLeod, McLeod and Patrick Mills on electric guitar, Gavin McLeod on percussion, Tyler Dewar on drums, and Joey DePaiva on bass guitar.

Keep up to date with Gavin McLeod on his website at www.gavinmcleodmusic.com 

Follow on Facebook, Instagram, and TikTok. 

Music can be streamed on Spotify,Apple Music, and YouTube.

Maryen Cairn’s Releases Sentimental New Single “Flew Away”

Maryen Cairns’ latest single, “Flew Away” pays homage to Joan Taubman, a trailblazing female pilot from Australia.

Released on International Women’s Day, the song reflects Cairns’ deep admiration for Taubman’s courage and resilience, despite her initially knowing much about her extraordinary life.

The song draws from folk influences, with Cairns’ exquisite vocals and intricate guitar work. 

Performing the song solo, Cairns shares her personal connection to the track including her unique approach to the whistling solo originally composed by her friend Paul Stockton:

“When my children were little, I used to take them to the swimming at the pool in my parents building in Sydney. They were, like most children, very noisy! An old lady who lived in the building used to waylay us on the way to the pool, and demand to know who gave us the right to use the pool. Years later my mum told me that she had been one of Australia’s first female pilots and that she used to reminisce about flying under the harbour bridge with her friends! Joan Taubman’s flying suit and helmet are in Sydney’s Powerhouse Museum, and I wrote Flew Away to celebrate how we never know what another person has gone through, what they have achieved, just by looking at them.

Now when I see an elderly person I wonder what adventures they’ve had, what made them laugh or cry, if they were able to follow their dreams, what they regretted, if they had a great love… I’m aware that we cannot see what a person has been through by looking at them, and this was a big lesson to me, that resulted in me writing Flew Away. I wrote this just after I had made the Femina Australis album, and of course it would have fitted beautifully on that album, being about an amazing Australian woman! The original recording of this song is on my album Come To Me from 2019. It features a beautiful whistling solo from my London friend Paul Stockton. Having been a leading choirboy at St Paul Cathedral school many many moons ago, this was only his 2nd time in a recording studio, and he came up with an incredible melody to whistle as a solo. Now, I can’t whistle, not at all (!) but I love Paul’s melody so much that I feature his solo by singing it!

Recorded at Echotown Studios in Dorchester, England, and produced by Chris Kimsey, “Flew Away” forms a pivotal part of Cairns’ upcoming debut vinyl release, marking a significant milestone in her music career.

With an extensive catalogue comprising of seven solo albums and collaborations with esteemed artists like Fish and Chris Kimsey, Cairns has solidified her position as a notable figure in the indie music scene.

Born in Scotland, and then emigrating to Australia, she began writing songs at the age of thirteen. She pioneered a home recording studio with tools like the Tascam 4-track, and Cubase. In the 2010s, she broke barriers with albums like “Stories from the Red Tent” which challenged taboos with its groundbreaking birthing imagery, and “Femina Australia” celebrating the lives of Australian women. 

Beyond her solo work, Maryen founded The Mfest, a celebration of motherhood and women’s creativity, and hosted Sydney’s first originals-only open mic night. Collaborations included backing vocals for ex-Marillion vocalist Fish. She even played a grand piano in an extinct volcano for a promotional video.

Inspired by her recent solo tour across the UK in August 2023, Maryen continues to engage with her audience through platforms like The Cairns Club, where she shares her personal stories, as well as a popular livestream series.

Stay current with Maryen Cairns on her Website, Facebook and Instagram.

Enjoy her music Spotify, Apple Music, and YouTube Music.

Jason Vitelli Transcends Genres with his Mesmerizing “1. Ambient Corridors” Album Release.

Brooklyn-based composer, artist, and instrumentalist Jason Vitelli released his new album “1. Ambient Corridors” earlier this year. 

The album serves as an inaugural instrumental collection, a series of projects planned by Vitelli, and highlights a return to his compositional roots. His dedication to exploring nuances of instrumental music comes to the fore here where Vitelli vividly experiments with various music styles and elements. 

All 12 tracks on this album show genuine musical skill as well as fine talent in sound design and orchestration, creating an overall impressionistic sound. 

Earlier single releases from the album, such as “Exit Love Story” and “Night Falls”, exemplify Vitelli’s ability to craft emotive melodies while experimenting with various musical styles and elements, songs which he coins “vignettes” in that they are short and highly illustrative. 

While the ambient genre usually conjures up the idea of a quiet and chilled-out musical backdrop, Vitelli takes the genre and molds it with his unique instrumentation and chamber orchestra, creating a more avant-garde sound that could be likened to 20th-century composer Olivier Messiaen delicately mixed with the experimental rock of Bowie and Kate Bush. 

There is a newness, a freshness as well as an ode to the “modern” music style of the past, as Vitelli breathes new life into these pieces. 

The piano counterpoint in “Lost and Found” is inspired by Bach, for example, while “The Veil” contains richer textures, deep cello melodies, and rhythmic percussion. “Snazzy Cats” brings together gentle jazz piano and cinematic elements with curious pop-style lines and an overall lounge aesthetic. 

All of these tracks on the album captivate the listener with quirky and sometimes surprising sounds, adding to the experience. 

“1. Ambient Corridors” is a rich collection of instrumentals that Vitelli has been cultivating for over two decades. These pieces all originated from a variety of multimedia projects, including short films, modern ballet productions, and documentaries. Recognizing the abundance of material he had amassed, Jason decided to categorize them based on mood and release each as a playlist in a series of albums. This is why there is a numerical prefix in the album’s title to signify the plan to reveal more playlists in the future. 

Some instrumental vignettes were composed with a plan to match specific video cues, while others were to be transformed into fully developed pieces. While Jason handles most of the recording and sampling himself, additional depth was added with session musicians on viola and cello. 

Finally, the mastering expertise of audiophile Barry Diament brings the finishing touches, ensuring a cohesive sound through leveling and subtle EQ adjustments. 

Listen to “1. Ambient Corridors” on Spotify

Stay up to date with Jason Vitelli on his Website and social media Facebook and Instagram.

Stream music on YouTube and Spotify.