Eyes of the Stars Debuts Gary Pickus’s Vibrant Call for Unity with “The World Will Unite”

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In a time when the world seems more divided than ever, Gary Pickus’s project, Eyes of the Stars, debuts a radiant anthem of hope and unity with his latest single “The World Will Unite.” 

The track is an infectious blend of reggae, pop, and R&B, and it carries with it a unified message – to remind listeners that, despite all of our differences, music has the power to bring us together. 

“The World Will Unite” has a bright, optimistic energy and a toe-tapping rhythm. Pickus’s long-held belief that joy and music are the antidotes to division is shown well here. It’s a melody that sticks in your head and a message that sticks in your heart.

Listen here:

Pickus’s vocals are smooth and passionate with the call for global togetherness. The chorus – soaring and anthemic – paints a picture of a future where differences can be celebrated, and where humanity can find common ground in love, joy, and faith. 

“The World Will Unite” also shines in its production. Pickus incorporates reggae’s laid-back rhythms, pop’s bright melodies, and the smooth, soulful textures of R&B. It’s the kind of song that transcends borders, much like the message it conveys.

“The inability to walk in another person’s shoes is a disability,” Pickus declares, challenging listeners to step into someone else’s world. 

What sets “The World Will Unite” apart though is its balance between being a fun, energetic track and something deeply meaningful. It’s music that feels good, but is also inspiring. 

And in a time when the world feels so fractured, that’s exactly the kind of song we all need. 

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Gary Pickus stands out as a versatile and seasoned music professional with a career spanning multiple decades, marked by notable achievements across composing, arranging, producing, musical directing, and performing.

His work has reached global audiences through his gold record, contributions to 20 albums, as well as the creation of 2 network TV themes. 

He has also developed a 4-CD children’s educational series and performed thousands of live shows on keyboards, with hundreds of his compositions placed in various media.

Pickus’ extensive career has taken him through key musical hubs like New York, Los Angeles, and Nashville, and his international projects reflect a deep understanding of world music influences. His commitment to creating music that serves a higher purpose is encapsulated in his mantra, “There is nothing more entertaining than saving lives,” which emphasizes the power of music to bring about positive change.

Throughout his career, he has worked alongside legendary figures like Alan and Robin Thicke, Dionne Warwick, Diane Warren, and Dasha, collaborating with many other industry creatives who have gained recognition supporting major stars.

Connect with Gary Pickus and Eyes of the Stars on the Website

Listen to “The World Will Unite” on Spotify!

Faint Halos Shines Bright in New Album Release “I can see a million lights”

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Faint Halos latest offering, I can see a million lights“, marks a transformative chapter for singer-songwriter and multi-instrumentalist Paul Hashemi.

This album is a striking blend of folk, rock, and experimental sounds, which also maintains a deeply personal narrative throughout all of its ten tracks.

Opening with “The Miracle Comes,” listeners are greeted with an uplifting vibe straight away. Hashemi’s voice shine against a backdrop of rhythmic drumming and bright instrumentation, setting a hopeful tone that carries through the album.

In contrast, “Last Scenes of the Resistance” explores darker themes of sacrifice and the weight of leaving loved ones behind for a cause. Hashemi narrates the story of a resistance fighter, reminding us of the personal stakes involved in the fight for freedom. The lyrical depth here manages to show how Hashemi brings intricate, poignant stories into his music.

One of the standout tracks, “Something To Lose,” re-imagines a previous rock hit as a delicate acoustic piece.

Stripped away of its original electric energy, the song allows the raw vulnerability to take center stage, particularly in the tender harmonies with Paul Hashemi’s daughter, Cate. Their collaboration adds an intimate layer, transforming it into an exploration of familial bonds and shared experiences.

The use of unconventional instruments, like a re-purposed sofa as a kick drum, shows Hashemi’s creativity and ability to find artistry in the everyday.

“Skyline Hill” is another highlight that captures the essence of nostalgia with its minimalist guitar work and evocative lyrics. Hashemi paints a vivid picture of Philadelphia. The delicate eBow guitar lines create an atmosphere that evokes a warm summer night, while the sparse arrangement allows the listener to immerse themselves in the emotional landscape. Here, Hashemi explores themes of belonging and the transient nature of life, emphasizing how our sense of home is shaped by both the familiar as well as more fleeting moments.

The energy shifts dramatically with “Disaster,” where gentle guitar arpeggios gradually build into an emotional crescendo. This track reflects internal conflict, with Hashemi’s unfiltered delivery bringing raw honesty to lines like, “I’m losing grip, it’s getting hard to stay intact.”

The juxtaposition of softness and intensity shows his remarkable ability to convey the complexities of human emotion.

Another reflective moment arrives in “Wasted on Youth,” a ballad that poignantly captures the bittersweet passage of time. The soaring chorus intertwines themes of regret with hope, embodying the struggle of reconciling youthful choices with the wisdom gained over the years. This theme of looking back while moving forward threads throughout the album.

Paul says about the album:

“I can see a million lights” (encapsulates one of its) major themes – reflection on choices made, promises kept, and promises broken in life. For Gen Xers like me, one of the most important values has always been authenticity. Our society today makes it harder than ever to stay authentic, and I think for anybody, as you get older you look back and see things you could have done differently, things that might have been.”

“I can see a million lights” is a beautifully crafted album that feels both intimate and expansive. Hashemi’s innovative approach to instrumentation, combined with emotive lyrics and storytelling, makes it a rewarding listen.

And with more than 100,000 Spotify streams of the singles combined from this album, “I can see a million lights” is sure to be a standout release of 2024 in music.

Keep up to date with Faint Halos:

Website / Facebook / Instagram / Spotify / Soundcloud YouTube Music

Singer-Songwriter Eli Golden Releases Brand New Single “Worst Nightmare”, out Now!

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Actor and musician Eli Golden, known for his starring role in the Netflix feature film “13 The Musical, “ has released a new single just in time for Halloween, “Worst Nightmare”.

It’s a striking blend of hip-hop and pop, all wrapped up in an eerie atmosphere that perfectly complements the theme. 

From the song’s beginning, listeners are drawn into a world of haunting melodies. Written in C minor, “Worst Nightmare” has only four chords in the verse, and three chords in the chorus, with the E major chord lending a creepy vibe.  Eli sticks to the minor chords in both the verse and the chorus, making sure that the chorus avoids anything too bright or happy. 

Golden’s voice captures the feeling of being trapped by the memory of a past lover. The lyrics explore the lingering emotional baggage following a break-up, making this song relatable to anyone who has experienced a similar heartache. 

The production on this track was co-crafted with producer Matt Anthony (Shinedown, Pat Monohan, Darius Rucker, Theory of a Deadman, Halestorm, Tammany Hall NYC, JJ Appleton, and more). The eerie soundscapes create a ghostly ambiance that echoes the theme of being haunted. Combining rhythm beats and melodic hooks is the perfect backdrop for Golden’s storytelling. 

One of the standout aspects of “Worst Nightmare” is how it artfully balances its darker themes with moments of brightness. The song’s structure builds tension throughout, leading to a memorable climax, which leaves a lasting impression on the listener. Golden can bring complex emotions into accessible pop music here, showing a maturity beyond his years. 

Having originally written the song at 11 years old, the decision to revisit it shows just how far Eli has come. It’s a compelling single that combines haunting themes with infectious pop sensibilities. 

“Worst Nightmare” will be a highlight track of the fall music scene for fans and newcomers alike.

About Eli Golden 

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Eli Golden, born in 2007, is a young actor and singer who made a striking debut as the lead in Netflix’s 13: The Musical.

Hailing from Westchester, New York, Eli grew up in a family deeply connected to the entertainment world. His early career included commercials and TV roles before his breakthrough on the big stage. His performance in “13: The Musical” showed his vocal and acting talents and placed him firmly in the spotlight as a rising star. 

With a strong sense of his roots and a passion for performing, Eli Golden is poised for an exciting future in film and theater. 

Stay up to date with Eli Golden on Instagram. 

Stream music on Spotify, Apple Music and YouTube Music

VIDEO VOYAGEUR: 3 Q’S WITH BUD E. LUV

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Behind the Scenes with Bud E. Luv’s Re-imagining of “Music to Watch Girls By”

For over 35 years, Bud E. Luv has been a captivating presence in San Francisco’s music and nightlife scene.

The charismatic alter ego of singer and showman Bobby Vickers, Bud E. Luv is known for blending humor, nostalgia, and sophistication in his performances. And with a career spanning prestigious venues like The Fillmore, Bimbo’s, and Paradise Lounge, and appearances across the U.S., he has become a fixture of timeless entertainment. His versatility allows him to effortlessly explore various musical genres, from jazz to pop, while maintaining an engaging, larger-than-life persona.

Recently, Bud E. Luv has turned his attention to reimagining the 1960s classic “Music to Watch Girls By.”

Known for its catchy melody and lighthearted vibe, the song has been revisited by various artists over the years but Bud’s new rendition brings a fresh and thoughtful perspective. In collaboration with director Tom Donald of hiTrecords, Bud E. Luv has produced a visually stunning black-and-white music video that reflects the complexities of modern society while paying homage to the song’s timeless appeal.

We got the chance to sit down with Bud E. Luv as he shares the story behind his decision to re-imagine the song, the inspirations behind the video, and the thoughtful message he hopes to convey.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

“Music To Watch Girls By” was written some 60 years ago, and today it’s regarded in some circles as inflammatory. We disagree.

To us, it’s a beautifully-written ode to the joys of humanity, in all its forms. Beauty is always in the eye of the beholder.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We chose Mr. Tipple’s, perhaps the classiest nightclub in San Francisco, for its noir lighting and background. It’s the kind of place where Bud E. Luv performs, but also where the young woman might venture for a night out.

As we stage the meeting between the two characters, this iconic location was perfect. In like manner, black and white photography seemed the right choice.

3. What was the process of making the video?

Our message is one of inclusion; we want to suggest that all of humanity, regardless of age or gender, is beautiful.

And as such, the simple act of beholding one another is as natural an act as we can undertake.

Speaking about the music video, Bud E. Luv shares, “Our goal was to send a message of inclusion and shared humanity. It’s not about objectifying – it’s about appreciating people for who they are, in all their forms.”

The combination of Luv’s timeless persona with Tom Donald’s thoughtful direction elevates this project into a reflection on human interaction, perception, and the beauty of fleeting moments.

Through thoughtful storytelling and elegant visuals, this new version invites audiences to appreciate the beauty and complexity of human connection. This project shows an enduring creativity and charm and that Bud E. Luv’s legacy will continue to captivate audiences for many years to come.

Find out more about Bud E. Luv on his Website.

Watch the video to “Music To Watch Girls By” on YouTube.

Animals In Denial Release Powerful New Single “COI”!

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Christian Imes, the driving force behind Animals In Denial, delivers a potent blend of industrial rock and electronica with latest single “Coi.” 

“Coi” is a track that has been a long time in the making. Initially composed in 2003, it began with electronic sequences created using Acid Pro 4, a tool that allowed Christian to stitch together the core of what would become a powerful and compelling piece. 

The track was initially intended as a pitch for one of his earlier bands, but the project was shelved when the band’s singer felt there wasn’t enough room for lyrics. However Christian knew there was something special within the track’s groovy, hard-hitting beats and dark atmosphere, so he tucked it away for years until the timing felt right to revisit it.

Listen in here: 

“Coi” channels the spirit of Nine Inch Nails and takes much of its inspiration from albums like The Fragile and Pretty Hate Machine. These influences are clear in the driving, industrial beats which are combined with a massive wall of sound created by searing guitar lines that cut through the electronic undercurrent. Imes explains that he wanted the track to be something that rocked as hard as metal but still had a danceable, rhythmic groove. 

The result is a track that balances heaviness and energy, perfect for both head-banging and losing yourself in its hypnotic rhythm.

One of the standout elements of “Coi” is its guitar work. Christian used his Epiphone Les Paul Special 2 to lay down both the rhythm and lead tracks, capturing a raw, gritty sound that perfectly complements the song’s darker vibe. His 85 Gibson Les Paul Studio, which was a cherished birthday gift from his mother, was used to add more depth and richness to the lead lines in the chorus, as well as fatten up the rest of the sound to give a sense of power. The guitar parts came naturally, with many of the recordings being first takes. 

While the bass lines were created using a sample pack and a keyboard, they blend in and add a weighty low-end that helps to anchor the frenetic energy of the drums and guitars. 

Christian’s attention to detail in production, even when using non-traditional instruments, shines through in every aspect of the song.

Recorded with a Shure SM58 microphone and enhanced using the Nectar plugin and a mic modeler plugin, Imes delivers a raw and emotionally charged performance. 

The lyrics reflect his feelings of betrayal, frustration, and emotional turmoil after a toxic relationship. Imes recounts how the relationship, marked by manipulation, dishonesty, and infidelity which left him feeling used and lost. Lines like, “I’m sick on the in, you’re sick on the out,” capture the disconnect between his efforts to heal and his ex-partner’s refusal to confront her own demons. At the time, Christian was navigating challenges related to PTSD and ASD, which added to the complexity of the situation.

“Lyrically, this is another one that was about one of my ex-girlfriends. It’s not nice but she treated me about as bad as you can possibly treat someone. From the hot and cold, to endless lies about stuff you should never lie about. She was my first after school serious relationship and I got really invested, and in retrospect the signs, flags, whatever, were there. I was also seeing doctors and therapists to deal with PTSD and ASD  and trying to figure out “me” is why I think I missed some clear signals that we would’ve been better as friends.”

Reflecting on the lyrics today, Imes acknowledges that both he and his ex-partner were dealing with unresolved pain, but at the time of writing “Coi,” he was still deeply hurt. He now sees the relationship from a more mature perspective, recognizing that it was a combination of their struggles that led to its unraveling. 

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Christian Imes, the brain behind Animals In Denial, is an artist who defies boundaries and challenges the status quo. His music merges elements of alternative rock, industrial, electronic, and even pop. As a neurodivergent artist, Christian shares a unique perspective and experience with Asperger’s syndrome, creating songs that speak to the human existence in profound and innovative ways.

A devoted family man, Christian can often be found jamming with his sons, passing on his love for music and creativity. His ethos can be summed up in his own words: “I just want to live my life surrounded by music.”

As the latest addition to the Animals In Denial discography, “Coi” solidifies Christian’s place as a visionary in the alternative and industrial rock music genres. 

“Coi” is now available on all streaming platforms, including Spotify, Apple Music, and YouTube.

Stay up to date with Animals In Denial on the Website, and Facebook. 

Stream music on Spotify, Soundcloud and YouTube music.

STEREO DIVE FOUNDATION’s Latest Release “HIKARI” Illuminates Global Connections with Electro-Pop Magic

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STEREO DIVE FOUNDATION’s latest single, HIKARI”, marks another stunning release from R.O.N. highlighting his signature blend of electronic and pop elements.

The song was written as the theme for the HIKARI Festival 2024 in Poznan, Poland, and it perfectly embodies the festival’s ethos of connection and unity through music. Influences from both Poland and Japan are brought together to create a sound that is truly unique:

The production is immaculate; the song opens with an atmospheric intro that layers various sound recordings captured in Poland. It immediately sets the tone and evokes the excitement and anticipation of a live performance. As the track progresses, R.O.N. mixes a mid-tempo electro-pop beat with a dreamy melody. It’s a subtle, soothing track, yet its emotional gravity is undeniable.

The chorus, with its repetitive “la-la-la-la-la” chant, stands out as the heartbeat of the song. This simple, yet evocative refrain elevates HIKARI, giving it a haunting, ethereal quality that’s hard to shake.

HIKARI” reflects on themes of connection and distance, resonating with R.O.N.’s comment that “Even though we are far apart, we are still connected.” The song’s message is universal and timely, making it especially powerful in a world where music is one of the few things that can truly bridge gaps between people and cultures.

HIKARI is a beautifully composed and thought-provoking track that embodies STEREO DIVE FOUNDATION’s ability to craft music that can connect with its audience.

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STEREO DIVE FOUNDATION is the music project of R.O.N., an acclaimed producer known for his sleek, digital-forward sound.

He has composed theme songs for internationally popular anime series like Beyond the Boundary, Food Wars!, Moriarty the Patriot, and That Time I Got Reincarnated as a Slime. R.O.N.’s distinct style, blending electronic elements with a modern, stylish edge, has earned him a strong following both in Japan and abroad.

Connect with STEREO DIVE FOUNDATION: 

Website // Facebook // Instagram // X // Spotify // Apple Music // YouTube