Nature Loves Courage is the rising electro-pop and dubstep trio who just released their debut single “Shapeshiftr.” This is a quirky rock electronic tune. It intermingles some synth and dubstep influences with a harder rock edge.
“Shapeshiftr” has an airy and ethereal sense about it though the beat keeps it grounded. It’s a metaphor for a change or a shift within us when it comes to pleasurable and survival situations. The melody is catchy and easily gets stuck in your head.
“The song is about a being that can shape shift into different animals but it’s also allegorical for sex and how we can morph into different beings during that activity, depending on the inspiration,” shares McKenna, the lead vocalist and keyboardist for the band. “The line ‘nothing digital can replace this’ is a commentary on how some people are consuming too much online porn.”
McKenna Rowe is driven by sound and all it’s complexities. She’s intrigued by the many ways you can manipulate it to create pleasurable sensations within us, giving our bodies a surge of serotonin. When it comes to writing her music, genre isn’t in her mind. She fascinated by everything from trip-hop and dubstep to catchy melodies, rock, and orchestrations.
Dan Hartman and Charles Ingram began making music together at age 15 united by a bold desire to explore the outer limits of alternately tuned guitars. The pair had an immediate intuitive connection, and hunkered down in a storage shed to home in on its avant-garde aesthetic. They emerged as Phantom Zell, a weird indie-punk band that specialized in curious guitar tunings and abstract and abrasive musicality. “We played punk shows, but we were the only band in the scene that broke the punk rules by not playing that typically fast and aggressive sound,” says Charles. By age 17, Dan and Charles’s songs were earning placements on compilations alongside diversely popular acts such as Of Montreal, Fugazi, Jawbreaker, Dillinger Escape Plan, and Converge.
Eventually, the band drifted apart, the scene changed, and Dan and Charles began to also go their separate ways. Though not actively creating together, the guys set out on parallel artistic paths finding inspiration in the synergy with films and soundtracks. And there were other uncanny connections. Over the years, they were bonded by unique correlating circumstances, including near death experiences such as near fatal car accidents, dying in a house fire, being struck by lightning, and escaping armed robberies.
“I had a 10-year relationship end, and, out of the blue, after a few years of not being in touch, Charles called me and said his marriage had ended at the same time,” Dan recalls. “At the time, I had completely stopped playing and creating music.”
The eerily similar life circumstances, the guys’ parallel creative paths, and the telepathic musicality they once shared made a powerful case to continue the musical dialogue. Inevitably, Dan envisioned a cohesive project and sent Charles that fateful text to start the impliers.
They just released their 3rd single, “Lightning,” which features their iconic experimental music with atonal sensibilities and playful nature. Their vocals provide a Beach Boys harmonic quality to it while their music provides a David Bowie meets Pink Floyd sound.
“Lightning” is chaotic in nature, with an ever changing tempo and a melody that’s just out of grasp. The music shares a story of the chaotic mind. They share yet another story with this song as they both were diagnosed with Bipolar Disorder. The song is a beautiful reflection of that experience through their atonal music and gripping lyrics. “While ‘Lightning’ constantly shape-shifts in mood and genre, it has its roots in a part of a song Charles made in 2005,” shares Dan. “While writing the concept for our upcoming record ‘cocoon,’ the lyric from that old riff came to mind and surprisingly; the entire idea for the rest of the song came as if it was always there. In about an hour, the bones of the song were written and recorded (the verses recorded that day are in the final version). By sending recordings back and forth, we traded disarming forks in the creative road, sending the song down a meandering but distinct path and arriving at the final version in the following weeks.”
John Greska has been intrigued by music since the second grade when he, like so many others, started playing piano. Since then, music has been a constant, from playing in the school bands to experimenting with Musecore. The young artist has never stopped chasing his dream of being a singer/songwriter and his latest single, “Mamma Maybe,” proves he’s got what it takes.
“Mamma Maybe” is an alternative folk and folktronica song that goes through a story of a fictional mother and son. He was inspired by the recent events in world history, at least since World War two. He became interested in Japanese history when he started learning the language and he realized that he doesn’t know anything about their history outside of the American point of view during the war. He thought about the people that grew up during that time and thought about what they would think about the world as it is today.
He takes the theme of change and allows us to grasp it. He recognizes and acknowledges that change is the key to becoming better humans, so that we don’t repeat history. As time goes on, ideas evolve with it and that can sometimes be hard for people to accept.
“The writing process was surprisingly difficult,” shares John. “Taking out the fact that I was trying to write about something extremely intricate and not really song-like, the actual music was super tricky. There were certain parts that had to sound happy and certain parts that had to sound ominous and the ending was rewritten three times. The ending of the song was the hardest part to find, because how do you end a story like this?”
Mitch Melodia is the artist and mastermind behind the jam “band” Alpha Pegasi whose sound is rock and some pop mentality with a lot of chilled out Led Zeppelin as an influence. “Alpha Pegasi has a Tame Impala-ish approach in the studio and a Phish-ish mentality for live shows,” says Mitch. “Improvisation extending songs is a staple of every show but when recording, I keep it concise. It’s fun for me to play and arrange every instrument on record, but I’m also stoked for future collaborations with other musicians in the studio.”
His recently released alternative rock single “Give Some, Get Some” has a Red Hot Chili Peppers vibe with bluesy undertones. The melody is precise and method, giving the hook a permanent place in your head. Mitch started writing it in 2013 and has been tweaking and working the song ever since to finally be what it is today, a funky, danceable, and groove-filled jam song.
“With groovy and funky verses, a more rock-heavy and catchy chorus, and a couple of firey guitar solos, ‘Give Some, Get Some’ is one of my favorites on the first EP,” shares Mitch. He has musical solos, funky versus, rock chorus’s and was made for a live setting.
Listen here:
A main financial focus for Alpha Pegasi is to donate 5% of all profits to environmental and health-orientated organizations like San Diego EarthWorks. Mitch aspires to use his music and art as a vehicle to support environmental and health-improving causes, including mental-health practices.
Natalie Fideler is the front-person of her self-titled power trio currently based in Minneapolis, MN. Having performed in several different ensembles over the years, the release of her debut album “Steak & Eggs” marks the beginning of her solo career. Her band consists of herself as the songwriter on guitar, keyboards, and lead vocals, Hailey Jacobsen on bass, and Leigh Underwood on drums.
The trio just released their newest single, “Three Man Army,” the title track of their next album of the same name. While their previous single, “Judas,” had more of an alternative rock sound and contemplated the Christian Religion and what that means to Natalie, “Three Man Army” is more fun. The song has a funk and blues element to it and is carried by Natalie’s vocals which are beautiful and passionate, giving off a softer Demi Lovato or a Hayley Williams vibe.
“Three Man Army” utilizes the trumpet, giving the melody a catchy sound that makes you want to get up and dance. The song is the first one Natalie had ever written, way back when she was 14 years old. It’s Natalie speaking to a dear friend she had just had a falling out with (and herself in a symbolic way) trying to figure out who she is and who she wants to be. She sings “There’s plenty of people out there just like me/messed up, broken, incomplete,” giving a sense of empowerment and inner conflict.
“I eventually retired the song when I was in college thinking it ‘sounded too young’ and I was sick of it,” shares Natalie. “But one day many years later, I was doing a pandemic livestream concert from my living room and my fiance/drummer Leigh heard me play the song for the first time. Once I had finished the tune she said to me (verbatim because the stream is archived), ‘Question. Is there a reason that we’re not playing that one full band?! What’s wrong with you?! It’s a great song, it’s funky. Why aren’t we doing it full band?!’ I thankfully decided to bring the song back.”
The rising indie folk singer/songwriter, Michael Gutierrez-May, has been working to help the underground folk music scene for almost 30 years. While he’s promoted shows, booked coffeehouses, and supported underground artists, unfortunately, he didn’t do enough to support his own songwriting endeavors. But in 2009, he decided enough was enough and started focusing on his music.
He just debuted his lyric video for his much loved song “Imaginary Tomato” from his latest album, Drifting to the Right. The song has a Bruce Springsteen style in both Michael’s vocals and guitar style, but there’s also a hint of Johnny Cash in the style and storytelling. Michael utilizes his background as a mental health therepist to inform his songwriting, especially “Imaginary Tomato.”
“‘Imaginary Tomato’ is a fun video created by Kat Reinhert about political ranting on the home front,” says Michael. He takes on his own frustrations on the political standing of the United States and his anger towards the former President. The lyric video is quite animated. The lyrics are guided by a tomato, but the tomato is telling the story to the viewer. It dances around the screen, guiding your eyes to the words and direction the words go. It’s the most telling lyric video I’ve ever seen.
Watch here:
The song is “inspired by current events with the added thought not to take oneself too seriously,” shares Michael. “This song came quickly, not long after the tomato idea emerged from my subconscious. The message of the song is to embrace tolerance and openness, keep hope alive and also not to be afraid of throwing tomatoes at repressive authorities.”
Modern Mystery 
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