VIDEO VOYAGEUR: 3 Q’S WITH MASSEY

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Box of Rain” has always been a song that carries an emotional weight, deeply intertwined with themes of love, loss, and the healing power of music.

Originally written by Grateful Dead bassist Phil Lesh as a poignant farewell to his father, it has since become one of the band’s most cherished and resonant tracks.

When Phil Lesh passed away in October of 2024, MASSEY found himself reflecting on the profound connection he has with this song. In collaboration with Vince Herman of Leftover Salmon, he has created a new, rock-infused version of “Box of Rain” that pays tribute to Lesh’s legacy while breathing new life into the timeless classic.

Released today, this re-imagined rendition is much more than a cover. This is a wonderful tribute to one of MASSEY’s all-time favorite songs and a celebration of the enduring spirit of the Grateful Dead.

Working alongside an exceptional group of musicians including Charlie Wooton, Daniel Groover, Peter Oravetz, Michael Lemmler, and Doug Belote, MASSEY brought his vision to life at Dockside Studio, with the track being elevated by the mastery of JoeBaby Michaels and Abbey Road Studios.

But the journey didn’t end with the recording. The release is accompanied by a vibrant music video that allows listeners to experience “Box of Rain” in a new visual context. Directed by Jim Mimna, the video complements the song’s messages of connection and healing while also inviting a new generation of fans to discover the beauty in this timeless piece.

In this interview, MASSEY opens up about the inspiration behind reinterpreting “Box of Rain”, the collaborative process with Vince Herman and the emotional journey of revisiting a song so deeply connected to both personal and wider themes:

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

This is a cover of the Grateful Dead song Box of Rain. It is one of the few Dead songs written by bass player Phil Lesh, who passed away a couple months ago, just as we were preparing to record all the tracks for the upcoming MASSEY debut album: Reason For Being. JoeBaby Michaels, the founder and head of my label, Bent River Records, who is also my producer, had instructed that it would be a good idea to include a cover.

When Phil passed I immediately thought of Box of Rain. It is just about my very favorite Grateful Dead song. It has always struck me in a deeply profound and emotional way. And with Phil’s passing, I thought it was very appropriate. We did agree it should be a more edgy rock version, one of my natural styles, which I feel we accomplished, while still totally respecting and paying homage to the original, and Phil. 

It’s important to note that this is a duet with Vince Herman, a founding member of Leftover Salmon. A long time friend of JoeBaby’s, they had never worked together, and they agreed this would be a perfect, heartfelt song for them, and me, to collaborate. Vince is one of the nicest, sweetest, rockstars you’ll ever meet. And I believe our work together on this song shines the light.

2. What inspired this video (visuals, storyline, etc.)?

The song was written by Phil as his dad was dying. I believe it’s a metaphor of love, loss, and the personal peace and healing that’s available to all of us. It’s very beautiful. And I was always emotionally affected by it, as with much of the music I deeply love, from the actual music first, even more than the words.

3. What was the process of making this video?

The video is so excellently done by our videographer Jim Mimna. He combined the studio footage of me and Vince, as well as the amazing players in our band: Charlie Wooton on bass, Peter Oravetz on lead guitar, Daniel Groover on guitar, Michael Lemmler on keys, and Doug Belote on drums; Paired with very effusive illustrated images that, like the song lyrics, suggest deep emotional meaning but allow for interpretation by the viewer. 

VIDEO VOYAGEUR: 3 Q’s with JULIE HAVEN

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Julie Haven’s latest single, “Running Man,” is a surprising, upbeat shift from the more introspective ballads that have established her as one of Metro Detroit’s most soulful and evocative singer-songwriters.

Known for her honest reflections on heartbreak and life’s tougher lessons, Julie’s music has always been an outlet for the heavier and more complex emotions that resonate with listeners.

But with “Running Man”, a cheeky, piano-powered pop-rock anthem, Julie lets her lighter, wittier side take center stage. Inspired by an emotionally elusive partner with a “dismissive avoidant attachment style,” the song is a burst of energy and personality aimed squarely at a man who “runs at the first sign of struggle or closeness.” The music video, however, takes things a step further, and captures the humor and absurdity of this dynamic with over-the-top silliness.

With a cast of hilariously exaggerated characters and laugh-out-loud moments, the video features Julie’s friends dressed up in zany roles. From the elusive Running Man himself to a wig-wearing “mother” crying over her daughter’s love life.

Filmed in her old Florida home and local parks, the video transforms familiar settings into a stage for playful scenes that poke fun at her own heartbreak.

Here, Julie shares what inspired “Running Man,” how the video came together, and why this song is such a departure for her musically and emotionally.

1. Tell us the story of this song; why did you choose to visualize this song specifically in this way?

The song itself was written as a sort of follow up to “See Me Cry”, where I was already in a state of frustration from feeling like I was being toyed with by an emotionally unavailable partner, (who now I realize many years later, was man with a dismissive avoidant attachment style), and the constant hot and cold dynamic led to an even angrier version of myself when I wrote “Running Man”. Which essentially, is about a man who constantly runs at the first sign of struggle or closeness in a relationship.

I wanted this video to be just super over the top, ridiculous and silly.  Most of my songs are very serious and about heartbreak or the constant lessons of life that I’m trying to interpret and learn. I released “Kill Me”, which is a pretty dark song about being lied to and about infidelity, which had a very creepy animated video along with it, then followed that up with the emotionally heavy, “Between the Lies”, about domestic abuse, and I wanted this video to be the total opposite of that and just be stupid, really. I have a bunch of different sides of me, and the people who know me very well, know that as dark and depressed I can be, I can also be really silly and have no problem making fun of myself. So I wanted that to come through in this video.

So with the video, I wanted to take the lyrics and over exaggerate them with a very tongue and cheek tone.  We have Benjamin Card, (a super talented songwriter under the name “Breezy Tempest”) the Running Man himself, and he’s in this bright yellow outfit and basically running the whole time. My friend Glenn Baker (Glenn Baker Band) plays my mother, and he’s wearing a bright red wig with a full beard. And the basic story is I give him my heart, which in the video is an actual heart shaped totem, he runs away with it, but keeps coming back while I keep giving him chances. Eventually I run after him and get my heart back once and for all.

2. What inspired this video (visuals, storyline, etc.)?

When I thought about making this video, I just kept picturing the most ridiculous scenes and this guy just running away from the simplest things like milk spilling onto the floor, being intimate and bolting, taking off when I’m crying watching a movie (“Kill Me” easter egg moment), actually biting me and running away (a line in the song). And it just kind of morphed into what we have. I added the idea of my mother crying every time this guy runs away and breaks her little girl’s heart, and it hit me one day “What if Glenn dresses in a wig and a tight dress?! It would be hilarious!” Then my disapproving father (who has never approved of any man in my life) is smoking a bubble pipe with a drawn on beard (Ironically enough played by my now ex). It’s just over the top silly. And just for fun I added my friend Michelle Johnson in there for no reason other than being the “BANG!” girl who is a random character who pulls a trigger on a prob gun that says “BANG!” and cheering for everything cause she loves everyone. She cracks me up.

3. What was the process of making this video?

Lance Goodman was the videographer, director and editor. He is the same guy who filmed “Between the Lies”, and I loved working with him the first time, so I decided to do it again.  One of the cool things is that we filmed both videos in the same locations; the house where I used to live with my ex in Florida, and the park where we used to run. I thought it was neat to have the dark and the light in the same places. 

We filmed this in one day. So the day of the shoot everyone showed up at the house and I had my ideas written down as certain scenes I wanted to try and we tried it all. We then went to the park and finished the running scenes, which was very funny because there were random people walking around and watching us as we acted out this ridiculous video. A scene we added last minute was Ben dropping my keyboard and breaking it and then taking off, leaving me to clean up the mess. I would never condone destroying a piece of perfectly good equipment, however, two days prior to filming this video, I was rear ended and my car was totaled along with my keyboard while I was driving to a gig. I wanted to add a car scene in the video but the car was undrivable. So I decided to add the keyboard scene in since it was already destroyed. Very “Rock ‘n Roll” lol. 

I also gave Ben full reign to do whatever he wanted with the character, and he was perfect for that role. I could not stop laughing. I kept breaking character because he would surprise me with the faces he would make or moves he would just randomly do. We all had a lot of fun making this. Great memories for sure.

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“Running Man” is a track from “Dramatic Departures”, Julie’s first full-length album, crafted from an intimate collection of songs she’s kept close over the years.

Her discography already includes an album, four EPs, and a live record, capturing a journey that has seen her perform across the U.S., from small coffeehouses to major festivals.

Julie has been a recurring artist at Michigan’s celebrated Arts, Beats and Eats Festival, where her music resonates with audiences year after year. With the upcoming worldwide release of “Dramatic Departures“, Julie invites listeners to connect with her most personal work to date.

Listen to “Running Man” on Spotify.

Keep up to date with Julie Haven on her Website.

VIDEO VOYAGEUR: 3 Q’s with JASON SINAY

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Jason Sinay is a name that carries weight in the music world, not just for his collaborations with icons like Keith Richards, Neil Young, and Lucinda Williams, but for his long-standing role as a member of Heartbreaker Mike Campbell’s band, the Dirty Knobs.

Now, stepping into the spotlight with his solo career, Sinay is carving a new path defined by raw masterful and original songwriting, and a deep connection to his musical roots.

At the heart of this next chapter is “High Plains Drifter,” the lead single from his upcoming double album, “The Mountain due to be released at the beginning of 2025.

Inspired by Clint Eastwood’s iconic Western of the same name, the song blends cosmic country-rock with introspective storytelling, painting a vivid picture of self-reckoning. Its jangly guitars and atmospheric grooves capture the timeless spirit of the Old West while reflecting Sinay’s personal journey of confronting inner demons and embracing the complexity of human nature.

In this exclusive interview, Sinay opens up about the inspiration behind the official music video to “High Plains Drifter”:

1. Tell us the story of this song. Why did you choose to visualize this song specifically in this way? 

High Plains Drifter” centers on an ominous character — “Born to be a liar/ Born to be a liar/ Like me” — who turns out to be the man in the mirror. 

The song is about coming to terms with my own sense of good and evil within myself. I never wanted to look at evil in my life. I always was like, That doesn’t exist. That can’t be true. People aren’t that bad.

And then I realized, Well, sometimes, I’m not that bad.

The song is named after Clint Eastwood’s 1973 Western High Plains Drifter — one of my favorite films ever made!

2. What was the inspiration behind this video (visuals, storyline, etc.)? 

We approached legendary music video director Woody Ford, who brings fun and compelling imagery to his work. We all are fans of the silent Western/Comedy films of the early 1900’s and thought those masterpiece’s could be a great resource to tell the story of the onimous characters of the old West, outlined in the song. I am thrilled with the results.

3. What was the process of making this video? 

Woody and his team spent over 40 hours viewing classic silent films, most over 100 years old, that he could repurpose to bring the storyline to life. I was blown away with the wealth of great footage they uncovered.

It was amazing how Woody used the lyrics, throughout the video, and kept the integrity of these classic films by making the video in the style of a silent film. He did use some modern AI technology, to incorporate me as one of the characters in the video … see if you can locate my cameo?

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Keep up to date with Jason Sinay on his Website. 

Stream music on Spotify and YouTube.

Stephen Jaymes’s New Single “The Evidence Against Her” Speaks to the Psyche of Today

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Stephen Jaymes continues to impress with his mysterious new single, The Evidence Against Her, a thought provoking exploration of inner turmoil and spiritual conflict.

In this brand new single, Jaymes goes deep into the murky and mysterious waters of Jungian psychology, exploring the relationship between a man and his anima – the feminine aspect of his psyche who seems to have turned against him.

The track has an eerie ambience with its stormy instrumentals which build tension, and the inclusion of a chorus without words adds to this overall atmosphere. The listener is drawn into the depths of both dread, impending doom, and beauty.

Listen in here:

While Jaymes is building a name for himself with his unique blend of punk and new wave, you also find some folk influences all of which work together to create something entirely unique.

The other thing about Jaymes’s songs is that the lyrics actually mean something. Something beyond the usual theme of the day, something that goes deeper and speaks to the psyche of the modern day. The uncertainty, the turmoil, the darker side of things if you like.

“The Evidence Against Her” takes a long and hard look at the importance of maintaining a sense of harmony with one’s spiritual muse, or could you say “higher self”, in the midst of so much adversity. These factors combine to make his music something memorable.

“The evidence against her, laps at the window and doors, Every day there’s more of it, It’s pooling up through the floors, And suddenly I’m drifting, On a sea so vast, No wind and no sail, No way to make love last. But I refuse to dive in. Though it says it will save my soul. I know the evidence against her. Hides a deadly undertow. Is it better to be rescued. Or to drown in sight of land. When to see you captured. Is the fate that she had planned?”

The accompanying music video takes these themes further, portraying Jaymes as a figure adrift at sea who is grappling with his internal struggles. A striking visual presence, complete with curly mohawk, reinforces the song’s message.

The Evidence Against Her not only marks a significant addition to Jaymes’s growing discography but also serves as a sort of thematic companion to his earlier single “Chief Inspector“. Both songs delve into Jungian concepts, reflecting on the battles between the self and the unconscious.

But this song is also an eerie reminder that, whether we are aware of it or not, we are all able to explore how we have reached this new world we are in.

Listen to “The Evidence Against Her” on Spotify now!

Keep up to date with Stephen Jaymes:

Website // Facebook // Instagram // Spotify // Soundcloud // Apple Music // YouTube Music

VIDEO VOYAGEUR: 3 Q’S WITH SIREN

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Siren is back with a bang, delivering a potent mix of gritty storytelling and visuals in their latest single, “Dead Beggar.”

Known for their melodic rock fusion and thought-provoking lyrics, the band takes listeners on a journey into the heart of societal divides, tackling the age-old battle between the wealthy elite and the oppressed.

Inspired by the epic power struggles of Game of Thrones, “Dead Beggar” paints a raw, emotional picture of the haves and the have-nots, with a triumphant twist- the underdogs finally win.

To bring this powerful message to life, Siren partnered with acclaimed video director Isaac Deitz, who transformed their vision into a stunning, cinematic masterpiece.

The video, filmed across Coral Springs, FL, and downtown Atlanta blends striking visuals with a storyline that symbolizes the fight for control and the eventual rise of the downtrodden.

In this exclusive interview, lead singer Rob Phillips opens up about the creative process, the inspiration behind the song and its striking video, and how the collaboration with Deitz elevated “Dead Beggar” to a whole new level.

1. Tell us the story of this song, why did you choose to visualize this song specifically in this way?

We wrote the song with a Game of Thrones vibe. It is about the haves and have nots. The visualization was the work of our video director Isaac Deitz. He is extremely talented and has a gift for bringing our music to life on the screen.

2. What was the inspiration behind this new video (visuals, storyline, etc.)?

We wanted to show a power struggle between the classes of the wealthy and the poor. The orb in the video represents the power that eventually gets taken by the poor. Isaac did an amazing job delivering a powerful visual representation of the song.

3. What was the process of making the video?

The narrator shots were done at our Coral Springs, FL Studio with a black screen. The remaining shots were done in downtown Atlanta, Georgia with the two other actors, the boy and the villain.

They both did a fantastic performance.

Siren’s latest single “Dead Beggar” is distributed through The Orchard / SONY via Madison Records.

Connect with Siren via:

Website I Instagram I Facebook I Twitter I YouTube I Spotify I Soundcloud

Bud E. Luv’s Timeless Take on “Music to Watch Girls By”

Bobby Vickers, performing under his iconic alter ego Bud E. Luv, delivers a striking revival of the classic “Music to Watch Girls By” that both honors the song’s history and reframes it for modern times.

In his new interpretation, Bud E. Luv expertly balances nostalgia with fresh, sophisticated flair, crafting a rendition that feels both familiar and entirely new.

Watch the music video here:

Bud E. Luv is no stranger to reinventing classic tunes. Created by Vickers more than 35 years ago, the character has become a fixture in San Francisco’s vibrant music scene, with performances at legendary venues like Bimbo’s, The Fillmore, and Paradise Lounge.

Bud E. Luv’s alter ego allows Vickers to explore an array of musical genres, from jazz and swing to pop, all while remaining timeless. His extensive career has taken him to stages across major cities like New York, Los Angeles, Seattle, and Boston, where he’s performed for prestigious audiences, including at events like the MTV-televised Osbourne vow renewal and Super Bowl Eve celebrations.

The black-and-white music video accompanying this release is directed by Tom Donald, the founder of San Francisco’s hiTrecords.

Set in the elegant Mr. Tipple’s Jazz Club, the sparse backdrop of empty seats evokes a sense of introspection, drawing the viewer into Bud E. Luv’s contemplative performance.

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The mysterious figure of Ilana Niernberger, who is Luv’s only member in the audience, adds a layer of intrigue. Her eventual disappearance is most reminiscent of an Ingmar Bergman film and gives us a symbolic and haunting touch, suggesting that what we admire often exists only in fleeting moments.

Vocally, Bud E. Luv offers a smooth, nuanced performance that strips away the kitsch associated with some earlier versions of the song.

This includes Andy William’s popular but often overly polished rendition. Luv’s phrasing, rich with emotion and subtlety, brings out the layers of complexity within the song, making it clear that his version is not merely about watching or objectifying but also about celebrating people in all of their diversity.

Tom Donald’s direction also plays a pivotal role in modernizing the piece. By focusing on the respectful recognition of beauty rather than its objectification, Donald transforms “Music to Watch Girls By” from a product of its era into a meditation on human connection.

He smartly acknowledges the original’s historical context without being confined by it, presenting a version that speaks to contemporary sensibilities:

“The world is there and meant to be recognized, valued, and respected,” Donald says. “Mr Luv understands the essential dynamic between people; he’s lived long enough and seen enough of the world to know that it’s not about degrading the visage, but instead honoring and celebrating it in all its forms.”

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This project reinforces Bud E. Luv’s status as a timeless entertainer. His ability to adapt to changing times while maintaining the integrity of his performance persona is impressive.

For fans of classic standards as well as newcomers, this is a definitive version of “Music to Watch Girls By” that deserves attention.

Keep up to date with Bud E. Luv on his Website.